Category: NYC Metro

  • Jason Flashner Wants You To Dance Like Nobody’s Watching

    Long Island singer-songwriter Jason Flashner is gearing up to release his third studio album, Rocks and Roots, on March 11, 2022. The new LP ends an almost eight-year gap between his last effort, 2014’s Indie Tale, and falls on the tenth anniversary of his first album, Acoustics and Stones.

    Jason Flashner

    Rocks and Roots comprises two parts: one with a full band (although Flashner plays every instrument), and the other with acoustic versions of the same songs. Flashner debuted the first song, “Alive, Awake!” at the tail end of November, and has more waiting in the wings. The album’s second single, “Like Nobody’s Watching,” premieres today.

    “Like Nobody’s Watching” is an upbeat, breezy guitar tune perfect for warming our hearts in the dead of winter. The lyrics are about taking a bad day and turning it around, using dance and music as a remedy. Accompanying the song is a homemade music video, with clips of children dancing happily. Before the release of Rocks and Roots in March, Flashner plans to release one more single, “This Wave,” in February. 

    Jason Flashner, who also goes by Jay, is an independent artist through and through. He’s learned the business side of music by himself, watching tutorials to learn how to promote and pitch his work. He recalls an incident earlier in his career when his hard drive stopped working and he lost an album’s worth of music, and didn’t have it backed up. Going forward, Flashner used the experience as a learning opportunity:

    If we learn from our mistakes, we minimize that from happening, so whenever something like this does occur, I try to remain as patient as possible and know that there will be something to learn from it. It is all a marathon rather than a sprint, and we can all get there with patience.

    Jason Flashner

    While he never lost an album again, Flashner re-recorded Rocks and Roots multiple times until he felt confident in his work. Given his patience and perfectionism this time around, it might be his best yet. Listen to it on March 11, 2022, on all major streaming platforms.

  • Long Island Music Hall of Fame announces 2021 Music Education of Note Award Honoree

    The Long Island Music Hall of Fame announced the 2021 Music Educator of Note Award recipient, Kim Löwenborg-Coyne. The LIMHOF gives the award to those who do outstanding work in Long Island music education.

    Long Island music award
    The Long Island Music Hall Music Educator of Note Award recipient- Kim Löwenborg-Coyne.

    Dr. Löwenborg-Coyne was born in Lynbrook, NY. She earned a B.A. in Music Performance and also a B.A. in Philosophy from Molloy College. She also has a M.A. in Musicology and a Ph.D. in Higher Level Music Education from NYU.

    In 1996, she started teaching in Rockville Centre Schools and became the Director of Art and Music Programs for North Babylon. She has also performed at Carnegie Hall as an accompanist for the NBHS Choir.

    Long Island music award

    In 2008, Dr. Löwenborg-Coyne raised grant funds to bring Pierre Dulaine’s Ballroom Dance program to Long Island. She has been trying to bring culturally diverse residency programs to North Babylon as well. She has made sure the all kids get quality instruments, amazing technology, and world music education.

    Dr. Kim never takes no for an answer when it comes to the children of North Babylon!

    Superintendent of Schools Kim Skillen

    Dr. Löwenborg-Coyne deeply honored to receive the award, alongside her husband and two children.

  • Bill Charlap Trio Announces Performance at Flushing Town Hall in April

    Bill Charlap Trio have announced a new date for their upcoming performance at Flushing Town Hall on Friday, April 8, 2022. Bill Charlap is a multi-nominated GRAMMY artist with four nominations and one win back in 2015 for Best Traditional Pop Vocal Album with The Silver Lining: The Songs Of Jerome Kern. The show was originally planned for January 15 but was postponed due to the omicron wave of COVID-19.

    Bill Charlap Trio
    Bill Charlap Trio, Photo Credit: Philippe LEVY-STAB

    Bill Charlap Trio will be performing at Flushing Town Hall will host pianist Bill Charlap, bassist Peter Washington, and drummer Kenny Washington. The Trio was formed nearly 25 years ago by Bill Charlap back in 1997 and has earned GRAMMY nominations for Uptown Downtown (Impulse!/Verve), Somewhere: The Songs of Leonard Bernstein, and The Bill Charlap Trio: Live at the Village Vanguard (both on the Blue Note label). 

    Bill Charlap was born in New York City in 1966 and started playing the piano at the young age of three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, appeared on the Ed Sullivan and Perry Como shows, and earned a GRAMMY nomination for her recording of “My Coloring Book.” He has performed with many of the well known artists ranging from Phil Woods, Gerry Mulligan, Wynton Marsalis, Freddy Cole and Houston Person to singers Tony Bennett and Barbra Streisand. He is known for his interpretations of American popular songs and has recorded albums featuring the music of Hoagy Carmichael, Leonard Bernstein and George Gershwin. 

    The performance will take place on Friday, April 8, 2022 at 8PM. In-person tickets are $25/$20 Members. Those unable to attend in person can join the livestream and tune in virtually for free at here, but donations are greatly appreciated. For tickets and more information, visit here or call (718) 463-7700 x222.

    COVID Policy: In adherence with Mayor Eric Adams’s Covid policy for performance venues, Flushing Town Hall will require all visitors ages 12 and up, performers, and staff to show proof of vaccination. Masks will be required at all times for everyone. For more details on Flushing Town Hall’s Covid-safety measures and vaccine requirements, please visit here.

    For more information on Bill Charlap Trio’s performance at Flushing Town Hall visit Flushing Town Hall’s website.

  • Second Show added to 50th Anniversary of “Eat a Peach” at Beacon Theatre in March

    On Friday, March 25 and Saturday March 26, the music of the legendary Allman Brothers Band will be celebrated at New York City’s Beacon Theatre, honoring the 50th anniversary of Eat A Peach, which was released on February 12, 1972 and stands as one of the greatest albums of all time.

    eat a peach

    The Beacon Theatre has been home to more than 250 Allman Brothers Band shows throughout their storied career, and March 25th will mark the debut of Trouble No More, a group including Brandon “Taz” Niederaurer (guitar, vocals), Daniel Donato (guitar, vocals), Dylan Niederauer (bass), Jack Ryan (drums), Lamar Williams Jr. (vocals), Nikki Glaspie (drums), Peter Levin (keys) and Roosevelt Collier (pedal steel guitar).

    A portion of the proceeds to benefit the Big House Foundation in the Allman Brothers Band’s hometown of Macon, GA. The primary mission of the Big House Foundation is to preserve and promote the rich musical heritage and inclusive diverse culture of the Allman Brothers Band through programs revolving around education and exhibition.

    Composed of five white hippies and one African American, the Allman Brothers Band made quite a social impact in their home base and communal hub in Macon (and the current home of the Allman Brothers Band Museum), the Allman Brothers Band spread a message of peace, love and acceptance.

    Due to overwhelming demand, Trouble No More will perform on Saturday, March 26 as well. Pre-sale tickets for the 50th anniversary celebration of Eat A Peach are now on sale, with ticket on sale set for Friday, January 21 at 10 AM EST.

  • Steve Aoki Throws Cake at Nebula in Times Square

    Two time GRAMMY-nominated producer/DJ Steve Aoki made his way back to New York City’s club Nebula. One of the most recognized faces in EDM and deemed “one of the most in demand entertainers in the world” by Billboard, Aoki is one of today’s most successful American cross-genre artists. Collecting 2.8 billion streams on Spotify and a veteran of the live entertainment scene, Aoki is justifiably a one man party when it comes to his shows.

    steve aoki

    The clock struck 1am in Times Square as anxious concert goers could barely hold back their excitement for the DJ. If anything, Aoki knows how to work hard, creating his own label at the age of 19, Dim Mak Records, and of course, an expert on delivering incredible live shows and tonight was no exception. Emerging from behind the DJ booth, Aoki sported his long luscious signature locks beginning the night with a remix from Netflix’s most watched show Squid Game. 

    steve aoki

    EDM shows are commonly recognized for lighting producrtion, including strobes and visuals, encapsulating the audience in a visceral environment to complement the electronic music. Steve Aoki is unique in his on stage presence, frequently seen running across the stage, singing along with the crowd, and often doesn’t find himself caged behind his booth. 

    steve aoki

    At my shows, I am always thinking of how to define myself different[ly] and be fun. At the end of the day, you come to a show, you want to have a good time

    Steve Aoki

    With no hesitation, Steve rose atop of his booth, to match the energy of the packed dance floor. Screaming each lyric of “Azukita” and avid fanatics joined him in unison before ripping off his shirt and launching it into the crowd. His relentless fist bumping conducted the spellbound audience; Steve’s energy was contagious throughout the night creating an electrical current surging through the crowd. Arms up, palms open, Aoki unleashed his newest release “Typical” with Alok and Lars Martin. After less than a week, the single has already garnered over 1.5 million streams on Spotify

    Amidst ABBA’s “Gimme Gimme” and Zedd’s “Beautiful Now,” Aoki halted his remixes to take time to connect with the crowd. Aoki has reached global stardom with his steady stream of releases along with collaborations with prominent names like BTS and the Backstreet Boys. His successful label, Dim Mak Records, has helped launch the career of The Chainsmokers, Bloc Party, and The Kills. Forbes recognized Aoki as one of the top 5 world’s highest paid DJ’s and the world’s hardest working DJ. At 44, Aoki continues to be of undeniable stature in the music industry. His recent performances range from across the U.S to his prior show in Saudi Arabia. Aoki disclosed his ongoing footage of each performance for his new music video with Armin van Buuren for “Music Means Love Forever” and invited New York to take part.

    steve aoki

    The ultimate drop in “Music Means Love Forever” hit the audience like a defibrillator sparking sweat-covered bodies on the floor for perpetual intensity, and Aoki’s iconic “Cake Face” that followed was all too familiar for this crowd. Fans begged and pleaded to receive sheet cakes to the face from their favorite DJ. Steve put perfect arc and power into each launching of about five styrofoam-bottomed sheet cakes that could rival some of the best NFL quarterbacks. Gracious fans were blessed and covered by frosted baked goods from the fellow southpaw. 

    steve aoki

    Steve Aoki’s notoriety in the EDM community could be felt throughout New York City. Boasting a lauded discography, Aoki had a plethora of songs to select and closed the night with his collaboration with Kid Cudi’s “Pursuit Of Happiness”. Steve Aoki’s ability to feed off the spirit of his audience and engage with the crowd throughout his sets makes for an unforgettable concert from this two-time GRAMMY nominee. With almost 250 tour dates per year, Aoki’s unabated lively performance creates a community with the DJ and his loyal fanbase for a fun night of memories.

  • New Year’s Day Flashback: Jazz at Town Hall, January 1, 1947

    To start 2022, let’s jump back 75 years years to a jazzy New Year’s Day concert at New York City’s Town Hall. The show was both a celebration of Mezz Mezzrow’s then recently published book Really The Blues, and also served as a benefit for the American Committee for Yugoslav Relief.

    Thanks to Jazz Lives, we are able to revisit this show, packed with jazz musicians including Muggsy Spanier, Sandy Williams, Sidney Bechet, Mezz Mezzrow, Sammy Price or Art Hodes, Wellman Braud, and Baby Dodds. Later in the evening Bob Wilber’s Wildcats (who were also on Mezzrow’s King Jazz Label) were added, which included Johnny Glasel, Ed Hubble, Bob Wilber, Dick Wellstood, Charlie Traeger, Eddie Phyfe. Jazz Lives notes Coot Grant and Kid Sox Wilson also performed on a playful version of their song “You Can’t Do That To Me”

    The concert was recorded on 12-inch acetates on two machines and 10 performances were issued on LP (Jazz Archives JA-39), although this recording was not. It seems Mezzrow was one of jazz music’s most interesting characters, and was responsible for putting together many great jazz sessions in his time.

    This particular concert from New Year’s Day 1947 celebrated the release of Mezzrow’s autobiography, Really The Blues, and he brought in a who’s-who of traditional jazz musicians, most notably Sidney Bechet on soprano sax and Muggsy Spanier on cornet. Sammy Price joined on piano, Sandy Williams on trombone, Wellan Braud on bass and Baby Dodds on drums rounded out the band.

    town hall new years day

    Recordings like this offer insight into the post-war era in New York City, a return to normalcy if you will. Featured below is “When You’re Smiling” by Johnny Windhurst, along with Bechet and Wellstood. Jazz Lives compared Windhurst to Hot Lips Page in his prime, energetically lit from within, and radiantly taking another chorus just when you think he might have had or done enough. To the jazz aficionado, you’ll hear “an exultant hymn of praise to Louis Armstrong.”

    A full recording of the performance is available here. The track listing includes: Darktown Strutters Ball, The Blues, Muskrat Ramble, Sammy’s Boogie Woogie Blues, You Can’t Do That To Me, There’ll Be Some Changes Made, Friar’s Point Shuffle, Really The Blues, Really The Blues (Extension), and High Society

    Read and listen to more from Jazz Lives on a 1952 performance at Town Hall, featuring Bill Davison, Bobby Hackett and many more.