On Friday, March 4th, fans gathered at The Hollow in Albany to watch as Annie in the Water celebrated their long-awaited album release with special guests The Pine Hill Trio. From start to finish, it was an incredible night for music lovers. Packed with extraordinary talent, these two bands brought new songs; a ton of surprises; and even some special treats for all of us lucky enough to be there.
Band to Watch: The Pine Hills Trio
To get the party started The Pine Hills Trio took the stage. If you haven’t heard of them yet, you’re going to. This trio of young college students is a brand new band and they are here to play. Ronan Dougherty (guitar/vocals) has a voice far larger and more developed than most musicians twice his age. With Dylan Neiderauer on bass and Chris Arcoleo on drums, it’s impossible to tell they have only been playing together a few months. And if you recognize that last name, Dylan’s brother is well-known guitar wunderkind Brandon ‘Taz’ Neiderauer.
Annie in the Water play an epic Two-Hour Set
Then it was time for the main event — and calling it an event is an understatement. Personally, I have seen this band play dozens of times and never heard them sound better than they did this night. For the first half of their set, they played their new album Sun at Dawn from start to finish.
Annie in the Water – Brad Hester (vocals/lead guitar), Matt Richards (keys/vocals), Brock Kuka (percussion/vocals), Michael Lashomb (guitar/vocals), Chris Meier (bass/vocals), and Ryan Trumball (drums) – stepped up on their jam game in a way that is truly mind-blowing considering the music hiatus of the two years.
For the second half of their set, the boys from Annie in the Water played whatever they felt like. Without a set break these dudes continued to bring the hammer down. They played everything from older Annie tunes to a hard-rocking cover from Rage Against the Machine. They topped off their set with a jam on their popular “Hey I’m on the Way” that transcended time and space.
Critically acclaimed singer/songwriter Sam Beam, better known by the stage name Iron & Wine, made a long overdue visit to the Capital Region Sunday night, bringing the “Back to Basics Tour” to a mostly sold out Swyer Theatre crowd at The Egg. Delivering a masterful set of original music while simultaneously putting on a clinic of “cool”, the thought provoking and soul-searching show was the kind of thing every fan of modern folk music dreams of. Straddling the line, but always finding the balance between intensely personal pain and lighthearted laughter, the stripped-down performance was nothing short of mesmerizing.
The evening began with a brief opening set from female singer/songwriter Hannah Cohen who was marvelous in her own right. Quickly making mention of how nice and clean the venue was, for whatever reason, it made her want to be dirty and curse out loud. “Fuckitdy fuck fuck fuck,” she blurted out, breaking the ice as the audience doubled over in laughter. After playing her first song, she told the crowd “This is not working for me, you guys are just way too quiet. You always hope for an attentive audience, but what do you do when you actually get one?” she pondered. Her beautiful and delicate voice juxtaposed with her raw sense of humor, foul language and a “tongue in cheek” invitation to pass one of her smelly shoes around for the room for anyone who wants a whiff all made for a memorable opening act for an artist worth keeping an eye on.
Hannah Cohen gets a leg up at The Egg
After a brief intermission and the customary dimming of the lights five minute prior to showtime, just a stool, a glass of water and a rack full of Taylor acoustic guitars set the stage for the evening’s headliner. No flashy lights, no fog machines, no video projections. Just a soft-spoken man named Sam and his signature “Rick Rubin-like” beard. Taking the stage to a hearty applause, Iron & Wine surveyed the audience while tuning up, asking where everyone was from and essentially letting them know it was ok to let their hair down a bit and interact. “They say I’m a folk singer, which isn’t exactly true. But I don’t give a shit, if it fits, it fits.”
Papa died Sunday and I understood; All dead white boys say, “God is good” -Sodom South Georgia
After a bit of noodling on the nylon, Iron & Wine opened the set with some heavy subject matter in the form of “Sodom South Georgia,” likely in acknowledgment that it was a Sunday evening during the coldest month of winter. The well-mannered crowd hanging on every word in total silence from the get-go, then unanimously erupting in approval upon the song’s final note, an ovation so loud even Sam seemed surprised. “Oh, it’s gonna be that kind of night. Ok Albany, I see you. As a performer, you have no idea how strong that kind of applause makes us feel,” Beam said. “But no matter how many times I’ve played this next one, all the clapping in the world won’t stop me from messing up.”
Alone and vulnerable on darkened stage Sam did screw up, even stopping mid song at one point and telling us there were just so many chords to remember. “I probably should have practiced.” Charming in his honesty, it’s part of what makes Iron & Wine so endearing and relatable to both new fans and old. “It’s ok Sam, we still love you!” shouted a female voice near the front. “Thanks for coming, Mom” Beam immediately responded with razor-sharp wit. “I’m so glad you could make it out tonight.” A joke that had everyone laughing and one he’d play up for the remainder of the show. Beam’s personality always showing through, despite a set made of mostly melancholy material. “Now I don’t know about you,” he joked, “but when I think about uplifting feel good albums, ones you can throw on at the gym, I think we know who’s right at the top. These little rooms are fun though, yeah? For some people.”
Some call it talking blues (talking blues) Some call it bitter truth Some call it getting even in a song
I can’t read it, didn’t mean it As you would rage how I was wrong Life is too short, and you’d stay too long Let’s be honest, we were strongest till I let you drag me down I was sorry then, I’m not now
You’d better love yourself, ’cause I tried
-Bitter Truth
“What a weird job. You can say bullshit and people will clap. It’s amazing, you guys should try it. Just go to your job and like totally fuck up everything that you try to do, curse, and see what happens. You never know, you might be rewarded like me? It’s fucking crazy.” And with that confession, came perhaps the standout song of the night and also the biggest hit in the brilliant Iron & Wine catalog; a hauntingly unique, vocal only rendition of “Flightless Bird, American Mouth.” Prominently featured in Hollywood’s ultra-successful Twilight saga, the song currently has over 162 million streams on Spotify alone. Claiming vampires have long been a great muse for songwriters, he is very aware of just how pretentious some people view his music. “It’s pretty crazy to write these songs and put them out. You don’t know who it lands on. Sometimes it lands pretty hard though and you have no idea. I just want to say ‘thanks.’”
Watch Iron & Wine perform “Flightless Bird, American Mouth” live at The Egg!
All tallied up, Iron & Wine played a total of 16 songs spanning across 10 albums. Fans were also treated to an as-of-yet unreleased song called “Why Hate Winter.” Other notable highlights included “Grace for Saints and Ramblers,” Each Coming Night, ”Autumn Town Leaves,” “Call it Dreaming,” and the set closing “Waitin’ for a Superman.”
The story the setlist doesn’t show, however, is what the audience brought to the table. While it may have been a one man show mostly consisting of slow and sad songs, the crowd was fully invested and lively the entire night. A mutual back-and-forth- feeding of energy through off the cuff banter, a little beatboxing, and lots of mutual laughter, this was the variable that truly made the show something special. Combined with a carefully crafted setlist chosen specifically for Albany, you won’t get this same show the next time, or in the next city. While Beam’s playing wasn’t aways perfect, he’s a perfect example of personality going a long way and that it’s somehow possible to turn sorrow into success. A special kind of artist capable of changing the way you think and how you feel. I dare say anyone who was at Swyer Theatre on Sunday night left The Egg as a different, more complete person.
Up next for Iron & Wine, a few weeks of rest before returning to the road for the remainder of the Back-to-Basics tour. After that, Beam will join up with his ultra-talented buddy Andrew Bird for the recently announced Outside Problems Tour. The co-headlining jaunt is set to bring the two acclaimed artists to more than 25 cities later this summer, including stops at both Pier 17 in New York as well as Beak & Skiff Apple Orchard in LaFayette, New York. The smart money says you’re not going to want to sleep on this one.
Iron & Wine / February 27, 2022 / Swyer Theatre at The Egg, Albany, NY
Setlist: Sodom South Georgia, Follow the Water, Lion’s Mane, Bitter Truth, Lover’s Revolution, Each Coming Night, Flightless Bird, American Mouth, Autumn town Leaves, Woman King, Resurrection Fern, Rabbit Will Run, Grace for Saints and Ramblers, Why Hate Winter, Call It Dreaming, Waitin’ for a Superman.
“You can’t move atmosphere and you can’t move history.” That is what Elton John said about Madison Square Garden on Tuesday, February 22, when referring to the Garden possibly being moved a few years ago. He has said many times that the Garden is his “most favorite stage on Earth”. John has performed there over 70 times spanning his 60 year career, but it is still sad to think that no future generations will get to experience an Elton concert at MSG ever again.
That being said, his farewell shows at The Garden were nothing less than extraordinary. The setlist was filled with his greatest hits from the 70’s and 80’s with the exception of “Cold Heart”, his recent duet with Dua Lipa from his “Lockdown Sessions” album which came out in October of last year.
He kicked off the show with “Bennie and the Jets” and “Philadelphia Freedom.” Other songs on the setlist included “Rocket Man”, “Levon” and “The Bitch is Back”. He played for 2 and a half hours and only took two small breaks for costume changes. While addressing the crowd for the final time, Elton said “After this tour is finished, I’m going to spend time with my family, my children, and enjoy the rest of my life. Thank you for understanding. I love you so much.” It was a bittersweet moment. The crowd gave him a standing ovation as he transitioned into “Goodbye Yellow Brick Road.”
On the way to NYC, Elton’s private jet was forced to make an emergency landing after it suffered hydraulic failure at 10,000 feet. Luckily he was able to get on another plane and make it to NYC and perform the final two Garden shows. These shows were already rescheduled from last year because of the rise in Covid cases. This tour does not end until 2023 with the last show being scheduled in Sweden. You can see all the remaining tour dates here
Elton John – Madison Square Garden, NYC – Tuesday, February 22, 2022
Setlist: Bennie and the Jets, Philadelphia Freedom, I Guess That’s Why They Call It the Blues, Border Song, TIny Dancer, Have Mercy on the Criminal, Rocket Man, Take Me to the Pilot, Someone Saved My Life Tonight, Levon, Candle in the Wind, Funeral for a Friend/Love Lies Bleeding, Burn Down the Mission, Sad Songs (Say So Much), Don’t Let the Sun Go Down on Me, The Bitch is Back, I’m Still Standing, Crocodile Rock, Saturday Night’s Alright for Fighting, Cold Heart, Your Song, Goodbye Yellow Brick Road
Live music is just now making its comeback, and on Saturday, February 26 at the Palace Theatre in Albany, everyone was absolutely ready to get back to normal. Since their visit last fall in Lake George, Twiddle hasn’t really been back to the area, and not only was it a momentous occasion for everyone who was dying to see their favorite band again, the boys from Vermont absolutely brought the heat and brought the house down alongside Midnight North.
Midnight North
Midnight North kicked things off with an incredible opening set. Their unique mix of rock, Americana, and roots music was the perfect kickoff for the evening. One thing is absolutely certain — it’s impossible to tell that the members of this band have spent most of the past two years in completely different states. It’s like they haven’t missed a beat.
Twiddle
Everyone was extra excited about the main event and their excitement was not misplaced. Not only was last night a stupendous family reunion for everyone in the crowd, but the band also has never sounded better. It seems the bands we are going to see have missed playing together as much as we have missed seeing them.
Mihali Savoulidis (lead singer/guitar), Ryan Dempsey (keys, vocals), Zdeneck Gubb (bass, vocals) and Adrian Tramontano (drums) did not let up from the first note to the last. We got some classics, some of their new songs, Gubb dumps, drum solos, and epic sit-ins with some extra special friends.
Twiddle setlist:
Set 1: Enter>Orlando’s, Syncopated Healing, White LIght, Apples, Angel From Montgomery [1]%, Stroganoff
Set 2: Latin Tang, Mildew Man > Shakedown Street [2]$, The Box, Lost in the Cold
Encore: The Devil
[1] John Prine [2] Grateful Dead % – w/Joe Cirotti & Elliott Peck $ – Grahame Lesh
EDM Trio Cheat Codes returned to Syracuse for the first time since their show at the New York State Fair back in 2017 for the Chevy Court lineup. The Westcott Theater was a perfect venue and created an atmosphere for people to rave and move around in. With the in house bar, the venue and show all together was great place to be in Syracuse on Sunday, February 6.
Juicebox, specializing in mashups and dubstep, played a remix of songs such as “Sweater Weather” by The Neighborhood, “Magic (feat. Tim Morrison) (Bingo Players Extended Edit)” by Mystique and was the first opener at The Westcott, part of the ‘Hellraisers’ tour. Followed by MADDS, a DJ and producer also opened for the trio with a mix of songs including remixes of “The Hum” by Briz DJ, and “Roses – Imanbek Remix” by SAINT JHN.
Cheat Codes opened with their song with Daniel Blume – “Who’s Got Your Love” // Cheat Codes – ‘Balenciaga’ remix. Followed by one of their top hits “Sex” with a remix including “Way 2 Sexy” by Drake and “Lose Control” by Kremerk. The group is comprised of Trevor Dahl, Matthew Russell, Kevi Ford who performed their 18th show on the ‘Hellraisers Tour’ in Syracuse. The group was founded back in Los Angeles in 2014 where their journey began. Since then they have toured across the world and performed at festivals and shows following a genre of EDM/POP.
Towards the end of the show, the trio pulled out one of their top hits, “No Promises” with Demi Lovato. This song later became one of their first U.S. Top 40 as well as a certified platinum in the U.S, Australia and all across Europe. Trevor Dahl who is the groups lead singer engaged with the crowd not only within this song but the entire show. Leaning into fans, throwing water into the crowd, even taking a few selfies with the crowd in the front. Not only was the crowd entertained with this show but CheatCodes puts on a good show and they sure as hell look like they’re having fun while they do it.
Cheat Codes Set: SEG 1 – INTRO, 1_5_22 Balenciaga : Who’s Got Your Love, SEX SEGMENT, 1_5_22 NO CHILL : THAT FEELING : ON MY LIFE, SEG 5 – LEAN ON ME, SEG 6 – SHED A LIGHT, SEG 7 – BLINDING LIGHTS, SEG 8 – DRE, 1_6_22 CAN’T STOP : HOLD ON : PRETTY GIRL (5.00), 1_6_22 PGirl: Hurricane : Fake Pearls : No Service : Horror Movie (12.06), SEG 11 – HATE YOU LOVE YOU, SEG 12 – 1_4_22 Turn Me On (2.03), SEG 13 – 1_4_22 Visions (3.34), SEG 14 – 1_4_22 ONLY YOU (3.00), SEG 15 – DO IT ALL OVER, 1_5_22 LUCKY : CAN’T FIGHT IT, 1_5_22 feeling of falling : no promises (tighter click), 1_6_22 FEELS GREAT (LIVE)
The third try was a charm over president’s day weekend, as Buffalo based grove rockers Aqueous made good on their promise to blow the roof off the newly minted Brooklyn Mademusic venue upon their return to the big city. Once a band that appeared to be on a perpetual never-ending tour, dates for these one-time road warriors have been few and far between ever since the emergence of Covid-19 almost two years ago. For long time fans of the band, AKA AQuaintances, these days it feels like any scheduled Aqueous show is something of a “must see.”
Originally set to take place back on November 6th, 2021, then later rescheduled to December 29th, both shows were postponed due to lingering health concerns. Now late February 2022 and with concerts slowly starting to happen again, the timing was ripe for a rager and fortunately for patient music fans, that’s exactly what Aqueous delivered. Complete with surprise sit-in’s, candid moments and teases galore, on this cold Saturday night in Brooklyn, the boys from Buffalo carved out stellar, fiery performance that was well worth the wait.
Opening the show was Philadelphia five piece Chestnut’s Groove. Known for their down ‘n dirty, shake, rattle and rock ‘n roll vibe, this band of best friends were quite impressive in their Brooklyn Made debut. Fighting through excessive stage fog like something out of This Is Spinal Tap and lead by the charismatic “bad girl” energy of singer Dee Gerhart and the powerhouse vocals of drummer James Daniels, it wasn’t long before the band won fans over and had everyone in the place stomping their feet and clapping along too. So much fun in fact, even Aqueous guitar player Mike Gantzer couldn’t resist getting in on it, sitting in with the band on their final song of the high octane set.
After a brief set break all the waiting was over, the stage was set and on this bitterly cold winter night in Brooklyn, it was finally going down. Aqueous, consisting of Mike Gantzer (guitar/vocals), Dave Loss (guitar/keys/vocals),d rummer Rob Houk and bassist Evan McPhaden made their intentions clear from the get go, launching into one of their signature originals “Don’t Do It.” Complete with an extended ‘build up’ intro and a healthy dive into Phish’s “First Tube” territory, the party was already off to a rollicking start. Following it up in the two-hole with one of their more electronic/ hip-hop sounding songs was “Split the Difference” which seamlessly segued into “Skyway”, resulting in one of the bands biggest jams of the night.
“I don’t see any reason to get worked up, already got enough on my plate
in this mess we call life, takin’ it day by day
I don’t see any reason to get worked up when you got nothin’ to say
you never have nothin’ to say”
-Skyway
Following up “Skyway” was another highlight of the evening, a most welcome surprise sit in by the newly formed Horn Section, featuring former Turkuaz members Greg Sanderson on saxophone and Chris Brouwers on trumpet, lending their talents on a cover of the Steely Dan classic “Peg.”
The Horn Section
Turning up the funk now, Aqueous would uncork a monster version of Mosquito Valley, Pt. 1 that stretched so far it reached AC/DC’s “Back in Black” territory, much to the delight of everyone in the room. By this point fans had to be thinking to themselves “is this the longest first set in AQ history or what?” before the band would confirm they want to keep the energy going and therefore play right though set break, then launching into another signature AQ song, The Median. Notable about this particular version was the distinctly heavier vibe it took on, presumably a direct byproduct of Ganzter’s recent time on the road with his new throwback Punk/Metal outfit known as the Death Kings, which also features former Turkuaz drummer Mikey “Ox” Carubba and Umphrey’s McGee bass player Ryan “Little King” Stasik.
Following up “The Median” came another fan favorite in “Second Sight,” a song about human interaction, shedding cynicism and bridging petty gaps.
“Not worth its weight in gold I feel a great divide We’re more alike than different And still we’re picking sides”
The Median
Following a brief pause between songs, some playful stage banter resulted in an impromptu crowd singalong of Greenday’s nostalgic anthem “Good Riddance (Time of Your Life), which was then quickly was rip-corded in favor of one the oldest songs in the Aqueous catalog, Eon Don. About half way into the tune, Aqueous invited their friends in the Horn Section back out once again, this time resulting in a jaw dropping display of musicalty, as Ganzter conducted extended “call and response” type duels with both Sanderson and Brouwers before the song finally reached it’s climactic peak and left the audience howling in approval as the band finally put down their instruments for the first time all night and walked off the stage.
After a few minutes of straight up begging, Aqueous finally obliged and came back out for a single song encore, treating fans to a new tune called “Finding Our Way” which has only been played three other times since debuting at the Peach Festival last summer. With enough space to let each member shine individually and a chorus that sees all of the band singing along in unison, the groove heavy catchy tune, while still new, has all the moxy to become an AQ staple of the future. On a night that featured an absolute bevy of fan favorites, closing the night out like this just seemed to make sense. A most impressive showing for their debut at Brooklyn Made. Despite having to be rescheduled twice and almost never happening, anyone who was there will undoubtedly tell you that “this show was worth the wait.”
Up next for the Aqueous is another highly anticipated makeup date, returning to Buffalo’s Town Ballroom for their belated hometown New Year’s Eve celebration this Friday, February 25th. Fans will want to make sure they get there early to catch the exciting opening act as Connecticut’s Eggy gets the festivities going at 7pm. Aqueous then return to New York on April 8th and 9th for a pair of shows in Saratoga Springs and Syracuse with support from Long Island’s Baked Shrimp.
Aqueous – February 18, 2022, Brooklyn Made, Brooklyn NY
Setlist: Don’t Do It, Split the Difference > Skyway, Peg*, Mosquito Valley Pt 1 > Back in Black > The Median, Second Sight, Eon Don*
The biggest stars of underground hip-hop today, Earl Sweatshirt, Action Bronson, Boldy James, and The Alchemist brought their “NBA Leather” tour to New York City’s Terminal 5 venue on Thursday, February 17th, for their second of back-to-back shows. With a rapidly eager crowd hungry for concerts to continue post-Omicron surge, this quartet certainly did not disappoint.
The Alchemist at Terminal 5, 02/17/22. Photo by Kunal Khunger
They all performed a variety of tracks, ranging from recently released albums like Earl Sweatshirt’s “Sick!” (released this year) to Action Bronson’s classic “Blue Chips 7000” (released 2017). Some guests were brought out as well, most notably Benny the Butcher of Griselda fame. The New York hip-hop scene was well represented.
Boldy James at Terminal 5, 02/17/22. Photo by Kunal Khunger
All the artists engaged the crowd in their own unique ways, from Action Bronson asking his DJ to play old instrumentals to see if he remembered the words to some of his more niche songs, to Alchemist playing his well-known role as a great hype man. Earl Sweatshirt, as he is known to be, was a very low-key stage presence, solely focused on his raps. The variety of sounds and styles was on full display Thursday night, giving an enthusiastic crowd a little bit of everything.
Action Bronson at Terminal 5, 02/17/22. Photo by Kunal Khunger
The “NBA Leather” tour with Earl Sweatshirt, Action Bronson and The Alchemist has a few more stops left, mainly on the East Coast of the US. You can see more tour dates here. Be sure to check out the photo gallery below!
It had been four years since the last run of Ween shows at The Capitol Theatre, and the Rock Palace was indeed in need of a fresh coat of brown. Over a run spanning February 18-20, the genre-fluid band played over 100 songs, among them just a pair of covers, and treated fans to deep dives into their catalog as well as the usual fan favorites including “Frank” and “Touch My Tooter.”
At Stage Left all three nights was an American Sign Language (ASL) interpreter, adding the benefit of visual translation of Ween’s (at times, deeply troubling and/or profane) lyrics to the entire audience, but especially those deaf fans in the audience for whom ASL provides the full concert experience. (See videos below.)
Friday, February 18
Before they could jump into “Pork Roll Egg and Cheese” to start the night, Dean Ween could not hold back his excitement, letting out a ‘Fuck Yeah!’ to the crowd. A fair amount of fan favorites set the tone for the weekend, including “Transdermal Celebration,” ‘Boys Club,” “Voodoo Lady,” and “She Fucks Me,” which had Deaner giddily repeating the refrain while watching the ASL interpreter sign the phrase over and over, much to everyone’s delight.
Of course their song titles are nothing you’d want to bring up casually in conversation; they are designed to be hilarious if not daring for the crowd to shout and request, and can make a conversation go from G-rated to NC-17 before you can say “Poopship Destroyer.”
During a string of songs with Gene Ween on acoustic guitar, he played a portion of Cat Stevens “Father and Son,” possibly the most out of place tune the whole weekend. An older instrumental, “Ice Castles,” appeared about halfway through the evening, just before Gene took a break and the band jumped into “Put the Coke on My Dick.” “Your Party” would close the set appropriately, with “Shamemaker,” off 2007’s La Cucaracha sandwiched between “I’m Dancing In The Show Tonight” and “Spinal Meningitis (Got Me Down).”
Setlist: Pork Roll Egg and Cheese, She Wanted to Leave, Exactly Where I’m At, I Was Nothing, I Don’t Want to Leave You on the Farm, Touch My Tooter, I Gots a Weasel, Transdermal Celebration, Boys Club, Transitions, Mononucleosis, Frank, Voodoo Lady, I’ll Miss You, She Fucks Me, Cornbread Red, Help Me Scrape the Mucus Off My Brain, Father and Son*, Chocolate Town, The Mollusk, I Don’t Want It, Ice Castles, Final Alarm, I Get a Little Taste of You, The Golden Eel, Put the Coke on my Dick, Flutes of Chi, Buckingham Green, Light Me Up, Koko, Old Queen Cole, The Stallion, Part 5, Your Party
Encore: I’m Dancing in the Show Tonight, Shamemaker, Spinal Meningitis (Got Me Down)
*Cat Stevens, unfinished
Saturday, February 19
Night two of the run was just as good as Friday, with a few more rarities worked into the show. “Birthday Boy” and “Piss Up a Rope” kicked off the night with “My Own Bare Hands” following right behind, setting the tone early. “Waving My Dick in the Wind,” “Japanese Cowboy” and a pair of “Stallions” – Parts 1 and 3 – would be among early highlights of the show, before lesser played songs “Boing,” “Ooh Va La,” and “Can U Taste the Waste?”
After an intense “I’l Be Your Johnny On the Spot,” Gene found his mandolin for “Ocean Man” before a “Vallejo” set closer. A four-song encore began with “Baby Bitch” and “Tender Situation” before bassist Dave Dreiwitz switched instruments with Dean for “Dont Laugh (I Love You)” and the12 Golden Country Greats lead track “I’m Holding You.”
Setlist: Birthday Boy, Piss Up a Rope, My Own Bare Hands, Polka Dot Tail, Now I’m Freaking Out, Wavin’ My Dick in the Wind, Sweet Texas Fire, Dr. Rock, Japanese Cowboy, Happy Colored Marbles, Beacon Light, I Got to Put the Hammer Down, Zoloft, The Stallion, Part 1, Gabrielle, Boing, The Enabler*, Little Birdy, The Stallion, Part 3, Albino Sunburned Girl, Nan, Fat Lenny, Reggaejunkiejew, Ohh Vah La, Papa Zit, Can U Taste the Waste?, Pandy Fackler, Take Me Away, Object, I’ll Be Your Jonny on the Spot, Ocean Man, Vallejo
Encore: Baby Bitch, Tender Situation, Don’t Laugh (I Love You), I’m Holding You
* Instant Death cover
Sunday, February 20
With a tank still full of gas, Ween swung for the fences early on Sunday with a “Fiesta” opener and two of their best known songs (to non-Ween fans), “Bananas and Blow” and “Roses Are Free.” The rare “Suckin the Blood From the Devil’s Dick” made its first appearance since 1995 prior to “Big Jilm” and “The Argus.”
Among the rest of the highlights tonight were “Stroker Ace,” “Demon Sweat,” “The Blarney Stone” and the ever-romantic “Stay Forever.” An encore of “You Fucked Up” and “Poopship Destroyer” put a brown closing note on the weekend, raising the bar for future Ween runs in Port Chester.
Setlist: Fiesta, Captain Fantasy, The Grobe, I Can’t Put My Finger on It, Bananas and Blow, Roses Are Free, Sorry Charlie, Push th’ Little Daisies, Learnin’ to Love, How High Can You Fly, Suckin the Blood From the Devil’s Dick, Big Jilm, The Argus, Don’t Get 2 Close (2 My Fantasy), Sketches of Winkle, Even If You Don’t, Springtheme, Did You See Me?, I Play It Off Legit, The Goin’ Gets Tough From the Getgo, Stroker Ace, Puerto Rican Power, Seconds, Don’t Sweat It, Demon Sweat, Tried and True, What Deaner Was Talkin’ About, Stay Forever, Ode to Rene, Homo Rainbow, The Blarney Stone, If You Could Save Yourself (You’d Save Us All) Encore: You Fucked Up, Poopship Destroyer
Earl Sweatshirt, Action Bronson, and Boldly James headlined at Terminal 5 on Wednesday, February 16. This was the ninth stop on their tour together, but a special one, being their first in New York City and bringing a number of local acts to the stage.
The show opened with the Alchemist, who then brought Boldly James out to perform an entire set.
Next, Earl Sweatshirt came out to preform songs from his new album SICK! as well as a number of classics. Sweatshirt individually brought out the likes of Navy Blue, Wiki, MIKE, and Zelooperz.
Action Bronson graced the stage with his iconic machismo. His stage presence is unrivaled, as is his posing as a greek statue in interludes.
On Friday, February 18th, Lespecial played their first headlining gig of the year at Putnam Place in Saratoga Springs, and the whole thing kicked off with an extra special and rare treat — a set with special guests Timbre Coup.
Timbre Coup
It’s truly a mystery why we don’t get to see more of the boys from Timbre Coup. Those four dudes absolutely blew the roof off the place from the first note they played. Hailing from Albany, NY, Timbre Coup has an album out right now called Sudden Urge and I definitely recommend that you pick up a copy as soon as possible.
Setlist: Don’t Fly a Key, Urge, October, Loaftones, Z-Sharp, Arnold, Cowboys From Hell (Panterra)
Lespecial
On the way outside after last night’s performance, someone called Lespecial “a hippy band with mosh pits.” This group’s self-described “heavy future groove” sound is absolutely genre-less and almost defies explanation. There are only three guys up on the stage but it sounds like far more than that. And the music they create is engaging, fun, and utterly unique.
If you missed last night’s show, don’t fret. These boys are currently touring until early summer on their Homieverse Tour. You will certainly get a chance to check out this incredible band soon. And we highly recommend that you do so as soon as humanly possible.
Setlist: Snell’s Fleet, The Vessel > Homie, Gallows Hill, Repeater, Homieverse, DGH I, New Fish, Onlookers, Rays, FWD, Repriser, Fear the Djinn, My Name is Mud (Primus) > Jerry (Primus), > My Name is Mud, E. Tonberry, Lungs
