On Wednsday, December 28, and for the first time since 2019, Phish took the stage at Madison Square Garden for their annual New Year’s Run.
Performing their 69th ever show at Madison Square Garden, Phish opened the night with a high-energy “Buried Alive” followed by a funk-filled “Wolfman’s Brother.” Set 1 was highlighted by a 14-minute “Stash” that was followed by a 13-minute “Split Open and Melt” to close the set.
Set 2 started off strong with “Free” which gave way to a nearly 20-minute “A Wave of Hope” that segued smoothly into “It’s Ice.” “Leaves” came out swinging after that, with “Simple,” “Plasma,” “Twist” and “Harry Hood” rounding out the set.
For the encore, a surprise “Esther” was performed in the curtain call slot for the first time in its history, with “46 Days” following up to round out the show.
Phish return for Night two tonight. Tune in at Livephish.com to join Couch Tour.
Set 1: Buried Alive, Wolfman’s Brother, Maze, Sigma Oasis > NICU, Steam, Tela, Stash, Split Open and Melt Set 2: Free > A Wave of Hope -> It’s Ice > Leaves > Simple -> Plasma -> Twist* > Harry Hood Encore: Esther > 46 Days *Trey teased A Wave of Hope in Twist
Tim Reynolds brought his rock trio TR3 to the historic Strand Theater in Hudson Falls in December. The merry crowd was treated to a blend of acoustic-rock and jazz-fusion instrumentals, with a couple of classic covers thrown in for good measure. TR3 really loves the Strand Theater and it is obvious both in their banter and in the way they play. You can see the pleasure in their faces as they showcase their talented chops. Peter Harris writes this about their visit in January 2022 at The Strand Theater: “[Tim] has a special knack for tailoring moods, creating ambience, and shredding tastefully.”
Tim Reynolds at The Strand Theater. Photo by Derek Java.
For those that don’t know, the Strand Theater has a historic past. It began as a movie theatre in the early 1920s. The transformations it had include being a warehouse and eventually a county court house. It was a “white, stale municipal building” as Director Jonathan Newell says to the Times Union. This theater is anything but that now. Gorgeous inside and out! A perfect place to jam for TR3 with Tim Reynolds leading the way.
TR3 at the Strand Theater. Photo by Derek Java.
TR3 featuring Tim Reynolds wraps up their December tour this weekend on Friday and Saturday in Concord, NH and Fall River, MA, respectively. Catch them if you can, and Tim’s trio will have your feet tapping along. Just the way Tim likes it! Be sure to check out the photos below to see this beautiful theater and the trio in action.
Tim Reynolds – Strand Theater, Hudson Falls, NY – December 13, 2022
Setlist: Dirty Feet, All By Design, Everything Could Be OK, So Am I, Watch It!, Radar Contact, On This Mountain, Sweet Spot, Mutant Swarm, Sun is Still There, U Can U Have U Will, Wanna Get With You, Going Places, Bone to Pick, Kabbalah, Riders on the Storm, Bowie Encore: Chicago
Tim Reynolds at the Strand Theater. Photo by Derek Java.Dan Martier at the Strand Theater. Photo by Derek Java.Mick Vaughn at the Strand Theater. Photo by Derek Java.Strand Theater. Photo by Derek Java.TR3 at the Strand Theater. Photo by Derek Java.Tim Reynolds at the Strand Theater. Photo by Derek Java.Mick Vaughn at the Strand Theater. Photo by Derek Java.Dan Martier at the Strand Theater. Photo by Derek Java.Tim Reynolds’ guitars at the Strand Theater. Photo by Derek Java.Mick Vaughn’s bass guitar at the Strand Theater. Photo by Derek Java.Dan Martier’s drums at the Strand Theater. Photo by Derek Java.Mick Vaughn at the Strand Theater. Photo by Derek Java.The Strand Theater. Photo by Derek Java.Mick Vaughn at the Strand Theater. Photo by Derek Java.Dan Martier at the Strand Theater. Photo by Derek Java.TR3 at the Strand Theater. Photo by Derek Java.
It was a splendid evening for mid-week melodies, hump-day harmonies and independent live music in Glens Falls Wednesday, December 7th as fans of all ages filled the Park Theater for a captivating performance by The Ballroom Thieves and Griffin Sherry of The Ghost of Paul Revere. A beautiful and underutilized venue that dates all way back to 1911, the intimate room was the perfect setting for these modern-day master songwriters to pour their hearts out.
The Ballroom Thieves performing at Park Theater in Glens Falls, NY 12/7/2022.
Playing his first run of shows since the demise of The Ghost of Paul Revere, Portland, Maine’s Griffin William Sherry surprised both fans and even the venue when he arrived in town with a full backing band of musicians that also included former GOPR drummer Chuck Gage. Sherry joked from the stage how this was more people and more gear than he ever took on the road with his former band while also reassuring the crowd that it is ok to get a little rowdy. “I’m particularly looking at you ladies” he said, while pointing out a table full of much older women. “It’s so good to see you again!” chimed an excited fan from the other side of the room.
Perhaps still grieving the loss of GOPR who played their final show in September, fans were delighted to hear new renditions of some old favorites with “One of These Days” being a clear highlight. Known primarily as an acoustic guitar player, the surprises from Sherry didn’t end there. Using his new solo platform to try new things, longtime fans gasped when he suddenly strapped on a beautiful hollow body guitar and launched into a cover of the classic Pink Floyd song “Fearless.” The ‘electric’ Sherry would also try out several new songs, including “Stephentown” and the hard rocking set closer “Ain’t It Amazing.”
Griffin William Sherry performing at Park Theater in Glens Falls, NY 12/7/2022.
Following a quick pause in the action the lights went dim as the Ballroom Thieves then took their places on stage. Back on the road for the first time in years, the acclaimed neo-americana folk act from Boston were in complete command from the very moment they played their first note. Building up the tension with the hypnotic intro of “Canary,” the Thieves wasted no time in living up to their reputation as one of the most dynamic, energetic and melodic live bands on the independent circuit. Consisting of husband-and-wife duo Martin Earley on guitar and vocals and Calin Peters on electric cello, bass and vocals, the current incarnation is rounded out by John Henry Nolan on guitar and keyboards and drummer Kevin O’Connell (from Rome, NY) who somehow was able to play the show despite suffering a torn meniscus.
The Ballroom Thieves performing at Park Theater in Glens Falls, NY 12/7/2022.
Fresh off the release of their latest studio album, 2022’s Clouds, the band has gone through some tough times these last few years and many of their new songs address that head on. A chronicle of desire and despair, trust and betrayal and the importance of mental health, The Thieves would play the albums opening track “Worldender” next, followed by “In the Morning. “ Trading stunning and lush vocal harmonies, the cozy atmosphere almost made you feel like you were getting your own private show.
Switching back and forth between electric cello and bass guitar, Peter’s voice was both beautiful and haunting. Songs like “Almost Love” and “Do Something” put her squarely in the spotlight and it was easy to see she was reveling in it. Smiling, dancing and leaping about the stage, you couldn’t help but be charmed by her performance. Contradicting upbeat melodies with some darker lyrical content provided a powerful juxtaposition that wasn’t lost on the audience. A great example of this was the Earley sung rendition of “Shadow” which would then go into the brilliantly bluesy number “Anybody Else” from the bands 2017 album Deadeye.
Despite serious lyrics, Calin Peters was all smiles on 12/7/2022.
“Most of the time, we’re usually all about love and understanding, but not on this next one, “Peters’ said. “Picture in your mind someone you hate and when we play this song, we want you to think about them. That is, of course, unless they are in this room right now. If they are, sorry, you can’t play this game with us.” And with that thought in mind, Peter’s then crooned out perhaps the most hauntingly beautiful song of the night called “Woman.”
I was your woman And you left me standing Alone in a world that had not heard me use my voice yet You’re just tired of my noise, I guess Hey, we all make our choices and break our own horses Are you hearing me say all this? This is the last one For you
– “Woman”
Following that up with two more older, tender songs “Pendulum and “Bees,” Martin Early would soak in the moment and candidly address the audience by saying “It’s been a tough couple of years, but we never stopped writing songs and you being here to hear them means more than you’ll ever know. This next one is about coming to terms with a crippling depression.” Providing perhaps the emotional highpoint of the evening, “I Lose” hit you like a ten ton hammer.
The Ballroom Thieves performing at Park Theater in Glens Falls, NY 12/7/2022.
Showcasing their flexibility, both musically and physically, the chemistry between the Ballroom Thieves was undeniable. Interacting like a tight-knit family, even during the “sad” songs each member of the band was clearly engaged, invested, enjoying themselves. At the peak of all Peters and Earley would lock eyes, meet each in the middle of the stage and get so lost in the music that they’d both end with their backs on the floor. Perhaps the loudest cheer of the evening came during their most rocking song, “Fistfight,” rocking duel-guitar attack of the bands hit single “Fistfight.” After wishing guitarist John Henry Nolan’s Aunt Emma a happy birthday, The Ballroom Thieves would close the set with a powerful rendition of “Wolf.”
The Ballroom Thieves laid it all on the line in Glens Falls on 12/7/2022.
These days you almost expect an encore at every show, but in perhaps the best fake out ever, you could hear the collective letdown when the house music came up. Just then as fans starting getting ready to leave, the music and lights suddenly went back down. Returning to the stage with huge smiles and to a huge ovation, The Ballroom Thieves then treated fans to one more surprise by closing the show with a cover of the Donna Lewis song “I Love You Always and Forever.”
A captivating performance from start to finish. From hushed whispers to cathartic screams to synchronized dance moves, the intimate and thought-provoking show felt truly special. Anyone who wasn’t sure about this band going into it walked out of the Park Theater a full fledged believer. Up next, the Ballroom Thieves will take a little time off for the holidays before Early and Peters return to the road for a brief duo tour this winter.
The Ballroom Thieves | December 7, 2022 | Park Theater | Glens Falls, NY Setlist: Canary, Worldender, In The Morning, Almost Love, Do Something, Shadow, Anybody Else, Woman, Pendulum, Bees, I Loose, Fistfight, Wolf Encore: I Love You Always Forever (Donna Lewis cover)
Griffin William Sherry | December 7, 2022 | Park Theater | Glens Falls, NY One of These Days, Stephentown, Me and My Shadow, Fearless (Pink Floyd cover), Ain’t it Amazing
On Saturday, December 10 at the Broome County Forum Theatre, Maestro Daniel Hege led the Binghamton Philharmonic Orchestra in “Winter Wonderland,” a holiday pops concert with a host of special guests.
Along with the big man himself (Santa Claus), the orchestra was joined by 11 year-old treble soloist Luca Thomas and a quartet of resident artists from Binghamton’s Tri-Cities Opera (Gina Moscato, soprano; Janine Dworin, mezzo-soprano; Felix Aguilar Tomlinson, tenor; Bernardo Medeiros, baritone). Nancy Wildoner’s charming pre-concert holiday bonbons, played on the Theatre’s 1922 Robert-Morton Pipe Organ, set the stage.
Winter Wonderland might have been a typical holiday pops concert, except that much of the program was focused on holiday film music. John Williams’ Home Alone II (with “Merry Christmas” sung by the opera guests), Alan Silvestri’s The Polar Express, and Danny Elfman’s Nightmare Before Christmas (a strange mashup of Klezmer music and Dies irae from the Requiem Mass) all led up to the afternoon’s highlight: Howard Blake’s The Snowman, complete with film screening and a stunning “Walking in the Air” by Luca Thomas.
The joyful concert concluded with some audience participation: a clapalong Radetzky March and a singalong set of Christmas carols.
The Binghamton Philharmonic’s season continues on January 28 with “Wallenberg Festival,” a concert celebrating Binghamton’s three orchestras: the Binghamton Youth Symphony, the Binghamton Community Orchestra, and the Binghamton Philharmonic. For more information, visit binghamtonphilharmonic.org.
On Wednesday, December 14th, Legacy Dumbo hosted Bronx Rapper A Boogie wit da Hoodie for a fan meet and greet. Fans were admitted into the event only after purchasing A Boogie’s new album Me VS Myself on CD and waiting in the line of over 600 fans. The wait was a small price to pay for meeting a 23-time platinum artist. During the event, A Boogie was singing along to the music, dancing, and posing for pictures with every fan that entered the room.
A Boogie has one more stop on his record store tour at DBS Sounds in Atlanta. In February, the Bronx Rapper will start his two-month world tour, where on March 4th, he will stop at the Barclays Center in Brooklyn to perform for his home city of New York.
Legacy Dumbo is no stranger to hosting top-tier celebrities like A Boogie. Just last week, they had producer Metro Boomin in the shop signing autographs for fans. Aside from being a celebrity hotspot, Legacy Records is a mellow place to shop for new and old records and, overall, have a great time. The store has multiple record players to test the product and a couch area to hang out and enjoy the music. It is always a good time at Legacy Dumbo.
A flocking good time was had in downtown Albany as two of the jam scenes hottest acts – Pigeons Playing Ping Pong and Dogs in a Pile – teamed up for an unforgettable evening of ‘bird-dogging’ at Empire Live on Friday, December 9th. Packing out the venue and lighting up the crowd with a healthy dose of high energy funk, top-shelf improvisation, psychedelic dance grooves and plenty of good old-fashioned shredding, the evening also served as birthday celebration for Dogs’ keyboardist Jeremy Kaplan.
Pigeons Playing Ping Pong performing at Empire Live in Albany (12/9/22)
Flanked in tie dye and smothered in patchouli, fans flocked to the venue early enough to catch the opening act Dogs in a Pile. One of the most talked about up-and-coming bands around, 2022 has been a huge year for the young New Jersey quintet. Consisting of Jimmy Law and Brian Murray on guitars, Sam Lucid on bass, Joe Babick on drums and the Jeremy Kaplan on keys, the exciting group wasted no time showing everyone what all the buzz is about.
Dogs in a Pile performing at Empire Live in Albany (12/9/22)
Launching into the song “Look Johnny” and seamlessly transitioning into “Frosty” and “Fenway” before coming up for air, it was clear the Dogs were determined to make the most of their allotted time. Weaving together a tapestry of colorful sound with an undeniable charisma, Albany fans were then treated to the live debut of “Let U Go.” Rounding out the short, but impressive set was “G Song” followed by “Bent Strange,” but it wouldn’t be the last time we’d see members of the dog pound on stage this night.
The dogs were back in town on 12/9/22
After a brief break in the action, it was finally time for the long-awaited return of Pigeons Playing Ping Pong who had not played in Albany since March of 2019. Now celebrating 15 years as a band and touring in support of their sixth independent full-length album Perspective, some longtime fans could be heard reminiscing about seeing their first P4 show at the significantly smaller Red Square (now the Public Parish House) just down the block back in 2012. One of the most fan-friendly and hardest working bands going, their continued growth and popularity should come as a surprise to no one.
Pigeons Playing Ping Pong performing at Empire Live in Albany (12/9/22)
Taking the stage and genuinely thanking everyone for coming out before even playing a single note, front man ‘Scrambled’ Greg Ormont was all smiles while giving his customary pre-show p-p-p-pep talk. Reassuring everyone that they were in for some serious fun, the party on North Pearl Street kicked off with “Porcupine” from the band’s 2017 album Pizazz. All warmed up and feeling good, things fell into place nicely when “Fall In Place” landed on a surprise Beatles cover of “While My Guitar Gently Weeps” that boasted an absolutely gorgeous guitar solo from ax-man Jeremy Schon and a lengthy “Babe I’m Gonna Leave You” (Led Zeppelin) tease for good measure.
Jeremy Schon of Pigeons Playing Ping Pong performing at Empire Live in Albany (12/9/22)
Now calling on a little help from their friends, it was at this point the band invited “the other Jeremy” out, welcoming Dogs in a Pile keyboardist and the birthday boy himself, Jeremy Kaplan back to the stage to sit on “Sunny Day.” Adding a whole new dynamic to an already funky sound, Kaplan’s contributions were huge here and he seemed like a natural fit, finally answering a question that’s been dogging P4 fans for years: “What would they sound like if they added some keys?” Quite the way to ring in your 24th birthday indeed. Keeping the dance party going strong, the one-two punch of “Move Like That” into “Live It Up” had the crowd worked up into a sweaty frenzy as the band brought the lengthy opening set to a close with “Elephante.”
Jeremy Kaplan sits in with PPPP on his 24th birthday (12/9/22)
Back with more positive vibes, Pigeons started the second frame with “Live Life” before going all in on an “Upfunk” sandwich that featured a jaw dropping drum solo from Alex “Gator” Petropoulos smack dab in the middle. Always clever with their setlists, a bit of an aquatic theme seemed to emerge as “Beneath the Surface” gave way to fan favorite “Poseidon” resulting in one of the biggest peaks of the evening courtesy of Schon’s incendiary shredding.
Ben Carrey of Pigeons Playing Ping Pong keeps it heady in Albany (12/9/22)
Master of disguise and purveyor of cool, bassist Ben Carrey was keeping it heady all night long, but perhaps his bass bombs were never more physically felt than on the next combination of songs, “Twitch” and “Water.” A scorching “High As Five” would bring the second set to a close and leave fans begging for more. Giving it 100 percent max effort and always happy to please “the flock”, Pigeons would take flight one final time, returning for an encore of” Schwanthem” and sending the hot crowd into the cold night with huge feelings of satisfaction. A fantastic evening of live music, song and dance, shared joy and vibe that quite simply downtown Albany hasn’t seen since before the pandemic.
Melting Lights: Pigeons Playing Ping Pong performing at Empire Live (12/9/22)
Up next for the band, Pigeons Playing Ping Pong will head to Harrisburg, PA next weekend for a pair of shows at XL Live before closing out the year with a two-night New Year’s Eve celebration in Pittsburgh with the Magic Beans.
Pigeons Playing Ping Pong | 12-9-2022 | Empire Live | Albany, NY
Set 1: Porcupine, Fall In Place > While My Guitar Gently Weeps* > Sunny Day^, Move Like That > Live It Up, Elephante
Set 2: Live Life > Upfunk > Drums > Upfunk, Beneath The Surface, Poseidon, Twitch > Water, High As Five
Encore: Schwanthem
* w/ “Babe I’m Gonna Leave You” and “25 or 6 to 4” teases ^ w/ Jeremy Kaplan (Dogs In A Pile) on keys
Dogs in a Pile | 12-9-2022 | Empire Live | Albany, NY
Setlist: Look Johnny, Frosty, Fenway, Let U Go*, G Song, Bent Strange *Live Debut
Deer Tick made their long awaited return to the Capital Region on Saturday December 10, playing a near sold out show at Putnam Place in Saratoga Springs. The indie rockers last played the Capital Region in 2018.
Deer Tick, from Providence, Rhode Island was originally born as the solo project of singer John McCauley. McCauley secured the band’s line up early on, adding brothers Dennis (drums) and Christopher (bass). McCauley would later add Ian O’neil (guitar and vocals) and firmly establish the band’s line up that would continue today.
Izzy Heltai kicked off the evening, playing a 35 minute set to an already packed room. Heltai, from nearby Brookline, MA, boasted proudly of previously playing coffee shops in Saratoga Springs. He and his band captivated the audience, performing a blend of mellow indie pop. As the set wound to a close, Heltai’s bandmates left the stage, allowing for one final song, just Heltai and an acoustic guitar.
Izzy Heltai performs at Putnam Place on 12/10
After a brief intermission, Deer Tick took to the stage with a roar of approval from the crowd. From the opening guitar strums of the party anthem “The Bump,” the crowd was fully engaged, belting out lyrics and dancing along. The band dazzled with their Impressive harmonies, with McCauley yielding lead vocals to both O’neil and Dennis Ryan at times. The band’s musical prowess was never more on display then when they performed a cover of the Muddy Waters blues rock classic, “You Shook Me.” McCauley and O’neill traded guitar solos while the Ryan brothers kept pace.
In all, the band would deliver an impressive, nearly two-hour, career spanning set. “Next year will be twenty years of this,” McCauley proclaimed proudly. After exiting the stage briefly, the band would return for a three song encore, to the delight of the audience. The band would end the show with a performance of Ashamed, the opening track on their 2007 debut album War Elephant. “Sing along if you know it,” McCauley asked of the crowd, and he was not left disapointed.
On November 21st, I Prevail brought their True Power tour, named after their latest album, to Buffalo RiverWorks, with Pierce The Veil, and Fit For A King. Stand Atlantic was supposed to be on the bill but due to the lake effect snow that hit Buffalo and other regions, the show was postponed to the 21st from the 20th, and could not make the rescheduled date.
Fit For A King
When heading to the venue, you can see why they had to postpone the show, with snow piles all over the city. At first it was a sold out night, but with the reschedule, more tickets opened up but you would not be able to tell as the line to get in was still long.
Since Stand Atlantic had to step off this show, Fit For A King opened up the show, though while waiting for things to kick off, suddenly out of nowhere, there were multiple balloons being tossed around in the crowd, after a while, you noticed someone from the upper floor, blowing more to toss down, it was some needed entertainment as the doors opened up at its scheduled time but they didn’t move up the timeline so people had to wait longer for the show to start.
Pierce The Veil
Once things kicked off, it was full blast, with Fit For a King slaying it, everything was going well till suddenly the band stopped playing, it wasn’t clear at first what was happening but EMT’s were needed, come to find out someone had a seizure in the crowd. The EMT’s pulled the person from the crowd and the show continued on.
Next to go on stage was Pierce The Veil, who hasn’t had an appearance in the state for a few years now. Again, the show was going great, until people from the crowd were yelling at the band to stop again. This time, it was never clear as to what happened but many people were climbing to get out of the crowd and off to the side, being with a almost sold out show, the floor level was packed, so during the set, it was easier to go to the front. After everyone wanted to get out, the show continued but half a dozen or so people were seen by EMT’s throughout the show. Then on next, last to take the stage, I Prevail. This time, everything seemed to go well with the show not having to stop for medical emergencies.
Ween closed 2022 with a bang on Sunday, December 11 at The Fillmore in Maryland, busting out rare gems and fan favorites to a packed house. The end-cap to a three-show early winter mini-tour, Ween crushed the year like The Hulk, with a couple shows at The Met in their hometown of Philadelphia, ending in the devastation of Silver Spring, with a line over four blocks long to get in.
Kicking off with their most popular opener, “Buckingham Green,” Ween pulled songs off nearly every album, with hugely popular tracks like “Take Me Away,” “Doctor Rock,” “Spinal Meningitis,” and “Bananas and Blow” deftly delivered into the eager ears of their ardent fans, along a few personal favorites, “The Golden Eel,” “Polka Dot Tail,” and “Ocean Man.” Most of their songs were fierce, with a few mellow trippy interludes, such as “Albino Sunshine Girl” (with heavy phase effects on Gene’s vocals) and “Ice Castles,” with its chilly harpsichord and melodic bass & guitar interweaves. It was abruptly followed by a slamming “Final Alarm,” with Dean delivering sonic whiplash on his Alembic (named “El Cabron”, which he rarely breaks out, except for special shows). They ended their long set with the venge-core anger-fueled ballad, “You Fucked Up,” thanking the audience for their commitment.
Rarer tracks had more play last night than their last few shows, such as the chainsaw guitar-driven “Mononucleosis” (30 times ever played), “Pollo Asado” (very rare – only 8 times ever played, with Gene sitting on a stool to deliver the drive-in monologue), “Cornbread Red” (only 12 times ever played), and the rarest of the night, “Flies on My Dick,” which has only been played 5 times ever, not played in over 250 shows.
Brooklyn native Dave Dreiwitz hopped back and forth across stage, often joining Gene and Dean in a tight circle on the same mic, or whispering “yes…” and “no….” at the blissfully quiet audience during “The Mollusk.”
After sinking a monster setclocking in at nearly 3 hours, Ween resurfaced for a 4-song encore, starting with the raucously speedy “Wavin’ My Dick in the Wind,” a shredtastically intense “Licking the Palm for Guava,” trippy screaming in “Mushroom Festival in Hell” (with Gene on megaphone), ending with an absolutely explosive rendition of Motorhead’s “Ace of Spades” to close out the night and the year in classic Ween fashion.
Ween is certainly not everyone’s cup of blue tea. They are a special kind of weird, highly accomplished musicians and songwriters with a massive repertoire and a devoted fanbase. Because of the pandemic, Ween only played 14 shows in 2021. However, they’ve played a total of 28 shows in 2022, which along with rare gems suggests they may ramp up in 2023, as one can only hope.
Ween – The Fillmore, Silver Spring, Maryland – Sunday, December 11, 2022
Setlist via Brownbase.org: Buckingham Green, What Deaner Was Talkin’ About, Light Me Up, Piss Up a Rope, Take Me Away, Gabrielle, Sweet Texas Fire, Mononucleosis, Touch My Tooter, The Golden Eel, Your Party, I Don’t Want It, Sorry Charlie, With My Own Bare Hands, Ice Castles, The Final Alarm, Albino Sunburned Girl, Bananas and Blow, Cornbread Red, Stroker Ace, Doctor Rock, Pollo Asado, Vallejo, You Were the Fool, Spinal Meningitis (Got Me Down), Polka Dot Tail, Flies on My Dick, Roses Are Free, The Mollusk, Loop de Loop, Ocean Man, You Fucked Up Encore: Waving My Dick in the Wind, Licking the Palm For Guava> Mushroom Festival in Hell, Ace of Spades
Lovejoy made a stop on Wednesday on December 7th at the Mercury Lounge in New York City. Selling out every one of their shows within minutes of announcing their US tour, the upbeat indie-rock band put on an amazing performance, full of jumping, head-banging, and enthusiastic crowd interaction. The UK-based band played various songs from their first EP Are You Alright, and their latest release, Pebble Brain.
Lead singer Wilbur Soot and bassist Ash Kabosu
Lovejoy, consisting of lead singer Will Gold—better known by his Youtube name, Wilbur Soot—guitarist Joe Goldsmith, bassist Ash Kabosu, and drummer Mark Boardman, played their second ever show in New York this past week. The band formed in 2020 when Wilbur Soot, with his already large fanbase of 6.35 million followers on Youtube and Twitch for video game streaming, uploaded his comedic yet catchy song, “Your New Boyfriend.” The song pushed Soot to pursue music on a more serious level. Already friends with guitarist Joe, Soot met bassist Ash Kabosu at a burger shop and drummer Mark Boardman through the freelance company Fiverr. After Soot and Goldsmith’s first day of recording music with their newly found instrumentalists, the four decided to form their band.
Lovejoy first entered the stage by pushing through the crowd, generating screams of excitement from the crazed fans, many of whom brought their parents with them to the packed venue. Given that Lovejoy had only four scheduled tour dates in the US, many dedicated followers traveled hours from far away states like Connecticut, Pennsylvania, and even Florida to see their favorite band play.
A teenager from the crowd handed guitarist Joe Goldsmith a black-and-white striped beanie, which he wore during the entire show. Prior to playing their song “Model Buses,” the crowd collectively booed Boris Johnson and sang along to lyrics like “We can barely see your hair receding..” and “Sound as good with slurred speech as I do when I’m sober…” After facing some technical difficulties during their performance of “Concrete,” the band replayed the song with the whole crowd screaming the lyrics and jumping eagerly to the beat.
Before their encore, the band members pretended to leave the stage and re-enter from behind the curtains, prompting the crowd to scream in excitement once again. Lovejoy is continuing their US tour with two last shows in California on December 9th and December 11th.
Setlist: Tomorrow, You’ll Understand When You’re Older; Oh Yeah, You Gonna Cry?; Taunt, Consequences, Model Buses, Cause for Concern, The Fall, It’s Golden Hour Somewhere (unreleased), One Day, Sex Sells
Encore: Perfume, It’s All Futile! It’s All Pointless!, Concrete
