Category: Photo Gallery

  • In Focus: Love Rocks NYC 2022 at the Beacon Theatre

    On Thursday, March 10, 2022, The Steven & Alexandra Cohen Foundation is presented the sixth annual Love Rocks NYC benefit concert for God’s Love We Deliver, live from the historic Beacon Theatre. Executive produced by iconic international fashion designer John Varvatos, NYC real estate broker and prominent concert producer Greg Williamson and esteemed concert/events producer Nicole Rechter, the concert was hosted by Mario Cantone, Kiefer Sutherland, Gina Gershon, Steve Schirripa and Michelle Buteau, supporting and honoring the work of the New York-based not-for-profit organization.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: (L-R)John Varvatos, Greg Williamson, Warren Haynes, Ivan Neville, Jimmy Vivino, and Anders Osborne attend the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    The 2022 edition of Love Rocks NYC This year’s concert event will also celebrate an extraordinary milestone for God’s Love We Deliver with the delivery of their 30 millionth meal this spring. The organization, which was founded during the AIDS pandemic in 1985, has been an essential services provider during the COVID-19 pandemic. Last year, the organization cooked and delivered more than 2.6 million medically tailored meals to nearly 10,000 New Yorkers living with and affected by severe illness, and its staff and volunteers continue to work tirelessly to meet the ever-growing demand for its services. 

    Building off of the smaller Love Rocks NYC affair in 2021, the announced lineup included Keith Richards & The X-Pensive Winos, Mavis Staples, Hozier, Warren Haynes, Melissa Etheridge, Allison Russell, Larkin Poe, Tyler Bryant, David Shaw (of The Revivalists), Anders Osborne, Celisse, Jimmy Vivino, Maggie Rose, Connor Kennedy (of Steely Dan), and left many surprises in store for all in attendance.

    At 8:15pm, Ben Harper opened the show with an instrumental tribute to his friend and long time bassist Juan Nelson. Then Harper took the crowd from the Hudson River down the Mississippi for Led Zeppelin’s “When the Levee Breaks” with Danny Clinch on swamp harp. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Danny Clinch and Ben Harper perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Bill Murray took David Letterman’s role 2021 as the surprise MC and introduced the first round of artists and God’s Love We Deliver founder Karen Pearl. He also helped organize a special farewell to the audience members that were seated below the Beacons infamous spike. “That thing is gonna come down mid show tonight and just take out that section, say goodbye to these people.”

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Bill Murray speaks onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Murray then introduced Connor Kennedy for a performance of Tom Petty’s “Learning to Fly.” Aside from this song, all other artists performed three song sets over the three hours of music.

    Celisse Henderson, who was part of Trey Anastasio’s Beacon Jams, returned to the stage with her guitar in hand to make her voice heard to a fully seated Beacon. She also howled like Robert Plant & wrote a letter to Jimmy Page on guitar for Zeppelin’s “Rock & Roll”.

    NEW YORK, NEW YORK – MARCH 10: Celisse performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Mavis Staples’ family has been gracing the world with their music for 74 years and her rendition of David Byrne’s “Slippery People” created a Start Making Sense vibe at Love Rocks.

    NEW YORK, NEW YORK – MARCH 10: Mavis Staples performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    New York Yankee Bernie Williams traded his bat for a guitar axe at the event, joining Staples on the classic “I’ll Take You There.”

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Mavis Staples and Bernie Williams perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Maggie Rose set a tone for the Upper West Side at Love Rocks for her version of “Lonely Town, Lonely Street,” perhaps a nod to the former unlit Beacon marquee in the past two years.

    Allison Russell acknowledged the moment immediately on how it was full circle for them to be standing where Mavis just performed, performing a special version of “Stop Dragging My Heart Around” with Hozier.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Allison Russell performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Larkin Poe, who performed at the return of the New York State Bluesfest last June at the Syracuse State Fairgrounds, killed “Rock & Roll Hootchie Koo” with Tyler Bryant.

    A taste of New Orleans arrived around 10pm with Lafayette’s Anders Osborne with Danny Clinch for Little Feat’s “Dixie Chicken.” The Beacon stage took on an old juke joint vibe as Laurence Fishburne came to tell stories about his favorite winos & introduce the band. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Laurence Fishburne speaks onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Fishburne introduced Keith Richards, Ivan Neville, Steve Jordan, Waddy Wachtel, and CBS Orchestra bassist Will Lee to the stage. The three song set included “999,” “You Got the Silver” & Keith’s killer “Before They Make Me Run.”

    Steve Schirripa from The Sopranos kept the fun going on stage after the X-Pensive Winos set, needing to take a minute on the stage as the smoke cleared from the winos set before carrying the show along. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Steve Schirripa performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    The next hour of music was a tribute to artists including David Bowie, John Lennon and Gregg Allman. Hozier sang on “Changes” & Melissa Etheridge performed “Come Together,” while Devon Allman, Warren Haynes and a full horn section performed on “Just Another Rider,” off Gregg’s final solo album. All yet another direct spark of inspiration off the Beacon Theatre’s historic stage.

    Jackson Browne returned to the Beacon for the first time since March 2020 and joined Haynes for a special “Running on Empty” to close the show.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Warren Haynes and Jackson Browne perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Prior to the encore, Varvatos, Williamson and Rechter set the date for next years 7th annual Love Rocks NYC for March 9, 2023, and announced that a portion of the proceeds with go to those in need in Ukraine. 

    For the encore, the entire cast joined in unison for Bob Dylan’s “Like a Rolling Stone” to send everybody with smiles from the theatre to the reception.

    Love Rocks was once again a source of light & inspiration for those in the crowd, serving a worthy cause for those in the greater NYC community.

    Love Rocks Benefit Concert – Beacon Theatre, NYC – March 10, 2022

    Setlist: Inland Empire, When The Levee Breaks, Learning To Fly, Get There. Rock & Roll, In The Midnight Hour, Lonely Town, Lonely Street, Slippery People, I’ll Take You There, Nightflyer, Stop Draggin’ My Heart Around, She’s A Self Made Man, Rock & Roll Hoochie Koo, Dixie Chicken, 999, You Got The Silver, Before They Make Me Run, Work Song, Come Together, I’m The Only One, Ooh La La, Baba O’Riley, Just Another Rider, I’ve Been Loving You Too Long, Running On Empty
    Encore: Like A Rolling Stone 

    Photos via Getty Images by Kevin Mazur and Jamie McCarthy

  • In Focus: Lawrence Hotel TV 2 Tour Rolls Through Albany

    Two years ago, in March of 2020, bands were cancelling shows and tours left and right. Such was the case for Lawrence’s Hotel TV Tour, but the band has picked up right where they left off in 2022 with the Hotel TV Tour 2. Lawrence just stopped in Albany to perform at Empire Live, and the brother-sister-led soul group put on a show that was as advertised. The set was full of positive energy, funk, soul, and the crowd loved every minute of it. Lawrence opened the show on a high note, playing ‘Casualty’ and ‘It’s Not All About You,’ two songs off their 2021 album Hotel TV.

    lawrence hotel TV

    Fans of the show may recognize Clyde’s Arrested Development shirt in the photo above. This is one of many TV related shirts that he’ll be wearing as a nod to the tour’s theme: Hotel TV. Lawrence’s set had references throughout the night as they covered some classic theme songs from shows and movies like Hey Arnold!, The Office, and The Little Orphan Annie. Grace likened the idea of hotel TV to being a home away from home, which for kids raised in the 90’s and beyond this is often the case. And so for a chunk of the set, Lawrence bounced between nostalgic covers and originals, including ‘Probably Up,’ ‘The Heartburn Song,’ and ‘Jet Lag.’

    lawrence hotel TV

    After hitting the Cha Cha Slide, Lawrence moved into another string of originals including: ‘Shot,’ ‘More,’ and ‘Freckles.’ ‘Freckles’ is a standout song from the band’s newest album, and is a perfect representation of Lawrence’s music. The band’s music features lyrics with optimistic spins on relatable topics layered over upbeat, groovy tracks that are a joy to perform and witness live. After ‘Freckles’, Lawerence stayed loose with another cover, their funky version of Sean Paul’s ‘Get Busy.’

    After ‘Get Busy,’ Lawrence slowed things down with their ballad: ‘The Weather.’ The crowd got what would be a timely, quiet moment, before an upbeat end to the night. Lawrence ended the show on a particularly high note with a string of hits including: ‘Make A Move,’ ‘Do You Wanna Do Nothing with Me?,’ and ‘Don’t Lose Sight.’ The crowd loved the set Lawrence crafted and they jumped, screamed, and sang at the tops of their lungs all night long. The crowd eventually waited for and welcomed an encore that featured ‘It’s Gonna Be Me’ and then faded out with Gracie singing ‘Tomorrow’ from Annie.

    Lawrence are wrapping up the east coast leg of their Hotel TV 2 Tour in Pennsylvania. After two shows at the end of March, the band will be making their way through the midwest and the south. You can view all of their upcoming tour dates and purchase tickets on their website. In the meantime, be sure to follow and subscribe to Lawrence on Instagram, YouTube and Spotify. For all upcoming shows at Empire Live, you can view their website here.

    lawrence hotel TV

    Setlist: Casualty, It’s Not All About You, Office Theme Song, Probably Up, Hey Arnold! Theme Song, The Heartburn Song, Jet Lag, Cha Cha Slide (Mr C the Slide Man), Shot, More, Freckles, Get Busy (Sean Paul), The Weather, Make A Move, Do You Wanna Do Nothing with Me?, Don’t Lose Sight

    Encore: It’s Gonna Be Me, Tomorrow (Annie)

  • Killswitch Engage Unleash Atonement Tour in Rochester

    Metalcore titans Killswitch Engage brought their Atonement Tour to Rochester at the Main Street Armory with August Burns Red and Light The Torch. With only a couple shows left to go on their U.S. run, all the bands still gave it their all and the crowd was singing along to every song.

    Opening the night was Light The Torch, fronted by Howard Jones who was Killswitch Engage’s previous singer before Jesse Leach came back. Both Howard and Jesse contributed some of the best Killswitch material they have released, and it is always a great pleasure to see when there’s no bad blood between artists and they tour together. Immediately starting their set, Howard Jones takes to the dim it stage to a roar of applause from the crowd. Not holding back, Light The Torch goes right into “More Than Dreaming”, which showcases Howard’s vocals in both his cleans and screams.

    After listening to Killswitch Engage for so long, and not being too familiar with Light The Torch’s work, it is difficult to not compare this band with the sound Howard brought with his time in Killswitch. There are some similarities, however that is mostly due to Howard having a fantastic voice that just carries to whatever project he is working on. Light The Torch had a 10 song set that was basically nonstop from start to finish. Some of their hard hitting songs such as “Calm Before The Storm”, “Death of Me”, and “Become the Martyr” really set the mood for the evening and did a great job of energizing the audience. Closing out their set with “Die Alone” Howard told the crowd how much it means to him to be able to still perform after experiencing a dark time, and how fortunate he is to have his band members with him. “I fucking love this so much, thank you, thank you, thank you!” he says before giving the crowd the metal horns and ending their set.

    August Burns Red wasted no time coming out swinging with “The Truth of a Liar”. Immediately, it’s like a switch is hit, going from Light The Torch’s dimly lit set to a full blown lightshow and fog machines. August Burns Red didn’t slow down at all for their set, feeding off of the crowds energy as mosh pits emerged and crowd surfers started flowing. The bands vocalist, Jake Luhrs, commanded the crowd with his stage presence as he moved around swinging the microphone and jumping up onto their platforms. Highlights of their set included a very surprising cover of the “Legend of Zelda” theme song right into “Mariana’s Trench”. Performing for just under an hour, August Burns Red really delivered a great performance. This was many of the attendees first time seeing them live, as shown by a raise of hands when asked by Jake Luhrs who’s first time it was, and it was clear they won over many new fans.

    After a quick teardown of the August Burns Red set, Killswitch Engage is ready to take the stage. Opening with “Unleashed” off their latest album, was the perfect introduction. Since this was one of the final shows of the tour, you would expect the band to be a little worn out, however this was not the case. Jesse Leach ran around the stage full of energy, singing and screaming the songs with as much enthusiasm as you’d expect on the opening night.

    Killswitch Engage always puts on a fantastic show, and this night was no different. The banter between guitarist Adam Dutkiewicz and the crowd provided a comedic value that is almost expected at a Killswitch show. With fan favorites to sing along to such as “My Last Serenade”, “Daylight Dies”, and “My Curse” it was a pleasure to hear a combination of their older material as well as their new stuff. The highlight of their set was definitely when Killswitch brought Howard Jones on stage to sing two of their most well-known songs, “The End of Heartache” and “Rose of Sharyn”. This set the crowd into a massive sing along which was so much fun. Ending their set with a duet of “The Signal Fire”, Killswitch Engage delivered one of the best metal tours so far this year.

    Setlist: Unleashed > Hate by Design > Know Your Enemy > My Last Serenade > I Am Broken Too > Reckoning > In Due Time > Daylight Dies > This Fire > As Sure as the Sun Will Rise > The Crownless King > Irreversal > Always > My Curse > Strength of the Mind > Rose of Sharyn(with Howard Jones) > The End of Heartache(with Howard Jones) > The Signal Fire(with Howard Jones)

    Killswitch Engage

    August Burns Red

    Light The Torch

  • Goose Rocks Cleveland

    Connecticut jam band Goose came to Cleveland and played to a packed house at the Agora Theater on Thursday, March 9th. They wasted little time before venturing deep into improvisational territory as the opening “Tumble” stretched out to nearly 30 minutes. Three well placed covers kept the audience on their toes including Father John Misty’s “Writing a Novel.” While the second set featured “Use Me” by Bill Withers and finally they encored with Devo’s “Whip It,” which included Jon ‘Coach’ Lombardi on rainstick.

    goose cleveland

    Goose :: 03/10/2022 :: Agora Theater :: Cleveland, Ohio

    Set 1: Tumble > Writing a Novel, Turned Clouds, Bob Don, Rockdale

    Set 2: Echo of a Rose > Into the Myst > Old Mans Boat > Use Me, Dripfield

    Encore: Whip It’ > Jive Lee

  • Acid Dad Captivates Crowd in Collar City Debut

    Brooklyn based alternative buzz band Acid Dad brought their “A” game to Troy on Frida, March 4th, mesmerizing fans at the collar city’s newest live music night spot, No Fun. Conveniently located along River Street, despite the club’s name good times were aplenty as the band dropped a heavy dose of their signature psychedelic shoegaze sound; a sonic assault of fuzz infused feedback, groove-heavy basslines, relevant and catchy lyrics complete with an atmospheric 60’s-style liquid drop lightshow that would have made even a young Syd Barret feel at home. 

    Acid Dad performs at No Fun in Troy, NY

    Consisting of duel singer/guitarist duo Vaughn Hunt and Sean Fahey, drummer Trevor Mustoe, and on this night bassist Zoltán Sindhu, who was performing double duty after opening the show with NYC’s Programmique, Acid Dad have been riding a steady wave of growth since Vaughn first started recording the band’s debut EP in a Bushwick basement in 2016. During the pandemic, the guys made good use of their time by building a new recording space in Queens, while also continuing to independently produce all their own music, art and even build some of their own instruments.  The end result was  their latest LP, ‘Take It From The Dead,’  which “dropped” last summer on Brooklyn’s Greenway Records and psych powerhouse LEVITATION’s label, The Reverberation Appreciation Society. 

    Originally scheduled to play “No Fun” in early February, Acid Dad finally made their Troy debut this past Friday, March 4th.   Playing to a diverse crowd ranging from college students, hipsters, plane jane’s, punks, drunks, die hards, posers, nerds, frat boys, Dead heads, lo-life’s, sell-outs, some cool dudes and a few people still somehow in between, the multi-generational appeal of Acid Dead was apparent from the start. In contrast to lyrics contained in their song “Searchin’” that claim the band is “still stuck in the 70’s” Acid Dad has clearly ingested a multitude of influences that span all eras of music. With a sound the brings to mind influential “do it yourself” indie bands of the late 90’s like The Brian Jonestown Massacre and The Dandy Warhols, Acid Dad have steadily built on those foundations and steadily developed their own unique, catchier spin on the timeless distorted guitar-based genre. 

    Sean Fahey & Zoltán Sindhu performing with Acid Dad

    Just a block away from Troy’s Dinosaur Bar-B-Que, Acid Dad opened their set Friday night with the single “BBQ.” Featuring an infectious bass-heavy groove matched by a searing twin guitar attack and an utterly hypnotic light show, fans dug it from the get-go. Following that were intoxicating renditions of “Brain Body,” “She Only Eats Organic,” and the aforementioned “Seachin’” By the time Acid Dad reached the opening chords of the thought provoking “Marine,” the band was firing on cylinders so hot, jackets in the once freezing room were no longer needed.   Taking a moment to tune up, the slow burn closer of their self-titled debut album “Dissin’ was next, followed in contrast by the opening track of the same album, “Die Hard.”

    From there came perhaps the most well received song on the evening, the lead single from their latest release, “RC Driver.” Keeping the energy high with the relentless driving rhythm of “Living with a Creature” here the young guitar slingers really cut loose, letting their hair fly while thrashing about the stage and indulging in their effects pedals.   Another highlight on the night followed that in the form of “Djembe,” where the Brian Jonestown Massacre’s influence, circa “Give it Back!” era, could really be heard.

    “We lie, We all lie
    Because mother Russia does not suffer
    We run, We all run
    I can’t run, I can’t run
    Because mother Russia does not suffer
    Mother Russia will not suffer”

    But just wait mister, Mr. Major
    Well I question your precedence
    Mister, Mr. Major
    Well I question your precedence”

    lyrics from Mr. Major

    Taking a moment to address the audience before the start of the next song, Vaughn Hunt openly talked about the escalating situation in the Ukraine and that despite writing “Mr. Major” five years ago, it’s taken on a whole new relevance in recent weeks. While fans soon realized this might be a moment worth capturing on their phones, the band then launched into a particularly heartfelt version of it, giving it everything they had left in the tank and bringing the set to a close. Despite the diversity within the mixed collar city crowd, the they were unified in their overwhelming approval and in their pleas for one more song. Happy to oblige, the exciting young band came back out for a fitting encore of “Don’t Get Taken.”  Afterwards the hardworking and down to earth guys could be seen mingling with fans, both new and old, while selling their wares at the merch table. 

    Acid Dad’s Vaughn Hunt wrote ‘Mr. Major’ five year ago.

    Singing songs about everything from drug addiction and dead friends, explicit sex and failed relationships to corporate greed and communism, don’t be fooled by their bunk name.  Acid Dad are for real.  Young, passionate, authentic, and believable.  With a catchy recipe of heavy garage riffs mixed with a little punk, some post-rock vibes, a dose of new wave and plenty of sprawling sonic distortion, the only thing testing higher than their potential pH levels is their potential to become one of New York’s most relevant bands.  With a huge spring on the horizon that includes a national tour with Australia’s Psychedelic Porn Crumpets and a confirmed slot on the ridiculously stacked Shakey Knee’s Music Festival in Atlanta, it would seem the best is yet to come and that Acid Dad is still far from peaking.  

    Acid Dad | 3-4-2022 Troy, New York | No Fun

    Setlist: BBQ, Brain Body, She only Eats Organic, Seachcin’, Marine, High, Dissin’, Die Hard, RC Driver, Living with a Creature, Djembre, Mr. Major

    Encore: Don’t Get Taken

  • In Focus: 2022 SAMMY Awards Ceremony

    The 2022 SAMMY Awards ceremony took place on March 4, 2022 at the Crouse Hinds Theater in Syracuse, with a red carpet treatment for nominees.

    Notable highlights included a performance by Lifetime Achievement Award winner Tom Kenny, who played with his band The High Seas. John Rogalia & The Swamp Boys played “A Little Too Country”, with Letizia and the Z Band following. The REal RAW BReed, who opened for Lil Tjay at The Westcott Theater this past October, served as the final performer of the night.

    The Jack O Bocchino Award was given to the late Brian Cornish, a writer for NYS Music and 315 Music before his passing in January 2021, and was accepted by his brother.

    Read a detailed recap from The Daily Orange here.

    2022 SAMMY Award Recipients 

    Best Jazz – The Pietra Group, “People Chain”

    Best Americana – The Ripcords, “Unmasked”

    Best Other Styles – Fritz’s Polka Band, “The Hands of Time”

    Best Jam Band – Count Blastula, “Strange Mutations”

    Best Pop – River Westin, “Candy Cigarettes”

    Best Hard Rock – Less Than Hate, “Less Than Hate”

    Best R&B – Free Boody Institute, “The Feeling (Myths, Legends & The Hard Truth)”

    Best Alternative – Trauma Cat, “Prepare to Apologize”

    Best Rock – Not Robots!, “Not Robots”

    Best Hip-Hop/Rap – VinnyVeg, “1104 Vol.2 The Leader Of Real shhh”

    Best Country – Jon Rogalia, “Twenty Eight”

    People’s Choice Best Artist or Band – Bryan Syrell

    People’s Choice Best Academic or Musical Organization – Oswego High School Marching Buccaneers

    People’s Choice Best Event or Music Series – John McConnell Virtual Tuesdays

    People’s Choice Best Venue – Colloca Estate Winery

    Best New ArtistSydney Irving

    Jack O Bocchino AwardBrian Cornish

    Community Spirit Award – Raymond (Ray Ray) Darby Jr.

    Founders Award – The Blacklites

    SAMMYs Hall of Fame inductees: J. Avery Head – Music Educator, Los Blancos, Russ Tarby, Jeff Stockham, Robert “Bobby T” Tousignant, Lifetime Achievement – Tom Kenny

    John Rogalia & The Swamp Boys

    Letizia and the Z Band

  • Ladies Night at the Egg: Incredible Voices & Tricky Guitar with Aofie O’Donovan and Yasmin Williams

    On Saturday, March 5th, Irish-American singer Aoife O’Donovan brought her glorious voice to The Egg. With special guest Yasmin Williams opening the show, it was all about incredible women in downtown Albany. They both blew me completely out of the water with their amazing voices and surprisingly unique talents.

    aofie o'donovan yasmin williams

    Artist to Watch: Yasmin Williams

    Having never heard of either of these artists, I didn’t have a clue what to expect. So when I walked in and saw Yasmin Williams with a guitar laying string-side up on her lap to say I was shocked would be an understatement. This lady plays guitar in a way I have never seen and didn’t even think possible. She played with both hands and even added other instruments throughout the set. She also used the guitar for percussion as well as a violin bow at one point. If she comes to a town near you, this one-woman show is not to be missed.

    aofie o'donovan yasmin williams

    Aoife O’Donovan — The Voice of an Angel

    Next up was Grammy Award-winning artist Aoife O’Donovan. This lady absolutely has the voice of an angel. She was playing with a four-piece band and although the crowd had to stay in their seats, it was obvious the entire audience was in a trance. The musical accompaniment was simple but it was a perfect backdrop for Aoife’s glorious pipes. She is on tour pretty much all the time and this is one show you shouldn’t miss again. Check out her tour dates here.

  • In Focus: Ace Frehley Plays Patchogue Theatre

    Lead guitarist and co founding member of Kiss, Ace Frehley played the historic Patchogue Theatre For The Performing Arts Centre on Long Island Thursday night March 3rd. The setlist was mostly KISS classics like “Parasite”, “Detroit Rock City” and “Shock Me”. Ace also did a few covers including “Emerald” by Thin Lizzy, “Never in My Life” by Mountain and Russ Ballard’s “New York Groove” which has been a staple of Frehley’s shows since the 80’s.

    ace frehley patchogue theatre

    Ace’s current band includes Ryan Spencer Cook (guitar, vocals), Jeremy Asbrock (guitar, vocals), Philip Shouse (bass), and Matt Starr (drums). His newest album, Origins Volume 2 was released in September 2020. It is a covers album which features guest appearances from Lita Ford, John 5, Robin Zander, Rob Sabino and former Kiss guitarist Bruce Kullick.

    The Patchogue Theatre has been part of the community for close to one hundred years. When it opened in 1923 it was the largest theatre on Long Island. It has over 1100 seats and is still the largest theatre in Suffolk County. Since it opened, it has gone through many renovations, most recently in 2016 including the addition of a state-of-the-art sound and lighting system. For more information on the theatre visit here.

    Setlist: Rip it Out, Parasite, Strutter, Emerald, Rocket Ride, Rock Soldiers, Never In My Life, Good Times, Bad Times, Detroit Rock City, Hard Times, New York Groove, Strange Ways, Shock Me, Cold Gin/Black Diamond, Deuce

  • In Focus: Slash ft. Myles Kennedy and The Conspirators rock a sold out del Lago Casino

    On March 5th, Slash ft. Myles Kennedy and The Conspirators brought what can only be described as a ‘pure rock’ show to a packed crowd at del Lago Casino in Waterloo, NY.

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    Slash ft. Myles Kennedy and The Conspirators rocking Waterloo NY. Photographed by Samantha Rychlicki.

    Starting off the night was a fairly new band Plush. This band includes Moriah Formica lead vocals and guitar, Bella Perron on the lead guitar, Ashley Suppa on the bass and Brooke Colucci on the drums. They are absolutely the future of rock. With Formica’s powerful voice and the instrumental skill of the other three members, the world needs to keep their eyes on them.

    Moriah Formica of Plush at the del Lago Casino and Resort. Photographed by Samantha Rychlicki.

    Then of course following them was the head liners. Wearing his iconic top hat and aviators, the world famous guitarist and the incomparable vocalist played for 3 hours non-stop.

    Myles Kennedy is pure talent. Plain and simple. It was hard to believe that he was the one singing as he hit the notes effortlessly. He is the essence of rock and still remains truly humble. Of course, we cannot skip the is an undeniable rock superstar, Slash. With years under his belt, he is a guitarist with unparalleled talent. These two masterminds of music combined with the talent of The Conspirators, consisting of consist of Todd Kerns on the lead bass, Frank Sidoris on the rhythm guitar and Brent Fitz on the drums, are unstoppable. It was an unforgettable experience of music full of energy and just pure fun.

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    Myles Kennedy and Slash at the del Lago in Waterloo NY. Photographed by Samantha Rychlicki

    Slash ft. Myles Kennedy and The Conspirators Setlist: Driving Rain, My Antidote, Shots Fired, Halo, Back From Cali(Slash song), Spirit Love,The River Is Rising, Whatever Gets You By, Always on the Run(Lenny Kravitz cover), Standing in the Sun, Speed Parade(Slash’s Snakepit cover),C’est La Vie, Fill My World, The One You Loved Is Gone, Call off the Dogs, Doctor Alibi(Slash song), Rocket Man (I Think It’s Going to Be a Long, Long Time)(Elton John cover),Nothing to Say (Slash song), You’re a Lie, World on Fire
    Encore: Anastasia

  • Tool Brings a Psychedelic Masterpiece to Buffalo

    On Sunday, February 27, nearly 20,000 fans packed into the KeyBank Center in Buffalo to witness one of the most unique rock bands around, Tool. One of the most mysterious and eye catching shows you can witness, with really incredible visuals produced by the band’s guitarist, Adam Jones, Tool last played in the region in May 2017 at the Blue Cross Arena in Rochester, and had since released their critically acclaimed album Fear Inoculum which this tour supported.

    tool buffalo
    TOOL KeyBank Center in Buffalo, NY

    Fans poured into the arena in high spirits to be greeted to a stage obscured by a translucent curtain.
    Tool is known for two things at their concerts, one being the absolute incredible visuals, and the other
    is their extremely strict no cell phone/camera policy. Signs were plastered all over the venue, even in
    the bathrooms to warn fans that all types of photography and video were prohibited and could result in
    ejection. You would think people would see this and take it seriously, right?

    tool buffalo

    As the lights went out in the stadium and the translucent curtain that wrapped around the stage began to light up, the band members began to make their entrance onto the stage. When Danny Carey, one of the greatest drummers of all time made his entrance with a quick wave before sitting at his impressive drum kit, the arena erupted in cheers. Next followed both Adam Jones and Justin Chancellor as they begin jamming the self-titled song off the album Fear Inoculum. Maynard James Keenan then kind of crept his way to the back platform, appearing as a silhouette with a mowhawk.

    tool buffalo
    Maynard James Keenan / TOOL

    The visuals kicked right up to 11 as Tool began their set. The slow start to their songs begin often soft
    and soothing and transform into a powerful climax over the course of 10 minutes. One thing about the
    no cellphone policy is it truly allows you and everyone else to really appreciate the production of the
    show. While most attendees followed the guidance, there were definitely some who took the risk of
    trying to film. These individuals would quickly be spotted by security and their led flashlights shined right
    at their face as a warning, before being escorted out of the venue.

    Throughout the set, Maynard prowled the back of the stage like a caged animal. This is his M.O as he
    previously has stated that the other members playing the instruments deserve the focus. Most of
    Tool’s performance featured elaborate and complex grooves met with bursts of ferocity and visuals to
    match. Both Justin and Adam played very well off each other, and Danny Carey absolutely killed it on the
    drums. You could feel the power behind the extremely complex time signatures he would play, and
    being able to watch him perform was very enjoyable.

    Highlights of Tool’s performance included the translucent curtain slowly opening to reveal the band
    during their performance of “Pushit” in dramatic fashion as vivid hallucinatory imagery encompassed
    the band. Danny Carey’s absolutely insane drum solo titled “Chocolate Chip Trip,” which had overhead
    cameras displaying on the backdrop allowing everyone to witness his insane skill and speed as he played
    to a synthesizer.

    tool buffalo
    Adam Jones / TOOL

    Before playing the final song of the night, Maynard spoke for the second time of the evening saying
    thank you and then allowing everyone to record the last song with their cellphones. The only request he
    had was to “turn off you’re fucking lights, if you don’t know how, ask your phone.. it’s a smart phone.”
    The band then went into “Invincible” which was an epic finish to their performance.

    Going to a Tool concert is more like an immersive experience of watching songs come to life with mind blowing visuals and people in the shadows playing the instruments. The band doesn’t talk in-between songs like many other artists do, and the entire focus of the event is strictly on the music itself. They are truly unique in a time when many musicians sound similar to others, and Tool shows no signs of slowing down.

    Tool – Keybank Center, Buffalo – February 27, 2022

    Setlist: Fear Inoculum > Opiate > The Pot > Pushit > Pneuma > The Grudge > Eon Blue Apocalypse > The
    Patient > Descending > Hooker With a Penis
    Encore: Chocolate Chip Trip > Culling Voices > Invincible

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