Los Angeles based artist, Jake Miller, announces his tour “hi, i missed you” and releases his new single, “I Hope I Die First” from his upcoming album.
Photo Credit: Zack Caspary
Miller is an independent artist who has gained a following over the years from his music and social media presence. He has over 200 million streams and headlined eight tours throughout the country. Ariana Grande, Shawn Mendes and Fifth Harmony are some of the talents that Miller has shared the stage with.
In 2019 he wrote and produced his six song EP Based on a True Story in his bedroom and received 15 million streams. His single “Wait for You” off the EP made it to Billboard Top 40. Miller became a hit on Tiktok with his viral series “Quarantunes”. Throughout 2020, he released eight singles displaying his craft with different sounds.
Miller’s “hi, i missed you” tour comes after last year’s releases and is the beginning of his journey for 2021. The tour consists of 33 dates and will be stopping in major cities across the nation including New York, Toronto, Chicago and Los Angeles. The stop in New York City will be at Le Poisson Rouge on September 30. Indie pop duo, Fly By Midnight, and the triplet pop group, Just Seconds Apart, is joining Jake Miller on tour. Tickets for the “hi i missed you” tour are currently on sale on Miller’s website, with meet and greet packages included.
Along with the announcement of the tour, Miller also released his newest single titled “I Hope I Die First”. The song was written before the pandemic with the help of five of his best friends. It touches on the feeling of having someone that you love by your side and not wanting to live without them. For Miller, the ballad means that even when the world seems crazy, having someone special with you makes things better. The single is available on all streaming platforms through The Orchard.
The highly anticipated upcoming remake of West Side Story gives a glimpse in its trailer of the classic musical with a brand new cast. The trailer aired during the 2021 Academy Awards telecast on Sunday, April 25.
After sixty years, the love story of Tony and Maria returns to theaters. The clip is a minute-and-a-half long, giving a quick look at the beloved romantic musical drama.
The trailer begins with a New York City morning, the dawn sky and quickly shifting vignettes of the city. The town, divided in its gangs, ramps up into action with a beautiful orchestral drone in the background.
The Jets and the Sharks, the indelible rivaling gangs, collide in small action sequences. Within the tumultuous community, the two star-crossed lovers find each other, their tragic love story illuminating the screen.
20th Century Studios / Youtube
The leads in Spielberg’s production are Rachel Zegler as Maria and Ansel Elgort ofThe Fault in Our Stars as Tony. The film also features talented actors such as David Alvarez as Bernardo, Ana Isabelle as Rosalía, and Mike Faist as Riff.
The film, as well as the original, was heavily based off of Romeo and Juliet, written by Arthur Laurents in 1957 as a Broadway musical. An interesting fact about the 2021 remake is that Rita Moreno, who played Anita in the original 1961 movie, returns as a shop owner named Valentina, who employs Tony.
West Side Story, directed by Steven Spielberg, is set to hit theaters in December 2021.
Kicking off on September 9th in Minneapolis, MN, Machine Gun Kelly will embark on a tour of the country. MGK will feature his latest hit album Tickets To My Downfall at venues for the first time since release, including fan favorites such as “Bloody Valentine” and “My Ex’s Best Friend.”
Starting Tuesday, April 27, tickets are available for pre-sale, then going on sale to the public by Friday, April 30. Everything regarding ticket sales can be found through MGK’s website, as well as the national tour dates and locations.
On September 13, Machine Gun Kelly will perform live at Central Park SummerStage, the only show of the tour to take place in New York.
The tour across the United States will come to a close on December 18, in the artist’s hometown of Cleveland, Ohio, at the Rocket Mortgage Fieldhouse.
Machine Gun Kelly’s “Tickets to My Downfall” 2021 Tour will include performances from special guests such as carolesdaughter, jxdn, and KennyHoopla.
Central Park is not only the continent’s first public park, but arguably the most iconic. Artists have traveled from across the globe inspired to paint, play and write about the 843 acres of beauty.
The sacred space is surrounded by world-renowned music venues, museums, and galleries. Harlem’s home for R&B and soul, the Apollo Theater, sits just 15 blocks north of the park while Carnegie Hall attracts world-class orchestral talent just two blocks south of it (slightly northeast of Radio City Music Hall). Rock aficionados frequent the Beacon Theatre on West 72nd street to the west of the park while sophisticated symphony-enthusiasts admire the NY Philharmonic at Lincoln Center. Hugging Central Park on the east, art-lovers marvel at the rotating and static exhibits on Museum Mile and photographers snap photos of New York’s impressive architecture.
It would be hard to imagine one of the world’s most culturally blended cities without a gathering place for people to connect with nature and community. And some of the most memorable gatherings in the early to mid-twentieth century occurred at Sheep Meadow between West 66th and 69th streets. To bookmark the tumultuous 1970’s in the drug-infused, crime-filled, disco and punk era, James Taylor played the last big concert at Sheep Meadow in front of a quarter-million people. After Sheep Meadow closed its grass to tarps, blankets and bare feet, large concerts were given a new space on the Great Lawn located mid-park between 79th and 85th street.
They don’t call it the Great Lawn for nothing. Some of the largest crowds in recorded history packed the 55-acre plot of land to “be a part of it” as Frank Sinatra would say. Maybe it’s the park’s natural setting that makes it so appealing for concert goers or it could be the central hub, but many performances in the ‘80s created a sense of hope and peace during some of the roughest years. While the NY Times called 1980, “the worst year of crime in the city’s history,” music provided a momentary lapse of chaos. In June 1980, an estimated 200,000 spectators on the Great Lawn welcomed Pavarotti and then two months later, Elton John entertained 400,000 fans.
The following September, Simon & Garfunkel reunited for their first live performance in 11 years as a duo. The free benefit concert supporting the nonprofit Central Park Conservancy was expecting around 300,000 guests, but an estimated half a million people showed up for the legendary reunion. After opening with “Mrs. Robinson” and “Homeward Bound,” Simon commented, “Well, it’s great to do a neighborhood concert,” and thanked the police, the fire department, the park administration. The subsequent live album recorded that night went on to peak at number six on the Billboard 200 chart in 1982 and was positively received by music critics and worldwide fans of NYC-based folk.
https://www.youtube.com/watch?v=5OegZZNPsKA
While the magic created that night in Central Park between the future Rock and Roll Hall of Famers sparked a world tour the following spring, the relationship between the two musicians was creatively impossible to maintain, so they decided to call it quits before ever releasing a reunion album. On the positive side, their benefit concert to support the park’s restoration and maintenance plans was reimagined by other artists on the Great Lawn for decades to come.
Another major Great Lawn milestone took place in June of 1982 as part of the “No Nukes” movement. Central Park’s Rally for Nuclear Disarmament was held on June 12, 1982, and invited chart-topping musical guests including Bruce Springsteen, Linda Ronstadt, James Taylor and Jackson Browne to play in front of an estimated crowd of 750,000. Four years later, in July 1986, a record-breaking 800,000 people were reported at the New York Philharmonic and U.S. Marine Band joint concert to celebrate the restoration and reopening of the Statue of Liberty.
In April 1990, another massive crowd of three-quarters of a million packed Central Park for Earth Day. The musical guests were the B-52’s, Hall & Oates and Eddie Brickell. That same year, the Central Park Conservancy’s SummerStage concert series was moved to Rumsey Playfield, located just off the East 69th and 5th Avenue entrance to Central Park. While not as big as the massive Great Lawn and Sheep Meadow gatherings, the SummerStage has brought world-class acts to the area for over three decades, promoting everything from Central Park preservation, Greenpeace, voter awareness and social justice.
Paul Simon returned in 1991 to a giant crowd on the lawn, but every attendance record for a single artist was destroyed by Garth Brooks in 1997 for a show better known as “Garthstock” due to the giant turnout in a city not known for country music. Dave Matthews Band would bring the free benefit show back to the Great Lawn in 2003 to support music and art education in the NYC public school system, drawing an estimated 85,000. Matthews greeted the crowd saying, “So nice to run into you in the park here, the greatest park in the world, and the greatest city in the world.”
The Black Eye Peas filled the Great Lawn in 2011 for yet another benefit concert raising over $4 million for the Robin Hood Foundation. In 2019, nearly $1 billion was raised during the Global Citizens Festival supported by headliners: Queen + Adam Lambert, Pharrell Williams, Alicia Keys, OneRepublic, H.E.R., and Carole King. The city’s incredible fundraising ability is only as powerful as the people that support the events — artists, promoters, attendees. Concerts on the Great Lawn are not only legendary due to the phenomenal performances in the epic “green lung” of the country’s largest city, but many of the concerts have transcended music and focused on the greater impact of people helping people.
What’s so special about Central Park is that you don’t have to be one of the hundreds of thousands to enjoy a memorable live music experience in Central Park. The grounds are full of talented performers from all over the world, and the magic of New York’s most iconic park is that you never know who you’ll run into playing in the paths and park entrances.
If you happened to be in the park during 2013’s installment of Jazz and Colors (a Peter Shapiro sponsored event), you might have run into an impromptu jazzy set with a touch of psychedelia. Bassist Phil Lesh, guitarist Eric Krasno, and drummer Joe Russo dropped their equipment on a random path and started playing to a crowd of zero, then a few dozen, then a few hundred. It’s moments like these that accentuate the excitement of being in the park on a fall afternoon.
Just this past September, as the leaves began to turn during a global pandemic, you might have run into Phish’s Trey Anastasio playing solo acoustic in support of the Parks Foundation’s SummerStage Jubilee. When asked the energy of a quarantined city, Anastasio remarked, “Yes, it’s weird walking through Times Square right now, but Times Square was tourists. But if you go into residential neighborhoods, I mean listen, it’s the greatest city in the world…always has been.”
Alt-pop trio Lovelytheband alongside fellow alt-rockers Sir Sly announce their 24-date tour across North America coming this fall: Conversations with Loverboy.
Lovelytheband is riding high from the release of their 2020 sophomore album, Conversations with myself about you, that earned the group their third Top 10 radio hit “loneliness for love” as well as Top 20 hit “buzz cut” which received a remix featuring indie pop band Misterwives. Most recently, the trio joined singer-songwriter Tessa Violet for the collaborative single “Games,” a standout from Violet’s debut album.
We are in tears still from announcing a tour! we can’t wait to share a space with fans and friends and get back to doing what we all love to do.
Lovelytheband
Lovelytheband consists of vocalist Mitchy Collins, guitarist Jordan Greenwald, and drummer Sam Price. Hailing from Los Angeles, the trio solidified their place in alt music history when they broke Billboard’s Alternative Songs Longevity Record with a total of 76 weeks on the chart, 9 weeks at #1, and over 300 million streams worldwide with their debut hit single, “broken.” Tickets for the nationwide trek — which includes stops in major cities including Los Angeles (The Fonda Theatre, 11/16), New York City (TBA, 12/1), Nashville (Cannery, 12/6), and Austin (Emo’s, 12/13) are available here, other dates include:
TOUR DATES
11/12/21 – Sacramento, CA – Ace of Spades 11/14/21 – San Francisco, CA – The Regency Ballroom 11/16/21 – Los Angeles, CA – The Fonda Theatre 11/17/21 – San Diego, CA – Observatory Northpark 11/19/21 – Denver, CO – Summit Music Hall 11/21/21 – Kansas City, MO – Truman 11/22/21 – Minneapolis, MN – Varsity Theater 11/24/21 – St. Louis, MO – Delmar Hall 11/26/21 – Columbus, OH – Newport Music Hall 11/27/21 – Detroit, MI – St. Andrews 11/29/21 – Boston, MA – Paradise Rock Club 12/1/21 – New York, NY – To Be Announced 12/4/21 – Washington, D.C. – 9:30 Club 12/6/21 – Nashville, TN – Cannery 12/7/21 – Atlanta, GA – Masquerade (Heaven) 12/9/21 – Orlando, FL – House of Blues 12/10/21 – Fort Lauderdale, FL – Culture Room 12/13/21 – Austin, TX – Emo’s 12/14/21 – Houston, TX – White Oak Music Hall 12/17/21 – Albuquerque, NM – Sunshine Theatre 12/18/21 – Phoenix, AZ – The Van Buren 12/19/21 – Anaheim, CA – House of Blues 12/29/21 – Seattle, WA – Showbox 12/30/21 – Portland, OR – Roseland Theater
For six weeks in the summer of 1969, and nearly 100 miles south of Woodstock, another groundbreaking cultural event was taking place. The Harlem Cultural Festival, filmed in Mount Morris Park (now Marcus Garvey Park), celebrated African American music and culture, and promoted Black pride and unity. While the footage was never seen and largely forgotten, Ahmir “Questlove” Thompson brings ‘Black Woodstock’ to light in his debut documentary, Summer of Soul(…Or, When The Revolution Could Not Be Televised).
The trailer debuted during the 93rd Academy Awards ceremony on Sunday, April 25, where Questlove was serving as music director and DJ for the evening. Part concert film and part historical record, the documentary is an important piece of history that stands as a testament to the healing power of music during times of unrest, both past and present.
While this is Questlove’s first directing jawn, he has appeared in numerous music documentaries, including Beats, Rhymes & Life: The Travels of A Tribe Called Quest, Mr. Dynamite: The Rise of James Brown, and served as co-executive producer of Finding the Funk.
Summer of Soul features performances by B.B. King, Stevie Wonder, Mahalia Jackson and Mavis Staples, Hugh Masekela, Mongo Santamaria, Nina Simone, and Sly & the Family Stone, among many more. Included in Summer of Soulare never-before-seen concert performances by Wonder, Nina Simone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach, the 5th Dimension, David Ruffin, and more.
All this from an historic six week music festival that would be overshadowed by the one weekend Woodstock festival that summer. With over 300,000 people in attendance, it rivals the attendance of the iconic festival, yet received virtually no coverage from the mainstream media.
40 hours of never-seen-before footage has remained in storage in a basement for the past 50 years, keeping this incredible event in America’s history lost, until now. Questlove, speaking of the personal significance of the footage, told Indiewire, “What would have happened if this was allowed a seat at the table? How much of a difference would that have made in my life? That was the moment that extinguished any doubt I had that I could do this.”
Summer of Love premiered at the 2021 Sundance Film Festival on January 28, 2021, where it won the US Grand Jury Prize in the documentary category.
Summer of Soul (Or, When the Revolution Could Not Be Televised) will hold special engagements at two theaters ahead of wide release on 600 screens, and on Hulu, starting Friday, July 2. Early screenings will be held at El Capitan Theater in LA and the Magic Johnson AMC Harlem.
By 1971, The Grateful Dead had firmly established the Fillmore East as their New York City base of operations. But as the saying goes, all good things must come to an end. The Fillmore East would be shuttered by the end of the summer, but not before one last run of Dead shows, which began 50 years ago today. The five-night run would serve as the band’s last hurrah at Bill Graham’s legendary East Village venue. It’s also the source of material for one of their essential live albums, Ladies and Gentlemen….The Grateful Dead. Tonight’s show features some iconic Dead tunes that were still in the early roll out stages combined with some short-lived classics.
The band wastes no time and dives right into a roaring “Truckin’” to open the show. It’s a crisp, early version of this Dead classic to-be that was barely a year old at the time. It would also serve as the opener for three other shows during this Fillmore run. After requesting some “cranking up” of the monitors, Jerry Garcia then leads the group through “Loser,” carrying over the alt-country psychedelic vibes established earlier by the New Riders. A short, but hauntingly beautiful guitar solo from Garcia highlights this one. The collective mood then gets lifted in a major way with “Hard To Handle.” The charismatic Pigpen, who has several shining moments this evening, takes the lead on vocals in his signature, blues-riddled style. Garcia and drummer Bill Kreutzmann seem to take turn raising the fervor and intensity which yields a hearty early jam.
After a vintage extended tuning session, the show resumes with “Me And Bobby McGee,” this time with Bob Weir leading the way on vocals for a cover song. Afterwards, Weir shouts out some more friendly advice to the monitor guy before “Cold Rain And Snow” lifts off. Garcia’s aggressive guitar tone and thunderous bass notes from Phil Lesh give this always emotional number a little something extra tonight. This sets the stage for Pigpen to take charge once more, this time with harmonica in tow for “The Rub.” This Lightnin’ Hopkins cover, also known as “Ain’t It Crazy,” would only be played 13 times by the Dead, properly shelved for good after Pigpen’s passing.
Weir then gets back on the mic for “Playin’ In The Band,” another soon-to-be Dead classic that was debuted only months earlier at the Capitol Theater in Port Chester, NY. It’s essentially just a run through of the composed portion, with no jam to speak of with the song still in its nascent stage. Garcia then notes that “we used to do this song acoustically” before an uptempo rendition of “Friend Of The Devil” takes place.
The first set then wraps up with a few already established staples of the Grateful Dead’s live catalog. The instrumental segue between “China Cat Sunflower” and “I Know You Rider” is near-seamless, with Garcia delivering a flurry of emotional guitar fills on the latter. “Casey Jones” then drives the Fillmore crowd off to intermission, capping off a whirlwind first set. Garcia and Weir both take it upon themselves to advise everyone they’ll return shortly.
The Dead kick off the second set at the Fillmore in grand fashion with a supercharged “Morning Dew.” Steadily progressive rhythms supplied by Lesh and Kreutzmann secure the framework for another Garcia guitar solo that drips with emotion, much to the crowd’s delight. After a quick run through “Beat It On Down The Line,” it’s Pigpen’s turn again as he and his harp rip through a cover of the bluesy “Next Time You See Me.”
Pig then gets back behind the organ for “Bertha,” another fresh tune at the time, debuted only months ago. Afterwards Garcia seems to make note of Mickey Hart, who had recently begun his hiatus from the band, “not being with us tonight” but that his grandmother was in attendance. This clears the deck for “Sugar Magnolia.” Garcia has the wah effect on full blast for this one, almost overpowering everything else. After some more griping about the in-house monitors, the Dead’s cover of Smokey Robinson and The Miracles’ “Second That Emotion” smooths everything over. It would the fourth performance of this song that the band only ever played five times – all in April of 1971.
But this would not be the cover selection that blows the doors off the second set. That honor belongs to the “Good Lovin’” that follows, sung in Pigpen’s signature style and immediately supplemented with a majestic drum solo from Kreutzmann. As the wave of “Drums” begins to recede, a loose form of “Good Lovin’” reemerges, spurred on by Pigpen and his improvisational crooning. With the rest of the band fully locked in behind him, this sequence sees the Dead at their full powers and steals the show.
Things would slow down considerably after this, with “Sing Me Back Home,” another Dead tune with a short shelf life. Although it would be played the following two nights as well. One of the last inter-song tuning sessions is memorable as this one has a distinct “Spanish Jam” element to it. Finally, the opening shuffle beat of “Not Fade Away” takes shape, initiating the final sequence of the evening. In following tradition, another silky smooth transition follows into “Goin’ Down The Road Feeling Bad” before turning back into NFA. The Grateful Dead then treat the ravenous crowd to an “Uncle John’s Band” encore, wrapping up the first night of this last ever run at the Fillmore East.
Grateful Dead – Fillmore East – New York, NY 4/25/71
Set 1: Truckin’, Loser, Hard To Handle, Me And Bobby McGee, Cold Rain & Snow, The Rub, Playin’ In The Band, Friend Of The Devil, China Cat Sunflower-> I Know You Rider, Casey Jones
Set 2: Morning Dew, Beat It On Down The Line, Next Time You See Me, Bertha, Sugar Magnolia, Second That Emotion, Good Lovin’-> Drums-> Good Lovin’, Sing Me Back Home, Not Fade Away-> Goin’ Down The Road Feelin’ Bad-> Not Fade Away
Less than one week after posting a concerning tribute video to DMX from a hospital bed of his own, rapper, Black Rob, has passed away, with speculation of the cause of death being kidney failure.
photo via Getty Images
Much like DMX’s passing, Black Rob’s death is another blow to hip hop, continuing a run of premature casualties of once famed rappers. It was only April 11 that a bed-stricken Rob looked worse for the wear in an Instagram video posted to his account, in which he paid his respects to DMX
“I don’t know, the pain is crazy, man. It’s helping me out though, it’s making me realize I got a lot to go,” he said. “I feel everything about X. X was positive. Love to X,” the former Bad Boy Records emcee shared as he struggled for words.
That video began speculation amongst fans about the state of the Harlem emcee’s health, with concerns being raised over his feeble appearance and his faint sounding voice. In another video posted to Instagram the “Whoa” rapper shared that he was out of the hospital and shed light on his recent health concerns,
“Oh man, I’ve been dealing with this for five years. Four strokes … I don’t know what to tell you man. Shit is crazy. The shit is hard,” he said. “I don’t got no house to live in — except maybe an apartment. Me and my man be trying to get together. I’m telling you man, this shit is strange. It’s hard, you know what I’m saying?”
He continued,
“I don’t know what the people want to do, what the people going to say. I need some rest, man. Really, man. I need some rest. My side is killing me.”
Amidst the rising interest in Black Rob’s condition, producer, Mike Zombie, set up a GoFundMe account with a goal of $50,000 to help Rob “find a home, pay for medical help & stability during these trying times.”
Sadly, it was all for naught, as Rob succumbed to his reported kidney issues on April 16, with the news of his passing being shared by friend and former Bad Boy Records label-mate, Mark Curry.
Curry announced Rob’s death in two videos posted to his Instagram account, and Variety later confirmed his passing through additional sources.
“I don’t know where to begin this,” “But I thank everybody for the donations. Rob passed away about an hour ago.”
In a second video, Curry revealed that he was with the rapper when he died.
“Rest in peace to my brother. I was there with him. I was there with him,” Curry said.
https://youtu.be/Xpn2rj2HZJY
There was an outpouring of love from fellow entertainers as well as rappers, as Rob’s brief but successful run as a successful mainstream artist left him revered and loved.
Black Rob had a clean heart in a dirty game. I’m hurting I wish I got to speak to him one last time at least. Don’t tell the world how much you care about a person tell the person how much you care about them while they are accepting what the world has to offer. 🤲🏾
Dawes have announced a fall tour in support of their new album Good Luck with Whatever, beginning in early September 2021.
Good Luck with Whatever is Dawes’ seventh studio LP and was produced by 6x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A. The new album received critical acclaim as well as performances on Jimmy Kimmel Live! and the Late Show with Stephen Colbert.
https://www.youtube.com/watch?v=Bzc16xo6pho
Leg 1
SEPTEMBER 9 – Charleston, SC – Charleston Music Hall 10 – Atlanta, GA – The Eastern 13 – Durham, NC – Carolina Theatre 14 – Richmond, VA – The National 15 – Washington, DC – Warner Theatre 17 – New York, NY – Central Park Summerstage 18 – Boston, MA – Orpheum 21 – Toronto, ON – Phoenix Theatre 23 – Pittsburgh, PA – TBD 24 – Harrisburg, PA – Harrisburg University 25 – Grand Rapids, MI – Calvin College 26 – Cincinnati, OH – Taft Theatre 28 – Indianapolis, IN – Egyptian Room 30 – Auburn, AL – Auburn University Amphitheatre
OCTOBER 2 – Nashville, TN – The Ryman
https://www.youtube.com/watch?v=fO802GtaBcw
Leg 2
NOVEMBER 17 – Vancouver, BC – The Vogue 18 – Seattle, WA – Showbox 19 – Portland, OR – Crystal Ballroom 21 – San Luis Obispo, CA – Fremont Theater 22 & 23 – Solana Beach, CA – Belly Up 26 & 27 – Los Angels, CA – Fonda Theatre 28 – San Francisco, CA – Fillmore 30 – Salt Lake City, UT – The Commonwealth
DECEMBER 1 – Fort Collins, CO – TBD 3 – Minneapolis, MN – First Ave 4 – Chicago, IL – The Vic 5 – Milwaukee, WI – Pabst Theatre 7 – Louisville, KY – Headliners 8 – St. Louis, MO – The Pageant 10 – Dallas, TX – McFarlin Memorial Auditorium 11 – Austin, TX – Stubb’s 12 – Houston, TX – Heights Theater
In 2022, a bio-musical about Brooklyn born singer-songwriter Neil Diamond is coming to Broadway in summer 2022.
Neil Diamond performs onstage during the Songwriters Hall of Fame 49th Annual Induction and Awards Dinner on June 14, 2018. (Photo: Larry Busacca/Getty Images for Songwriters Hall Of Fame)
The show, “A Beautiful Noise,” was announced in 2019, but pushed back due to the pandemic. Thanks to things slowly opening up, the show will premiere in Boston at the Emerson Colonial Theater in June 2022 and then move to Broadway after four weeks. It will show audiences Neil Diamond’s life, from growing up to stardom.
Although we don’t know the cast yet, Steven Hoggett (Once, Harry Potter and the Cursed Child) will choreograph, Oscar-nominated screenwriter Anthony McCarten (Bohemian Rhapsody, The Theory of Everything) will write the book, and Michael Mayer, who won a Tony in 2007 for Spring Awakening will direct.
Neil Diamond (1976). by Danny Gutierrez
Even though Broadway has seen a lot of jukebox bio-musicals, Tony award-winning producer Ken Davenport says that this new show is different. It is “a biographical musical drama and not a jukebox musical. He’s “excited to show people what separates it from some of the jukebox musicals that have been around.”
Neil Diamond thinks that “A Beautiful Noise” opening will be “a moment of relief, unity, strength and love” much like when he performed “Sweet Caroline” at Fenway Park in 2013 after the Boston Marathon bombing.
After performances start “and we’re all able to safely be in the same space together, experiencing the thrill of live theater, I imagine those same emotions will wash over me and the entire audience,” Diamond says. The emotions will be just as high when “A Beautiful Noise” opens on Broadway after over a year of darkness.
It will be a while until Broadway is back to normal. “At this point we’re thinking early fall, perhaps early September. That’s the way things are pointing,” President of the Broadway League Charlotte St. Martin said to NBC. “We believe that some of the longer-running shows may be first to come back, because a lot of the cast has muscle memory.”
Until then, you can still see live theatre in NYC. Sign up to be able to get tickets to the Neil Diamond musical “A Beautiful Noise” 24 hours before everyone else once they’re available.
