Category: Alternative/Indie

  • Woodstock 94 Revisited

    Twenty-seven years ago this weekend, Woodstock 94 took place on Winston Farm just north of Saugerties, New York. Woodstock 94, or “Woodstock II” was the next generation’s attempt to rekindle the same “Summer of Love” spirit their parent’s experienced at the original 1969 fest. This was the first shot at doing so, and many future attempts will completely flop, like Woodstock 50, or will end in fire-burning riots, like Woodstock 99. 1994’s rendition isn’t as shockingly awful, but some believe it’s still incomparable to ’69. This is Woodstock 94.

    Woodstock 94
    Woodstock ’94 poster, a playoff of the iconic Woodstock ’69 poster art.

    Saugerties‘ Winston Farm is approximately 100 miles away from Bethel Woods and Yasgur’s Farm – the birthplace of “Woodstock.” But, Winston Farm was supposed to be the original location for the ’69 fest until the owners got cold feet. This change in location was a way of improving the flaws of the previous festival for the second time around, while still holding true to Woodstock roots.

    The 1994 concert was scheduled for August 13–14, and Friday, August 12 was added after first-pool tickets sold out under 12 hours. Ticket prices hiked to $135, plus a three-day pass to the beer tent was $250 – a huge jump from 69’s $18 three-day pass. Tickets were only sold in sets of four, and one parking pass was provided per set.

    Woodstock 94
    A snippet of Billboard Magazine’s coverage

    The star-studded lineup included ’69 alum mixed in with up-and-coming ’90s bands. Plus, the extra day allowed for many more artists to join the setlist.

    Friday, August 12, 1994

    Aphex Twin

    Blues Traveler

    Candlebox

    Collective Soul

    Deee‐Lite

    Del Amitri

    Jackyl

    James

    King’s X

    Līve

    Orbital

    Orleans

    Peace Bomb

    Sheryl Crow

    The Orb

    Todd Rundgren

    Violent Femmes

    Huffamoose

    Abba Rage

    Lunchmeat

    Saturday, August 13, 1994

    Aerosmith

    Blind Melon

    Candlebox

    Crosby, Stills & Nash

    Cypress Hill

    Fight

    Hot Tuna

    Joe Cocker

    Melissa Etheridge

    Metallica

    Nine Inch Nails

    Primus

    Rollins Band

    Salt‐n‐Pepa

    Suicidal Tendencies

    The Band

    The Cranberries

    Crosby, Stills & Nash

    Youssou N’Dour

    Zucchero

    Sunday, August 14, 1994

    Cypress Hill

    Fight

    Hot Tuna

    Rollins Band

    Salt‐n‐Pepa

    Suicidal Tendencies

    The Band

    The Cranberries

    The Roots

    Weir & Wasserman

    Green Day

    Country Joe McDonald

    Porno For Pyros

    Sisters of Glory

    Allman Brothers Band

    Santana

    Red Hot Chili Peppers

    Spin Doctors

    Traffic

    Bob Dylan

    There was no Youtube back then. If you wanted your band to get big, you had to hope it came on the radio. We hadn’t heard of bands like Blind Melon and Collective Soul yet, and a lot of these people (festival-goers) had never been to a concert before.

    Dan Lane, Woodstock 94 attendee

    The fest can be credited for the growth of many young millennial bands. Even Green Day was just finding their fame as their second album Dookie, released six months prior to Woodstock 94, would hit #4 on the charts only weeks after the festival weekend.

    Woodstock 94
    Snap of the Woodstock ’94 stage art

    Promoters ensured the event would be secure with drug dogs, security brigade nicknamed the “peace patrol,” hundreds of port-o-johns, and chain-link fence. Re-entry was not allowed, but festival-goers smuggled food and drink over fences and through bushes. There were no reports of excessive force or need for riot control like there was in 1999.

    From the looks of it we thought we were gonna get strip-searched at entry, (with the dogs and officers) but it was pretty mellow, actually. I think the light security is what they tried to fix in ’99 but that all went wrong.

    Dan Lane

    500,000 young-adults flocked from around the country in fear they were going to miss out on something great. Woodstock ’69 attendees even paid a visit to see how they compared. Festival-goers did seem to enjoy the excitement of making history and there was a notable peaceful vibe across the farm. People were just happy to be there and enjoying music.

    People are understanding that Woodstock 94 is a seminal gathering and a once-in-a-generation opportunity.

    Promoter John Scher for Billboard Magazine

    This fest was rumored to be even bigger than 1969, with two stages and constant MTV coverage. Unlike the first festival, ’94 hosted two large stages with constant live music on each. There were a mix of bands playing each stage, for example, while Green Day was playing on the South Stage, Weir & Wasserman were on the North. This helped spread audiences evenly and highlighted the divide of subcultures. DJ rave sets continued the party late into the night.

    Don’t worry: The two stages, facing opposite directions, are about a third of a mile apart, so there’ll be little chance the sound from one will interfere with the other.

    An excerpt from the Baltimore Sun 8/10/1994

    A rainstorm passed over the festival grounds, on top of the cooling sprinklers, leading to the notorious moniker of “Mudstock.” Described by the New York Times as “a sea of mud and trash and amid evidence of anarchy,” festival-goers took this opportunity to roll around, dance, and sling the wet dirt onto the stage – it did not help that Primus had their song called “My Name is Mud” on the setlist.

    Woodstock 94
    Aug. 14, 1994 — A couple dances in the mud to Traffic in the North Stage area
    (Credit: Times Union Staff Photo by Steve Jacobs ATU112)

    There were mile-long conga lines with half-naked people running around. You could feel them coming – they wouldn’t stop either. If you were in the way, you were getting trampled by a train of muddy kids chanting “Primus Sucks.”

    Dan Lane
    Credit: Michael Greenlar

    Was the hype just too much? Anything with the “Woodstock” name attached is bound to have some high expectations. At the time, some attendees complained the event was too saturated in over-commercialized gimmicks. Looking back 27 years later, It is difficult to compare Woodstock 94 to the pedestal Woodstock ’69 is on. After all, even ’69 was a commercialized event too, inviting the biggest names of the time to help put a spotlight on the era’s changing times. Even Led Zeppelin historically turned down Woodstock ’69 to make more money playing in Asbury Park on the same weekend.

    All expectations aside, Woodstock 94 was just as good as fests like Lollapalooza were at the time. It’s the music and the people that make it a memorable experience, not the gimmicks.

    Dan Lane

    The mid-90s were a very different time compared to the late 60s as well, not everyone was in the same ex-Vietnam hippie-free-spirit in the 90s. There were people holding on to that Summer of Love spirit, but others were clad in platform boots, grungy flannels and buzzcuts.

    Subcultures were everywhere. You’d be walking around thinking “wow that guy has a lot of facial piercings” and the same guy will be looking at you like “wow that guy has way too much tie dye on.” Like, immediately after Joe Cocker’s set you had people barricading the stage for Blind Melon. It was wild.

    Dan Lane
    Woodstock 94
    (Image credit: Getty Images/John Atashian)

    A commemorative double live CD set was released on November 8, 1994, nearly three months after the festival weekend. Titled “Woodstock 94,” the two-disc set documents the best song of each of the 27 performing artists. Check out our Woodstock 94 Spotify playlist based on the album, as well as a playlist with some live footage on Youtube.

    After 27 years, it seems 1994’s rendition of Woodstock was, generally, pretty nice. Positive memories, crazy rumors and great music came out of it. The fest served as a cohabitation of multiple generations of music, so maybe, more peace and love came out of it than expected. Plus, Woodstock’s reputation was about to get much worse in the years to come. Enjoy ’94 while it lasted!

    Other notable moments:

    * A “protest concert” was rumored to go on at Yasgur’s Farm frontlined by ’69 alum, though many of the claimed attendees were playing at Winston Farm the same weekend. It is unclear if this rumor is true due to lack of media coverage.

    *RHCP wore their iconic light bulb costumes for the first half of their Day 3 set, then changed into Jimi Hendrix costumes to pay homage to Woodstock ’69.

    * Green Day engaged in a mud slinging fight with the audience.

    * Green Day bassist Mike Dirnt was accidentally punched in the face by a security guard, knocking out some of his teeth.

    * Rumors circulated that The Rolling Stones were to make a surprise appearance because they were scheduled to play a concert in New York that weekend.

    * Johnny Cash was invited to perform on the last day, but after learning that he would not be performing on the main stage, declined to appear.

    * Most of the ’90s-era bands (and their instruments) were completely caked in mud by the end of their performances, audiences were more respectful towards ’60s-era musicians.

  • Indie-Pop Musician Spencer Barnett releases “Dancing” Music Video

    Spencer Barnett, rising indie-pop genius from Brooklyn, has just released a new music video for his catchy single, “Dancing.” The video features groovy moves from Spencer and a unique color palette that makes it delightful to both the eyes and the ears.

    Spencer Barnett

    “Dancing” is written and produced by Spencer Barnett alongside Jon Hill and Alessandro and Gianluca Buccellati [Arlo Parks, Tei Shi] and follows the release of Spencer’s dynamic Welcome To My Mind EP. Welcome To My Mind is the final part of Spencer’s three-part EP trilogy which came directly after debut EPs I’m Fine (“Waste My Time”) and Reckless (“17”). His first EPs gained him lots of attention from influential tastemakers such as Paper, V MAN, Ones to Watch, and Flaunt. They also led him to be included on the most coveted playlists on Spotify and Apple Music.

    Welcome To My Mind blends soulful melodies, indie rock leads, and bedroom-inspired guitar riffs while keeping his youthful side through majestic lyrics. “Dancing” encapsulates the fun feeling of youth while incorporating mature musical and production skills. The video is a perfect next step for the up and coming indie artist that has an exciting future ahead of him.

  • Badflower Release Seriously Funny new video “Don’t Hate Me”

    Badflower have always spoken unapologetically through their lyrics about feelings, mental health, and relationship issues. Their latest single and video release “Don’t Hate Me” is no different.

    badflower

    “It’s a lot of self-awareness” Josh Katz (vocals) explains. “On the bridge, there’s a meta dialogue where I explain how I’ve changed my entire life and appearance to make somebody else like me more. I think I have experienced versions of trying to be something else for someone else throughout my life, I think everybody has.”

    Badflower never drift into sappy territory, however. They address serious issues either with startling directness, or with a dose of lightness, mockery, and humor, which makes their music relatable to a broad audience. The music video for “Don’t Hate Me” is a spoof about morphing into others in order to belong.  It is funny, creating caricatures of our weaknesses, and as all Badflower videos, entertaining and very well made. The band produce most of their videos “in house,” with cameo appearances from friends and family members. They forgo large manufactured productions, in favor of genuine hands-on creativity from everyone involved.

    Catch Badflower at one of the major festivals, or on their headlining tour starting in September. They will play at Webster Hall in New York City on September 23.

    You can connect with Badflower on their website, Instagram, Facebook, and Twitter

  • The Park Theater Announces “The Park Presents” 2021/22 Season

    Beginning in September 2021, the Park Theater Foundation will begin its flagship series, “The Park Presents,” featuring a diverse lineup of national and international musicians from genres including folk, Americana, zydeco, jazz, classical and more.

    The Park Presents

    The Park Theater, located in Glens Falls, is known as the “newest premier venue” in the area and has a passion for sharing quality and affordable musical entertainment and educational opportunities. The building was established as a movie theatre in 1911, subsequently closing in 1935. Revived in the mid-2000s, The Park Theater reopened its doors with a new vitality for providing a stage for music and arts performance in 2018.

    The Park was shut down for eight months following the COVID-19 pandemic and returned in a small scale to present “Dinner & A Movie: ‘A Beautiful Day In The Neighborhood‘” in November 2020. “The Park Presents” introduces the full-force comeback of the theater!

    We have been hard at work on this schedule and are beyond excited to welcome live music back to our stage and guests to our seats.

    Chris Ristau, Excecutive Director

    On September 10, guitarist Ariel Posen will be the first to take the stage for “The Park Presents” season. This season will also feature The Gibson Brothers, the Villalobos Brothers, The Small Glories, The Jason Anick Acoustic Trio, and many more.

    In addition to music concerts, the 2021/22 season will feature a variety of other programs including “Tribute Band Rewind,” “Live & Local,” “Comedy After Dark” and “Third Thursday Jazz.”  

    The Park Presents

    Tickets for the 2021/22 season will be on sale beginning August 6th, 2021. For the full performance listing or to purchase tickets, visit www.parktheatergf.com.

    Check out the full schedule below:

    Park Theater Upcoming Events 2021

    August 12 @ 6:30 pm – Summerland Music Society: Chamber Music

    September 10 @ 7:00 pm – Ariel Posen (Americana, R&B, Beatles-inspired pop)

    September 15 @ 6:30 pm – Rochmon Record Club Listening Party: Crosby, Stills, Nash & Young’s “Deja Vu”

    September 18 @ 7:00 pm – Jason Anick Acoustic Trio (Bluegrass, Jazz)

    October 2 @ 7:00 pm – Misty Mountain Hop (Led Zeppelin Tribute)

    October 8 @ 7:00 pm – Cold Chocolate (Americana, Funk, Folk, Bluegrass)

    October 22 @ 6:30 pm – Fort Vine (Indie-Folk)

    October 27 @ 6:30 pm – Rochmon Record Club Listening Party: The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band”

    October 29 @ 6:30 pm – The Gibson Brothers (Classic Rock, Country)

    November 4 @ 7:30 pm – Billy Wylder (Jazz, Folk)

    November 6 @ 7:00 pm – High Noon: A Tribute to Lynyrd Skynyrd and Southern Rock

    November 11 @ 7:00 pm – The Small Glories (Americana UK Roots)

    November 20 @ 6:30 pm – Villalobos Brothers (Contemporary Mexican Music)

    November 30 @ 6:30 pm – Rochmon Record Club Listening Party: Fleetwood Mac’s “Rumours”

    December 3 @ 7:00 pm – Saints in the City: A Bruce Springsteen Tribute Band

    December 10 @ 7:00 pm – Soggy Po Boys (Music of New Orleans)

    December 29 @ 6:30 pm – Rochmon Record Club Listening Party: Doobie Brothers’ “The Captain and Me”

    Ariel Posen’s Recent Release with Cory Wong
  • This Week’s EQXposure Features Caity Gallagher, Joseph Beaty And More

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Caity Gallagher, Joseph Beaty and many more!

    Caity Gallagher

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.


    Caity Gallagher

    With its calming piano and breezy vocals, singer-songwriter Caity Gallagher’s single “Give It All” would fit right in at the Lilith Fair. Equal parts Fiona Apple and Sarah McLachlan, the song is about hesitance in starting a new relationship: “What’s holding me down? What happened to the lightness I thought I’d found?” Gallagher and her band, collectively known as Caity and the Gallaghers, are playing at The Linda on Thursday, August 12.

    Joseph Beaty

    Joseph Beaty’s latest album Rust, You Can Leave Me Now is available for pre-order. The Adirondack musician and producer creates a gloomy atmosphere on its singles, the industrial “Thick of Things” and the grungy “Still Forming,” which he acknowledges in the Bandcamp notes:

    [This album] is the embodiment of 2020. Things in my life (in all our lives) were put in perspective and it was time to remove the negative bits. This record was my catharsis, my therapy. It is gritty, unsafe, and dark. No sense in sugar-coating it. You will hear many lyrics talk about knocking the rust out. This therapy experiment helped me arrive as a new, more focused person for 2021.

    El Modernist

    Albany band El Modernist gives us a geometry lesson on new wave song “Lines.” Its talk-singing style hearkens back to the early 1980s, when Blondie and Talking Heads flirted with spoken word and early rap.

  • Japanese Breakfast Returns to Rochester with a new era for creativity

    Indie rock band Japanese Breakfast returned to Rochester on August 3. Earlier this year, Japanese Breakfast released their newest album Jubilee. This textured and imaginative album brought even more joy when the songs were performed live. 

    Opener Mannequin Pussy brought intense energy to Anthology. The Philadelphia punk band is made up of Missy on lead vocals and guitar, Colins “Bear” Regisford on bass, and Kaleen Reading on drums. Michelle from Japanese Breakfast described this trio as the “punk self-help motivational speaker that we all need.”  

    Front woman Michelle Zauner has transferred from her previous album dealing with grief to now a new era searching for happiness. Michelle keeps her ambitions high while constantly trying to search for new ways to express indescribable feelings. She has utilized her love of creation to develop unique tracks that cater to her childhood love in an adult catered world.      

    When Japanese Breakfast took the stage there was instant euphoria that took over the crowd. The band opened with their popular song “Paprika” that sent the crowd into a dreamlike state. The profound instrumentation in addition to Michelle’s airy vocals made the vision for the album come alive on stage. 

    japanese breakfast

    Returning to Rochester after previously playing at the Bug Jar in 2018, Japanese Breakfast paid tribute to many die-hard fans in the crowd. Some fan favorites of the night included “Be Sweet,” “Posing in Bondage,” and “Everybody Wants to Love You.” A member from Mannequin Pussy even joined on stage as well. She performed a saxophone solo for Michelle’s single that’s dedicated to her love for soccer: “Slide Tackle.”  

    With a packed crowd, entrancing instrumentals, and Michelle’s angelic vocals, the performance left everyone mesmerized. Japanese Breakfast is continuing on their tour throughout the U.S. and even returning to Brooklyn in the fall. Tickets are available here

    Setlist: Paprika, Be Sweet, In Heaven, The Woman That Loves You, Kokomo, IN, Tactics, Boyish, The Body Is a Blade, Savage Good Boy, In Hell, Posing in Bondage, Road Head, Slide Tackle, Ballad 0 (Bumper Cover), Everybody Wants to Love You, Posing for Cars
    Encore: Diving Woman

  • Jake Huffman to Debut solo Project at Mercury Lounge on August 10

    Two years after finding his new sound, producer and multi-instrumentalist Jake Huffman will debut his solo project at Lower East Side venue Mercury Lounge on Tuesday, August 10th. The performance follows the release of his new single “Just a Little More,” due out on August 6th. The performance will not only be Huffman’s solo debut, but also his first post-pandemic show, following a period of songwriting and refocusing over 2020-21.

    Jake Huffman is best known as the drummer and lead singer for McLovins, a role he started at the age of 14, when a video of he and his bandmates performing Phish’s You Enjoy Myself” went viral. The group would continue to play for nearly 10 years, garnering a strong fan base and leading Huffman to work as a composer and lyricist for Sesame Street, as well as performances with Blink-182, Jack White and Post Malone, and written dozens of songs for artist likes Ed Sheeran and Leon Bridges.

    When COVID-19 hit and the music industry shut down, Huffman hunkered down in his studio and went back to college, getting a Certificate in Music Producation from Berkelee School of Music in Boston. Taking time to dive into his studio work, Huffman wrote about 50 tunes over 2020-21 because he was locked in, both physically (not being able to go outside) and mentally (focused on writing 6-7 hours a day), in addition to teaching music lessons remotely four days a week.

    jake huffman

    Huffman’s writing flows into an Indie rock/Indie pop mindset, with influence from early 2000’s alt-rock, combined with deeply personal lyrics reflecting on specific moments, with some left open to interpretation. The needs of a band can change from month to month, making it a journey for individual and group personalities. That’s where his head has been since McLovins called it a day.

    It’s hard to be in a band for a long time, especially for Jason (Ott, bassist) and me, who were playing together in bands for 10 years. Then a lot of shit hit at the right time, and broke everything. All of us are probably better people because of it. I loved all the time and music and the people I met through McLovins. That’s what I’ve been writing about. At times I wasn’t sure what to write about, so some is ambiguous and some relates to that. The new music relates to the journey with McLovins.

    Jake Huffman

    When Jake got the call for the Mercury Lounge show on August 10, he was overcome with joy. Planning for an Indie rock vibe, he’ll bring a new set up – Huffman cites the influence of Milky Chance in the stage set up – so as to avoid feeling too stiff for the performance. Jake will be behind the kit, playing guitar, and singing throughout, offering a fresh look at a musician who had been cast into the spotlight since his sophomore year of high school. With his single releasing on August 6, expect to hear “Just a Little More” as well as more debuts of future singles that tell a story for an eventual EP.

    Currently working as a producer and living in central Connecticut, Huffman will aim for more shows this fall, and notes how much he loved playing with McLovins, with reflections on how to move forward having learned lessons.

    We were so young and booked these long runs of shows, promoted the tour and not the individual shows. I wish we did one show at a time and just blown out that one show. I don’t want to take for granted any of the shows played, just take it one show at a time until I can get to see who’s listening.

    Jake Huffman

    Get tickets for the Mercury Lounge show on August 10 here. Show time is 6pm.

  • It’s a Beautiful Day in Mister Rajer’s Neighborhood

    On May 18, Mister Rajers’ Neighborhood dropped the new trippy summer anti-anthem “Cinco Uno Eight a psychedelic song about the Capital Region of Upstate New York.

    Cinco Uno Eightis originally written, composed, and produced by L Niño. An idea to combine various local artists he had previously worked with in order to properly honor the 518 led to the development of this song. Whether it be the appearances of Mike Guagliardo and Showerpanther adding a distinctive synth sound, to including soothing ambient noises from artists from the local area.

    Perhaps the highlight of the track however are the two local MC’s, Justin Sedefian aka Sav and Word Class aka Major Capers. “Each individual layered on an instrumental or vocal to create a truly odd, strange, ode to our beautiful homeland.”

    Cameos were also made by Will Fredette of the Albany band El Modernist. The final edition of Kevin Lovely, who has known L Niño since they both attended Guilderland High School, took over mixing duties, while sound engineer legend David Tyo refined the track as the mastering engineer.

    L Niño wrote the initial song and produced it and left “gaps” for people to spit verses on, and then had friends each add “layers” which which was chopped up and collaged by L Niño.

    “L Niñois a singer-songwriter, multi-instrumentalist, and producer based out of Troy, NY. He remained in the underground scene until achieving some local traction in the Albany area for his work with Major Niño which was recently in the running for an Eddie Award.

    L Niño played violin all throughout highschool. But really didn’t start getting into production, until returning to Troy around 2015. He has taught himself guitar, bass, drums, and production. “My favorite thing to do is produce though, so this was a really neat opportunity to “produce” other musicians and have them spit on a track that was designed to be uh….spitted on?”

    He has released music under numerous monikers and projects such as L Niño, Mister Rajers’ Neighborhood, Major Niño, and Jacques in the Bag. Featured in the Times Union and Floated Magazine with features on 102.7 WEQX-FM and local radio stations such as WCAA-LP 107.3 FM, L Niño has also played at well-known local Capital Region venues such as The Fuze Box, The Low Beat, and Troy Kitchen. In the wake of Covid, as venues start to open back up, L Niño hopes to bring more compositions from different projects and artists to the stage.

    In L Niño’s other video, “Trumpistani Breakfast,” he compares peoples obsessions with McDonalds to others obsession and fascination with Trump in this wacky video.

    “I guess the tongue-in-cheek metaphor would be like…imagine if there was an individual or a whole group of individuals who for some reason thought that McDonald’s makes the BEST burger ever! Which works since Trump LOVES McDonalds. (Not saying that there’s anything wrong with a McDonalds burger, there’s a time and place where it sure hits the spot, but to believe that it’s THE BEST EVER is uh….is something) So the video was just trying to convey being disturbingly obsessed with McDonalds…..or other things.”

    L Niño

    You can stream the new single here and find out more by visiting the label’s website.

    L Niño will be returning to gigging this summer and will begin doing small shows around the Capital Region as things start opening back up.    

  • X Ambassadors Release New Single, Announce Tour Dates

    Ithaca-natives X Ambassadors have shared a new song called “Okay” in preparation for their third album, The Beautiful Liar, which is set for release on September 24. X Ambassadors have also announced their upcoming U.S./European Tour, including a stop at Webster Hall in October.

    x ambassadors

    X Ambassadors made their full-length debut in 2015 with VHS, that transitioned the band from Ithaca alt-rockers and Brooklyn-indie-scene outsiders to Billboard chart-toppers. Now certified platinum, VHS delivered X Ambassadors’ popular hits “Unsteady” and “Renegades,” which launched them into mainstream success. Most recently, the band released EP Belong, inspired by ’60s and ’70s soul and R&B, in March 2020 as well as three-song project (Eg) in January 2021.

    “Okay” follows the June release of their darkly cinematic track “My Own Monster” whose black-and-white visual finds lead vocalist Sam Harris performing a choreographed routine with his own shadow. Both songs will be featured on the band’s third studio album The Beautiful Liar

    x ambassadors

    “Okay” marks the start of a compelling new lyrical direction for X Ambassadors. With the same emotional intensity as 2015’s “Unsteady,” “Okay” adds deeper poeticism with verses like “We’ll make no mistake, whatever may come… We’ll rise up, it’s true and we go down this road…”

    Written during a period of such uncertainty, “Okay” has the ability to connect with and validate the worries of today while sending the reassuring message that things will work out eventually.

    Life is unpredictable… things happen that are out of control all the time. We all are living in a constant state of uncertainty. And yet… I say it all the time. ‘Everything’s gonna be okay.’

    Sam Harris, lead vocalist

    Okay” is now available for streaming on all major platforms. Preorder The Beautiful Liar album here

    Tickets are on sale now for X Ambassadors’ “The Beautiful Liar” tour, which will hit New York’s Webster Hall on October 27. Scarypoolparty and Taylor Janzen will open the show on all North American dates. For ticket information, visit xambassadors.com/tour.

    Check out their U.S. tour schedule below:

    X Ambassadors 2021 “Beautiful Liar” Tour

    Scarypoolparty direct support, Taylor Janzen will open.

    October 15 – House of Blues / San Diego, CA 

    October 16 – Phoenix AZ / Marquee

    October 18 – Tulsa, OK / Cain’s

    October 19 – Austin, TX / Emo’s

    October 22 – Nashville, TN / Brooklyn Bowl

    October 23 – Louisville, KY / Mercury Ballroom

    October 25 – Asheville, NC / Orange Peel

    October 27 – New York, NY / Webster Hall

    October 28 – Boston, MA / Big Night Live

    October 29 – Philadelphia, PA / Theatre of the Living Arts

    October 30  – Washington, DC / Lincoln Theater

    November 1 – Toronto, ONT / Danforth

    November 2 – Detroit, MI / St. Andrew’s

    November 4 – Chicago, IL / Vic

    November 5 – Indianapolis, IN / Deluxe

    November 6 – Milwaukee, WI / Rave

    November 8 – Kansas City, MO / Truman

    November 9 – Minneapolis, MN / Varsity

    November 11 – Denver, CO / Ogden

    November 12 – Salt Lake City, UT / The Depot

    November 13 – Boise, ID / Revolution Concert House

    November 15 – Seattle, WA / Showbox

    November 16 – Spokane, WA / Knitting Factory

    November 17 – Portland, OR / Roseland

    November 19 – Sacramento, CA / Ace of Spades

    November 20 – Los Angeles, CA / Belasco

  • SummerStage Jubilee Benefit Concert nominated for New York Emmy

    The City Parks Foundation has announced that the 2020 SummerStage Jubilee benefit concert has been nominated for a New York Emmy. The documentary film shows off the impacts of the City Parks Foundation free programs in New York City parks, which was originally aired in September 2020 on WABC-TV, as well as digitally streamed. The Emmy nomination is for the Documentary Cultural Category.

    Summerstage Jubilee

    The film follows the story of a young girls journey throughout the five boroughs while enjoying musical performances by Sting, Norah Jones, Trey Anastasio, Rufus Wainwright, Leslie Odom Jr., Rosanne Cash, Emily King and PJ Morton with appearances by comedian Louis Black and musical artists H.E.R., Paul Shaffer, Jimmy Fallon and many more.

    https://twitter.com/OfficialSting/status/1305963186210910209?s=20

    Along with the City parks Foundation, SummerStage founder Joe Killian is nominated as the Executive Producer of the film. SummerStage has been around for 35 years and is a music and entertainment powerhouse.

    Oscar winning producer and now Emmy-nominee Jonathan Olson breathes life into the SummerStage Jubilee at a time when public programs were halted by the COVID-19 pandemic. NYC parks remained open as some of the only public areas available to all.

    Summerstage Jubilee

    Donations to SummerStage help ensure New York’s largest free outdoor performing arts festival is able to remain free and available to all New Yorkers, giving residents a chance to converse and hang out with others while attending this terrific event. For more information, visit www.SummerStage.org.

    Watch a 0:30 trailer of the SummerStage Jubilee