Albany’s Empire Live was sold out on Friday, December 17 for The Front Bottoms, Opening act Sydney Sprague was accompanied by her Jazzmaster, and started the show with a solo set that highlighted her singer/songwriter style. Sprague sang a few songs from her new album maybe i will see you at the end of the world, including ‘object permanence,’ ‘quitter,’ and ‘steve.’ Check out Sydney’s site for her future tour dates.
The Front Bottoms came out to a crowd ready to sing the words to every song of the set. Their set featured a range of songs across their discography, and had fans, both new and old, shouting at the tops of their lungs. The Front Bottoms started their set with tracks off of their newest album, ‘In Sickness & In Flames’ and their EP ‘Rose’ before playing through their debut self-titled album in its entirety. The crowd’s energy continued to build throughout the night, and only accelerated as the end approached.
The Front Bottoms left the stage and the crowd began cheering for an encore just a second later. The band got back on stage a minute later to find a crowd that had been pent up a minute too long, and the show erupted to the tune of Tie Dye Dragon and Twin Size Mattress. A wave of energy left the stage and everyone from the guardrail to the bar was moving, shouting, and contributing to the chaos. Fan after fan took their turns crowd surfing as the final minutes of set stretched out and The Front Bottoms played themselves out.
The Front Bottoms are finishing the last leg of their tour, but you can keep up to date with any future show on their site, and can hear their music on YouTube.
Setlist: Leaf Pile, Vacation Town, West Virginia, Montgomery Forever, Love at First Sight, Awkward Conversations, Jim Bogart, Peach, Cough it Out, Flashlight, Maps, Looking Like You Just Woke Up, Mountain, Rhode Island, The Beers, Father, Swimming Pool, The Boredom Is The Reason I Started Swimming. It’s Also The Reason I Started Sinking, Bathtub, Legit Tattoo Gun, Hooped Earrings Encore: Tie Dye Dragon, Twin Size Mattress
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Zan and Dave Strumfeld,In the Valley and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Zan and Dave Strumfeld
Siblings Zan and Dave Strumfeld have joined forced to give us “Christmas in Wyoming,” off their holiday EP, Winter Songs. Zan Strumfeld is also the frontwoman of Zan and the Winter Folk. Their last release, “If I Had Known (Murder Ballad),” is based on a true story from 1850s Troy.
In the Valley
A folk-pop duo from Clifton Park, In the Valley is best known for playing wedding gigs. They released their most recent single, “Christmas Sweater,” on December 17th. The song features a groovy saxophone and a cozy jazz piano, more than living up to its name.
The Bitter Stars
Consisting of Clarke Hingeford and Kyle Pemrick, The Bitter Stars have returned with a new single. An eclectic mix of new wave music and modern trance, “Dance Me to Death” clocks in at six minutes long.
Psychomanteum
Made up of singer Matt Smith, drummer Pete Von Stettina, and guitarist and bassist Brian Slattery, Psychomanteum is a sci-fi metal band based in Albany. Their newest single, “Strange Voltage” debuted on December 10. In the field of parapsychology, a psychomanteum is a chamber in which one can communicate with spirits.
G Love has been running the roads since his first American tour in 1994. He’s ready to return in 2022 with his band The Juice, starting in January, as part of a national tour. G Love & The Juice album been nominated for his first Grammy nomination for Best Contemporary Blues Album as well. Throw in a live from home Christmas special to end this year to celebrate the holidays proper before heading back on tour.
G Love is also an active artist. At his December 2017 annual trip to Art Basel in Miami he came to be involved with the community’s first NFT. G love is releasing Juice Gang the first series of 10,000 unique pieces regenerative NFT. They are all based on the animations by artist Andre Solar. He did all the animated videos for the Grammy nominated album. I saw G Love perform at Blackbird Ordinary that year in Miami. In true holiday spirit, he took some time to talk about his past, present, and future music with NYS Music this December.
Matthew Romano: I was watching your Instagram live to get filled in on the announcements of the various projects you have coming up. I like how you did it while driving To the Beacon Theater for the Midnight RiderGregg Allman’s birthday show. It reminded me of Summer 2006 when you killed harp and a freestyle live with Dave Matthews Band in Pittsburgh for Smooth Rider
G Love: (laughter) Dave’s probably the sweetest, humblest, most welcoming guy. That be being said I always say stupid shit to him. The first thing was during the 1994 horde tour in the catering line in Orchard Beach, Maine. I was a little shy then. This guy came up to me and said, “Your G love, I love your record.” I said thanks. He said I’m Dave Matthews and I’m like cool. What’s your band? Dave has taken us on the road through Canada and the States over the years. The musicianship with those guys is just unreal. That’s always an immediate “Yes” when that call comes up.
MR: Like when Leo Kottke met Bob Dylan? How about when you were on a full Philadelphonic Sound Bill you shared with Hall and Oates at Constellation Brands Center in Canandaigua, New York in August 2019. That was all Philadelphia music in the Finger Lakes that evening.
GL: I was really blown away by Darryl’s voice still being so strong. Just so great hearing all those tunes I grew up on the radio ya know? All those hits & the cool banter in between songs. They put on a hell of a show and I was glad to be a part of it.
MR: Lets jump cut to your most recent remix release with B Real & Slightly Stoopid on Everyday People.
GL: I cut that in Long Beach with Miguel. Very intricate stuff with each verse. Kyle McDonald of Slightly Stoopid is a really special and unique musician to me and many people. The way he makes beats and delivers flows is to the point where I can’t figure out where the “1” is (laughter) I was real pleased with how my rhymes came out. For Jon Phillips to say we’re gonna put B Real on this track… I was like to the moon. He’s in my top 5 MC’s. The first time I heard Cypress Hill it scared the shit out of me. To come full circle and be on a track with an all time inspiration was a real blessing.
MR: Yea man, it has a Kokua Festival sound to it. From the cold winter shores of Boston to the sunny skies of the San Diegoand everywhere in between. Your setup in Cape Cod transcends coasts as well. That Kokua vibe. Your live feeds from home really showed a true homegrown set up. Looking forward to the Christmas special from the colder Orleans for the holidays.
MR: January 2022 has you back on Tour though with the Juice that stops in Buffalo and Brooklyn. How did you connect with Amy Bowles and Aaron Bellamy? I used to see them play with Sam Kininger in the same clubs the Special Sauce would hit in 2006.
GL: Yea they’re now in the super Juice. I love playing with those guys. The juice is kind of an eclectic collective. The unit on tour coming through your neck of the woods will have Chuck Trace on drums, Van Gordon Martin on guitar and Jimmy “Jazz” Prestcott on bass. That being said, the special sauce is well intact and will continue to do shows . The pandemic kind of created a pivot to open new doors to connect with great musicians from New England like the Bellamy’s. It feels like the right time to do a different show with a new sound. It’s gonna be rocking.
MR: Musicians in New York State helped find that same silver lining for new creations. What New York State gigs have you played that stick out over the years?
GL: What pops in to mind was Irving plaza one night where Chris Robinson sat in. He’s always been big bro status. We did our version of the Beatles “Help”. He sang the shit out of that. Actually the night we got signed is something worth talking about. We came down to New York City from Boston for these showcases back in the day in front of the labels and industry folks. We had two shows. One was at the CBGB gallery packed with Industry people; it was right next to the original CBGB club. Ya know we played it and did what we needed to.
But then after that show I felt very… “fuck this man, fuck this vibe”. The next show later that night was at the Bitter End on Bleecker street. So I’ll never forget Jimmy Jazz and I scored a piece of hash on the corner and twisted it up real quick on the street. I remember saying…” I don’t give a fuck about this bull shit.”
We went in to Bitter End that night and it only had one table filled in the back. I remember going in and playing a set that was really potent. You know just for us?
GL: The whole thing has been an amazing journey. Devon and I are very close. We had a band called jam town right before ABB did their thing. Devon wanted to take some time after his father passed before these tributes because he needed it. He wanted to let the dust settle out of respect for his father. He finally had the fruition of the dream going on the road recently. It’s so special to be part of the extended family. We toured with the Allman’s during the H.O.R.D.E. tour in ’95 where Warren would take me under his wing. There’s that legacy and comradery at the Beacon. It wasn’t planned for the show at the Beacon to be on Greggs Birthday. It just serendipitously was the available date they had for it. Devon loved that. I even got to do Cold Beverages with the cast . Then to get out front and share the mic with Devon for One Way Out surrounded by these other great musicians was an honor.
MR: I just saw Eric Gales for the first time a couple months ago who joined you at the Beacon on “One Way Out”
GL: He’s so cool man. I just saw him for the first time too and got to hang with him. Sweetest guy and his wife LaDonna. He’s the fucking man.
MR: We know the coldest beverages ever served live was to the thirsty Woodstock 99 crowd in Rome, New York. Speaking of Cold Beverages I remember years ago seeing you at a club in NYC for a Raconteurs show. Jack White said to you backstage “well if it isn’t Mr. Cold beverages” I think it was at Terminal Five.
GL: (laughter) That’s right it was at Terminal Five. I didn’t play with them but I came to the show. Another little side secret story from when we played Pontiac Michigan in 1994 during our first US tour. We played a cool show. There were a lot of Detroit artists at that gig like Kid Rock and Jack White. They told me years later that performance inspired them along their way. Pretty cool to hear that kind of thing.
MR: Keller Williams covered Back of the Bus at a recent gig of his I was at. Thank you for being an inspiration to New York musicians as well. John McConnell music and I cover 50 ways to leave your lover with our own split take on the original. I was able to get feedback from Steve Gadd on the grooves origins in March. Same concept though as putting your own style on it like you did in the studio with the Avett Brothers. It’s wide open for interpretation.
GL: Awesome. My manager said since you can’t make a hit why don’t you cover one? (Laughter) I said all right, let’s cut 50 ways. The beat is so iconic so I’m like OK let’s get away from that. When I play it live with Chuck we do the Steve Gadd beat but when I play it with house man we do it like the studio.
MR: As far as your illustrious career in song writing goes, I have to ask about songs like “Willow Tree’ and “When We Meet Again” where the sentiment sounds organic and from in the moment.
GL: Yea its about making things personable. You try to capture an emotion and a feeling of a certain thing around you. “When We Meet again” I remember specifically it being a spring day..you know the opener…Spring time is here the wind from the south blows strong and warm to clean up your house. Then I went back to the golden first year I had as a street musician where I met my band and the corner bar The Plough and Stars we played at in Boston which was important to us. Same with Willow Tree. I was living across from the Delaware River and the Penn Treaty park across had a lot of Willow Trees.
The park had a bunch of willow trees and I always loved them. I thought about the relationship between the river and the willow tree is so symbiotic. I also used that as a metaphor for a love song too ya know?
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from The William Deuel Band, Dustin Sawyer and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
The WIlliam Deuel Band
The William Deuel Band released their newest LP, Moment in Time, in August 2021. The blues-rock band’s second full-length project, they formed in 2018 in Saratoga Springs and have since made waves worldwide. They’ve found success on Australian radio, as well as in the UK and South Africa. Inspired by a conversation between Deuel and his mother, Moment in Time’s title track is upbeat and energetic with a killer breakdown just before the three-minute mark.
The following song, “Call Me Crazy,” is much more acoustic and scaled-back, at least until the halfway point. Deuel’s vocals gradually become more raw and passionate, culminating in a grand finale.
Dustin Sawyer
One of two new songs from Americana artist Dustin Sawyer, “Take Me Away” premiered in October. In its music video, the Mayfield singer and songwriter wanders through the wilderness as gnomes and other fantastical elements appear. The song is addressed to God, with Sawyer opening it saying “Father, forgive me ‘cause I know what I’d do / Given that opportunity to walk a mile inside your shoes.” It also references the forty days and nights the Israelites wandered to find the Promised Land.
Alex Giannascoli, a.k.a. Alex G, closed out his 2021 tour this week with two shows at Webster Hall. The tour served as a second leg of shows in support of the excellent 2019 LP House of Sugar (from Domino Records). With the release of this LP, Alex G also dropped part of his stage name; being formerly known as (Sandy) Alex G. NYS Music caught the last show of the tour on December 7th – scroll down for the full photo gallery below.
Alex G played career spanning sets at Webster Hall over the two shows, hitting tracks off all his past LPs plus a heavy dose of House of Sugar. Both nights opened with the psychedelic and groovy single “Gretel,” a quintessential show opener. Swirling acoustic guitar arpeggios transition into a psychedelic jam with heavy hitting drums perfect for setting the tone for the night.
Both nights also featured surprising covers. On night one fans got a very different version of Trans Siberian Orchestra’s “Christmas Eve Sarajevo” while night two saw a very true to form version of Coldplay’s “Clocks.”
Tuesday night was the finale of the tour, and there is currently only one more show scheduled next year on February 24th at August Hall in San Francisco. Keep an eye out for more shows and possibly new music in the near future from Alex G.
Singer and songwriter Thom Powers, from Greenwich, NY where he’s been living and playing locally for about nine years now, has released his first single called “Roller Coaster Show.” It’s a rock and roll tune with clear Beatles influences. Powers recruited top musicians in the area to join him on this track including: Darryl Kniffen (drums, producer, mixer), Andy Mollica (lead guitar and bass) from jazz trio Tanager, and Tony Califano (keys) from Rusticator.
Powers grew up in rural Sherrill, NY, listening to his father strum and sing throughout his childhood. He continued to have a love for music and guitar throughout his early 20’s but didn’t explore the playing out scene until 2012. He started playing at Argyle Brewing Company at Greenwich and quickly branched out to other local venues, collaborating with exceptional musicians in the area – all of whom studied music and are multi-instrumentalists.
“Roller Coaster Show” will be the first song on Powers’ forthcoming album. It’s a catchy tune with a solid drum track that keeps you grooving in combination with the wonderful addition of Tony Califano’s Wurlitzer and Organ and Andy Mollica’s well-timed guitar licks throughout.
There are no set gigs as a 5-piece at the moment, but Argyle Brewing Company and Unihog will be on the schedule in 2022. The trio will have a few more gigs and Thom Powers will continue to play solo at The Inn at Saratoga, Bound by Fate Brewing on New Year’s Eve and Cloud 9 Coffee Lounge on New Year’s Day, amongst others. You can even catch him at the Saratoga Farmer’s Market on January 15.
You can check out the brand new single below and on Bandcamp.
In a step up from their past holiday concert celebrations, Connecticut indie-jam darlings Goose will bring their eighth annual Goosemas show to Mohegan Sun Arena on Saturday, December 18.
The past two years have seen Connecticut rockers Goose grow from a local bar band to a premiere festival headliner who are today announcing their biggest show to date.
Goosemas began as a tradition with humble roots in the basement of a Norwalk, CT music studio. While the next four years would see the band hold an intimate event inside underground venues in Norwalk, the sixth iteration of Goosemas found the band moving the event to Wall Street Theatre. During 2020, Goosemas went up to the top of Rockefeller Plaza for a Twitch exclusive livestream, drawing over 60,000 viewers worldwide,and raised over $45,000 for charity.
We’re so stoked to host Goosemas back home in Connecticut. It has truly been incredible to see how the event has grown over the past few years, and we can’t wait to do it again in front of a live audience
guitarist/vocalist Rick Mitarotonda
This year’s show will see Goose take the stage for three sets, with plenty of surprises in store for fans. Goosemas will be the last show of a highly anticipated, 19-date national fall run, with over half of the tour already sold out.
Initial tickets will be available through a lottery, with a request period running today Tuesday, August 24th at 12 PM ET through Wednesday, August 25 at 5 PM ET. Winners will be notified before the general on-sale, beginning Friday, August 27 at 10 AM ET. Venue Presale will be held on Thurs, Aug 26 @ 10am-10pm ET — password STOCKS
Connecticut-based rock quintet Goose celebrates the holidays with Goosemas live from Mohegan Sun Arena, the band’s first-ever arena performance. Goosemas is the band’s eighth annual holiday celebration and premieres Saturday, December 18 at 8PM ET exclusively on The Relix Channel via Twitch. This year’s show sees Goose take the stage for three sets, with plenty of surprises in store for fans attending both in person and at home.
Proceeds from the livestream benefit Family & Children’s Agency, a Norwalk, Connecticut non-profit serving thousands of children, families, adults, and seniors each year. Viewers can donate to the organization directly through the livestream or on Family & Children Agency’s website.
On Saturday, December 18, PhanArt brings together artists and vendors from the growing Goose community for the first time, with a show at Mohegan Sun, The Hometown Flodown.
Held on the day of Connecticut jam band Goose’s annual end of year celebration, Goosemas, The Hometown Flodown will represent artist and vendors rising out of the Goose scene, with a wide array of apparel, posters, stickers, household items, photography and much more in store. A perfect gathering spot for fans pre-show, PhanArt shows bring live music fans together for a mix of familiar and unfamiliar faces, new and preferred styles of art, just in time for the holidays.
Located in the Uncas Ballroom of Mohegan Sun, doors for The Hometown Flodown open at 1pm, with a great opportunity to find deals from artists spanning the Goose and jam band communities. Admission is free, with tubes for sale. More details at PhanArt.net
GOOSE FALL TOUR:
SEP 3: 4848 Festival – Snowshoe, WV (Sold Out)
SEP 4: Bonnaroo – Manchester, TN (Sold Out)
SEP 18: Sea.Hear.Now Festival / Asbury Park, NJ
OCT 8: Terminal 5 / New York, NY (Sold Out)
OCT 9: Terminal 5 / New York, NY (Sold Out)
OCT 28: State Theatre / Portland, ME
OCT 29: State Theatre / Portland, ME (Sold Out)
OCT 30: The Palladium / Worcester, MA (Sold Out)
OCT 31: The Palladium / Worcester, MA
NOV 6: The Eastern / Atlanta, GA (Sold Out)
NOV 7 : The Eastern / Atlanta, GA (Sold Out)
NOV 9: Republic New Orleans / New Orleans, LA (Sold Out)
NOV 10: House of Blues / Houston, TX
NOV 11: Scoot Inn / Austin, TX (Sold Out)
NOV 12: Scoot Inn / Austin, TX (Sold Out)
NOV 13: The HiFi Dallas / Dallas, TX (Sold Out)
NOV 16: Tower Theatre / Oklahoma City, OK
NOV 17: The Truman KC / Kansas City, MO
NOV 21: The Mission Ballroom / Denver, CO (Sold Out)
NOV 22: The Mission Ballroom / Denver, CO
DEC 18: Goosemas / Mohegan Sun Arena / Uncasville, CT
GOOSE WINTER TOUR 2022:
JAN 26: Marquee Theatre / Tempe, AZ
JAN 27: The Observatory North Park / San Diego, CA (Sold Out)
JAN 28: The Fonda Theatre / Hollywood, CA (Sold Out)
JAN 29: The Regency Ballroom / San Francisco, CA (Sold Out)
Great food, delicious beer and friendly staff are just a few of the cherries on top of the Live Music at Ardmore Music Hall in Ardmore, Pa. With smiles on their face and bellies full of chesesteaks, Tweed and Jimkata get set to take stage.
Tweed opened the night with their Disco/Funk improvisational jams and welcomed female vocalist Rachael Green to sing a couple songs including a cover of Toxic by Britney Spears. Her vocal range and stage presence added a new layer to Tweed that fit perfectly.
After nearly a four year hiatus I am extremely overjoyed to say Jimkata is back. Friends since middle school, Evan Friedel, Aaron Gorsch and Packy Lunn have formed a bond that reverberates love and joy, which overflows at each venue they play. At their December 4th show, Jimkata treated their fans to an extra heavy tempo set full of tasty guitar riffs and funky moog break downs that had the whole venue dancing.
It seems as if the almost 4 years off was a good time for the band to recollect their thoughts, get back to their roots, and respark that passion they have of playing with eachother. You can tell from the moment they take the stage that they are so excited to be back with their fans and are extremely appreciative of the opportunity to keep playing music together. The sky is the limit for Jimkata and I personally am happy to be along for the ride.
Jimkata and Tweed Setlists
Tweed: Moves ,Perfectly Aware ,Grace,Save,Pixelrise,You #,Feargasm#Breath #,Toxic*#,Dlmf #,El sucio Grande *Britney spears Cover #Rachael Green on vocals
Jimkata: Wild Ride, Beat the curse, Nightshade, Wait for you, wanna go, Writing on the wall, Feel in light, Bonfire, Release, Intro(Sweet Glory), Weight of Paradise, Chain store Encore: Blessings, American Cars
Kings Theatre in Brooklyn will welcome indie-rock legends Pavement to Brooklyn for four back-to-back shows from September 30 – October 3, 2022. The shows are part of a World Tour for Pavement, which brings the Stockton, CA group to Europe in June and once again in October-November, with North American dates in between.
Pavement publicity photos
Pavement began in 1989 and features lead singer/guitarist, Stephen Malkmus, vocalist/guitarist Scott Kannberg, bassist Mark Ibold, drummer Steve West and percussionist/vocalist Bob Nastanovich. They’re best known for songs “Harness Your Hopes,” “Summer Babe” and “Here,” and cite Sonic Youth, Bob Dylan and The Velvet Underground as influences. The group are also highly influential themselves and have been cited as an influence by artists such as Beabadoobee, Elliot Smith, Trey Anastasio of Phish and Death Cab for Cutie.
Widely renowned as one of the most popular and influential bands to come out of the American underground in the last three decades, Pavement disbanded in 1999, and reunited in 2010 with four sold out benefit shows in Central Park. This was in addition to top billing of festivals including Coachella, Reading & Leeds, Primavera Sound and Pitchfork Festival.
Shows are all at 8:00pm with doors at 6:30pm. Tickets for all four nights are on sale now here.
As public health conditions and the State’s guidance for performing arts and live entertainment change, Kings Theatre will remain flexible and adapt to applicable health protocols, such as face coverings, health screening, enhanced air filtration and ventilation, and rigorous cleaning and disinfection. All patrons 12 and older are required to show proof they have received at least one dose of a COVID-19 vaccine authorized for emergency use by the FDA or WHO. Patrons are required to present an ID matching the name on their vaccination documentation. Acceptable methods for providing proof of COVID-19 vaccination are: Excelsior Pass, NYC COVID Safe App, CDC Vaccination Card or NYC Vaccination Record.
Children under the age of 12 who are not yet able to be vaccinated may attend performances when accompanied by a vaccinated adult. All patrons are required to wear acceptable face coverings at all times inside the venue, except when actively consuming food or beverages. Acceptable face coverings do not include bandanas, gaiters, or any face mask with a vent. Venue management reserves discretion over determining whether a face covering is acceptable. Three-ply face coverings will be made available for patrons that do not arrive at the venue with an acceptable face covering..
Pavement 2022 Tour Dates
06-02 Barcelona, Spain – Primavera Sound 06-10 Porto, Portugal – NOS Primavera Sound 09-07 San Diego, CA – Balboa Theatre 09-09 Los Angeles, CA – Orpheum Theatre 09-10 Los Angeles, CA – Orpheum Theatre 09-12 San Francisco, CA – The Masonic 09-13 San Francisco, CA – The Masonic 09-14 San Francisco, CA – The Masonic 09-16 Troutdale, OR – Edgefield Amphitheatre 09-17 Seattle, WA – The Paramount Theatre 09-19 Denver, CO – Paramount Theatre 09-20 Kansas City, MO – Uptown Theater 09-21 St. Paul, MN – The Palace Theatre 09-22 Chicago, IL – Chicago Theatre 09-24 Detroit, MI – Masonic Cathedral Theatre 09-26 Toronto, Ontario – Massey Hall 09-28 Boston, MA – Boch Center Wang Theatre 09-30 Brooklyn, NY – Kings Theatre 10-01 Brooklyn, NY – Kings Theatre 10-02 Brooklyn, NY – Kings Theatre 10-03 Brooklyn, NY – Kings Theatre 10-05 Philadelphia, PA – The Met 10-06 Washington, DC – Warner Theatre 10-08 Atlanta, GA – The Eastern 10-09 Atlanta, GA – The Eastern 10-11 Austin, TX – ACL Live at the Moody Theater 10-17 Leeds, England – O2 Academy Leeds 10-18 Glasgow, Scotland – Barrowland Ballroom 10-19 Edinburgh, Scotland – Usher Hall 10-20 Manchester, England – O2 Apollo 10-22 London, England – Roundhouse 10-23 London, England – Roundhouse 10-24 London, England – Roundhouse 10-25 London, England – Roundhouse 10-27 Paris, France – Le Grand Rex 10-29 Copenhagen, Denmark – Vega 10-30 Oslo, Norway – Sentrum Scene 10-31 Stockholm, Sweden – Cirkus 11-02 Aarhus, Denmark – VoxHall 11-04 Bremen, Germany – Pier 2 11-05 Berlin, Germany – Tempodrom 11-07 Brussels, Belgium – Cirque Royal 11-08 Amsterdam, Netherlands – Royal Carré Theater 11-10 Dublin, Ireland – Vicar Street
Legendary rock groups Dispatch and O.A.R. will share the stage together in summer 2022, with a 37 date tour announced this past week. The two groups will make their way through New York in August 2022, with shows in Saratoga Springs (SPAC), Lewiston (Artpark) and Long Island (Jones Beach). The tour kicks off in June, and will find the two groups joined by special guests Robert Randolph Band (July 15-August 10) and G. Love (August 12-September 10).
Dispatch and O.A.R. each got their start in the mid-90s as indie rock groups with a jam/roots vibe, performing on the same lineups, occasionally mistaken for each other and after 25 years, finally collaborating together.
For the first three or four years of our career, we’d often see each other kind of weaving in and out of each other’s storylines. Then we didn’t see each other for a long time but there was always this idea that we eventually would get together. I think it was just a matter of everyone figuring out how their own individual lives fit with the band, and so the planets just kind of aligned.
Tickets for the tour will be on sale at Noon on December 6, with public on-sale starting December 10 at Noon. For tickets or more information, click here.
Dispatch & O.A.R. 2022 Tour
7/15 – Mesa, AZ – Mesa Amphitheatre
7/16 – Los Angeles, CA – Hollywood Palladium
7/17 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
7/19 – Paso Robles, CA – Vina Robles Amphitheatre
7/20 – Rohnert Park, CA – SOMO Village Event Center
7/22 – Bend, OR – Les Schwab Amphitheater
7/23 – Redmond, WA – Marymoor Park
7/24 – Bonner, MT – KettleHouse Amphitheater
7/28 – Nampa, ID – Ford Idaho Center Amphitheater
7/29 – Salt Lake City, UT – Venue TBD
7/30 – Denver, CO – Fiddler’s Green Amphitheatre
8/5 – Atlanta, GA – Coca-Cola Roxy
8/6 – Nashville, TN – Ascend Amphitheater
8/7 – Columbus, OH – EXPRESS LIVE!
8/9 – Indianapolis, IN – TCU Amphitheater at White River State Park
8/10 – St. Louis, MO – St. Louis Music Park
8/12 – Cleveland, OH – Jacobs Pavilion at Nautica
8/13 – Highland Park, IL – Ravinia Festival *on-sale spring 2022
8/14 – Sterling Heights, MI – Michigan Lottery Amphitheatre Freedom Hill
8/15 – Pittsburgh, PA – Stage AE
8/18 – Philadelphia, PA – TD Pavilion at the Mann
8/19 – Gilford, NH – Bank of New Hampshire Pavilion
