Category: Profiles

  • Esquela Releases Fully Remote Produced New Album “A Sign From God”

    Based in Bovina, NY, Esquela released their fifth studio album A Sign From God on June 25th. The album features 10 tracks, produced by Eric “Roscoe” Ambel, and was recorded entirely remotely throughout the COVID-19 pandemic which prevented members from getting together to record during the Spring and Summer of 2020.

    Esquela
    Esquela, via bandsintown.com

    Over the course of several months, Finn wrote all the songs on the record, except the final track, “Wait For Me” which utilized a poem by Konstantin Simonov and was arranged musically by Becca Frame and Brian Shafer. He then sent bits of songs to Roscoe, involving Keith Christopher on bass, Brian Shafer on guitar, Becca Frame on vocals and Matt Woodin on guitars and mandolin, and Mike Ricciardi on drums with the audio engineering accompaniment of Jeff Stachyra. Their individual parts were woven together by their brilliant engineer, spinning a 70’s style overdub in a completely remote 2020 world.

    Once the reality of COVID 19 hit us, nobody knew what was going to happen and for how long our normal routines would be disrupted. Since I was homebound for the duration – I decided that I should get my home recording studio up and running again. After weeks of technical frustration– I was finally able to get my home setup cobbled together with a Universal Audio Apollo interface and my MacBook, using Protools recording software.

    Bandleader John “Chico” Finn

    Amidst a race war and global pandemic, the album captures the cultural conversation surrounding the time, including addressing sensitive topics that unfolded during the year like racism, sexual assault and climate change. The first track on the album, which premiered ahead of the others, addresses climate change and humanity’s impact on Earth. “Not In My Backyard” was inspired by a conversation that transpired between Finn and a friend about fracking in West Virginia. Between the rhythmic guitar riffs and pulsing drum beat, a larger message lies at the core of the song.

    The bottom line is that energy is cheap right now…in order for the climate to improve will mean people will have to pay more for their energy source, and I am afraid it won’t happen anytime soon, sad to say.

    John “Chico” Finn

    Premiering as Esquela’s first album since 2017, the band chose to tackle pressing issues about the world, spreading a message while telling a narrative throughout each song. The last song, “Wait For Me,” has a more stripped sonic atmosphere with soft acoustic guitar and less processed vocals. The song tells the story of Konstantin Simonov and a poem he wrote as a homesick Russian soldier during World War II. Esquela uses the poem as a vessel to acknowledge racism in the deep South, much like the French village of Oradour Sur Glane destroyed by Nazis within the poem.

    Esquela

    With Esquela, challenge brings creativity. The album is a true testament that challenge breeds creativity amidst the pandemic. Even prevented from taking a band photo all together for the cover art, they crafted a creative solution to replicate images of them in a fun illustration pictured below. While COVID-19 forced the members to send over the tracks individually, the cohesiveness of these tracks expands beyond Roscoe’s phenomenal work as a producer. These songs tell a narrative about what we need to change as a society in 2020 (and now, its roots have spread into 2021).

    The album is now available on Bandcamp or Spotify, with a music video for “Not In My Backyard” on Youtube.

  • Happy Birthday, Inspectah Deck!

    Inspectah Deck, born Jason Richard Hunter on July 6, 1970, and an infamous member of the groups Wu-Tang Clan and Czarface, celebrates his birthday today.

    Inspectah Deck
    Photo Credit: Coup d’Oreille on flickr

    As a rapper and producer, Inspectah Deck has developed the sound for many Wu-Tang tracks and members, his own solo endeavors, and movie soundtracks. Throughout his career audiences have known him for his intricate lyricism and his verses on many of the group’s most revered songs. 

    Born and raised in Staten Island, Inspectah Deck routinely mentions the Park Hill Projects in Clifton, Staten Island, where he grew up and went to school with the future Method Man, Raekwon, Ghostface Killah, and Remedy. 

    His on stage persona of being laid-back, quiet, and low-key, was a counterbalance to the antics of Method Man, Ol’ Dirty Bastard, and RZA. Apparently, that also translated to his day to day personality as well, as that is what fellow members of the Wu-Tang Clan know him for. 

    Wu-Tang Clan Photo: Jonathan Weiner 2014 For RS1223 Story via Fant, Phylicia and Hawkins, Hillary

    As the second most featured member on Wu-Tang’s debut album Enter the Wu-Tang (36 Chambers), Deck provided highly acclaimed verses for the singles “C.R.E.A.M.,” “Protect Ya Neck,” “Wu-Tang Clan Ain’t Nuthing ta Fuck Wit,” and “Da Mystery of Chessboxin’.” 

    On Wu-Tang’s second group album, Wu-Tang Forever, which debuted atop the Billboard 200 and was nominated for Best Rap Album at the 1998 Grammy Awards, Deck produced the track “Visionz” and contributed a solo track, “The City”, as well as writing one of the most critically acclaimed verses in hip-hop on the group’s hit single “Triumph”. 

    Inbetween contributing to the later albums of the Wu-Tang Clan, including The W, Iron Flag, 8 Diagrams, and A Better Tomorrow; Deck worked on several other projects.

    Along with features on fellow Wu members’ solo projects, including Method Man’s Tical, Raekwon’s Only Built 4 Cuban Linx…, GZA’s Liquid Swords, and Ghostface Killah’s Ironman; Deck also provided production for Method Man, RZA, and GZA throughout the years.

    In 2013, Deck formed Czarface with Boston duo 7L & Esoteric. Their debut album featuring the legendary DJ Premier was called Czarface. The group has collaborated with names like MF Doom and Ghostface Killah. With albums including Every Hero Needs a Villain, which was released in 2015, and A Fistful of Peril in 2016.

    Deck’s work in film has included composing for movies such as Meet Dave, The Wackness, and Nerve.

    Deck’s debut solo album Uncontrolled Substance was initially set to release in 1997, however, due to a flood in producer RZA’s basement studio, which destroyed over one hundred beats, including all of the instrumentals made for the album, it was finally released in 1999 and featured more of Deck’s own production.

    In 2003, Inspectah Deck released his second studio album, The Movement, which he later stated did not live up to his expectations despite having popular songs like “City High” on the tracklisting. Three years later, in 2006 he released The Resident Patient, which was intended as a prequel to The Movement. The mixtape turned album was a slight divergence from Deck’s previous discography due to its cinematic themes and homages. 

    In 2010, Inspectah Deck released his third solo album Manifesto, which features guest-appearances from Raekwon, Cormega, Termanology, Planet Asia, Cappadonna, Kurupt, and M.O.P.’s Billy Danze.

    The album Chamber No. 9, which was released in 2019 will reportedly be his final album as a solo artist. Whatever the future holds in store for Inspectah Deck we’ll all be waiting to hear and enjoy. Happy birthday, Inspectah Deck!

  • Turning Stone Showroom Undergoes Renovation

    The Turning Stone Resort Casino Showroom in Verona is undergoing an electrifying renovation in anticipation of the return of live events. Turning Stone surveyed 30,000 guests and found that the majority of guests simply cannot wait to attend live music events post-COVID.

    The results are especially exciting for Turning Stone as it is an award-winning destination for live entertainment in the state of New York.

    Turning Stone

    After surveying more than 30,000 guests, Turning Stone found that 92% of respondents miss attending live entertainment and events, 76% are looking for live events in intimate venues (less than 1,000 people), 73% are eager to attend live events again, and 65% are willing to travel more than 120 miles to attend live events.

    Turning Point recently announced that it is unveiling a series of multi-million dollar renovations across the resort, focusing on a significant overhaul of The Showroom. The Showroom will become much more modernized and will create an all-new intimate environment for live events.

    Specific features of the new Showroom include: a state-of-the-art sound system that will provide perfect acoustics for every performance genre; new contemporary design, featuring dark mahogany woods and shades of deep purples and violets; more than 650 premium stadium-style seats; and an all-new bar in the newly added atrium.

    Turning Stone
    Benny Mardones at Turning Stone Showroom

    “These survey results are very encouraging as they indicate our guests are eager to attend live performances again, which we know is also a significant driver of tourism in our region,” said Oneida Indian Nation Representative and Oneida Nation Enterprises CEO Ray Halbritter. “This is also great news for the local music scene in Central New York. We take great pride in showcasing local talent in our venues and introducing our guests who come from all over the county to the best our region has to offer.”

    The Showroom construction will be completed before September, when live entertainment will resume at Turning Stone. Shows being hosted here will be announced shortly. Get ready for a music-filled fall at Turning Stone!

  • Long Island Fan tabs out entire Disco Biscuits Catalog

    In live music communities, you’ll find fans who put their talents to use for the benefit of all, thanks to their love of the music. One of those fans, Justin Treanor, has taken his love for the Disco Biscuits and playing guitar to a new level, with a website full of Biscuits’ guitar tabs, SickBarberLicks.net

    disco biscuits tabs

    Justin Treanor, a 32 year old from Babylon, NY has been a Disco Biscuits fan since 2007. He’s also been playing guitar for 20 years, and the two intertwined in 2016 when he started tabbing out the Disco Biscuits catalog. 

    disco biscuits tabs

    “Sick Barber Licks,” named for Jon “The Barber” Gutwillig’s ‘sick’ guitar compositions and improvisation, has been a passion project of Treanor’s, one with a worthy cause and goal – promoting the music of his favorite band so more may learn to play the music of the Biscuits. For the last 5 years, he’s tabbed out all 207 Disco Biscuits songs as well as a handful of covers (“The Safety Dance” and “Run Like Hell” among them). Included in each song are scans of his handwritten tabs, song lyrics and in most cases, a video showing how to play the song. 

    disco biscuits tabs
    Page 1 of the “Mr. Don” guitar tab

    A self-taught guitarist, Treanor has played in local bands over the years, playing for fun more than anything. He would watch guitar videos and later create his own videos, having tabbed out 207 songs. Treanor has had the benefit of band members supporting his endeavors, with Marc, Jon and Aron all giving him feedback.

    The response has been overwhelming from the fans. People tell me they use the site all the time, and the site sees about 250-300 unique visitors a week. It’s truly amazing.

    Treanor’s first Biscuits show was on May 25, 2007 at Highline Ballroom in Chelsea. He was hooked instantly, sharing that it was an “insane Mr. Don -> inverted Little Betty Boop they played to start the second set” that hooked him. For Treanor, “the mix of jam music and intense trance hooked me from the first few notes.”

    Treanor has also made the most of this past year, adding to his site’s cache of tabs, and expanded to bass tabs with Sick Brownie Bombs (9 songs so far) and friend Justin Highland starting Sick Magner Melodies (2 songs so far).

    SickBarberLicks.net is a fan created website featuring tabs for all 207 Disco Biscuits songs. Those looking to support Treanor’s work and help improve the fan-driven site’s continuing effort, can do so here, via Paypal here or Venmo (@treanorjustin88).

    Watch a few samples of Treanor’s guitar videos below, and subscribe to be sure to subscribe his YouTube channel.



  • Rising Star Ella Isaacson Keeps It Honest

    Born and raised in the New York City area, rising singer songwriter Ella Isaacson has been making waves with each new release.

    Photo accessed from Bong Mines Entertainment

    Isaacson was raised in the arts. As she started writing songs and discovering her passion for music around age 13, Isaacson made sure to infuse personal experiences and raw emotion into her lyrics. Isaacson does not shy away from addressing body image, mental health and other aspects of her inner monologue, making her music uniquely intimate.

    I’ve always been an over-thinker, it’s my curse and my blessing. I’m not sure if there’s a moment where my brain really rests, sometimes words and concepts just come to me as I go about my day. If one strikes a chord with what I’m currently going through in my life then the stream of consciousness starts to flow.

    Ella Isaacson

    Once Isaacson’s career began taking off, managers and industry figures tried getting her to change her image and appeal to the pop landscape. Isaacson instead took a trip to Sweden where she began centering her authentic self. She has continued to release songs with a personal flair and does not fit into a strict genre box.

    “Expectations”, one of Isaacson’s latest releases in collaboration with Gallant, saw viral success and has been featured in popular TikToks as well as Spotify and Apple editorial playlists like New Music Fridays, Young Wild & Free, Pop Edge, Pop Right Now, Mood Booster, and Fresh & Chill.

    Isaacson’s latest single “Maybelline” explores a love story with truthful transparency. In her own words, her artistic process generally focuses on showcasing relatability and emotional confidence.

    I can easily say falling in love for real for the first time, changed everything about my writing. It made me look at myself in a whole new way. I always need my music to say or question something real now. We all want to make the right choices, have the right job, the fairytale love, skyscraper high confidence, the right amount of success but reality exists in the grey and the nuance and I guess that’s something I hope people take away when they hear my music. That we all feel a little lost, a little behind, a little too rough around the edges when you get close.

    Ella Isaacson

    Isaacson now lives in Los Angeles but continues to take inspiration from her free spirited New York upbringing. You can learn more about her on her website and connect on Instagram, Twitter and Facebook. Her music is available on streaming services like Spotify and Apple Music.

  • Bedroom Pop Artist on the Rise: Meet Grace Yurchuk

    Warwick native and 18-year-old college freshman, Grace Yurchuk, released two singles from her dorm room at NYU during the Spring semester. Written, recorded, and produced all from within the confines of the Covid quarantine.

    Grace Yurchuk

    A student of the Vocal Performance program at NYU Steinhardt School of Culture, Education, and Human Development, she recently received The Josh Goldfaden Award for writing from NYU College of Arts & Sciences and expects to make the Dean’s List this year.

    If you need a song to play in the car that your friends will actually like, Grace Yurchuk is an artist to watch. So far with two singles out, she hasn’t missed. Following the rise in feel good music, these bedroom pop tracks are a good addition to playlists with similar artists such as Beach Bunny, Mitski, Phoebe Bridgers, and girl in red.

    While it’s not unusual for a young musician to release a song, this effort was unique. When faced with the grim prospect of social isolation, online classes, and staying healthy, Grace turned to her music as a creative outlet. “Need Me” was a solo effort—written, recorded, mixed, mastered, and released from her dorm room without assistance from other artists or a professional studio.

    Grace Yurchuk

    The second single Grace released on May 21, titled “Good Together,” has careful thought put into everything from backing vocals to synth, which were still hand-picked, mastered, and everything in between by Grace herself. If you thought “Need Me” was good, wait until you hear “Good Together.” The progress made in between songs can be heard and it is a pleasure to know this is only the start.

    “I think I had a lot of time, more time than usual– I’m sure everybody did because of the pandemic– to do different projects. The way that the first single happened ‘Need Me,’ it came to me kind of suddenly when I was out and about. When it became something I couldn’t put down and I spent all that time on it, I was just like you know what I worked really hard, this one feels ready. I felt it, I kinda knew.”

    Both singles that have been released so far deal with interpersonal relationships, released at a time when those were hard to find and maintain for everyone. “I’m from a really small town and the city was different, it was jumping into a totally different experience especially in the middle of a pandemic, and all of my online classes,” Grace explained. “Making new friends was a struggle at first, all I wanted was to make something that was long lasting, meaningful, and making friends that would matter to me.”

    When times were particularly tough for the college first year, she turned to music. “I’ve always fallen back on recording, that’s why I’ve done it for so long. I could always depend on it, so when it came down to that– in Manhattan living alone, I was like ‘This is it. This is what I do,’ I did what I know.”

    A self-proclaimed Swiftie, Grace draws her inspiration from her pop idol. “I like different artists for different reasons and I like [Taylor Swift] because she has the ability to tell a story that I really admire, like with her lyrics. But then I also like bands like Beach Fossils, I like the atmosphere they create. Other than that I like Ariana Grande because who doesn’t like insane vocals like that. There are so many different factors that make a band or an artist great and for me whenever I make music I just want to tell a story somehow with the instrumentation or with the vocal, with the lyrics.”

    But more important is the driving force that kept her going, and got her start, for all these years. “I record and I write alone, but the fact of the matter is, nobody ever does anything really alone. My parents have always pushed me to do this. They’ve never once told me to think about it, they’re always like, ‘No, this is your dream, go for it.’ All of my teachers along the way, I’ve played piano forever and my piano teacher was a big propelling force in that too. My sisters too. I say that I’m the big sister but I look up to both of them, more than they probably look up to me. They’re incredible and I play all of my music for them first. I love them.”

    For her dream lineup to perform with, she chose Taylor Swift, obviously, and her new college friends. “I don’t want to sound cheesy but the first people I want to perform with are the people I met at school. Because I know I’ll get to see them again and they’re so insanely talented. As soon as I can go back to any New York venue I’ll want to perform with the people I’ve met and have encouraged me to do this too.” 

    As for future plans, “First thing, I just want to go out with all of my friends, I want to get a couple of gigs book. Everyone else has been not performing for a year but I am really desperate to get back in there. As long as I’m out and about and getting to live life again. Everywhere you look in the city there’s going to be something to do and I want to do everything.”

    Grace Yurchuk

    Look out for Grace Yurchuk and her debut EP before the summer is over. “I’m looking forward to getting the EP out because I think it tells a really cool story.”

    The two released tracks are available on all major platforms including Spotify, Apple Music, Amazon Music, YouTube Music, Pandora, TikTok, and Tidal. The song, entitled “Need Me,” has already been streamed thousands of times since its debut on April 16.

    Make sure to stream “Need Me” and “Good Together”

    For more information, visit www.graceyurchuk.com 

    To keep up to date on where Grace Yurchuk is going next follow her on Instagram, Twitter, YouTube, Tiktok, Spotify, and Apple Music.

  • Happy Birthday, Cyndi Lauper!

    Today, talented singer, songwriter, actress and LGBT+ activist, and pioneer in music Cynthia (Cyndi) Ann Stephanie Lauper celebrates her 69th birthday. From her residence in New York’s Upper West Side to childhood in Ozone Park, Cyndi Lauper is a true New Yorker through and through.

    Cyndi lauper birthday

    The perpetually campy orange haired princess of pop like her image in “Girls Just Want to Have Fun“, Lauper is underrated as a master across genres. With one of the greatest rock voices of her generation, she described her struggle even to emerge as the pop artist she was labeled as.

    Cyndi lauper birthday
    Cyndi Lauper in Girls Just Wanna Have Fun/ credit: MEDIAPUNCH

    Despite misogynistic barriers that initially barred her from entry into the industry, Lauper’s album She’s So Unusual was the first debut album by a female artist to achieve four top-five hits on the Billboard Top 100s, earning her a Best New Artist Grammy award in 1985. 

    Iconoclast who revolutionized the role of women in rock and roll

    Songwriters Hall of Fame

    Lauper’s discography spans across genres, movie soundtracks like The Goonies, and even Broadway numbers like Kinky Boots, earning her Grammys, Emmys, Tonys, MTV Video Music Awards, Billboard Awards, and American Music Awards. She’s one of the few singers to have earned 3 out of the 4 EGOT (Emmy, Grammy, Oscar, Tony) and was inducted into the Songwriters Hall of Fame.

    Throughout her entire career, Lauper has consistently taken on serious topics including racism, homophobia, spousal abuse and AIDS. Her sincere advocacy for gay and transgender rights even earned her an invitation as a special guest to attend President Barack Obama’s second-term inauguration. As the co-founder of True Colorshttp://Nysmusic.com/tag/LGBTQ United, Lauper sought to eliminate youth homelessness among LGBTQ+ young people and even uses her iconic song True Colors to raise awareness for issues among the gay community. A true humanitarian, she was even presented the High Note Global Prize in 2019 by United Nations Human Rights. 

    As we all wish Cyndi Lauper a happy birthday, let us not forget all her contributions to the music industry and human rights alike!

  • Happy Birthday, Lana Del Rey!

    Today, June 21, marks the 37th birthday of Grammy-nominated singer Lana Del Rey.

    While she may often sing about the beaches of California and of stories inspired by Old Hollywood, Del Rey has many connections to the Empire State.

    lana del rey birthday
    Photo by Rebecca Sapp/Getty Images

    Born Elizabeth Woolridge Grant in Manhattan in 1985, Del Rey moved to Lake Placid at an early age where she remained until high school. After her graduation from boarding school in Connecticut, a young Lizzy Grant lived on Long Island for a year where she waitressed and began writing music after her uncle taught her basic guitar chords.

    Before the official birth of Lana Del Rey, Grant enrolled at Fordham University in the Bronx, graduating in 2008. During her college years, Grant recorded several EPs under the various aliases of May Jailer, Sparkle Jump Rope Queen and Lizzy Grant and the Phenomena and played small club shows around Brooklyn.

    In advance of her first full album, Grant settled on the stage name of Lana Del Rey. “Lana” came from film starlet Lana Turner while “Del Rey” drew inspiration from a vintage Ford sedan and her general fondness of the Spanish language (translating to “of the king”).

    “Lana Del Rey reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.”

    Lana Del Rey

    Born To Die was released in 2012 and shot Del Rey to national stardom. She subsequently released the Paradise EP which featured even more Americana-driven tracks and songwriting discussing glamour, drugs, life on the road, fame and relationships. Her voice can travel from breathy falsetto to deep and rich, all in one verse.

    Next came Ultraviolence (2014), a darker, edgier and more rock-driven featuring psychedelic flares and collaboration with Dan Auerbach of the Black Keys. Del Rey’s fourth studio album, Honeymoon (2015), reverted back to the orchestral, baroque pop sound of Born To Die and Paradise with a more polished finesse.

    Del Rey’s most recent projects, Lust For Life (2017), Norman Fucking Rockwell! (2019) and Chemtrails Over The Country Club (2021), cement her status as one of the strongest modern songwriters. Now a resident of California, the ’60s and ’70s Laurel Canyon folk-rock influences are obvious in Del Rey’s music, which often feels incredibly nostalgic.

    lana del rey birthday
    Lust For Life featured collaborations with The Weeknd (above), A$AP Rocky and more. Photo accessed from factmag.com

    Norman Fucking Rockwell! arguably stands out as Del Rey’s magnum opus. The album received multiple Grammy nominations, including one for Album of the Year, and featured her most seamless collaboration yet with acclaimed pop producer Jack Antonoff.

    Del Rey plans to release her newest album, Blue Banisters, on July 4. While she may now be on the “West Coast,” we will never forget her New York roots. Happy birthday, Lana Del Rey!

  • Bread, Ribs, Hundred Dollar Bills: Remembering Prodigy

    In an industry filled with chicanery, few have been as authentic as the late Prodigy. Born, Albert Johnson, the diminutive emcee experienced enough for several lifetimes, always staying true to himself, or in his own words, “keeping it thoro.”

    As a rapper, Prodigy was known for his opening bars that would set the tone. Encapsulating an entire record with his first couple of lines. In that sense, his upbringing served a similar purpose, setting the tone for what became an oft-dangerous career and an even more lawless life. 

    Hailing from Hempstead, New York in Long Island, Prodigy’s musical feel had been cultivated from an early age. His grandfather, Budd Johnson, was a saxophonist who worked extensively with the likes of; Dizzy Gillepsie, Quincy Jones and Duke Ellington. His grand-uncle, Keg Johnson, was a trombonist who played with Louis Armstrong and Cab Calloway.

    The musical lineage carried on with his parents as his mother, Frances Johnson, was an original member of pioneering 1960’s girl group, The Crystals. And his father, Budd Johnson Jr., was a member of a doo-wop music group called, The Chanters. 

    Additionally, Prodigy’s paternal grandmother, Bernice Johnson, operated a successful dance school in her Jamaica, Queens backyard, where he spent a bulk of his childhood. A young Prodigy was honed in musical arts at an early age and was hardened by a diagnosis of sickle cell anemia, a chronic blood disease found primarily in people of African descent, which often resulted in long hospital stints. 

    In a Vibe Magazine interview preceding the release of his solo debut, H.N.I.C., prodigy shared a glimpse of his battle with the fatal disease:

    The sickle-cell got me where doctors said I couldn’t play sports, I couldn’t overexert myself…I been going to the hospital since I was born, about 10 times a year, for about a week or two each time. I don’t know, man, some psychological sh*t goes down. I be all doped up for weeks. Morphine, Demerol—a whole bunch of drugs.

    Despite a cultured upbringing, Prodigy’s condition and his nuclear family’s real life struggles kept him conscious of the harsh realities of the outside world. 

    My pops did a lot of stupid sh*t, man,” Prodigy revealed. “One time the n***a took me to rob a jewelry store. I was like, 5. He didn’t give a f**k, though. He was like, ‘This is my son. He can see everything I do.’ I love him for that. Even though it might not be right, so what? That was my pops!

    Even though his roots were in Hempstead and Lefrak City, Queensbridge became part of Prodigy’s identity. That’s where most of his friends were from (including Havoc, the other half of Mobb Deep) and where he spent much of his time. 

    Prodigy (left) Havoc (right)

    As he became invested in the street life, the determination to make it as a rapper grew tenfold. A 16-year-old Prodigy tasted minor success with an uncredited guest-verse on the Hi-Five record “Too Young,” which was featured on the Boyz’ N The Hood soundtrack. 

    From there, the Mobb Deep story reads like a feature presentation. From waiting outside of the Def Jam records offices in hopes that someone would listen to their demo — where Havoc not only brought a gun but managed to shoot someone — to world tours, platinum selling albums (and flops), Prodigy remained “thoro” in every sense of the made-up word. 

    In many ways, his life in the streets shaped the way he acted, talked and what he rapped about. 

    Everybody sold drugs. It made me stop caring about school and start caring about how I looked. I started acting up even more after school to prove to my friends in the hood that I was still cool. I was a crazy little kid. I blame sickle- cell and my father.

    When he was embroiled in a rap beef with Jay – Z, he didn’t spend much-time trading diss records, instead he and his crew ran up on Jay – Z, according to his autobiography, My Infamous Life:

    I walked over to my people. ‘Where’s Jay-Z?’ I asked, surveying the shadows of Justin’s. ‘I don’t see him.’ So we lined the front door of Justin’s on both sides. We weren’t going to let Jay-Z leave without dealing with us first. ‘P, we’re gonna beat the lips off Jay’s face [as] soon as we see him,’ Godfather, Nitty, and Nitty’s cousin Kiko all assured me. Kiko had a gun and he wanted to shoot Jay.

    ‘No! It’s not that serious,’ I said. ‘We’re just gonna beat him up. Don’t pull that gun out.’ Through the crowd, I saw Jay and Jermaine walking with three bodyguards towards us. Jermaine Dupri was aware of my beef with him and was visibly shook, started speed walking with his bodyguard when he saw me. He quickly hightailed it out the door. Jay-Z spotted us lined up against the door waiting for him. Then from about two yards away, he extended his hand to shake mine.

    ‘It ain’t no beef,’ Jay said. ‘It’s just music, man. No drama.’

    Prodigy is cut from the cloth of “if you said it then you lived it.” That’s why he admittedly was not embarrassed when Jay put up a picture of a 12-year-old Prodigy dressed in a Michael Jackson getup on the titantron, during his Summer Jam set in 2001, in an attempt to humiliate him.

    In his mind, Michael Jackson was the biggest act in the world at the time and everyone was a fan of him, there was no shame in that (he also rumors that Ashanti, who was a student at his grandmother’s dance studio where the picture hung, is the one who delivered the image to his adversaries). In an ironic twist, Jay – Z was applauded for being able to get Michael Jackson to make an appearance at the very same edition SummerJam! Further proving Prodigy’s point, but the industry doesn’t view the world like he does. 

    The best way to summarize Prodigy’s makeup as a man, is to look at the reason behind his three-year prison sentence. After getting pulled over for an illegal U-turn, police searched his SUV, found a gun and took him in for investigation. Except, these cops didn’t care about the gun. They were the “hip hop police” and were more interested in his relationship with 50 Cent, to whom Prodigy and Havoc were signed to at the time. They tried making a deal with him that would keep him from serving any time, but Prodigy provided no information. They became desperate and one of the officers asked, “Between us, maybe you can drop a gun in a 50’s car and help us get him.” 

    In October, 2007, he was convicted for possession of an illegal firearm, halting his career and all business dealings he had in the works.

    Of course not all bad things are for naught. It was during this time that Prodigy penned his autobiography and gained considerable knowledge of self and began to transform himself into more of a spiritual being, believing in the presence of abstract entities. How else could he have made it this far? 

    The H.N.I.C. didn’t live much longer as he passed away on June, 20 2017, due to complications of his sickle cell anemia. Fans of his can find comfort in knowing that Prodigy was one of if not the realest rapper and that he wasn’t all industry like his more commercially successful counterparts.

    When hip hop went full glitz and glamour during the “shiny suit era,” of the late 1990’s and early 2000’s, Prodigy doubled down and recorded his solo debut. He put out even more gutter street music, filled with violence and more vivid tales of guns, drugs and murders, because that’s what was really happening. His appeal to a major-label subsequently plateaued and Prodigy spent much of his later years releasing music through independent labels. 

    Ultimately, he would be proud to know that his life was captured in the opening line from one of his most memorable records. Because he really did “break bread, ribs and hundred dollar bills.”

    Tupac, Ja Rule—a whole bunch of people talk about pain. “And Tupac, he even said some sh*t about my sickle-cell [on his song ‘Hit ‘Em Up’], so that inspired me to make a real song to show n***as what pain is.

  • Arushi Jain Brings a Modern Spin to Indian Classical Music with “Richer Than Blood”


    NYC-based artist Arushi Jain recently shared a new single, “Richer Than Blood.” This release is the first song of her upcoming album, Under the Lilac Sky, out on July 9.

    Arushi Jain

    Arushi Jain is an India-born, Brooklyn-residing composer, modular synthesist, vocalist and engineer. Jain’s work focuses on reinterpreting traditional Indian classical music through the lens of electronic instrumentation.

    Jain spent her childhood studying Hindustani classical music at the Prayag Hindustani Music School and the Ravi Shankar Institute in New Delhi. Being trained in the genre, Jain now aims to make more people aware of the beauty behind Indian ragas by adding self-coded and ad-lib synthesizer sounds – a unique spin.

    “Richer Than Blood” sets the tone of her new album, incorporating Jain’s vocals with deep, textured synth reverberations. Jain uses her voice as a musical tool for a source of texture rather than lyrics. This detail is most recognizable when Jain sings alaps, an improvised section, or sargam, singing with notes instead of words, within the different synth melodies.

    At any given point, there is at least one layer in the record that carries my voice. The human voice is powerful and unique to every individual. My voice is unique to me, so I decided it should be present at all times even if it’s unrecognizable.

    Arushi Jain

    Jain notes that the concept of time and seasonality is essential to Indian classical music. Each raga, or melodic framework for improvisation, has a specific time of day to listen in order to experience the song’s full authenticity.

    Arushi Jain
    Courtesy: Ableton.com

    At six songs spanning 48 minutes of ambient synth ragas intended to be heard during the sunset hours, Under the Lilac Sky and “Richer Than Blood” invites listeners to transport themselves through intentional listening – “realizing your vision of the moment.”

    You know that moment when the sun is bidding farewell to the sky, and the colors turn into beautiful hues of purple and pink and everything in between? That is the moment that this album will shine the most. The deeper you listen, the more shades you’ll see.

    Arushi Jain
    Arushi Jain
    Courtesy: Jain’s Instagram

    Jain’s expertise with musical electronics creates an entirely unique art form embedded in historical themes. Her ambient sounds provide a visual landscape for listeners to enjoy, bringing a technological touch to a centuries old tradition.

    This album is the coming together of two distinct cultures of Hindustani classical and modular synthesizers representing the two parts of me that evolved into one whole in between my time in India and California.

    Arushi Jain

    Following in the footsteps of electronic luminaries such as Suzanne Ciani and Terry Riley, Arushi Jain uses her talent to give a fresh face to Hindustani musical tradition, inviting new generations to enjoy the genre.

    “Richer Than Blood” is available now on Youtube, Spotify, Apple Music, and Bandcamp. Under the Lilac Sky can be streamed on those same platforms on July 9.

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