Category: NYC Metro

  • Brooklyn Duo Bottler Capture Natural Beauty with “Soft Winds”

    Brooklyn’s electronic music duo Bottler released “Soft Winds,” their first single off their newest EP Grow, set to release on October 9. The collaboration with Samurai Velvet captures the mesmerizing beauty of the tropics’ ambiance with lyrics about reclaiming power in relationships.

    Bottler
    Photo by Rick Perez

    After working on different projects for years, lifelong friends Pat Butler and Phil Shore founded Bottler in 2017. Their strong emotional bond has allowed them to make musical discoveries together and explore their creative chemistry. The two break the boundaries of conventional music and represent true creative freedom. They don’t limit themselves to a single genre or form, and experiment with indie, dance, and electropop with acoustic, digital, and analog instrumentation. Their unique style is inspired by the vibrant Brooklyn music scene. Bottler’s artistic inspiration combines the past, present, and future of music.

    This blending of style is truly present in “Soft Winds,” which captures the feeling and sounds of nature’s beauty. Bottler says that “the song materialized in a day” on a trip to the tropics. “The goal was to capture the feeling of being in awe at the beauty of nature around us.” “Soft Winds” transports you to a place of tranquility with its blend of the electronic and the natural.

    bottler

    The track shows all the wonder of Bottler’s personality blended together with vocals from Samurai Velvet’s Saige Smith. As good friends with Bottler, Samurai Velvet “were moved and eager to collaborate” after hearing the track. Smith’s voice and lyrics stand out in the track, as she sings about reclaiming personal power after infidelity. The message of inner strength matches perfectly with the everyday quality of Bottler’s instrumentals. Surrounded by nothing but nature’s beauty, Smith sings, “I have the power to make myself free.”

    Grow follows Bottler’s previous EP, Clementine, and describes Bottler’s personal and creative growth. Bottler recorded the EP in their home studio with their analog synths, guitars, pianos, samples, and drum machines. The homemade quality contributes to the individual message of the album for Butler and Shore. Grow is Bottler’s debut with French electronic label InFiné, who quickly discovered them after the release of Clementine.

    “Soft Winds” is available to stream now. Stay tuned for Grow‘s release on October 9.

  • Nicolas McCoppin Provides A Jepsen-esque Adrenaline Rush on “Loverboy”

    On Friday, September 25, NYC pop artist Nicolas McCoppin released his debut studio EP Loverboy. The eight-track EP includes four new tracks, as well as previous singles “Stuck,” “Ur Love,” “Remember That Night,” and “For Years.” New dance-pop song “Heaven” was released shortly before the EP:

    Continuing the lovestruck nature of its singles, Loverboy is positively infatuated. Besides the whimsical and even naive lyrics, McCoppin channels a disco-fied Cupid on the album cover. But in addition to his proclamations of romantic love, the album is equally a love letter to his city.

    New York City played a really huge role in the project. It’s where I wrote and recorded all the tracks. In my eyes, the project is not only about falling in love with a boy, but it also doubles as a love note to New York […] I touch on growing up in a small town in Upstate New York and then escaping to the city to find love.

    Nicolas McCoppin

    In addition to “Heaven” and “Remember That Night” shouting out Brooklyn and the Bronx, there are two whole tracks just about New York: “Subway Sunsets” and “City of Love.” The brief electric guitar bridge in “Subway Sunsets” is one of the album’s most creative moments, and “City of Love” feels like an East Coast “Teenage Dream.” Loverboy’s sound and lyrical content also borrow heavily from Carly Rae Jepsen’s Emotion and Dedicated albums, specifically her song “Now That I Found You,” but the added city homages help McCoppin make the 80s-inspired dance-pop sound his own.

    While this type of pure pop is rarely found on the Billboard Hot 100 these days, it still has a steady cult fanbase kept afloat by Jepsen, Kim Petras, and Charli XCX (at least when the latter leans into a more accessible sound). McCoppin fits right in with those artists on Loverboy, and their fans will definitely gravitate towards him.

    Stream Loverboy on Spotify:

  • Irish Arts Center Announces Virtual Fall 2020 Season

    Manhattan based Irish Arts Center announced in a press release that it will be launching a full slate of virtual programming for fall 2020. Part of the fall season will be a new series of commissions by a selection of 26 extraordinary writers, musicians, and dance, visual, and theatre artists whose only guideline was the theme “finding grace in uncertainty.

    Included in the lineup is Kevin Barry, Jan Carson, Eoin Coifer & Liam Bates, Oona Doherty, Marie Howe, Junk Ensemble, Bill Irwin, Kaia Kater, Deirdre Kinahan, Tamar Korn, Loah, Dana Lyn & Kyle Sanna, Joanie Madden, Eimear McBride, Billy McComiskey, Mick Moloney, Aoife O’Donovan, Arturo O’Farrill, Melatu Uche Okorie, Tobi Omoteso, Dirk Powell, Liz Roche, and Enda Walsh.

    Irish Arts Center

    IAC’s online programming also feature two free returning programs. “At Home with Irish Arts Center” is a series of new commissioned work from the local and international Irish community. “From Irish Arts Center” is a catalog of archival performances staged at the organization’s intimate 51st Street Theatre. Rounding out the fall season is a full program of 42 online courses—featuring instruction in music, step dance, Irish language, playwriting, and storytelling. 

    IAC Executive Director Aidan Connolly said in the press release:

    What we’re learning is that this moment—for all its heartbreak and anxiety—has redemptive possibility. We are challenged to find a new comfort level with uncertainty, even to see it as an opportunity, an invitation to discover what hitherto unseen grace and strength may be within us. We’re so grateful to the inspiring and eclectic assembly of artists—who will consider these ideas across a spectrum of disciplines, styles, and perspectives—for accepting our invitation to share their stories.

    Since the pandemic shutdown in March, IAC’s ever-growing online programs have received over 100,000 views from patrons around the globe.

    The Irish Arts Center has occupied Hell’s Kitchen in New York City since 1972, 46 years later it is still home to national and international artists and fans alike who share a love for the arts and culture of Ireland. Keeping grassroots traditions alive are important at the center with space for evolving the community in which it resides regardless of background. Check out the Irish Arts Center’s website for more information on other upcoming programs and educational courses being offered.

  • In Focus: Jimmy Herring and the 5 of 7 at Brooklyn Bowl

    On Saturday, September 28, 2019, Jimmy Herring played Brooklyn Bowl NYC with his new band The 5 of 7. The band consists of bassist Kevin Scott, drummer Darren Stanley, guitarist and singer Rick Lollar, and Matt Slocum on keyboards.

    jimmy herring 5 of 7

    Herring is best known for being the lead guitarist for the band Widespread Panic. He is also the founding member of Aquarium Rescue Unit and Jazz is Dead. Jimmy is a guitar legend and has played with other legendary bands like The Allman Brothers, Phil Lesh and Friends, and The Dead.

    The two hour set started with a Miles Davis cover of “Black Satin” and continued with songs from Jimmy Herring during his solo career like “The Big Galoot,” “Matt’s Funk” and “1911.” The show was also streamed live on The Relix Channel, seen below. The show was amazing and an absolute must for fans of jazz infused rock and roll with heavy guitar solos.

    Setlist: Black Satin, The Big Galoot, Matt’s Funk, Sketch Ballad, Soulful Hang, Miss Maybelle, One Strut, 1911, Check the Hand, Former Lives, Buddy, Kaleidoscope Carousel, Two Good People (Zone 28 Grams, Baby Gas & King Cydal cover), Scapegoat Blues

  • A$AP Ferg releases latest project: Floor Seats II

    On a day clouded by social media turmoil featuring Tory Lanez and Megan Thee Stallion, A$AP Ferg has quietly released Floor Seats II, the sequel to his 2019 EP, Floor Seats. Looking to follow-up on the success of its predecessor, which spawned hit records like “Jet Lag” and “Floor Seats.”

    This latest project comes on the heels of reported disfunction within the A$AP collective. A$AP mob founding member A$AP Illz has accused the 31-year-old Harlem-bred emcee of stealing ideas and claimed the “Plain Jane” rapper’s affiliation with the Mob was over.

    Not one to go back-and-forth through the media, Ferg has predictably kept quiet, relying on his art to do the talking for him. The 10-track project features a myriad of notable guest appearances that captures Ferg’s Kaleidoscopic approach to music.

    The intro features rock & roll legend Marilyn Manson, while the star-studded tape also features: Lil Wayne, Tyga, Nicki Minaj, Puff Daddy, New York City up-and-comer Jay Gwuapo, as well as XXL 2020 Freshman Class members Fivio Foreign and Mulatto. 

    Known for his hard thumping and anthem-like records, Ferg and A$AP Mob affiliate A$AP Rocky, serve as the lynchpins the the group’s success. With their ascension as major players in hip hop, the collective has been able to venture successfully into other fields. With A$AP Bari’s successful Vlone brand a prime example. While the group’s dissimilation may seem in effect. For now though, A$AP Ferg still carries the moniker, and with an impressive resume of Billboard charting hits, his descension is certainly not imminent.

  • Premiere: Brooklyn’s Greywolf collaborates with Aya Nori on “Temple”

    Today, Greywolf drops the second single, “Temple,” off his upcoming debut album, titled Operation Wolf. A perfect follow-up to his solo debut “Exit Key,” the track continues the beautiful sounds and harmonies of the first release, as well as similar themes of release, cutting chains that weigh you down.

    greywolf

    Whether it’s shame, adversity or betrayal, “Temple” sends a message, making a conscious choice to live your best life and to project love, even in times of peril. The track opens with synth sounds that remind one of church bells ringing in the distance, as well beautiful harmonizing between Greywolf and guest vocalist Aya Nori. The track contains elements of hip hop and R&B, particularly Aya’s verse, and sounds at times like a Justin Timberlake tune.

    Aya Nori

    While Greywolf (Jay Grey) is best known for his work as bassist for Brooklyn-based Escaper, he has branched off to deliver a sound all his own. Once again he plays all instruments on this track — vocals, synth, bass, and beat programming. Additional lyrics written and sung by Aya Nori, who has recently released her sultry single “Daze,” the follow-up to her critically acclaimed song “Young And Offended.”

    Teaming with Aya Nori for “Temple” was a dream come true. I’ve been a fan of her music for a long time and couldn’t be more excited with the end result. I feel we’re cut from the same cloth in terms of tonality.

    Greywolf

    “Temple” was mixed and mastered by Abe Seiferth. Greywolf’s debut album, Operation Wolf, will be available for release in Fall 2020. Wolf says of the upcoming album, “The timing of the record — I don’t think there is any better time to put music in the world. If I can project light and hope into this world then I know I’ve done my job.”

  • Smoke Jazz and Supper Club Launches New Streaming Service

    The Smoke Jazz and Supper Club in NYC is starting a new streaming service, Smoke Screens, to deliver its jazz to audiences around the world. The world-renowned artists are streamed live using six HD cameras in audiophile sound.

    Smoke Jazz and Supper Club

    The program was launched in July with Wayne Escoffery. Since then, there have been sets by Peter Bernstein, Vincent Herring, Steve Turre, and other esteemed artists. Joe Farnsworth will be on September 25, joined by Wynton Marsalis, to celebrate his new album, Time to Swing.

    Smoke Screens has been considering starting a livestream for many years. However, the owner, Paul Stache, wanted to do it correctly and “reflect the quality of the artists performing.” Because Smoke Jazz and Supper Club hosts so many top artists, Stache wanted to wait until they were able to have optimum sound and lighting.

    When asked about the quarantine, Stache replied, “It’s been tough for us, it’s tough for the musicians and it’s tough for New York. All the things that we love about the city are shut down, so Smoke Screens is our attempt to bring the intimacy and excitement of Smoke into people’s living rooms and find a way to bring them the music they need.”

  • Metropolitan Opera Announces 2020-21 Season is Cancelled

    First reported by the New York Times on Wednesday, the Metropolitan Opera announced that the COVID-19 pandemic has forced them to cancel their entire 2020-2021 season. They will reopen September 2021, at the earliest.

    Metropolitan Opera

    This decision will likely affect organizations across New York State, but around the country as well. Many arts organizations are attempting to slowly reopen in accordance with social distancing guidelines, but this decision may put an end to that.

    The pandemic closed the Met in mid-March, costing the Met $150 million in revenue and leaving about 1000 employees, including its orchestra and chorus, furloughed without pay for almost six months now.

    Peter Gelb, the general manager for the Met, has announced an ambitious 2021-22 lineup to reassure its donors and patrons that they will remain strong. In addition, Gelb said he will ask the company’s unions to agree to cost-cutting concessions that will be necessary post-pandemic.

    The Met plans to open with Terence Blanchard’s “Fire Shut Up in My Bones,” the first opera that they will perform by a Black composer. This is in part due to the rise in racial awareness that is occurring around the country, but also an effort of the Met to find more of a balance between contemporary works and the staples that made them famous in the first place.

    Two lives at the Metropolitan Opera have already been lost to the virus: Vincent J. Lionti, a violist, and Joel Revzen, an assistant director. The scheduled star of Puccini’s Turandot next season, Anna Netrebko, announced that she had been hospitalized due to the virus.

    Having already sold $20 million in revenue for 2021-22, the concern now is less about the Met Opera, and more about the other organizations that may look at the Met and their cancellation as a precedent.

    https://www.youtube.com/watch?v=sl10z41-A7s
  • Turkuaz “Ophidiophobia” melds Brooklyn funk and Talking Heads

    Brooklyn nine-piece funk lords Turkuaz explore the space between beauty and poison with their new single “Ophidiophobia,” featuring Jerry Harrison and Adrian Belew of the Talking Heads. They’ll debut the tune live this weekend during VIRTUAL ROO-ALITY, Bonnaroo’s Virtual music event.

    Within this age of social distancing, Harrison and Belew added in their parts remotely, and the collaboration between Turkuaz, Harrison and Belew will appear on VIRTUAL ROO-ALITY as Remain in Light, an ensemble that was slated to tour the festival circuit throughout the 2020 summer.

    We had always planned on doing a little bit of Turkuaz material in the upcoming ‘Remain in Light’ tour with Adrian Belew and Jerry Harrison. Once the pandemic hit and the tour was postponed, I started to think this would be a really nice track to have those guys on.

    Dave Brandwein

    Pronounced oh•fid•e•oh•fo•bia, what began as an instrumental groove originally titled “Dr. Jones” with a sinister, dark tinge turned into an Indiana Jones-inspired track, as recalled by Turkuaz bari-saxophonist and vocalist, Josh Schwartz. Another working title that Dave added was “Akar Saga,” but upon looking up the phrase and discovering it was a beautiful, tropical vine, Schwartz knew he was onto something special.

    “A poisonous but beautiful tropical vine with red and black features reminded me of snakes, of which Indiana Jones is famously afraid, so I realized I could combine imagery and words from both placeholder titles to write a song involving snakes. When I found out that the fear of snakes is a word as beautiful and strange as ophidiophobia, I knew this song had to be written.

    ophidiophobia

    This was yet another great collaboration experience with Josh building on a groove/bassline that Taylor [Shell] brought in to some writing sessions we had here at my studio. I think most of us took a small amount of these mushroom capsules I had. Turns out they weren’t so ‘micro’ and some of us had a bit more of an experience than we’d planned for. But we carried on and tried to let the grooves take over! Once Taylor started on this bassline I think we may have just jammed on it for about 40 minutes straight.

    Dave Brandwein

    Tune into Virtual ROO-ALITY this weekend to catch “Ophidophobia” performed live.

  • The King of Corona: Paul Simon says goodbye at Flushing Meadows

    On September 22, 2018, at Flushing Meadows Corona Park in Queens, Paul Simon said goodbye.

    Paul was introduced by Queens Borough President Melinda Katz and NYC Mayor Bill de Blasio. He started the 2 and 1/2 hour show with Simon & Garfunkel classic “America.” His setlist pretty much remained the same as it was the rest of the tour.

    paul simon goodbye

    “This is like, two miles from where I used to play high school baseball,” he said after the first song. He then took out a baseball and glove and started playing catch with the massive audience. You can hear the sound of passing planes from above. “I was worried about that” he said. “Well, Welcome to New York” he joked as the plane can be seen landing in nearby LaGuardia Airport.

    The show continued with more classics like “50 Ways To Leave Your Lover” “Boy in the Bubble” and “Mother and Child Reunion.” During the Goodbye Rosie part in “Me and Julio,” the crowd went crazy when he said “Queen of Corona” Paul’s wife Edie Brickell joined him on stage for the whistling solo. After the song, he said to the crowd “How much fun is it to sing a song about Corona, in Corona?!” Looking back, that was pretty cool moment.

    Even though this was his farewell concert, Paul still sprinkled in some songs from his new album “In the Blue Light.” Although this is his fourteenth solo studio album, the album consists of re-recordings of lesser known Simon songs like “Can’t Run But” And “Rene and Georgette Magritte with Their Dog after the War,” which were both performed.

    Paul then started talking about a song he had an “interesting relationship” with. He talked about writing this song and “giving it away” to someone, but being able to reclaim it for his final tour. The song he was referring to was “Bridge Over Troubled Water.” After performing it with a slightly different arrangement with YMusic, who Paul worked with on his new album, he thanked Aretha Franklin who covered the song in 1971.

    The show ended with two encores. The first encore started with “Late in the Evening” but the highlight was “Still Crazy After All These Years.” The second encore started with “Homeward Bound” followed by “Kodachrome,” “The Boxer” and “American Tune.” The show ended with Simon & Garfunkel’s “The Sounds of Silence” performed by Paul with just an acoustic guitar. He then thanked the crowd and walked off stage and just like that, the last show of the final tour ended, and Paul Simon said goodbye.

    paul simon goodbye

    Out of the 26 song set, only five were Simon & Garfunkel songs. Not one mention of Garfunkel was made during the entire show other than a picture of the duo that flashed briefly during a video montage during “Homeward Bound.”

    Although this was his final “tour,” Paul has stated that he may still do an occasional performance.

    Setlist: America, 50 Ways To Leave Your Lover, The Boy in the Bubble, Dazzling Blue, That Was Your Mother, Rewrite, Mother and Child Reunion, Me and Julio Down by the Schoolyard, Rene and Georgette Magritte With Their Dog After the War, Can’t Run But, Bridge Over Troubled Water, Wristband, Spirit Voices, The Obvious Child, Questions for the Angels, The Cool, Cool River, Diamonds on the Soles of Her Shoes, You Can Call Me Al

    Encore: Late in the Evening, Still Crazy After All These Years, Graceland

    Encore 2: Homeward Bound, Kodachrome, The Boxer, American Tune, The Sound of Silence