Category: Beyond NYS

  • Spotify CEO Daniel Ek Thinks Artists Aren’t Working Hard Enough, to Musician’s Dismay

    Spotify CEO Daniel Ek thinks that it’s the artist’s own fault they aren’t making enough money because they aren’t putting out enough music. It’s been widely known that the popularity of streaming services instead of buying music from the artists or their labels has hurt the artists revenue but Daniel Ek is taking it to the next level by putting the blame on the artist for their measly payouts.

    Spotify CEO Daniel Ek, photo via Bloomberg.

    Spotify has a market value of about $21 billion in 2019 and Daniel Ek himself has an estimated net worth of nearly $2 billion. According to Business of Apps article they say,“Estimates vary on how much a Spotify stream is worth to artist: from $0.006-0.0084 to as low as $0.00318/stream”  at a pay rate of $0.006-0.0084 a stream it would take a million streams for an artist to make $7,000. In comparison the article states that, “Amazon Music tops the list in terms of average payment per stream on $0.01196/stream. YouTube Premium delivers $0.00803, Apple offers $0.00563, and Google Play $0.00551. Pandora’s rate, on the other hand, is even lower than Spotify, at $0.00151.” In the first quarter of 2020 Spotify’s revenue brought in $1.85 billion from Premium subscribers, while ad-supported users generated $161 million for the company.

    Spotify
    Graph curtsey of Counterpoint’s article.

    Daniel Ek stated in an interview with Music Ally that, “There is a narrative fallacy here, combined with the fact that, obviously, some artists that used to do well in the past may not do well in this future landscape, where you can’t record music once every three to four years and think that’s going to be enough,” essentially putting the lack of revenue the artists own fault. Daniel Ek explained that, “ What tends to be reported are the people that are unhappy, but we very rarely see anyone who’s talking about… In the entire existence [of Spotify] I don’t think I’ve ever seen a single artist saying, ‘I’m happy with all the money I’m getting from streaming.” Which begs the question, are artists not working hard enough or are they just not being properly compensated for their work by streaming services? 

    Musicians are not happy about this mindset in the music industry that Daniel Ek has been promotin. Ben Albert of  Rochester Groovecast thinks Daniel Ek’s remarks are, “Disrespectful” saying that, “Music is not a fast food chain.” The fact that Spotify’s CEO believes that artists aren’t working hard enough and should just turn out more music is disheartening to the music community particularly those who are on the road a lot and believe in creating more complex and artistically driven music. Gabriel Marin from Consider the Source spoke on this matter saying, “People like [Daniel]  Ek seem to only look at pop and commercial music as how all music is made. Yes those forms of music are easy to make happen and often a whole career of someone in that field will be 3-4 years. Music that has more weight takes longer; bands that make a living and artistically thrive in a live setting can’t put albums out at a predictable pace like that.”

    In times like these where COVID-19 is hitting the music industry harder than many industries it’s hard to understand how someone running one of the biggest music platforms can so easily criticize artists instead of supporting them. Justin Henricks of Wurliday and Beau Sasser’s Escape Plan chimed in on the matter saying that, “Spotify is in a very unique position of ability to offer some real aid and relief to an industry that is in dire need of it at the moment. Take a page from Bandcamp who offered to relinquish their revenue share and give 100% of their proceeds on specific days to the artists/labels. I find it appalling that not only has Spotify chosen to ignore their ability and responsibility to help in any way but have actually double downed to say Artists should work harder, churn more music into their billion dollar money making machine, and leave us all out to dry. Shame on them.” 

    Dopapod‘s Rob Compa shared a similar sentiment, saying “I don’t think Daniel Eck understands that touring was how bands like mine and many friends of ours was how we raised any money to record albums, let alone make a meager living. Now, with COVID, we can’t even do that. So if he expects us to produce album after album, where does he expect us to get the money to make them? To me, he’s a little like some general who’s never even been in a fight, telling all of us to get out of the trench and run into no man’s land.”

    For more on this story and Ek’s point of view, read Music Ally’s original interview here.

  • Philly Pop-Punk Outfit Goalkeeper Release Heated New Single “Happy”

    Philadelphia band Goalkeeper have come through with “Happy,” an upbeat pop punk banger of a track just in time for the dog days of summer.

    Goalkeeper

    Full of crunchy power chords, and catchy melodies, “Happy” is the bands first release off of their upcoming EP Life in Slow Motion which will be released this upcoming September 25th on the Lost Music Collective independent label. “Happy” encapsulates everything Goalkeeper have been about thus far; writing nostalgic-flavored pop punk songs from the early 2000s coupled with roaring vocals and hefty breakdowns.

    Goalkeeper have proven themselves to be a group who is constantly seeking out new sounds in an effort to push the genre they operate in to the next level. Opening for bands such as State Champs and Real Friends, Goalkeeper are determined to leave their mark on the east coast pop punk scene.

    Pre-save the Life in Slow Motion EP here and visit the band’s webpage to learn more!

  • Danielle Ponder Releases track to Combat Racism

    Danielle Ponder and Karate Boogaloo team up to create “Look Around,” a meaningful single to focus the public’s attention towards BIPOC being oppressed and murdered throughout the world.

    Danille Ponder, an artist and activist from Rochester, started out this year by laying down a track for “Look Around,” a song that responds to the literal fires eating away at the continent of Australia. When she returned home to the US, she was, unfortunately, given even more dark events to add to those described in the song. The killing of George Floyd and countless other African Americans has ignited a call to action in many, Danielle Ponder included. On July 24, Danielle Ponder and Karate Boogaloo released the updated and finished version of “Look Around” as a way to remind everyone in the world of the deadly issues currently happening in America and across the globe. 

    Danielle Ponder spoke about the inspiration she had for “Look Around,” saying, “fires were raging through Australia and smoke covered the sky. It felt like all of our human sins had gotten the best of us and we were paying a price. I didn’t know that when I arrived back home in the U.S, the world would only get darker. I feel like my past self wrote this song for my future self knowing what was to come.” Danielle Ponder’s powerful soul vocals and visible writing talent make her voice memorable. This song was made in solidarity for all BIPOC. 

    Danielle Ponder Photo by Hannah Betts

    Although they come from different continents, it was no problem for Danielle Ponder and Karate Boogaloo to make a connection. Their chemistry is clear in the music, as it flows naturally like they have been collaborating for years. The vocals and instrumentals together pack a powerful punch that effectively delivers the song’s message of unity for global justice. 

    Although Black Lives Matter is a US-based movement, it has a presence in Australia where Indigenous people undergo similarly harsh treatment. In July and August, sales of “Look Around” will be donated to the Equal Justice Initiative in the USA and Warriors Of The Aboriginal Resistance in Australia. Stream or buy “Look Around” now to support those in need.

    For more information visit Danielle Ponder’s website.

  • Roots Founding Member Malik B. Passes away, aged 47

    Malik B., a founding member of legendary Philadelphia outfit The Roots has passed away. Born Malik Abdul Basit, he was a recognized member of the iconic hip hop band — which includes Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter — for their first four albums, with his last appearance as a member of the group on 1999’s Grammy-winning Things Fall Apart.

    https://www.youtube.com/watch?v=uROfXQML7NY

    Malik went on to release a solo album in 2005 titled, Street Assault, and a subsequent album in 2015 titled Unpredictable, with record producer Mr. Green. After several years apart, Malik B. was featured on two additional Roots album, including three tracks on 2006’s Game Theory, as well as two tracks from their 2008 album Rising Down

    The Roots, who currently serve as the house band for Jimmy Fallon’s “Tonight Show,” shared Malik B’s passing through a social media post that reads:

    “We regretfully inform you of the passing of our beloved brother and longtime Roots member Malik Abdul Basit,” the group said on Twitter. “May he be remembered for his devotion to Islam and innovation as one of the most gifted MCs of all time. We ask that you please respect his family in our time of mourning.”

    While the other Roots members shared their own respective social media posts. 

    https://www.instagram.com/p/CDP5G9dlCBI/

    The cause of death has yet to be released, Malik B. was 47 years old. 

    https://www.instagram.com/p/CDPLu1nFpft/
  • Summerstage Anywhere Announces Lineup for Global Performances

    Summerstage Anywhere announced its plan to put on Global Performances. Summerstage Anywhere is being put on by Capital One City Parks Foundation and is hosting a variety of performances, DJ sets, conversations and more from the global sector of the digital series. The global series took off on July 21. The shows will be available on the SummerStage YouTube channel.

    Summerstage Anywhere has been presenting nearly daily content since July with Mondays hosting Contemporary Dance, Tuesdays with Global content, Wednesdays Indie Rock with content, Thursdays with Latin content, Fridays with Hip Hop content and Saturdays with Jazz content. Their global content includes Brazilian Drag Queen, Pabllo Vittar and Brazilian singer/songwriter, Duda Beat on Tuesday, August 4at 8PM EST on SummerStage’s Facebook, YouTube, Twitter, Instagram. Tunisian singer-songwriter Emel Mathlouthi on Tuesday, August 11 at 8PM EST on to be announced platforms. There are more shows in the works with details to be announced in the near future.

    SummerStage Anywhere Global Series has some content available to watch in full now on the SummerStage YouTube channel now. These include a Culture Talk with legacy SummerStage artist and Grammy award winner, Angelique Kidjo and veteran entertainment journalist and Executive Director of the Museum of Contemporary African Diasporan Arts (MoCADA), Amy Andrieux. There will also be a session with the iconic Femi Kuti, who performed live exclusively for SummerStage Anywhere from the New Afrika Shrine in Nigeria.

    Summerstage Anywhere is also hosting a variety of performances on their website for free daily. To check out the schedule visit their website. These free shows intend on providing exclusive content easily available to the public all summer long.

    For more information on Summerstage Anywhere’s global performances visit their website.

  • Hearing Aide: Casey and the Comrades ‘Kidz These Daze’

    Kids These Daze is a detailed description of the world’s musical genres, interpreted by Casey and the Comrades. It’s as though they’re telling you about their worldly travels, but this time, you’ll actually want to hear about someone else’s vacation stories. Casey Cranford (of BIG Something) and friends, have fused a wide variety of sounds together that add spice to their jam band undertones – and strung together, it makes for a very exciting album.

    In their press release, they say “listeners will find a completely original sound” Completely original? No. But when you step back and look at the big picture, then yes – the execution of the album is fairly original. Special guests like, Nick MacDaniels, Becca Stevens, Paul Hanson, Billy Cardine, Saxton Rose, Nate Werth, and Lucy Woodward, bring their impressive musical talents to the table, which makes each track unique and dissectible.

    Casey and the Comrades

    One thing that allows them to be so eclectic is the EWI (electronic wind instrument) played  by Casey Cranford. His instrument can emulate the sounds of most winded instruments, allowing the group to morph into different genres. The saxophone is the most prominent sound we hear throughout the album, which can be heard playing the extremely memorable licks on “H1N1” and “ExciteBikeRack.” Speaking of – these tracks are the most interesting and energetic of the bunch. In “H1N1” We’re thrown straight into, what feels like a sandstorm raging through the Arabian deserts. We dive and fall into a fast paced race through memorable licks and avant garde solos. Then we’re seamlessly dropped into heavy, dense breakdowns that keep things spicy. The whole track is 7:39 second roller coaster of sound. 

    In “ExciteBikeRack,” we feel this sense of constant forward movement, coupled with hard hitting left and right turns, which allows for an ideal space to solo over in a live and studio setting. The hardest hitting turn is the rap break by TommyBlaze336. Not something we hear often in a “psychedelic space fusion” band, as they have proclaimed themselves to be. 

    Aptly named, “Fall” is the jazziest of the album. We feel like we’re free falling through space, with our attention being gently directed to the wide array of solos from a lush saxophone and bright keyboard, brought to us by Julian Sizemore. The track does drone on a for a while but as it ends, we feel ourselves “surviving the fall” as the lyrics go, and finally reaching the ground, entering the next song of the album. 

    https://www.youtube.com/watch?v=sdRiAnF3T3k

    So is this a “completely original sound” as proclaimed? In the grand expanse of time, no, it’s not original. So many key aspects go into making a sound that is distinguishable and different from anything else. Someone’s very unique voice, guitar tone or production tactics, are what give a band a unique sound. Somehow, we’ve heard these songs before. We’ve seen cooky instruments in a jam band, we’ve heard a jam band use Middle Eastern/ Arabic tones and scales, we’ve seen the concept album about how technology is double edged sword, and we’ve experienced the psychedelic space jam band. But again this should not undercut the fact that this album is interesting, impressive, full of creative licks and hooks. 

    It’s always impressive when people master their instruments, when groups of six or more can collectively agree on a vision, and make it come to life in a well executed and precisely produced manner. But being one of a kind doesn’t mean adding layers and layers of instruments and fussing every known genre together. It’s something that comes naturally, even accidentally, over years and years. We hope this group reaches that threshold, where we the listeners can hear a song, a lick, or vocalist, play something that is quintessentially Casey and the Comrades, because it’s obvious these men and women have the talent to make it happen.

    Key Tracks: H1N1, ExciteBikeRack, Fall

    Key Tracks: H1N1, ExciteBikeRack, Fall

  • Summer Camp Music Festival Announces 2021 Lineup

    Summer Camp Music Festival announces their 2021 Lineup for the festival’s 20th Anniversary celebration. The festival will include big names like Ween, Joe Russo’s Almost Dead, Billy Strings, Three Six Mafia, Rezz, STS9, and Tipper. It will take place on May 28 – 30 , 2021 at Three Sisters Park in Chillicothe, IL and will be Sticking closely to the original 2020 lineup. 

    https://www.facebook.com/summercampmusicfestival/videos/839003283173344/

    So far the 2021 line up includes: moe., Umphrey’s McGee, Ween, Joe Russo’s Almost Dead, Billy Strings, Three 6 Mafia, Rezz, STS9, Tipper, Snails, Pigeons Playing Ping Pong, Shpongle (Simon Posford DJ set), The Wood Brothers, Houndmouth, The Floozies, Lettuce, Cherub, Manic Focus, Emancipator, CloZee, Jade Cicada, Boogie T, EOTO, Twiddle, ScaryPoolParty, The Record Company, LSDream, Whipped Cream, Yonder Mountain String Band, Here Come the Mummies, Andy Frasco & The U.N., Aqueous, Badfish, Banyan featuring Stephen Perkins, Willie Waldman and more, Big Something, Boogie T.rio, BoomBox, Break Science, Cycles, Detox Unit, Doom Flamingo, Dopapod, Everyone Orchestra, GG Magree, Horseshoes & Hand Grenades, Keller Williams, Kursa, Kyle Hollingsworth Band, Lawrence, Maddy O’Neal, Marvel Years, Monophonics, Moody Good, Mungion, The New Deal, Papadosio (Microdosio), Ryan Montbleau, Southern Avenue, Spafford, Sunsquabi, The Werks, Aaron Kamm and the One Drops, Brass Against, Chicago Farmer & The Field Notes, Chomppa, Consider the Source, Dogma, Family Groove Company, Fate Nite ft. Brendan Bayliss +, Friends, Filibusta, Funk You, Gangstagrass, GoodSex, Hot Buttered Rum, The Jauntee, Joe Hertler and the Rainbow Seekers, Jon Stickley Trio, K+ Lab, Kitchen Dwellers, Lee Dewyze, LTX, Marcus Rezak’s Shred is Dead, Mike Dillon and Punkadelic, Mize, Neal Francis, Nobide, Old Shoe, Pert Near Sandstone, Porn and Chicken, Red Wanting Blue, Steady Flow, Sun Beard, Sun Stereo, Tropidelic, AHZ, Alison Hanna Band, The Althea Grace Band, APO10, Audiodacity, Backyard Tire Fire, Badman, Barefuzz, Ben Miller Band, DJ Belly, Berth, Biomassive, BluePrint Metro, Bones Jugs, Brainchild, Daniel Rodriguez, Dark Moon Hollow, The Dawn, Dizgo, EGi, Electric Orange Peel, Fall Classic, Fletcher’s Grove, Float Like a Buffalo, Funkstatik, FUX, Guerrilla Theory, The Iceman Special, Ifdakar, Jack Cloonan Band, Joslyn and the Sweet Compression, Junkyard Samurai, JUULS VERNE, Kadela, KVZ, Levity, Little Stranger, Magnolia Boulevard, Medusa, Nicholas Gerlach, The North 41, Positive Vibr8ions, Pushing Daisy’s Band, The Ries Brothers, The Rockstar DJ Tre, Since JulEYE, Still Shine, Stormy Chromer, DJ Tim Williams, Travers Brothership, The Textures, Thee Delinquents, The Tripp Brothers, Trouble Chasin’,TruFeelz, Undercover Organism, Victoria Canal, Vine, Vintage Pistol, WokeZan, Yam Yam, ZOSKA, and more to be announced. 

    Ian Goldberg who is the festival’s founder made the official call to move the 20th anniversary festivities to 2021 last week. Ticket holders will have the option to roll over this year’s pass to next year or receive a refund. People can request refunds from July 13 – 31 st at 11:59pm CST.

    For more information visit Summer Camp Music Festival website.

  • CashorTrade Announces New Streaming Platform to Support Artists, Venues, and Festivals

    CashorTrade announces it’s new streaming service CashorTrade Streams​ which will be a platform to help support artists, venues, and festivals. The new streaming platform will focus on generating revenue online for venues, festivals and artists prevented from conducting normal business by the COVID-19 pandemic. The streaming service was launched on July 21. 

    CashorTrade is a site that sells resale tickets at face value. Their pivot into the live-streaming continues the brand’s mission to democratize live music. CashorTrade’s innovative platform covers both live streams and archival footage, delivering curated content to their dedicated community of music lovers directly from artists, venues and festivals. People can follow channels to get notified of upcoming streams and participate in the stream via live chat. Performers and promoters can choose to include a very clear call-to-action to donate alongside each stream, making CashorTrade Streams into a powerful tool for live streamed fundraising events as well. The platform includes free promotional tools and a finance manager to arrange splits and guarantees between performers and promoters, just like a traditional booking setup.

    Prior to its formal launch CahorTrade launched several hundred streams on the platform, including a simulcast of the live stream benefit called Hug Your Farmer, featuring performances from Dave Matthews, Grace Potter, Martin Sexton and Chadwick Stokes from Dispatch that generated over 20,000 for farms and food security in Vermont. They also simulcasted Justice Comes Alive, a virtual festival for equality that generated over $55,000 and saw performances from Phil Lesh, Umphey’s McGee, Antibalas, Lettuce, and over 3 dozen other bands. 

    “Everyone and everything we love in music needs our support: individual performers, touring bands, our beloved venues, and really festival culture itself,” says Brando Rich, Founder and CEO of CashorTrade. “The pandemic has put up unprecedented roadblocks between fans and live music. Our streaming platform supports artists while bringing music straight to the people again.” The new streaming services creates the possibility for bands to easily ask for donations from viewers right during the stream which isn’t as doable on platforms like Facebook.  

    For more information visit CashorTrade’s website.

  • “Daze Between” Announced in Celebration of the Life and Music from Jerry Garcia

    “Daze Between” was announced by The Jerry Garcia Family and The Rex Foundation in celebration of the life and music created by Jerry Garcia. The event will include exclusive musical performance and storytelling for nine days of fun. The event’s live stream will be free but open for donations and run August 1-9.

    “Daze Between” will will feature performances by: Grateful Dead, Dead & Company, Bob Weir & The Campfire Band, The Jerry Garcia 75th Birthday Band, The Jerry Garcia 75th Birthday Acoustic Band,featuring Bob Weir, Phil Lesh, Mickey Hart, Bill Kreutzmann, Jeff Chimenti, Donna Jean Godchaux, Neal Casal, Joe Russo, Jon Graboff, Mike Gordon, Jim Lauderdale, Adam McDougall, Jason Roberts, Harper Simon, Josh Kaufman, Sam Cohen, Jonathan Wilson, Cass McCombs, Chris Tomson, Craig Finn, and Tad Kubler.  The event will also be screening the film Move Me Brightly

    The event will feature new and archival performances as well as storytelling from artists including: ALO, Andy Thorn, Amigo the Devil, Amos Lee, Circles Around The Sun, Dark Star Orchestra, David Grisman, Del McCoury Band, Della Mae, From Good Homes, Fruition, Giant Panda Guerrilla Dub Squad, Graham Nash, Greensky Bluegrass, Greg Errico, Hiss Golden Messenger, Hot Tuna, Jackie Greene, Jason Crosby, Katie Skene, Keller Williams, Kitchen Dwellers, Leslie Mendelson, Lettuce ft. Melvin Seals, Marco Benevento, Midnight North, Molly Tuttle, Nicki Bluhm, Peter Rowan, Pigeons Playing Ping Pong, Railroad Earth, Roots of Creation, Ross James, Sandy Rothman, Seth Walker, Scott Law, Tejon Street Corner Thieves, The Infamous Stringdusters, The Record Company, Travelin’ McCourys, Twiddle, Tyler Grant & Lindsay Lou, Yonder Mountain String Band with more to be announced.

    “Daze Between” is partnering with Live From Out There/11E1even Group, DayGlo Ventures, Relix, Jerry Garcia Estate, Activist Management, Nugs.net, level, KEEN and Teton Gravity Research to bring this community-wide celebration to life. 

    “Daze Between” will be streamed live across Nugs.net, Fans.com, Facebook, Youtube, and other channels, with a home base on www.dazebetween.com. Throughout the week, people will have the option to donate to the Rex Foundation using text-to-give or payment options embedded within each streaming platform. There will also be a signed guitar by Bob Weir, copies of Jay Blakesberg’s books of photography, a complete set of Jerry Garcia-inspired posters by Chuck Sperry and more up for auction. 

    The daily lineup has been announced. Check below to see who you can stream starting August 1!

    daze between

    For more information visit Daze Between’s website.

  • Billionaire John Malone Approved to Take Over Control of iHeartMedia

    John Malone has been approved by the Justice Department to expand its shares of iHeartMedia by up to 50 percent and in doing so take over control of iHeartMedia on July 15. Malone’s company Liberty Media Corporation was approved to do this and expand its domination of the music industry via radio, streaming, concerts, festivals, and ticketing.

    john malone
    John Malone Photo by Drew Angerer/Getty Images

    Liberty Media is a mass media company that was formed in 1991 and is owned by Malone and Greg Maffei is it’s CEO. The company currently controls 850 AM and FM radio stations and the streaming service iHeartRadio. It also already owns and operates Sirius XM and Pandora. Liberty Media has controlling stakes in concert behemoths Live Nation and Ticketmaster.  Liberty Media holds a 33 percent stake in Live Nation Entertainment which effectively gives it a seat at the head of the table.

    Liberty Media would increase their current 5% of shares in iHeartMedia up to 50% of its shares per the Justice Department’s ruling. This ability to buy this amount of shares in iHeartMedia could be catastrophic for the radio market. It would make it so there were fewer options in stations, less diversity between stations and their programming, and increased prices. Both the coalition of consumer and anti-monopoly groups opposed this deal including the Open Markets Institute, Public Citizen and the Center for Digital Democracy. With Liberty Media already owning the controlling stake in SiriusXM, the U.S.’s biggest satellite radio provider, owning that amount of shares at iHeartMedia would make them able to control an overwhelming amount of radio broadcasts according to Politco’s article: 

    WEQX

    102.7 fm EQX is an independently owned radio station. Their slogan is that they are “the real alternative.” Jeff Morad, the Program Director of EQX, indulged in his thoughts on the buyout via email saying,

    “It comes as no surprise that one person, who has probably not been to a concert or purchased an album in 50 years, is currently the only person in control of the vast majority of concerts and music in this country.  As one of the only independently owned and operated stations in the country, we choose not to be disappointed by this, but rather inspired to continue to give independent artists and independent minded listeners an outlet. The only thing that can shut us down is if people choose to support corporate radio and their advertisers as opposed to supporting independent, local radio and their small business advertisers.  We can’t control who controls the media (except for by voting) but we can control what we listen to.  A friendly reminder that you can listen throughout our 4-state area at 102.7FM or on our free apps for iPhone and Androids or on our free 24/7 stream at weqx.com” All though much of our media is run through mega corporations there is always the option to find independent outlets that aren’t filtered through the mega corporations ideals.

    For more information please visit Liberty Media Corporations website.