Category: Beyond NYS

  • “Save Our Stages” Act Introduced by Senators to Help Struggling Venues During COVID-19

    Senators John Cornyn of Texas and Amy Klobuchar of Minnesota introduced a relief bill known as “Save Our Stages” on July 22. The bill will support struggling venues during COVID-19 pandemic. If approved, the bill will provide six months of financial support to small independent music venues through the Small Business Administration.

    The bill was announced via a press release from Klobuchar. The proposed bill would help keep these venues afloat so they can pay their employees and help preserve the critical economic sector they provide for communities across America. The proposed plan would provide small venues with amounts less than 45% of a business’ operation costs from 2019 or $12 million depending on the venue’s revenue. The bill states estimates of $9 billion in losses if ticket sales can not resume until 2021 in the music industry. “Small live music and entertainment venues have been hard-hit during the coronavirus pandemic, with 90 percent of venue owners, promoters, and bookers reporting they are at risk of closing without additional financial assistance” the press release states. This program would be similar to the previous small Business Administration grants through the Paycheck Protection Plan but focus on small independent venues. The proposed funding could be used by recipients for rent, utilities, mortgage obligations, PPE procurement, payments to contractors, regular maintenance, administrative costs, taxes, operating leases, and capital expenditures related to meeting state, local, or federal social distancing guidelines. The bill is trying to get $10 billion in SBA grants.

    The bill comes on the coattails of the “Restart Act” which focused on businesses with high overhead and no revenue during the pandemic which included venues but wasn’t specifically about them. Senators Cornyn and Klobuchar felt the need for a bill that focused on venues in particular. “Minnesota’s concert halls, theatres and places of entertainment, like First Avenue in Minneapolis, where Prince famously performed, have inspired generations with the best of local music, art and education,” Senator Klobuchar said in a statement.  She explained that, “This legislation would help ensure that small entertainment venues can continue to operate and serve our communities for generations to come.” Senator Cornyn echoched these feelings saying that, “Texas is home to a number of historic and world-class small entertainment venues, many of which remain shuttered after being the first businesses to close. The culture around Texas dance halls and live music has shaped generations, and this legislation would give them the resources to reopen their doors and continue educating and inspiring Texans beyond the coronavirus pandemic.”

    The “Save Our Stages” act is supported by the National Independent Venue Association (NIVA). NIVA has an action campaign with a prewritten letter to legislators that people can fill out supporting the “Save Our Stages Act.” The prewritten letter explained the need for the bill saying, “Venues are experiencing upwards of 90% revenue loss and will be closed well into 2021 due to safety concerns posed by large gatherings. Without support from Congress, 90% of NIVA’s independent venues across America say they will be forced to close their doors forever.This would also take a toll on our local economy. Independent music venues are economic multipliers, community builders, and beloved institutions.” The letter can be found here.

    For more information visit the Save Our Stages website and read the press release here.

  • Summer Sonic Festival Takes to the Virtual Stage

    Summer Sonic Festival announced their 2020 festivities will take to the virtual stage. The festival will live-stream archived performances from big names like Green Day, Nine Inch Nails, Rihanna, Coldplay, The Flaming Lips and many more. The free live-stream starts on July 22 and runs through to July 23 via the Summer Sonic YouTube channel at 7AM EST.

    Summer Sonic Festival is usually held in Osaka and Chiba, Japan at the Makuhari Messe Event Hall. The majority of the bands playing in Osaka the first day and then go to Chiba the following day and vice versa. The festival was founded in 2000 and typically features rock music. This year’s festivities were stopped due to the pandemic but the festival will go on in spirit on the virtual stage.

    The festival won’t be hosting live performances but will show highlights from the past 20 years. The archive performances include Boom Boom Satellites from 200, B’z from 2009, Coldplay from 2008, The Flaming Lips from 2009, Oasis from 2005, Sigur Ros from 2012 and Sonic Youth from 2009 on the July 22. The archive includes Green Day from 2012, Nine Inch Nails from 2009, Rihanna from 2012, The Prodigy from 2008, and X JAPAN from 2011 on July 23. The Summer Sonic archived performances will become available for streaming beginning at 8:00PM Japan time (4:00AM in Los Angeles, 7:00AM in New York) on July 23. The live-stream will free and available everywhere via Summer Sonic Festival’s YouTube channel.

    For more information and to see the full lineup please visit Summer Sonic Festival’s website.


  • Alondra Galopa Release Cover of Simon and Garfunkel’s “Sound of Silence”

    Alondra Galopa dropped their cover of “Sound of Silence” originally by Simon and Garfunkel. The cover comes from a place of unrest and gives the song a new meaning in 2020. 

    Alondra Galopa is an alternative indie band that originates from Granada, Spain. The band has worked with Linier Discos and The Borderline Music record labels producing one of a kind sounds. Some of their biggest songs include, “no hay marcha atrás,” “héroe,” and “a ninguna parte.” The band is made up of Juan A Salinas, Monica Navarro, Antonio “Lopez” y Manuel Marín.

    Before the worldwide pandemic, Alondra Galopa, was in full production work for their next record release. The album production process had to stop due to the group’s inability to reunite. Band members Mónica Navarro and Juan A. Salinas have adapted “Sound of Silence” by Simon & Garfunkel to Spanish during their unexpected downtime. They have turned the sound into a dark pop terrain, with the essence of post rock and dark noise that characterizes some of their productions. Between Monica Navarro’s vocals and the eerie sound it’s an original version of  “Sound of Silence.” The cover is really something special that takes a classic song and changes to the sound while still keeping the essence of the song intact which isn’t an easy thing to do. 

    The song is definitely worth giving a listen to if you are a Alondra Galopa or Simon and Garfunkel fan. The song is out now and available on most streaming services.  


    For more information on Alondra Galopa visit their Facebook Page.

  • Discover Local Music With EQXposure Featured Artists Of The Week

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    WEQX eqxposure joe mansman

    Tune into WEQX.com this Sunday night to hear music from Joe Mansman and the Midnight Revival Band, Underwater Cartographers, New Saviors, Grape Juice!, Ida Mae Specker and many more! Get a preview of these artists below.

    Joe Mansman and the Midnight Revival Band – “Blood on the Scales”

    These guys rock, plain and simple. Hailing from Glens Falls and have most recently released Fear In The Valley: Live From The Den, a collection of live acoustic songs recorded during quarantine. Joe Mansman says of the recording process which took place in an old boat garage:

    There was at least some comfort sitting in that moldy and dusty room with people you love, because it felt more normal than what was going on outside of it. We took our acoustic guitars, and just hit the record button most nights, letting it take us wherever. That felt normal. To me, this record will forever serve as a time capsule that’ll remind me of how we found a little bit of comfort in a strange and uncertain moment in the world’s history.

    Joe Mansman

    Underwater Cartographers – “Wave Goodbye and Watch it Go”

    Albany’s Joe Pasinella is staying busy as always. Look up Underwater Cartographers on Bandcamp to see what I mean. It’s crazy how many songs this dude cranks out. He sends me new music constantly and it’s always interesting both lyrically and musically, all done for fun recording on Garage Band. Just like you, or maybe not depending on your situation, he works a standard job. I have no idea what that job is but he makes music like it’s his job. This is from the new Album Benign Fascinations.

    New Saviors – “Pieces”

    Ryan, host of EQXposure, shares insight on the newest from New Saviors.

    Zack King’s latest project New Saviors are based out of Southern Vermont and Upstate New York. Zack plays guitar and takes on many other roles within the group. I’ve known him for well over a decade and have always known him to be in a band of some kind, even experimenting with rap as King Daddy Deucey (KDD) for a period of time. He’s a hustler for sure. When KDD merch was for sale you could see the t-shirts all over Bennington before Zack had even released any music under the name. I myself had at least three shirts, a hoodie, and a hat. That’s the thing about Zack. He’s just got the drive, talent, and personality to move any project forward.

    Grape Juice! – “Strawberry Pie

    From Saratoga Springs, Grape Juice! is Hunter Fish (lead vocals, guitar, ukulele), Jesse Zuccaro (bass), and Michael Smith (drums, vocals). The three met in a creative writing class at SUNY Adirondack in 2017 and started the band at the beginning of 2018. “Strawberry Pie” was one of the first original songs they ever played and wrote together, and has been a favorite of their’s ever since. They recorded and mixed it all by themselves in their bass player’s basement, and if you listen closely, you can hear that it features his mom walking around upstairs toward the end of the song. They released our debut EP Outer Spvce EP on July 10, and are constantly writing, recording, and practicing. It shouldn’t be long before they have more music and start building their audience in the region.

    Ida Mae Specker – Billy In The Heartland

    Ida Mae Specker lives in Dorset, Vermont, having growing up in Andover, Vermont, where she began playing fiddle and singing in her family band, The Speckers. In addition to singing and fiddling, she’s also played drums and guitar in folk and indie rock bands. Her new EP Billy in the Heartland was recorded last year at Owl Sounds Recording and was the first time she recorded her original songs. The EP was to be followed up with some shows with the bands Upstate and Saints and Liars but the shows were unfortunately canceled due to COVID-19. Her web designer, photographer, and agent are all local VT women and you can see their work at on her website.

  • Summer Camp Music Festival Postponed to 2021

    After the recent spike in Coronavirus cases, the Summer Camp Music Festival has decided to postpone their 20th anniversary concert to Memorial Day weekend 2021. 

    For the past 19 years, the Summer Camp Music Festival in Illinois has been held on Memorial Day weekend to kick off summer with a bang. Because of the Coronavirus pandemic, this year’s festival was postponed. Although organizers and staff hoped that it could take place later this summer, the festival has been pushed back to Memorial Day weekend 2021 as Illinois will not be in Phase 5 of the reopening process this August and therefore cannot safely hold the concert. Ian Goldbreg, founder of the Summer Camp music festival, states that the staff holds “the health and safety of you, our fans, and our dedicated staff as our number one concern.”

    Despite this setback, plans for next year’s festival are already in the works. While some artists are “still working out details,” the majority of this summer’s lineup has confirmed that they will perform at the 20th anniversary festival in 2021. Additionally, all tickets for this year’s festival will roll over and be good for 2021. If you cannot make it next year, refunds will be available starting on July 13 and ending on July 30, 2020. 

    summer camp fest

    Although it has been a very difficult decision, Goldberg comments: “I felt I was acting in the best interest of the many people who dedicate their lives to this event every year, knowing all along I would never put those lives in jeopardy if the situation did not prove to allow for a safe event.” The festival is great for all music fans, with crowd favorites moe. and Umphrey’s McGee headlining. The 2020 lineup was supposed to include other artists like Ween, Joe Russo’s Almost Dead, Billy Strings, Rezz, STS9, Tipper, and more. 

    Fans of the festival wait for it to come back “even bigger and better” on May 28-30, 2021. Until then, check out NYSMusic’s coverage of the festival’s recent years: 2019, 2018, and 2017.

  • It seems Trey Anastasio is at Phish’s Barn Studio

    Today was unlike past pandemic-era Mondays for Phish fans, who were teased with a video of guitarist Trey Anastasio from what appears to be Phish’s Barn Studio in Vermont.

    The video, shared via Jambase, was taken by Trey’s daughter Eliza Anastasio and posted to her Instagram stories.

    Fittingly, Eliza used the original music of “2001” (née “Also Sprach Zarathrusta”) to demonstrate her dad’s new gear on stage.

    Could Phish have something in store of fans in terms of a live stream from The Barn? Given the Dinner and a Movie series each Tuesday night, it’s possible that live performances are on tap, akin to Goose‘s successful Bingo Tour.

  • Jerry Sundays: The Grateful Dead and Bob Dylan Team Up to Play Giants Stadium

    On a steaming hot midsummer night in 1987, two legendary names in the music world combined forces to deliver three sets of music to a ravenous crowd in the swamps of New Jersey, locally known as the Meadowlands. The Grateful Dead’s 1987 Summer Tour included six shows that would see Bob Dylan accompany them for an extra set of music each night. Later immortalized through the live release Dylan & The Dead, these shows featured some Dylan-penned songs that would remain on the Grateful Dead’s live playlist for years to come.

    Dylan and The Dead

    Those who survived this unseasonably warm and muggy day were treated to three sets of music from some of the best in the business. The temperature and conditions were such a concern that concertgoers near the front of the stage were literally hosed down in an effort to cool off both before the show and during sets. So on a day where shade was at a premium, the festivities fittingly kicked off with “Hell in a Bucket,” and the show was off and running.

    The rest of the first set resembled a fairly common one for this era of the band. Classics like “Loser” and “Greatest Story Ever Told” mixed with contemporary tunes like the Brent Mydland-helmed “Tons of Steel,” which would only be played five more times after this. There’s an incredibly jazzy version of everyone’s favorite Dead crowd PSA, “Take a Step Back.” And an atypical placement of “Bertha” in the first set closer’s spot seemed to energize the whole stadium and created a palpable buzz between sets.

    Dylan and The Dead
    Giants Stadium 7/12/87

    The second set picks up right where its predecessor left off with another interesting placement thanks to an opening “Morning Dew” that was preceded by a little “Addam’s Family”-themed tuning. The rest of the set continued to serve as a traditionalist’s dream with an electric “Playin’ in the Band” and a thunderous “The Other One” before the crowd serenaded the band off the stage with the traditional lyrics from Buddy Holly’s “Not Fade Away.”

    But instead of an encore to follow, there was an entire third set to be had first and this one would see Bob Dylan play in front of, arguably, one of the greatest backing bands in rock. While it may not have evoked the same widespread energy levels of the earlier sets, this one would serve as foresight to some degree for the Dead and give a glimpse of what was to come.

    Dylan and The Dead

    While they had been debuted earlier in the tour, this collaborative set of music would only be the third time that the band would attempt live performances of “Stuck Inside of Mobile with the Memphis Blues Again” and “Queen Jane Approximately.” Both of these songs would continue to be played for the rest of the Dead’s touring career, with “Queen Jane” even making an appearance at the band’s last show in July of 1995.

    Fans were also treated to Jerry Garcia jumping on the pedal steel and showing off his chops on “Tomorrow Is A Long Time.” Songs were kept mostly straightforward in this set, absent of the long, psychedelic journeys which typically accentuate a Dead show. But it surely must have been a treat to see the band backup the legendary Dylan on numbers like “It’s All Over Now Baby Blue” (a song the Dead used to actually cover in the late ’60s) and “All Along the Watchtower.” The encore was a double bill as well as renditions of Touch of Grey, the Dead’s latest “hit” single, and “Knockin’ On Heaven’s Door” sent a packed Giants Stadium crowd back to reality and into the hot summer night.

    Watch the entire third set and encore with Dylan:

    The Grateful Dead with Bob Dylan 7/12/87 Giants Stadium – East Rutherford, NJ

    Set 1: Hell In A Bucket, West L.A. Fadeaway, Greatest Story Ever Told, Loser, Tons Of Steel, Ramble On Rose, When I Paint My Masterpiece, When Push Comes To Shove, Promised Land-> Bertha

    Set 2: Morning Dew, Playin’ In The Band-> Drums-> Jam-> The Other One-> Stella Blue-> Throwing Stones-> Not Fade Away

    Set 3: Slow Train, Stuck Inside Of Mobile With The Memphis Blues Again, Tomorrow Is A Long Time*, Highway 61 Revisited, It’s All Over Now Baby Blue, Ballad Of A Thin Man, John Brown, The Wicked Messenger, Queen Jane Approximately, Chimes Of Freedom, Joey, All Along The Watchtower, Times They Are A Changin’

    E: Touch Of Grey-> Knockin’ On Heaven’s Door

    *Jerry Garcia on pedal steel

  • Mongolian rock band The Hu raise much needed COVID-19 relief funds

    Mongolia’s highest praised rock band, The HU, have released a beautiful new acoustic video for their newest release, “Shireg Shireg.” The video offers insight of the bands recording process in the studio while also showing clips of live performances by the band. The video also showcases some of the traditional Mongolian folk instruments the band utilizes in their music.

    The video was dropped as a teaser for the deluxe version of the bands latest studio album The Greg set to drop July 10th. The album features performances from a star studded feature list including artists such as Jacoby Shaddix of Papa Roach, and Lzzy Hale of Halestorm. The original copy of the release has sold an impressive 130,000 copies thus far.

    Last weekend, The HU played their homecoming show after their recent sold out world tour, with a televised performance at White Rock Centre in Ulaanbaatar in aid of the Mongolian Covid-19 relief. The concert was aired on TV in Mongolia raising a total of 53 million MNT, approximately $19,000 USD. The concert was also made available to a global audience through streaming on Facebook and YouTube, raising $5,000 and counting.

    To find out more about The HU visit their website.

  • American Singer-Songwriter Charlie Daniels Dies at 83

    Charlie Daniels, legendary American singer-songwriter, died at the age of 83 on July 6 after suffering a hemorrhagic stroke. He was a member of the Country Music Hall of Fame and wrote the hit, “The Devil Went Down to Georgia.”

    Charlie Daniels
     Charlie Daniels in concert at the Chumash Casino Resort in Santa Ynez, California. Photo by Dwight McCann.

    Daniels was born on October 28, 1936, in Wilmington, North Carolina. He had a musical background with his father William Carlton Daniels who played fiddle and guitar. Daniels quickly learned both instruments while in school before forming his own group the Jaguars, in the late 1950s.

    Daniels started writing his own music after forming Jaguars and ended up writing “It Hurts Me,” which was a collaboration with Joy Byers that ended up being a Top 40 hit for the B-side of Elvis Presley’s album Kissin’ Cousins in 1964. After Jaguars broke up Daniels moved to Nashville in 1967 and teamed up with producer Bob Johnston. Daniels became a well known and successful session musician. He worked on albums like Bob Dylan’s “Nashville Skyline” and Leonard Cohen’s “Songs of Love and Hate.”

    Daniels then recorded his first album under his name in 1970. The solo album was titled “Charlie Daniels” and didn’t make much of a splash. He then signed with Kama Sutra label and recorded “Uneasy Rider” before he ended up landing with Epic Records in 1975. Having two dozen hits on the country charts and four then crossed over on to the pop charts including “The Devil” and “In America” Daniels was a house hold name. The hit song, “The Devil Went Down to Georgia,” was written and released on the Charlie Daniels Band’s album Million Mile Reflections in 1979.

    Danial received the Pioneer Award by the Academy of Country Music in 1998. He than received the BMI Icon Award at the 53rd annual Country Music Awards in 2005. He joined the Grand Ole Opry in 2008 and was inducted into the Country Music Hall of Fame in 2016.

    Daniels will be greatly missed from the music community. We mourn his loss and send our condolences to his family and friends. 

  • Virtual Northwest String Summit: Hiding Out at Home, Bluegrass Delivered

    For the past 18 years the Northwest String Summit has been a festival catering to all things string. Country, folk and bluegrass artists, well-known and just discovered, would descend upon Horning’s Hideout. Festival-goers can listen to the music and enjoyed a myriad of activities including but not limited to arts and crafts, glamping, yoga, and instrument building.

    Unfortunately, COVID-19 has created the conditions in which having a traditional festival would be dangerous. In the interest of public safety, the event has closed its on-site activities. Even though the physical festival is no longer possible, the lockdown has not stifled the creativity of the artists that were slated to attend the summit this year.

    Virtual Northwest String Summit
    To connect fans to artists, the Northwest String Summit has gone virtual.

    Over 28 different artists will be streaming their performances live or remote this July 17-19 on LiveXLive. Archival footage spanning the history of the event will be sprinkled in-between sets. Thirty hours of never-seen-before footage will be shown. All of the proceeds will go back to the artists, crew, and industry. The Early Bird special pricing of $29.99 will be available until July 7 for this three-night event.

    Check out this stream and more through our series NY Stream and Support. You’ll discover artists around the Empire State streaming nightly, with ways to support musicians and charitable groups close to home!