WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Warden & Company is a three piece band from Saratoga made up of Seth Warden, Doug Moody, and Brian Melick. They have been playing together since 2011, having started off as the backing band for local Irish music legend Kevin McKrell. The trio have also performed together as Seth and the Moody Melix, playing children’s songs written by Warden who is also a teacher. Warden & Company showcases the trio’s more ‘adult’ sound.
Jay was born and raised in Vermont and currently lives in Burlington. He says he’s been a fan of EQX since he was a teenager. “Grow Again” is his latest single, find him on Facebook and listen to more of his songs on Soundcloud.This is his latest.
Holly Bowling will releasing a new Grateful Dead album full of solo piano renditions this fall. The new album, Seeking All That’s Still Unsung, is made of music recorded at 25th Street Recording in Oakland, CA.
Holly Bowling Photo Provided by Press Release.
Holly Bowling is a classical pianist who is based in San Francisco. Bowling uses the influence of jam band music to create an unique style. Her sound is emotionally rich and highly technical. She has already created albums focusing on Phish in the 2013’s Distillation Of A Dream album and the Grateful Dead focused Better Left Unsung (released December 9, 2016 through The Royal Potato Family). She known for her new band Ghost Light with Tom Hamilton, Raina Mullen and Scotty Zwang.
In this new album Bowling is attempting to create a record that feels similar to her live performances. Bowling is also using this album to create unique sounds that can only be done in a studio. The album will have the feel of a live album while accomplishing things that are impossible from a musical standpoint to create live on the road.
How Holly Bowling is Making the Album Possible
The album has been in the works for the last year and a half and has been recorded and mastered. But Bowling has a Kickstarter to get the album out to fans. The freedom that’s given her using a Kickstarter makes it so she can be an independent artist. The contributions to it will help to cover mechanical license fees, vinyl creation, and expenses associated with the release of the album. Some of these expenses include distribution, marketing, publicity. The mechanical licensing allows her to release covers of Grateful Dead songs and makes sure the original creators are fairly compensated
For more information on Seeking All That’s Still Unsung and Holly Bowling visit her website and her Kickstarter.
Swing Your Concerns features two new tracks along with three of her singles “Swim,” “WHATISTODAY?,” and “Deserve This.” “I believe that as humans we see the option of distracting ourselves from our current reality as a better route than to truly work on bettering who we are. Why feel and work through what’s wrong when you can be numb instead. With the combination of expectations and eyeballs tracking your every move, that’s what ‘Hilary Duff’ is about,” Maggie comments on “Hillary Duff.” This song, along with “Deserve This” and “Swim,” seem to come at a perfect time in this global pandemic when emotions are high.
Maggie grew up surrounded by music as her father was in a Celtic rock band. She did not perform solo in front of an audience until she was 18, but has quickly gained popularity after being discovered by Bruce Gates at Pearl Street Warehouse in Washington, D.C. Since then, she has gained over 60K monthly listeners on Spotify, and her song “WHATISTODAY?” has been featured on several of the app’s playlists, such as Indie Pop and Fresh Finds. She has gained attention from Billboard, Variance, and American Songwriter.
This new single and EP follow an endorsement deal with Yamaha Music along with the emerging artist program WAY Up. Maggie spoke at a panel at the Yamaha Ginza Hall in Tokyo along with several other acclaimed up and coming artists. They spoke about their experiences creating music and conveying their inner emotions through it.
Photo by Jimmy Fisco
Maggie Miles, much like other alt pop artists, shows authenticity in her music by showcasing her wit and personality. At only 21 years old, Maggie likes to use comic relief as a means to poke fun at the hilarity that is the coming-of-age time in life. She draws inspiration from 90s grunge artists but still produces a unique sound that’s personal to her. Maggie says: “I make music for the utter reason alone that I need to create something for myself that makes sense, when nothing else around me does.” She has notable vocal talent, but can also play the piano, drums, guitar, ukulele, mandolin, banjo, bass, and keytar.
Maggie’s first full-length album will be out later this Summer.
The Daniel Hersog O Canada Jazz Orchestra has released their first digital music video, featuring the Canadian National Anthem “O Canada.” The video’s release comes just in time for Canada‘s July 1 Independence Day.
Daniel Hersog‘s 17-piece ensemble formed in response to the Coronavirus Pandemic. The group is comprised of Juno Award winners, Canadian jazz stars and a recipient of the Order of Canada. All 10 Canadian Providences are represented among these musicians that have come together to support each other during trying times.
Daniel Hersog, hailing from Vancouver, British Columbia, has quickly become a vital Jazz player as a trumpeter, composer and arranger. Hersog is currently receiving significant airplay, and international media attention for his newly released album Night Devoid of Stars released through Cellar Music Label.
“All I Can Say,” a documentary on the late Shannon Hoon, the late lead singer of Blind Melon, was released on June 26. The film will not be released in theaters as planned due to the COVID-19 pandemic, but will be available to rent on Relix.
The film is made up of many clips Hoon filmed of himself between 1990 and 1995. Hoon was known for religiously filming himself and his day to day life and left over 200 hours of raw footage right up until his death at the age of 28. The footage starts from before Hoon joined Blind Melon and through the band’s experiences in L.A, filming right up until a few hours before his death. The film was co-directed by Danny Clinch, Taryn Gould, and Colleen Hennessey.
The film was funded by a Kickstarter that hoped to raise $100,000 but ended up raising $115,524 with almost 2,000 backers to the campaign. The Kickstarter explained their hopes for the film saying, “This film documents the band’s rise to fame, Hoon’s family life, his creative process, his tumultuous struggle with addiction, as well as the politics, technology and culture of the 90’s. It is being made in a way that honors the footage Hoon shot while maintaining a genuine and authentic story.”
Oscilloscope Laboratories made the film available to the public via a rental program. Viewers can purchase a 3-day rental period of the film. Relix is partnered with Oscilloscope to share the film.
https://youtu.be/3xph8pPJMB8
For more information or to rent the film visit Relix Presents website.
Sevendust announced new music for the first time since 2018 critically acclaimed album All I See Is War. The heavy metal legends released a new lyric video for their Soundgarden cover of “The Day I Tried to Live” on June 26 and is available on all streaming platforms.
Sevendust photo credit to Travis Shinn.
Sevendust decided it was time to release new music and return to the airwaves after seeing the societal changes happening around the globe. “The Day I Tried to Live” was relevant back in 1994 when it was first released by Soundgarden and is just as relevant today. The message behind the song is all about trying to learn to live a better life which is only possible for everyone if everyone is given equal opportunities to do so.
The new track was produced by Michael “Elvis” Baskette who worked on the bands latest album. The new lyric video for the song was created by Wayne Joyner who is known for his work with Dream Theater. The video features a lone figure walking down a road thinking about his life. The video also includes clips of the band throughout it.
“Soundgarden is such an important band to all of us in Sevendust and this love for them goes all the way back to when we were starting,” explains lead vocalist Lajon Witherspoon. “We discussed trying to do one of their songs and our producer Elvis suggested ‘The Day I Tried To Live.’ I would have been fine with any of those songs personally. When I first heard it, I thought the lyrics were timeless. The lyrics are about trying to experience new things and change the way you live, and we see examples of that every day with what is happening around the world. To have the chance to cover this song and release it is so special to all of us. Thank you, Chris Cornell and Soundgarden.”
The song is available for purchase here. For more information on Sevendust please visit their website.
Bonnaroo Music & Arts Festival announced it’s decision to cancel it’s 2020 festival due to the COVID-19 pandemic. The festival had previously planned to postpone their 2020 festival but decided to completely cancel it. Like many festivals out there right now, the priority of keeping people safe trumps the priority of the festival happening this year.
Bonnaroo Music & Arts Festival was originally postponed to September 24-27 back in March. The festival was ultimately cancelled on June 24 via a statement made on their website. Their statement on their reasons behind cancelling the festival said, “Our annual time together on the Farm is nothing short of magical, but out of an abundance of caution and for the health and safety of all Bonnaroovians, artists, staff, partners and our community, this is a necessary reality. More information on lineup, camping and accommodations will be available at a later date.”
The festival will be offering for current ticket holders to either having their tickets roll over to the 2021 season or to get a refund on their tickets. Ticket holders will have to log into their Frontgate account and select the refund option starting on July 1, 2020 and will be able to request refunds until July 31, 2020. Ticket holders who don’t request a refund within this time will have their ticket automatically roll over to the 2021 festival. Ticket holders who purchased from Nashville Shuttle, Airport Shuttle, Hotel package, or purchased tickets through Lyte, Fevo, or Ticketmaster Resale, there will not be a rollover ticket option for 2021. Those ticket orders will be automatically refunded and will be issued to your original method of payment.
Although there will be no Bonnaroo Music & Arts Festival this year, a weekend-long virtual festival will be taking place on the rescheduled Bonnaroo dates September 24-27, 2020. The virtual festival will include some of the staff’s favorite moments from past and present, along with some special surprises. There will be more details on this released on this virtual festival soon.
For more information on the Cancellation of the 2020 season and the virtual festival visit Bonnaroo Music & Arts Festival’s website.
Photo by Victor Diaz Lamich/Courtesy of Festival International de Jazz de Montreal
Le Festival International de Jazz de Montréal is an annual event and draws millions of visitors to the city of Québec each Summer. It holds the Guiness World Record for largest jazz festival. Unfortunately, the festival cannot be held in person this year; however, recordings of live performances will be available for free online. Thanks to support from TD Bank Group and Rio Tinto as well as public partnerships with the Government of Canada, the Government of Québec, and the City of Montréal, the Montréal Jazz Festival will reach more than ever before.
In order to keep everything up to the Festival’s standards, all performances will be filmed with high-quality production value in a specially made studio in Montreal’s L’Astral catered specifically for these online performances. Director Maxime Théoret-Bissonnette will manage these recordings and ensure that they will be of the highest quality. These live recordings will be free to view for anyone anywhere, making the Festival more accessible than it has ever been. If you can’t catch the performances live, they will be available for free on demand afterwards as well.
The Festival will kick off on Canadian Multicultural Day, June 27, with a lineup that will showcase Canada’s rich and diverse talent. The show will begin with the Apéros SAQ, a mix of live performances from some of the Festival’s favorite artists. Up next are the Sessions TD and Rhymes Rio Tinto, sessions that will be enjoyable for all fans. The Festival will also showcase recordings of performances from past Festivals. The opening night will finish with the Fin de Soirée Loto-Québec, a virtual party for everyone who wants to join.
Photo courtesy of Festival International de Jazz de Montreal
The Festival will continue for three more days and wraps up on June 30. Although the full schedule has yet to be announced, the lineup includes the top local luminaries and artists of the city. Some notable performers who will be featured are Charlotte Cardin, Jean-Michael Blais, The Barr Brothers, Dominique Fils-Aimée, Elisapie, Jordan Officer, and many more.
The Festival’s General Manager Jacques K. Primeau expresses that it is extremely important for the Festival’s team “to bring the jazz Festival to the people.” He also expressed that the Festival “is thrilled to be able to offer an innovative solution to get the music out to the fans” even with such difficult challenges.
The Festival is only taking place thanks to the leadership of Primeau and Laurent Saulnier, the Festival’s team, the artists, and the Festival’s generous sponsors. Primeau remarks that “#JazzTogether is truly a community and a family affair” even in the hardest of times.
Danish punk band Twin Dive have released a new track in remembrance of George Floyd, a recent victim of police brutality whos death has sparked protest and outrage worldwide. The energy and pure anger that shine through on this track perfectly captivate the strong emotions behind the Black Lives Matter movement.
“Say His Name” is riddled with lyrics that target the systematic racism and oppression perpetuated by the American upper class. Much like the protests themselves, this song is a screaming demand for justice. In further support of the Black Lives Matter movement, Twin Dives will be donating 100% of the proceeds and royalties made from this release to the cause.
Twin Dive is a duo from Denmark who, although formed only in 2018, have been grabbing attention in their respective music scenes. Blending the braggadocious nature of front men from the 70s punk scene with all the contained noise and distortion of the low-fi grunge era, Twin Dive are no stranger to taking political stances in their music.
To find out more on the band make sure to follow them on Facebook and Instagram to keep updated with their shenanigans.
What lengths are you willing to go to keep your life’s work alive; will these adaptations muddle the concert experience forever.
Devastation throughout the music industry has crippled artists and their mediums – Venues. Amid a global pandemic we are seemingly waiting – for venues to open, shows to begin and the concert experience to shapeshift into a safe, sustainable event. Nobody is sure what the final product will be, yet passion radiates. Through blooming efforts like the National Independent Venue Association (NIVA) right here in New York, we have band together to save our industry and the concert experience as we knew it.
The Past:
Being elbow-to-rib is just part of the experience. Hours spent waiting in line that sparked anxious anticipation, or getting sucked into the stage by the crowd when the lights go dim, before the main act, cannot be replaced by live streams. Maybe you’re the one up front hanging over the barrier, screaming every lyric verbatim; maybe you’re setback, studying your favorite instrument or player; you’re moving around, dancing or moshing (respectfully of course); or you’re the type that hangs at the bar with friends, reminiscing how you’ve seen this particular band hundreds of times. All of these moving parts create energy.
When you walk into a venue it sets the mood, the crowd and band feeds off one another. From local dive bars and smaller venues, to theatres and arenas, stepping in pre-soundcheck has a therapeutic energy for performers, as does the commotion when the doors open. Artists paint backstages, leaving totems or memorabilia that builds a venue’s character. When those spaces are cut to half capacity, or less, that energy is depleted.
Everyone’s safety and economic sustainability is paramount, but nobody is talking about sustaining these colorful parts of the canvas. Adapting is necessary. Yet, promoters, artists and venues are stuck in limbo. Letting go of the experience as we knew it remains untold.
Music Canada sites 40% of concertgoers won’t return until six months after restrictions lifted.
The Present:
NIVA was created by Independent Venue Week, top venues and promoters across the nation, “to fight for the survival of independent venues, their employees, artists, fans and their communities,” (nivassoc.org). Sucking in 450 members across 43 states in the first three days, they are now pushing 2,000 members nationwide (50 States) for an endless-scrolling roster on their website. Founded by the industry’s best, NIVA states that 90 percent of independent venues will collapse if they don’t open this year. With rumours saying this lockdown can lead well into 2021, will we be able to recover.
Capacity restrictions will limit venues’ revenue, and minimum thresholds vary. A Chicago study deemed a 12:1 ratio of economic impact among small venues (nivassoc.org). Twelve dollars of economic stimulus to hotels, restaurants and shops flooded in for every dollar spent inside the venue. Extrapolate that on a $50 ticket, or a night out for a group of excited fans. The impact is everything.
According to a USA Today article, Johns Hopkins Director of the Master of Bioethics degree program and Research Scholar, Travis Rieder, said there’s serious doubt about live music returning before 2021 and “a shortage of test and lack of vaccine simply make things too risky.” Unfortunately, he continues that “the risk of those events as we would have done them in the past outweighs the benefit of doing them.” Masks, temperature checks and spacing restrictions may not be enough. Is your favorite band or venue worth the risk.
With the music industry on the rise prior to COVID-19, Pollstar predicts a daunting $8.9 billion hit, should quarantine continue and venues remain dark. They go on to state “industry losses could total about $5.2 billion in just missed ticket sales alone,” and not to mention residual impacts on the economy and all of those employed in the box offices, concession stands, parking valet, and so on.
The answer is NOTHING. Nothing will stop us from preserving our life’s work, the concert experience, our art, and all the pieces that work together to keep it alive.
On Thursday, June 18, NIVA made an official statement urging for federal help:
We, the undersigned artists, respectfully submit this letter in support of NIVA’s request for federal assistance for independent music venues and promoters across the United States.
This is no petty petition. Industry giants, artists and celebrities wave an official SOS including: Joel, Eilish, Seinfeld, Gaga, Letterman, Goldberg, Iver, Lauper, Plant, Nelson, Aoki, Mayer, Leno, Weir, Watts…
The irony in their signatures – it merits no value when we are all on lockdown. Something super-fan would unassumingly die for is now a cry for help, for congress to help kickstart the industry back to the creative and thriving outlet it once was, pre COVID-19.
We will continue to fight, support and be the voice for all artists, venues and industry mediums that are struggling. Stay tuned for ‘The Vault,” featuring venue and artist specific coverage on this topic. Please contact NYS Musicso your voice can be heard.
