Philadelphia band Goalkeeper have come through with “Happy,” an upbeat pop punk banger of a track just in time for the dog days of summer.
Full of crunchy power chords, and catchy melodies, “Happy” is the bands first release off of their upcoming EP Life in Slow Motion which will be released this upcoming September 25th on the Lost Music Collective independent label. “Happy” encapsulates everything Goalkeeper have been about thus far; writing nostalgic-flavored pop punk songs from the early 2000s coupled with roaring vocals and hefty breakdowns.
Goalkeeper have proven themselves to be a group who is constantly seeking out new sounds in an effort to push the genre they operate in to the next level. Opening for bands such as State Champs and Real Friends, Goalkeeper are determined to leave their mark on the east coast pop punk scene.
A trio of brothers came together to form the band, Council. Now, they have a powerful new EP under their belt, Haunts Me.
Cover art for Council’s new EP Haunts Me.
From Farm Life to Musical Talent
Pat, Doug and Andy Reeves hail from Baldwinsville, just outside of Syracuse, where they worked the fields on their family farm. While they worked during the day, they had time to practice at night.
The three musically educated themselves by listening to their father’s record collection. They say they were athletes growing up, so they never performed as kids. They decided to perform together nine years ago at a local library.
“We were so nervous we asked them to not record us, as we were expecting the worst,” says the band.
Council band members Pat, Doug and Andy Reeves.
Family Knows Best
The idea of working and playing music with family might mean fun all the time, but that’s not what the guys say. In their experience it could be very difficult at times.
“We have 3 different opinions about everything and have no issue with arguing over everything. We often times find two of us huddled together creating secret pacts against the third so an idea gets passed or someone catches more of the blame than the others,” They say.
That doesn’t mean a family band is bad, though. The trust between the three of them is strong and they all grew up with the same musical past. They say if anyone tries to join the trio, it never ends up well.
The First Council Release was a Success
The Reeves brothers continued to work on their musical career over the years, with their first release of, “Rust to Gold,” that both American Idol and the Winter Olympics featured.
Haunts Me Empowers Internal Battles
While “Rust to Gold,” symbolized an introduction to their band, they say Haunts Me is “internally based”. One of the tracks, “Born Ready,” came out of their personal struggles they were dealing with at the time. It embodies the idea of being able to handle whatever life throws at you because you are born ready.
The current state of the world made many feel a bit detached from society. Haunts Me guides not only the listener, but also the mind to a more powerful outlook on how life has become.
Council expanded their live streaming from their website to BOSE, Twitch and Sessionslive. Because of the global pandemic they are currently on tour, so live streaming will be their outlet to perform and connect with fans. Haunts Me is set to release on Aug. 4.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
These two songs make up the first new release since 2016 from this Saratoga Springs band. On Prodgnerd Dryer brings back the lo-fi sound of some of the bands that influence them like The Breeders, Pavement, and Guided By Voices. So if you’re into them and other cool 90’s alt rock stuff like Superchunk, Green Day, Weezer, or Varuca Salt, take 8 minutes out of your day and please listen to these new songs. Don’t you have 8 minutes? Actually it won’t even take you that long. And if you have more minutes, you can hear a decade’s worth of goodies by checking out Strut and Fret: A Collection of Songs from 1993-2003 You Missed the First Time Around. But if you only have 8 minutes at least listen to this.
This Voorheesville native has been playing piano since she was 6 years old and cites The Beatles and The Rolling Stones as early influences. Annie wrote her first song in second grade and taught herself guitar by the age of 12 when she began writing more seriously and even playing gigs. Fast forward to 2018 and Annie was rewarded with a trip to L.A. after being honored with the Producer’s Choice Award for the ‘Celebration of Music’ PBS special in Troy, NY. In L.A. she was taped performing this song and that recording will air internationally sometime this year.
Next Station formed in Niskayuna in 2009 and split up for a while due to different career paths. And though distance has kept them apart physically (one went to NYC and another to Dallas, TX) they managed to record their first new song in 4 years and are set to release their first new album since 2012. The songs were workshopped via e-mail and conference call after singer/songwriter Will Pedicone began writing new material in an effort to revive the band. And revive it he has! There is even talk of a tour when the world opens back up.
These two Southern Vermont multi-instrumentalists specialize in, well, instrumentals. Take the rich drone of the electric guitar and add some warm open-back banjo and you get a sound that is both intriguing and soothing. But that’s not all they are capable of. Their new album Soon Comes the Night has much more to offer. It’s both melancholy and high-spirited as it weaves tender music and upbeat fiddle tunes together throughout. Hear more of their work and check out some videos of the duo on their website.
On Tuesday, July 28, Lake Placid native Lana Del Rey released the audiobook for her upcoming poetry collection. Titled Violet Bent Backwards Over the Grass, it contains 14 of the more than 30 poems to be included in the hardcover version, out September 29.
Del Rey’s lyrics have long drawn comparisons to Sylvia Plath, so her foray into poetry is no surprise. Besides Plath, she’s cited Allen Ginsburg, Walt Whitman, and Jack Keruoac as literary inspirations. The audiobook version of the collection, also a spoken word album, includes accompanying music from Bleachers’ Jack Antonoff. Antonoff co-wrote and produced 11 of Norman Fucking Rockwell’s 14 tracks, and recently worked on The Chicks’ comeback album Gaslighter. Lana Del Rey isn’t the first alternative songstress to release a poetry book: Florence Welch of Florence + the Machine published Useless Magic in 2018.
Originally from Lake Placid, Del Rey started her music career while attending Fordham University. She made her mainstream debut with the song “Video Games” in 2011, and followed it up with the album Born To Die in 2012. While garnering mixed reviews at first, she quickly acquired a loyal cult following and achieved better reception with subsequent records. Her upcoming album, peculiarly titled Chemtrails Over the Country Club, is scheduled for release on Saturday, September 5.
Violet Bent Backwards Over the Grass is now available on Audible, as well as in CD and vinyl formats on October 2. Proceeds will benefit the Navajo Water Project, an organization that provides clean running water for Navajo families. The first poem, “LA Who Am I To Love You,” is now on Spotify, YouTube, and Apple Music:
Evan Alexander Moore dropped his debut album The Perennial Millennial is a defining snapshot of our time on May 22, 2020. A quirky social commentary on the American millennial experience in 2020, it’s a concept album through and through. In its sprawling length of 70 minutes, the NYC singer-songwriter tackles capitalism, the ruling class, and most entertainingly, “millennials are destroying x industry” clickbait.
Despite his varied influences from Bob Dylan to Kendrick Lamar to Joni Mitchell, Evan Alexander Moore sounds fully original. While it’s easy to spot the aforementioned artists’ impact, he retains his own unique style. One of the album’s strengths is that the sound mixing is crackly and distorted like an old record from the 60s or 70s—a comforting contrast to its intense topical lyrics. It’s also quotable from start to finish: the opener, “Millennial,” has the line “I feel like Atlas with all this school debt on my shoulders.”
Standout tracks on The Perennial Millennial include “Our Time,” “Grand Little Symphony,” and “The Price of Cereal.” And while not full songs, its two interludes offer some of the album’s most genius moments. On “Brian’s Interlude,” Moore remarks that “pitting generations against each other is just fucking clickbait shit.” He also pays homage to Bob Dylan on “Hey, Mr. Zimmerman!” The album admittedly feels long at times—the title track “Perennial” is over 14 minutes—but it’s certainly ambitious for a debut effort.
After pondering what legacy millennials will leave, Evan Alexander Moore ultimately concludes that “our generation will grow out of the cement that has been paved over us.” For younger generations, The Perennial Millennial is an inspiring, reassuring, and guilt-free experience.
Stream The Perennial Millennial here:
For more information visit Evan Alexander Moore’s website.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Art LaFleur – “Reset“
Art has been in the local Albany music scene for nearly 20 years performing in modern country bands such as Offramp, Rattlesnake, True Grit Outlaws, Byrds of Prey, and most recently, Grit N Whiskey. Art was out of the music scene for a couple of years dealing with the long term illness and the death of his wife who sadly passed away in 2017. As a means to deal with the loss, he has begun writing his own songs and putting more emphasis into building his songwriting career. He draws influences from Lynyrd Skynyrd, The Outlaws, Warren Haynes, The Eagles, Sting, and Charlie Daniels.
Thinner Friends – “Demons Are All I Have“
A new electronic punk trio from Troy in the vein of DEVO meets Le Tigre, Thinner Friends have just released their debut album and 50% of all sales on Bandcamp will be donated to the Black Trans Protesters Emergency Fund. Whatever is not needed will be given to Black trans-led organizations that work to stop violence against Black trans people.
Johann – “Sparkly Summer Radio Song“
A college student from Cambridge, NY, Johann released Thanks for Coming in April which is available on Bandcamp. “Sparkley Summer Radio Song” is his latest and was recorded during quarantine thanks to the extra time to write.
21 years ago this weekend, the festival calamity known as Woodstock 99 took place at Griffiss Air Force Base in Rome, NY. If you know anything about Woodstock 99, you likely know about the festival-ending fires and mild rioting that took place in the concert grounds, built out of a weekend of frustration with festival pricing and lack of an adequate infrastructure.
Over Friday and Saturday, the festival seemed to be your typical late 20th century festival – bands playing mostly on schedule, an amalgam of various groups of music lovers, basic amenities and little in terms of technological infrastructure. This was a time where cell phones were a luxury item and resembled Zack Morris’ brick phone.
via Getty Images
There was the giant plywood wall that surrounded the grounds, which gave you a feeling of being trapped inside, with only two or three entry points where you’d be searched at security’s leisure. Once inside, prices were high, even by today’s standards. Four dollars for a bottle of water, eight dollars for a hamburger, nine dollars for a cheeseburger, ten dollars for a chicken sandwich and twelve bucks for a small personal pizza. If you were lucky, you found a lemonade stand where the drinks cost only two dollars, but if you wanted alcohol, you had to drink it in the beer garden, which was devoid of shade or quality sound, and put you in a direct line of fire from people slinging mud through the chain link fence.
The musical lineup was as solid as it could be for 1999. In alphabetical order, you’d be able to catch Bush, Chemical Brothers, Creed, Sheryl Crow, Dave Matthews Band, DMX, Everlast, Guster, Ice Cube, Korn, Jewel, Limp Bizkit, Live, Los Lobos, Megadeth, Metallica, moe., Alanis Morissette, Willie Nelson, The Offspring, Rage Against the Machine, Red Hot Chili Peppers, Rusted Root, Sugar Ray and The Tragically Hip, among many others
Two stages that were a long, long walk from each other separated the acts. If you wanted to see someone on the West Stage, you’d be sacrificing a great deal at the East Stage, and vice versa. The schedule was staggered, but surely this could have been organized better. At least moe. got a set.
Governor George Pataki is rumored to have said of the Woodstock weekend,
“It seems to me the whole reason Woodstock ’99 failed was because of the kids. Kids from all over came to Rome and had no sense of authority, and did not care about anyone but themselves. The promoters should be held to blame, but also the irresponsible people who attended. It seems a strange contradiction. The week before Woodstock 99, 120,000 people gathered in Oswego, New York to see the rock band Phish. The event was in more cramped quarters, and was just as hot, and to my understanding no major problems were reported. Maybe if people behaved like they did at the Phish event this wouldn’t have happened.”
Pharmer’s Almanac, Volume 6
While Pataki’s remarks are off by around 90,000 ‘Camp Oswego‘ attendees, it does highlight the weekend prior where similar conditions of oppressive heat and humidity did not lead to the same circumstances as they did in Rome from July 22-25. How can two festivals, 80 minutes apart, be so diametrically opposite? You’d have to factor in an audience from mixed walks of life, many of whom may not have been to a multi-day music festival prior to this, and festival promoters who came up short in every single area – from bathrooms to food, safety to water, and layout to operations.
Skip ahead to Sunday, July 25, and on the main East Stage, you’d catch Al Green, Willie Nelson, Brian Setzer Orchestra, Everlast, Elvis Costello, Jewel, Creed, and Red Hot Chili Peppers. Genre-wise, in order, you could catch gospel/soul, country, swing, rap, rock, pop, ‘hard’ rock and pure rock ‘n’ roll from the Chili Peppers. Quite a variety to see in one day.
Long lines at the limited vendors that had food to serve coupled with very long lines for water, overflowing portos and litter seemingly everywhere, finally hit a tipping point. Add in the aforementioned oppressive heat and humidity plus a complete lack of shade, and a powder keg was ready to burst. The plywood fence around the venue was already being torn down casually throughout the day by concert-goers taking out their frustrations, which led to more seeking a piece of memorabilia.
During the day, in an odd bit of cosmic irony, anti-gun violence group Pax (now the Center to Prevent Youth Violence), distributed candles to those who stopped by their booth during the day. The original intent was for a candlelight vigil during “Under the Bridge,” but instead some used the candles to start bonfires, and when coupled with the thousands of empty water bottles that littered the East Stage field, there was plenty of fuel to light the grounds on fire from stage to stage.
At some point towards the end of the Chili Peppers set, the audio tower caught fire, and the fire department had to be called in. The festival was over thankfully, and many had left during the day, but for the thousands needing to vacate the grounds while emergency personnel were arriving, the scenario had to be frightening. CBS News reported:
The three-day concert climaxed into a frenzy about a quarter mile from the main stage when several concertgoers set fire to twelve parked tractor-trailers.
Several people pulled cases of soda and merchandise from the trucks and fed the flames with debris. Others toppled light stands and speaker towers, while another group tried to destroy a radio station truck.
As a result of Woodstock 99, it would be a number of years before a festival with pop bands reaching a broad audience would take place. Jam festivals were already on the rise, and while the lineup for Bonnaroo 2019 looks little like that of Bonnaroo 2002, the key to the festival formula was in building a lineup for a defined audience, not gathering an audience towards a known lineup.
And while Woodstock 50 never even got off the ground and Woodstock 99 was a stain on music festival history, the original and even the 1994 edition bear the torch for a name still synonymous with peace, music and love.
The nine-episode podcast Break Stuff: The Story of Woodstock 99 from The Ringer gives a detailed breakdown of the festival. Listen here.
After seeing Paramore in concert, the then-14 year old Natalie Claro was inspired to take on a music career. Claro writes and produces her own music, integrating genres of pop, rock, folk, R&B, and country into her songs.
Claro grew up in Tampa, Florida starting her career as a local musician when she was 15. By the time she was 17, Claro released her own music and started performing shows in New York. She explains what she loves the most about the music industry:
The aspect of being able to have an outlet where you can just say whatever, speak your mind, and have a platform to be able to do positive things not only for your community but just as many people you can reach in general. I’ve always loved that part of it.
In her album, Disconnect Claro describes it as her “analysis of the world.” Her EP SelfishTopics “is an analysis about myself,” Claro says. Her songs discuss issues such as depression, insecurities, and uncertainty. She uses her music to speak out about the positive and negative aspects of life.
Claro is currently working on new music and has released the music video to “Discomposure.” “The song is about anxiety and stress,” she says. The music video for “Discomposure” illustrates Claro expressing fear and worry, yet finding solace in music. She communicates through her songs that we can find positivity and strength through some of our darkest moments. Claro shares what she wants her music to represent:
I always use my music as a message towards anyone that is listening to it. I try to be a positive influence to my listeners.
Alondra Galopa dropped their cover of “Sound of Silence” originally by Simon and Garfunkel. The cover comes from a place of unrest and gives the song a new meaning in 2020.
Alondra Galopa is an alternative indie band that originates from Granada, Spain. The band has worked with Linier Discos and The Borderline Music record labels producing one of a kind sounds. Some of their biggest songs include, “no hay marcha atrás,” “héroe,” and “a ninguna parte.” The band is made up of Juan A Salinas, Monica Navarro, Antonio “Lopez” y Manuel Marín.
Before the worldwide pandemic, Alondra Galopa, was in full production work for their next record release. The album production process had to stop due to the group’s inability to reunite. Band members Mónica Navarro and Juan A. Salinas have adapted “Sound of Silence” by Simon & Garfunkel to Spanish during their unexpected downtime. They have turned the sound into a dark pop terrain, with the essence of post rock and dark noise that characterizes some of their productions. Between Monica Navarro’s vocals and the eerie sound it’s an original version of “Sound of Silence.” The cover is really something special that takes a classic song and changes to the sound while still keeping the essence of the song intact which isn’t an easy thing to do.
The song is definitely worth giving a listen to if you are a Alondra Galopa or Simon and Garfunkel fan. The song is out now and available on most streaming services.
For more information on Alondra Galopa visit their Facebook Page.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Tune into WEQX.com this Sunday night to hear music from Joe Mansman and the Midnight Revival Band, Underwater Cartographers, New Saviors, Grape Juice!, Ida Mae Specker and many more! Get a preview of these artists below.
These guys rock, plain and simple. Hailing from Glens Falls and have most recently released Fear In The Valley: Live From The Den, a collection of live acoustic songs recorded during quarantine. Joe Mansman says of the recording process which took place in an old boat garage:
There was at least some comfort sitting in that moldy and dusty room with people you love, because it felt more normal than what was going on outside of it. We took our acoustic guitars, and just hit the record button most nights, letting it take us wherever. That felt normal. To me, this record will forever serve as a time capsule that’ll remind me of how we found a little bit of comfort in a strange and uncertain moment in the world’s history.
Joe Mansman
Underwater Cartographers – “Wave Goodbye and Watch it Go”
Albany’s Joe Pasinella is staying busy as always. Look up Underwater Cartographers on Bandcamp to see what I mean. It’s crazy how many songs this dude cranks out. He sends me new music constantly and it’s always interesting both lyrically and musically, all done for fun recording on Garage Band. Just like you, or maybe not depending on your situation, he works a standard job. I have no idea what that job is but he makes music like it’s his job. This is from the new Album Benign Fascinations.
New Saviors – “Pieces”
Ryan, host of EQXposure, shares insight on the newest from New Saviors.
Zack King’s latest project New Saviors are based out of Southern Vermont and Upstate New York. Zack plays guitar and takes on many other roles within the group. I’ve known him for well over a decade and have always known him to be in a band of some kind, even experimenting with rap as King Daddy Deucey (KDD) for a period of time. He’s a hustler for sure. When KDD merch was for sale you could see the t-shirts all over Bennington before Zack had even released any music under the name. I myself had at least three shirts, a hoodie, and a hat. That’s the thing about Zack. He’s just got the drive, talent, and personality to move any project forward.
Grape Juice! – “Strawberry Pie“
From Saratoga Springs, Grape Juice! is Hunter Fish (lead vocals, guitar, ukulele), Jesse Zuccaro (bass), and Michael Smith (drums, vocals). The three met in a creative writing class at SUNY Adirondack in 2017 and started the band at the beginning of 2018. “Strawberry Pie” was one of the first original songs they ever played and wrote together, and has been a favorite of their’s ever since. They recorded and mixed it all by themselves in their bass player’s basement, and if you listen closely, you can hear that it features his mom walking around upstairs toward the end of the song. They released our debut EPOuter Spvce EP on July 10, and are constantly writing, recording, and practicing. It shouldn’t be long before they have more music and start building their audience in the region.
Ida Mae Specker – Billy In The Heartland
Ida Mae Specker lives in Dorset, Vermont, having growing up in Andover, Vermont, where she began playing fiddle and singing in her family band, The Speckers. In addition to singing and fiddling, she’s also played drums and guitar in folk and indie rock bands. Her new EP Billy in the Heartland was recorded last year at Owl Sounds Recording and was the first time she recorded her original songs. The EP was to be followed up with some shows with the bands Upstate and Saints and Liars but the shows were unfortunately canceled due to COVID-19. Her web designer, photographer, and agent are all local VT women and you can see their work at on her website.
