Albany’s revolutionary The Linda: WAMC’s Performing Arts Studio is once more changing the game. In an announcement today, The Linda has announced the launching of brand new virtual programming being dubbed ‘The Linda: Open for Take-Out Virtual Concert Series.’ Produced in collaboration with Troy’s video production company Chromoscope Pictures, the virtual concerts will take place Monday nights at 8 p.m. ET on The Linda’s Youtube channel and will be ticketed just like their regular shows.
“We realize that the impacts of COVID-19 have been dire for working musicians and the music industry as a whole. The goal of this series is to restart the local music economy by bringing a wide array of eclectic and diverse, local and regional musicians back to the stage in a safe environment and to provide fans with a professionally produced concert delivered directly to the safety and comfort of their homes”
First up in the series will be indie band Motorbike from Saratoga Springs on July 13 at 8 p.m. Their debut LP Victory Lap was released January 2019 delivering to fans and heartfelt hooks from the alternative rockers. Scheduled for July 20 is Girl Blue, a indie pop songstress from Long Island whose debut single “Fire Under Water” racked up over 2 million streaming plays. Canadian neosoul artist The Age will round out the initial lineup with a show on July 27.
Upon purchasing a stream, you will be sent a private YouTube link for each performance. For more information and updates regarding the series visit The Linda’s website or their social media pages.
Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Luminous Crush from Jamaica, VT has shared the stage with Amy Helm, opening for her band at the Paramount Theater in Rutland, VT. Their first album was produced along with Grammy-winning Nashville songwriter and producer Felix McTeigue, and their newest LP Lumina is now available at Bandcamp. This is a new song not found on either of their previous releases.
Check out this Ballston Spa band’s new album This Perfect Day at Bandcamp and Spotify. The Daily Gazette of Schenectady called it the “perfect pandemic album”. This song was inspired by a dream that singer Jen Coleman’s daughter had.
One of WNY’s tightest and most eclectic rock groups is back with a new album release on July 3. Rochester based indie rock band, Animal Sounds, has a great discography already, with early material like “Ghosts” paving the way for their first full album, Ennui. It is important to take into context how the band’s music has matured over the past few years. Layers is a whole new beast, with intricately crafted structure and infinitely danceable tunes. Animal Sounds hasn’t compromised on what’s made them an indie staple in the area while continuing to grow.
The album’s opener, “Layers,” is a great exemplification of how the band can mend and bend the genre’s they write around. The core of the song is a dance-able, Young-the-Giant-type-groove complete with wobbly keys and deft guitar work. While the hook and the vocal performance are worthy of the spotlight, the guitar parts and drum feature early on showcase how technically sound their musicianship is. The song breaks out into a New Orleans style brass section before diversifying into a chill and bouncy bridge. The drop downs in the song really make the chorus hooks shine through. One track in, and the album already makes a strong impression.
“Rollin,” the second track, hits heavy with a bluesy, Steely-Dan-style guitar lick underneath reverb-soaked vocal ooh’s. Little hints of shoegazy, early Modest-Mouse-type guitar parts play beneath the verse lyrics. The bass thrusts the song onward into an energetic chorus. Again, the musicianship is stellar as the band navigates very tonally different verses and choruses without missing a beat.
The third track of the album is really a unique sound for the group, with a mix of their essential indie, along with a more twinkly guitar background- similar to some of the tones you’d expect to find on a math-rock album. Some of the guitar parts come off as math-inspired, but they never stray from being rhythmically accessible. The bass tone on this song hits heavy and offers more thickness while the drums provide a straightforward pulse.
“Blue on Burgundy” yields a nice, solid dream-pop feel that remains energetic but gives the album a great dynamic arc. The guitar compositions and their harmonies are so well written and performed here, hitting that perfect point where the guitars meld together and sound like one single instrument. The band’s foray into more jam-type music here (as well as at various other points in the album) pays off in a big way. The solo sections never hang on too long, and what’s being played never comes off as inarticulate or ‘noodly.’
Lastly, “The Feeling” brings the album out on a heavy note. The baritone guitar licks match the bass to create a really thick sound. A theme throughout this album has to be the thickness of the low end. It lends to bouncier drums and allows the guitar and vocals to sit well. The mixing holds up really well and offers plenty of easter eggs worthy of searching for indulging numerous listens. A true dance album with wonderfully designed tones and mixes, Layers is a perfect album for summer playlists and heavy listening. Animal Sounds will be doing a live-stream show on July 3rd, to benefit a local Rochester venue, Photo City. Check out the event here, and catch Animal Sounds live on release day!
Animal Sounds is comprised of Erick Gordon (vocals), Shawn Brogan (guitar), Alex Brophy (guitar), Zach Jonas (bass), and Angel Figueroa (drums).
Brooklyn-based indie rock band, The Next Great American Novelist (aka NGAN), share their new single, “Drag,” from their upcoming sophomore record, Careless Moon. Written before the pandemic and a better-late-than never Civil Rights revolution took the main stage of society. The new single, “Drag,” works to show that there was never a comfortable or correct “normal” in life when times were “precedented,” fully working for everyone.
Songwriter Sean Cahill explains the new single, saying:
I love New York City, though, some days it feels like a dysfunctional landscape of ill-routine. Living here, you realize you’re functionally necessary but of small significance or importance within the larger enterprise. I’m immersed in a series of habits: standing in line, getting on a train, heading to work, buying coffee, buying booze… Are these choices I want to make or am I just keeping the machine going.
Cahill was on the verge of ending his The Next Great American Novelist project before it really even got off the ground. He recalls his experience saying:
I was working in life insurance, and I had a gig at some small venue in Bushwick. I almost didn’t do it because I was so depressed from my living situation and work. I knew nobody, and my girlfriend didn’t show up. I played the show solo, and I was so over everything. I just didn’t give a shit, so I was very open and honest on stage. And this guy who was super shy came up to me afterwards and was like, ‘Hey, I really like your music. I’m a sound engineer, you should come by my studio,’ and gave me his card.
That shy fan was Justin Helm, an engineer at New York’s The Cutting Room. Cahill later stopped by the studio and met the in-house producer, who happened to be Cummings. The two quickly hit it off, connecting over a love of The Beatles and Dirty Projectors. With Helm co-producing and engineering, Cummings would go on to co-produce and play onI’ll See You in the Art You Love, Cahill’s partially crowd-funded debut as The Next Great American Novelist.
It wasn’t long before the pair went from friends to true creative collaborators. As soon as Art You Love was completed, they started approaching a few dozen bedroom demos Cahill had written. Eventually, Cummings expressed a not-so-secret desire to join NGAN, and Cahill was happy to welcome him to the foil. From that moment, the band’s trajectory dramatically changed.
Cahill had never fostered a strong ambition to take his music beyond a personal escape. He’d studied classical guitar in college, but left the program when the criticism and perfection of academia began to suck the fun out of the art. Now with Cummings to play off of, Cahill was rediscovering the joys that attracted him to writing and performing in the first place. The duo have applied creative efforts outside the band as well, writing jingles for everything from Swedish Fish to dog medication.
More than ever, Cahill wanted NGAN to become a band people brought their friends to come see live. United, Cahill and Cummings set to work creating new songs that would “make sense live.” It all came together in the studio with drummer Danny Sher of Horse Torso (his outfit with Baroness bassist Nick Jost) laying down the rhythm live to tape as they built towards their new record, Careless Moon.
Careless Moon is about the relationship between romance and indifference. How it’s possible to see different concepts in the same symbol. One night, you could look at the moon and see an illuminating presence, brimming with light, offering clarity to a sky that is otherwise shrouded in darkness. The ridges of its surface appear as something familiar, a face, looking down and bringing you comfort. Other nights the moon can seem callous: an indifferent rock suspended unwillingly by gravity. You remember that the moon drifts from the earth by 3.8 cm each year, orbiting away from you as it barrels out into space. Your life changes but the moon doesn’t, each night you can find it waiting for you. When you realize that it has no attachment to you, it is frightening.
In the midst of a global pandemic, as well as coping with trials and tribulations of being a twenty something, Rochester native, Garrett Eckl of Your Name Here has released a full length album that was written and produced by himself. Graduation of the Apocalypse is Eckl’s second full length concept album, which covers topics such as relationship troubles, self worth and mental health – topics that relate to Eckl on a more personal level that compared to his prior album.
His vulnerability and advancement of his musical prowess has birthed the story of an immersive journey where two teens find themselves in the middle of an apocalyptic world that has been ravaged by an alien invasion/ virus. His use of music technologies, personal experiences and opinions on current world issues act as fuel to propel his story through highs and lows, like a true theatrical experience – something that Eckl said he really strived for on the album.
Eckl, who left his job at NASA to pursue music, recently moved to San Diego where he received bachelors in music recording technology. He has set his sights on a masters in computer music and intends to pursue academia. In an interview with NYS Music, he said recent life events pushed him to create a new album, namely his move to San Diego. His cross country move and relationship troubles have spilled onto the album, in the best way possible. He said the experience taught him that he needs to learn to let go of certain things in his life.
“The album is very cyclical in nature. The first song “Graduation Day” ends with me singing about not wanting to grow up and lose my youthfulness (“some kids live into their forties, some kids live until they’re married, some kids die on graduation day but I’m never gonna go that way”). That same verse is repeated at the end of the album in “Now I Know.” This signifies that despite everything the protagonist has been through, he still hasn’t become the jaded and boring person he feared he would become.”
The result of these revelations and life experiences is this: Sonically, this is what you get when you mix Ben Folds 5, Weezer and the play Dear Evan Hansen together. Listeners will feel an array of emotions, as one does in a play. There are tracks that are instrumentally uplifting and chipper, coupled with lyricism describing the complexity of love in relationships, like in “Graduation Day.” “Everyone Thinks You’re A Little Strange” is also a prime example of Eckl’s style – a huge sound consisting of string quartets, chanting choirs, dynamics and builds, highs and lows and stories that everyone can relate to.
But we’re also strung through songs that set the scene of how grim things are in this reality – i.e. “The Apocalypse.” This was a stand alone song that proves how Eckl is growing and learning. The song never speaks of the protagonists, says Eckl. “I wanted this album to be open to interpretation, but I wanted it to be very clear that this (song) was about the apocalypse.” In this track, Eckl is able to hold onto his style that sets him apart from others in the genre, but is able to create an intense tonal shift, all while using recognizable instrumentation and voicing that is seen throughout his other works. It’s an incredible feat and once again legitimizes this album as something that could easily be mistaken as an OST from a Broadway show.
Each song is unique and easily distinguishable. Everything sounds just as Your Name Here should sound, but each one feels like it’s own standalone story. String them together, and listeners will go on a personal, reflective journey as well as getting a taste of Eckl’s experience. It’s been exciting to run through each of the songs, and it’s been exciting to wait for each track, as Eckl has been releasing 1 song per week for the past few months. The last song of the album, set to be released July 5, is called “ Letter In A Locket”. We’ve made a playlist on Spotify of every released track, but listeners can find it on Apple Music and below via Youtube. Those who want to dive even deeper into the immersive world Eckl has created, can also look into the Alternate Reality Game (ARG) that he has made to coincide with the album. Find more information on his ARG, here.
Key Tracks: Graduation Day, Everyone Thinks You’re A Little Strange, The Apocalypse
Marco Benevento joined RJ Bee on this week’s episode of the new podcast series Past, Present, Future, Live! brought to you by Osiris Media. Spanning almost an hour, in the episode we hear the virtuoso keyboardist discuss his life experiences and musical inspirations behind the 7 solo albums that have successfully blended indie pop, jazz, hard rock and improvisation into the smooth fun sound he is known for. The episode wraps with a special performance “Two of You,” “Dropkick,” and “In the Afternoon Tomorrow” right from Benevento’s studio home in Woodstock, NY
Marco Benevento went on to talk during the podcast about musical partnership that has spanned over twenty years with drummer Joe Russo, the other half of the Benevento/Russo Duo and mastermind behind Joe Russo’s Almost Dead. From bus tours to moving to the Hudson Valley of New York, Benevento’s life and career was impacted immensely leading up to the new artists who have inspired diverse sounds on Benevento’s new album Let it Slide.
“I literally am living the dream. I couldn’t even imagine being anywhere else right now,” said Marco Benevento.
Past, Present, Future, Live! is a weekly show that captures the musical journey of an artist in four parts. From early inspirations to the creative process to what drive’s future projects these stories provide a unique inside look. Hosted by RJ Bee, past episodes have included Grammy winning producer and musician Eric Krasno and the frontman for Old 47s Rhett Miller. Upcoming episodes of Past, Present, Future, Live! will include conversations with Ted Leo, Dani Markham, Maggie Rose, and more. Check out full audio episodes every Tuesday on Apple Podcasts, Spotify or wherever you get your podcasts. A video of each live performance will be available immediately following on the Osiris website and Youtube channel.
Many will remember Phantom Planet for their song “California,” but for many fans there more than just a theme song. The band actually started their career at just 15 years old and will later be an indie rock staple with songs like “Lonely Day,” “Big Brat,” and “Do the Panic.” Now after 12 years the bank has come back with their highly anticipates album Devastator – now available worldwide.
Devastator is the first album Phantom Planet has released in 12 years.
The album is a great tribute to summer with songs like “BALISONG” and “Only One,” and the lyrics are on point! However, after listening to the album, it left me with several questions for the band.
Fortunately, I had the amazing chance to chat with lead singer, Alex Greenwald to not only discuss about the creative process with the album- but to also discuss the challenges that were involved:
Tamara Estrella: Thanks Alex for chatting with us here at NYS Music, I remember when there were teasers that a song was being produced. However, once you did the release and the mini tour, what led to the creation of the album? Was this all a part of a big plan that fans didn’t know about?
Alex Greenwald: The night we played our first show in January 2019, our last album’s producer Tony Berg (who is a LEGEND) said he was floored watching us and invited the band to record in his new studio. The ‘new studio’ happened to be Sound City which is one of LA’s most historic places to record, where many, many great records have been made. Nirvana’s “Nevermind” for example. Also, the hugely successful version of Fleetwood Mac with Lindsey Buckingham and Stevie Nicks actually formed in the room we recorded in. THEN ,when we were mixing the album, Bob Dylan was recording at the same time across the hall. Making this album was incredible.
TE: Listening to songs like “Time Moves On” and then seeing the album art….I hate to ask…but was this album inspired about personal events? Or was there another meaning behind it?
AG: Before I answer this question, I’d like to make it clear – as the person who wrote it – that these songs are about whatever you think they’re about. You, the listener are who gives these songs meaning. Ok. Now to answer your question. Yes. A lot of the songs on Devastator were inspired by a breakup with someone I’d been in a relationship for seven years. Every time I told someone about the breakup – that she got to keep our dogs – they would say something like: “My G_d that’s devastating!” Always that word. So, the album just kind of titled itself.
TE: I love watching your YouTube videos and it’s great to see that you guys were even able to release a music video during all of this. How has this whole pandemic experience been for you guys as a band?
AG: The pandemic has affected everyone in such different ways, but the one thing we all have in common is that we are trying to live our lives to the best of our abilities while under house arrest. I’ve been learning all I can about anything I can, and being as creative as I can be during this time. The band has been sharing music amongst its members, collaborating via “satellite”. We’ve been making home vids of certain songs and putting them up online. I made a music video for our new song “Only One” with a green screen. I found a bunch of royalty free video from the internet, and edited it to the song. I filmed myself with my iPhone. It came out way better than I thought it would, seeing as I had absolutely no experience making music videos or editing or green screening. One of my favorite qualities of human beings is our ability to adapt. I see a lot of adapting, and although the circumstance are FAR from ideal, I have seen so many flashes of beauty through this dark unprecedented time. Stay strong everyone. We still have each other, even if we can’t be close right now. Love will carry us through.
So as Billboard shares, be ready to ‘dance, smile, cry and go through all the emotions,’ for an 11-track musical narrative that was seriously 12 years in the making- and honestly worth the wait.
Check out Phantom Planet’s latest video “Only One”:
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music to discover from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
No More Death Stars is an indie/punk band from Glens Falls. They are Kevin Cardinale, Gina DiNardo, Eric Rothstein, and Kevin Stephenson. However, singer Kevin C plays all the instruments on this song which he recorded over a 12 hour period while in quarantine. This video features friends who were asked to send in funny videos of themselves listening to the song and all the best clips were selected for the final product.
Jesse is from Schenectady and this represents another side of what he’s been doing. The song features Tim “The Witchdoctor” Brosnan from The 7th Squeeze and Stellar Young on drums, Colin Abele, former bassist of Black Mountain Symphony, on bass. It also showcases the vocal styling of Jesse’s old roommate’s dog, The Dude. And that Dude’s got some pipes.
Upstate NY indie rock singer and guitarist Frank Palangi has released his EP “BRING ON THE FEAR.” The self-produced hard heavy Rock artist who can do anything and everything he sets his mind to has the type of personality that doesn’t give up; no matter what it takes. Palangi exhibits confidence, determined to pursue his passion for music. He fuels a refreshing positive outlook serving up a feeding frenzy of edgy heavy guitars, deep n gritty vocals.
After my 2017 “Set Me Free EP” I was doing a lot of shows/opening slots and getting into more of the recording side which lead me to a year and half experience with producing, mixing and writing the 4th installment. I progressed and learned so much through that time through books, videos and interviews about mixing and with upgraded my home studio equipment. The songs I always knew would be apart of the same CD double EP had to be similar but still new and exciting vs I Am Ready CD (2013). I teamed up with few of my favorites to work with from Lester Estelle (Kelly Clarkson) – Brian Craddock and Brandon Maclin from Daughtry for some studio work. I had self produced a single or two before but always working with producers and mixers on my main EP”s, this really made me step up and think about the whole process a lot more. This is more gritty and heavier than the “I AM Ready” release. No reason for it, just led me in that direction with the love of heavy rock. With my wide variety of influences, I did somethin more constant which may not be always the cause for the future.
Thin Lear, an indie folk-rock singer-songwriter from Queens, just released his new single “A Simple Phrase” from his debut album Wooden Cave, which will be released on July 24, 2020.
Photo by Shervin Lainez.
This dream-like ballad premiered on GoldFlakePoint, who called it “delicate and hypnotic.” The song is deeply emotional and moving, and the instrumentals deliver this same intensity as well as the lyrics do. The song has a somber tone while still maintaining a beautiful arrangement. This is Thin Lear’s fourth single of this year, and will be featured on his upcoming album Wooden Cave.
The track’s ethereal feel may come from Thin Lear’s inspiration: a dream. “I woke up with the whole thing one day, ideas for arrangement and all,” says Thin Lear, also known as Matt Longo. He expresses that “before [he] slept, [he] was thinking a lot about how insecurity operates,” and when he woke the “chorus was just ringing in [his] ears.” Although the song is about something so upsetting, the instrumentals are hauntingly beautiful, disconnecting the listener from the song’s negativity.
Longo’s inspiration for Wooden Cave came from the story of Netta Fornario, a woman who left all she knew to pursue magic and healing on a small island in Scotland, where she died inexplicably. Longo wanted his album to be “a set of songs existing on a sonic and lyrical island of their own” that would be for outcasts like Netta. He recorded the tracks at different studios around the city with various artists, making each song even more of its own personal island. The album took him two years to complete and has been a complete “labor of love.”
Wooden Cave is set to release on July 24 by EggHunt Records. Preorder the album on Bandcamp here, and follow Thin Lear on Instagram.
