Category: Features

  • Premiere: Brooklyn’s Greywolf collaborates with Aya Nori on “Temple”

    Today, Greywolf drops the second single, “Temple,” off his upcoming debut album, titled Operation Wolf. A perfect follow-up to his solo debut “Exit Key,” the track continues the beautiful sounds and harmonies of the first release, as well as similar themes of release, cutting chains that weigh you down.

    greywolf

    Whether it’s shame, adversity or betrayal, “Temple” sends a message, making a conscious choice to live your best life and to project love, even in times of peril. The track opens with synth sounds that remind one of church bells ringing in the distance, as well beautiful harmonizing between Greywolf and guest vocalist Aya Nori. The track contains elements of hip hop and R&B, particularly Aya’s verse, and sounds at times like a Justin Timberlake tune.

    Aya Nori

    While Greywolf (Jay Grey) is best known for his work as bassist for Brooklyn-based Escaper, he has branched off to deliver a sound all his own. Once again he plays all instruments on this track — vocals, synth, bass, and beat programming. Additional lyrics written and sung by Aya Nori, who has recently released her sultry single “Daze,” the follow-up to her critically acclaimed song “Young And Offended.”

    Teaming with Aya Nori for “Temple” was a dream come true. I’ve been a fan of her music for a long time and couldn’t be more excited with the end result. I feel we’re cut from the same cloth in terms of tonality.

    Greywolf

    “Temple” was mixed and mastered by Abe Seiferth. Greywolf’s debut album, Operation Wolf, will be available for release in Fall 2020. Wolf says of the upcoming album, “The timing of the record — I don’t think there is any better time to put music in the world. If I can project light and hope into this world then I know I’ve done my job.”

  • 40th Annual NYC Lennon Tribute Concert to Stream Free with All-Star Lineup

    Theatre Within, the non-profit behind the Annual John Lennon Tribute charity concert since 1981, has announced that its milestone 40th Annual John Lennon Tribute will be streamed for free exclusively at LennonTribute.org, on what would have been John Lennon’s 80th birthday, October 9, at 7pm ET thru October 12 at midnight.

    Lennon Tribute Concert

    The program will feature unreleased performances from past tributes and new performances of John Lennon and Beatles classics by recent John Lennon Real Love Award Honorees, Patti Smith, Natalie Merchant and Rosanne Cash, plus Jorma Kaukonen, Jackson Browne, Taj Mahal, Martin Sexton, Joan Osborne, Bettye LaVette and more. In addition, The tribute will include reflections on John Lennon’s music and social impact by famed rock photographer Bob Gruen, Double Fantasy producer Jack Douglas, music critic Anthony DeCurtis, V (formerly Eve Ensler), and others.

    Lennon Tribute Concert

    In a statement, Yoko Ono said, “John has been a loving spirit now for nearly as long as he was with us on earth, 40 years. Through all that time, Theatre Within has joyfully celebrated his music and message with its beautiful annual tribute concert, which helps makes possible its many programs for those impacted by cancer, including the John Lennon Real Love Project songwriting workshop. This is such a wonderful way to honor John and the values he stood for.”

    Lennon Tribute Concert

    As a result of the pandemic, we’re taking the Tribute online and have the opportunity to share it with John Lennon fans around the world. We’re counting on their support to help keep our free programs for those impacted by cancer going and growing.

    Longtime Tribute producer and Theatre Within Artistic Director, Joe Raiola

    This year, in partnership with Gilda’s Club NYC and Gilda’s Club Westchester, Theatre Within is providing 135 free workshops, all available online – in songwriting, art, meditation and much more – for children and teens who have lost a parent to cancer and adult cancer patients and survivors.

    Now more than ever, these workshops are vital to our community of cancer patients and their families who look forward to them as part of their lifeline to help them manage their cancer journey during this pandemic. Theatre Within has been such an important component of our program and we, and our members, are deeply grateful for their continued support of our cancer community.

    Lily Safani, CEO of Gilda’s Club NYC

    Theatre Within is inviting John Lennon fans to make a donation in any amount to the Real Love Fund by texting “TBIB40” to 41444. All proceeds will empower Theatre Within to continue its free programs for NY-metro cancer community through 2021. It is the only ongoing John Lennon tribute concert in the world sanctioned by Yoko Ono.

  • Wiley Watson Releases Pop Rock Late Night Bar Anthem “The Kid”

    Brooklyn based artist Wiley Watson today releases his new single “The Kid,” taking listeners on a journey inspired by a rambunctious night in York, England, post-breakup.

    Wiley Watson

    The song features a variety of styles blended to construct the party-induced instrumental. The vibe you can expect going into this track is cheerful regret, its the type of music that plays in the background of a dive bar with a PBR in hand and, that is what makes it “indie” in the best way.

    The instrumentals fuse influence from across genres including pop, indie rock, and hints of hard rock but, with a heavy reliance on a new-wave funk swagger.

    The alt-rock/pop artist promises to bring all the energy on his new track exclaiming, “The song is a party/bar fight type song,” exclaims Watson. “I want the listener to listen to this song before they go on a night out with the lads. It’s all about bad decisions, poor choices, and having a legendary night with your pals.” A statement which, is swiftly delivered as the track progresses.

    Wiley Watson

    Wiley is genuinely giving in his approach to writing his music and it’s content. You can feel robust with his upbeat rock anthems, can transcend into a memory with his melodic guitar riffs, or even feel melancholy through his sadder, ‘lost love’ songs. His style can be credited to a broad range of influences from classical composers, heavy metal shredders, arena singing pop stars, and even spaghetti western films; Wiley’s influences broadens his sound which allows for a wide audience appeal. 

    A former college athlete, Watson returned to New York City, a place that influenced his childhood and now lives in Brooklyn. Here is where Wiley would begin to challenge his sound and grow with influences of contemporary indie rockers such as Bleachers and F.U.N. 

    To find out more about Wiley Watson, visit his website, and for more music, check out his Soundcloud.

  • Upstate Concert Hall Relocates to Pearl Street in Albany

    For years, Upstate Concert Hall has been incorrectly listed on tour promotion and concert posters as being located in Albany, NY. The venue, has been located in a Clifton Park, NY strip mall since 1996, when it was named Northern Lights, and is a 20-minute drive over the Mohawk River from Albany. The geographic error makes little difference now, as the owners of Upstate Concert Hall have relocated to Albany.

    Guster Upstate Concert Hall
    Guster performing at Upstate Concert Hall, 2019. photo by E. Reid Coker

    With a fresh location in the former Capital Repertory Theatre building on South Pearl Street, the venue and area are in for a major upgrade from its previous setting. Capital Rep is moving to a new location in a renovated warehouse at 251 North Pearl Street, per the Times Union.

    Upstate Concert Hall is beneficial for artists passing through the Capital Region, particularly metal and hardcore artists, as well as jam bands. The new venue at the former home of Capital Repertory Theatre stands to be a positive sign for the city of Albany, especially on Pearl Street where revitalization feels to be continually on the cusp of a renaissance.

    Upstate Concert Hall
    The view from inside Capital Rep, the new home of Upstate Concert Hall

    With added apartments downtown, additional (free!) parking nearby, and a just announced Skyway bringing downtown closer to the Hudson River, Upstate Concert Hall joins The Hollow Bar and Kitchen, Pearl Street Pub, Parish Public House, The Egg, The Palace Theatre and Times Union Center, as well as the soon to open Lark Hall, as a hub for music in the Capital city.

    Albany Mayor Kathy Sheehan said of the move, “This is yet another example of the unprecedented investments occurring in Albany’s newest neighborhood.”

    The Clifton Park location became known as a great destination for a large number of bands who could not find a location in the city of Albany to play to crowds over a capacity of 250. There were drawbacks to the venue, including a low ceiling which limited light shows and large scale production (think of OK GO! and their confetti cannons, hitting a 12 foot drop ceiling doesn’t have the same effect).

    upstate concert hall stone temple pilots

    Add in average sound quality throughout the expansive venue, as well as the location within a strip mall with limited restaurants and bars within walking distance, and Upstate Concert Hall became a destination for the artist, not the venue.

    capital rep Upstate Concert Hall
    The view from inside Capital Rep, the new home of Upstate Concert Hall

    Speaking to the Times Union, Jeff Buell, a principal at Redburn Development said, “We are working closely with Upstate Concert Hall to reimagine what a rock room looks like mid- and post-COVID.” Redburn purchased 111 N. Pearl two years ago as part of a six-property deal with the longtime owner, the developer Herb Ellis. Redburn has finished or is converting nine downtown buildings to rental apartments as part of a project with more than 275 residential units and a price tag north of $80 million. Buildings that are open are full or near capacity, Buell said, with others due to open in the coming months already 50 to 80 percent leased.

    Upstate Concert Hall has played host over the years to an immense variety of bands, among them Stone Temple Pilots, Mister F, Twiddle, Kung Fu, AWOL Nation, Lettuce, GWAR, Big Gigantic, Clutch, Umphrey’s McGee, OK GO!, Shadows Fall, Guster, and Blues Traveler, to name a few. The tradition of great live music in Albany will surely continue with this addition. In the meantime, we still need to #saveourstages.

    Watch a memorable GWAR performance from 2014 below.

  • Fairy-Folk Artist Shira Releases Birds of a Feather EP

    Shira, a fairy-folk singer-songwriter from Rochester, has released the first part of her new EP Birds of a Feather on Sept. 18. The four-song EP is the first part of a two-part release with the rest of her project, called Birds of a Feather Flock Together, coming in 2021. Shira’s radiant personality provides listeners with an infectious amount of hope on her latest project.

    Shira
    Courtesy of One in a Million Media

    Shira released the music video for the song “Wait For Me” on Sept. 18 alongside her EP. The ukulele arrangement perfectly complements her journey from the US to reunite with her fiancé in Barcelona in the video. Shira’s nervousness for her international journey is also accompanied by a sense of hope as she sings, “One more breath before I go, there’s nothing left to hide.” While the lyrics reveal a level of vulnerability her graceful singing reveals optimism towards taking a risk as she did when she embarked on her journey.

    “Usually” positively embraces anyone who is going through adversity, especially fitting during the COVID-19 pandemic. Her lyrics: “Don’t let fear kick in, it’s just trying to make your bright light disappear” encourages listeners to hold to hope even during times of uncertainty. Shira’s self-described “fairy folk” sound resonates through the lively orchestral arrangement on this track.

    Shira
    By Iraia Olivas Etxaniz

    On her title track “Birds of a Feather,” Shira successfully blends her voice with the ensemble of drums, piano, and guitar as she sings about the value of strength and unity in partnership. Even through life’s adversity, Shira’s reassuring lyrics: “We’ll brave this storm, birds of a feather” emphasize the strong partnership displayed in her video when she traveled to her fiancé across the world. Shira’s violin filled arrangement on “Go Uncharted” captures the decision to take a leap of faith into the uncharted unknown. In a mission to bring healing to the world through music, Shira’s Birds of a Feather delivers a needed sense of unity to listeners.

    Birds of a Feather is about finding yourself first, exploring, not being afraid to ask for what you want, struggling with the fear of never being seen, listening to your inner voice over outside noise, letting go and trusting.

    Shira
  • Turkuaz “Ophidiophobia” melds Brooklyn funk and Talking Heads

    Brooklyn nine-piece funk lords Turkuaz explore the space between beauty and poison with their new single “Ophidiophobia,” featuring Jerry Harrison and Adrian Belew of the Talking Heads. They’ll debut the tune live this weekend during VIRTUAL ROO-ALITY, Bonnaroo’s Virtual music event.

    Within this age of social distancing, Harrison and Belew added in their parts remotely, and the collaboration between Turkuaz, Harrison and Belew will appear on VIRTUAL ROO-ALITY as Remain in Light, an ensemble that was slated to tour the festival circuit throughout the 2020 summer.

    We had always planned on doing a little bit of Turkuaz material in the upcoming ‘Remain in Light’ tour with Adrian Belew and Jerry Harrison. Once the pandemic hit and the tour was postponed, I started to think this would be a really nice track to have those guys on.

    Dave Brandwein

    Pronounced oh•fid•e•oh•fo•bia, what began as an instrumental groove originally titled “Dr. Jones” with a sinister, dark tinge turned into an Indiana Jones-inspired track, as recalled by Turkuaz bari-saxophonist and vocalist, Josh Schwartz. Another working title that Dave added was “Akar Saga,” but upon looking up the phrase and discovering it was a beautiful, tropical vine, Schwartz knew he was onto something special.

    “A poisonous but beautiful tropical vine with red and black features reminded me of snakes, of which Indiana Jones is famously afraid, so I realized I could combine imagery and words from both placeholder titles to write a song involving snakes. When I found out that the fear of snakes is a word as beautiful and strange as ophidiophobia, I knew this song had to be written.

    ophidiophobia

    This was yet another great collaboration experience with Josh building on a groove/bassline that Taylor [Shell] brought in to some writing sessions we had here at my studio. I think most of us took a small amount of these mushroom capsules I had. Turns out they weren’t so ‘micro’ and some of us had a bit more of an experience than we’d planned for. But we carried on and tried to let the grooves take over! Once Taylor started on this bassline I think we may have just jammed on it for about 40 minutes straight.

    Dave Brandwein

    Tune into Virtual ROO-ALITY this weekend to catch “Ophidophobia” performed live.

  • ‘Harry Chapin: When In Doubt, Do Something’ Documentary Announced For October 2020

    The ‘Harry Chapin: When In Doubt, Do Something’ documentary following the life of the legendary songwriter Harry Chapin has been announced for October 16, 2020. The film will premiere in theaters across the United States as well as on a virtual cinema platform. 

    Harry Chapin

    The documentary is a Greenwich Entertainment film and is being directed by Rick Korn. The film was produced by Korn, S.A. Baron, and Chapin’s son, Jason Chapin. It follows the GRAMMY-nominated folk singer starting in his childhood which he spent under the shadow of his father Jim Chapin who was known for his  jazz drumming and as an author of books about jazz drumming. It then moves on through his unfortunately short life and highlights all the ups and downs he experienced throughout his life.

    Harry Chapin tragically died on July 16, 1981 in a car crash on interstate 495 in New York. Some of his most well known work includes “The Cat’s in the Cradle”, “Taxi,” and “A Better Place to Be.” The film focuses on his humanitarian efforts as well which is why the film is being released on World Food Day which fits perfectly as Jim Chapin was the co-founded of the influential hunger non-profit WhyHunger. A portion of the proceeds from the film will go to both WhyHunger and The Harry Chapin Foundation.

    The documentary uses archival footage and new interviews to give the viewer a glimpse into Harry Chapin’s life. It focuses on how the singer-songwriter used his fame as a launching point to help others and influence politics. It features testimonials from Chapin’s family (including Tom Chapin and Steve Chapin), as well as peers including Billy Joel, Bruce Springsteen, Pete Seeger, Kenny Rogers, Robert Lamm (Chicago), Darryl “DMC” McDaniels, Pat Benatar, Bob Geldof, Ken Kragen, longtime bassist John Wallace, and WhyHunger co-founder Bill Ayres.

    Harry Chapin sold over 16 million records during his short but unforgettable life. He also had 14 hit singles and two GRAMMY nominations. In 1977 he was a key participant in the creation of the Presidential Commission on World Hunger. In 1986, he was posthumously awarded the GRAMMY President’s Merit Award. He was inducted into the GRAMMY Hall of Fame in 2011. 

    For more information on the documentary read the full press release here.

  • The King of Corona: Paul Simon says goodbye at Flushing Meadows

    On September 22, 2018, at Flushing Meadows Corona Park in Queens, Paul Simon said goodbye.

    Paul was introduced by Queens Borough President Melinda Katz and NYC Mayor Bill de Blasio. He started the 2 and 1/2 hour show with Simon & Garfunkel classic “America.” His setlist pretty much remained the same as it was the rest of the tour.

    paul simon goodbye

    “This is like, two miles from where I used to play high school baseball,” he said after the first song. He then took out a baseball and glove and started playing catch with the massive audience. You can hear the sound of passing planes from above. “I was worried about that” he said. “Well, Welcome to New York” he joked as the plane can be seen landing in nearby LaGuardia Airport.

    The show continued with more classics like “50 Ways To Leave Your Lover” “Boy in the Bubble” and “Mother and Child Reunion.” During the Goodbye Rosie part in “Me and Julio,” the crowd went crazy when he said “Queen of Corona” Paul’s wife Edie Brickell joined him on stage for the whistling solo. After the song, he said to the crowd “How much fun is it to sing a song about Corona, in Corona?!” Looking back, that was pretty cool moment.

    Even though this was his farewell concert, Paul still sprinkled in some songs from his new album “In the Blue Light.” Although this is his fourteenth solo studio album, the album consists of re-recordings of lesser known Simon songs like “Can’t Run But” And “Rene and Georgette Magritte with Their Dog after the War,” which were both performed.

    Paul then started talking about a song he had an “interesting relationship” with. He talked about writing this song and “giving it away” to someone, but being able to reclaim it for his final tour. The song he was referring to was “Bridge Over Troubled Water.” After performing it with a slightly different arrangement with YMusic, who Paul worked with on his new album, he thanked Aretha Franklin who covered the song in 1971.

    The show ended with two encores. The first encore started with “Late in the Evening” but the highlight was “Still Crazy After All These Years.” The second encore started with “Homeward Bound” followed by “Kodachrome,” “The Boxer” and “American Tune.” The show ended with Simon & Garfunkel’s “The Sounds of Silence” performed by Paul with just an acoustic guitar. He then thanked the crowd and walked off stage and just like that, the last show of the final tour ended, and Paul Simon said goodbye.

    paul simon goodbye

    Out of the 26 song set, only five were Simon & Garfunkel songs. Not one mention of Garfunkel was made during the entire show other than a picture of the duo that flashed briefly during a video montage during “Homeward Bound.”

    Although this was his final “tour,” Paul has stated that he may still do an occasional performance.

    Setlist: America, 50 Ways To Leave Your Lover, The Boy in the Bubble, Dazzling Blue, That Was Your Mother, Rewrite, Mother and Child Reunion, Me and Julio Down by the Schoolyard, Rene and Georgette Magritte With Their Dog After the War, Can’t Run But, Bridge Over Troubled Water, Wristband, Spirit Voices, The Obvious Child, Questions for the Angels, The Cool, Cool River, Diamonds on the Soles of Her Shoes, You Can Call Me Al

    Encore: Late in the Evening, Still Crazy After All These Years, Graceland

    Encore 2: Homeward Bound, Kodachrome, The Boxer, American Tune, The Sound of Silence

  • In Focus: Pink Talking Fish gets Dazed and Confused at Jericho Drive-In

    On a chilly September night, the first where autumn made its presence known, Jericho Drive-In in Glenmont, NY hosted a socially distant crowd of a few hundred for a double feature – Pink Talking Fish and Richard Linklater’s Dazed and Confused.

    With cars lined up 10 rows deep, Pink Talking Fish gave the Capital District‘s jam scene something they had long been waiting for – a chance to get down and dance with close friends in a safe environment. Fans were smart and followed the rules we’ve all been aware of for six months – wearing masks when leaving your car area, and small clusters of live music fans staying within their bubbles. After 6 months of little to no live music, it’s fair to say that fans weren’t screwing this up (heads up here Gov. Cuomo).

    Pink Talking Fish Drive-In

    The performance from Pink Talking Fish was as invigorating as it was cathartic. Their blend of Phish, Talking Heads and Pink Floyd was overdue for many in the crowd, with a show opening “Simple” with a “Third Stone from the Sun” tease on the 50th anniversary of Jimi Hendrix’s death.

    One of many highlights of the evening, “Theme From The Bottom” > “Us And Them” > “Any Colour You Like” > “Theme From The Bottom,” featured a subtle tease of “Waste” and jumped feet first into show-stopper “Crosseyed and Painless.” To close out the night and give a nod to the second feature, Led Zeppelin’s “Dazed and Confused” was deftly intertwined within Phish’s “David Bowie,” bringing back the feel of exploratory “Bowie”‘s from the mid-90s.

    Next up for Pink Talking Fish, they’ll play two shows in Burlington, VT at The Backyard at Nectar’s on Friday, October 16! More info and tickets here.

    Jericho Drive-In, Glenmont, NY, Friday, September 18, 2020

    Setlist: Simple* > Happiest Days Of Our Lives > Another Brick In The Wall Part 2 > This Must Be The Place (Naive Melody), Rift, Have A Cigar > And She Was, Reba, Wish You Were Here > Moon Rocks, Theme From The Bottom > Us And Them** > Any Colour You Like > Theme From The Bottom > Crosseyed And Painless > David Bowie% > Dazed And Confused > David Bowie%%

    *w/ Third Stone From The Sun tease
    **w/ Waste tease
    % w/ Purple Haze tease
    %% w/ Dazed And Confused teases Pink Talking Fish Drive-In

  • TEST and Roy Campbell: A throwback to a fantastic night at Brooklyn’s Hinton House

    Indie Jazz label 577 records has just released the new TEST and Roy Campbell Jr. album, recorded live at the Hinton House. The live recording of the performance took place in April, 1999.

    According to Jazz Times, Roy Campbell Jr. was considered a favored player among the free jazz aficionados. He was praised for his adventurous approach and mixing of genres including world music, hip-hop, and reggae. Unfortunately, Roy Campbell Jr had passed away on January 9th, 2014, at 61 years old.

    Campbell was joined by bassist Matt Heyner, drummer Tom Bruno, and saxophonist Daniel Carter, with Sabir Mateen also playing saxophone alongside the group. According the album notes, this performance was a benefit gig to repair the No Neck Blues Band’s van. John Fahey, Lee Ranaldo, and No Neck Blues Band joined the stacked lineup at their loft, The Hinton House, and raised the ‘bread’ to fix the van. Spirits were lit with a listening and enthusiastic audience. The cathartic energy rising.

    The performance and energy were frantic and steadily increasing as the show went on. Listeners tuned in to the live performance clearly enjoyed the free-jazz and the atmosphere Roy Campbell Jr. and company provided.


    TEST occupied the public space of New York City. TEST’s typical audience was a passerby on a subway platform, a curious security guard on a smoke break in midtown, or the most ‘in the know’ subset of gig-goers. TEST, distinctly honed their working band approach, by actively gigging multiple times a week across the NYC subway map.

    When TEST performed at a venue, listeners would witness the bullseye acumen of a working band. This ethos of the band choosing to ‘play anywhere/all the time’ separated TEST from other groups.

    One of the hardest working musicians in the scene, Campbell lived at the north end of the Bronx, but nightly could be found downtown, uptown, or somewhere in the middle playing weekly at venues such as Lenox Lounge, The Pink Pony, Brecht Forum, Tonic, Knitting Factory and CBGB’s Gallery.

    The free-jazz album has left listeners feeling nostalgic for the time. The Test and Roy Campbell album has given jazz aficionados the opportunity to live in that moment of free-jazz history. The album is now on Bandcamp.


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