Category: Audio

  • Front Biz, Waitress, In the Valley and more Featured on This Week’s EQXposure

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from Front Biz, Waitress, In the Valley, and many more!

    front biz

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    In the Valley – “Rest”

    Starting out in the bygone days of 2018, James and Katie Johnson have been playing folk-pop covers, but this year 2020, the married singer-songwriters announced an original music duo under the name In The Valley. Catch “Rest” this Sunday evening on EQXPosure during the second hour, and be sure to check out their performance on WHMT/PBS, “A House for Arts” this month. In The Valley’s music is a blend of folk indie, with lo-fi alternative pop grooves, with soaring voices and well told stories.


    Waitress – “Lonely”

    Ending the first block of tunes on Sunday evening’s EQXPosure is a tune called “Lonely” by Waitress. The band just lost a key member but their music is deeply enriching. A unique folk and electronic mix with Indie pop, Waitress utilizes ambient synths, and elaborated guitar lines, paired with electronic production provides a new twist on pop sound that is both relaxing and dance-y. Waitress’s beach-like ambience gives listeners a chill and relaxed musical environment, while at the same time inspiring them to move to the beat. More music from this dynamic outfit will be available in the coming few months.

    Front Biz “Little Mutants”

    Front Biz is a shell company for an intergalactic real estate firm primarily focused on laundering money through an Earth-based rock band. Their latest album, Lunch Money, was recorded over three days in an Upstate NY cabin in March of 2018. The album was tracked live with virtually everything piped through a vintage Roland Space Echo for that timeless UFO hover. Victoria Rutledge and Anna Lazarou were ‘abducted’ for vocal support. Deep in the delay chain, the band made first contact with a disincarnate intelligence, entrapping them in a cosmic Ponzi scheme. Lunch Money is the group’s attempt to pay off their debt, and maybe get a bite to eat. Either way, the portal is open.





  • The Sea The Sea, Sarah King, The Rough Shapes and more featured on this week’s EQXposure

    Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from The Sea The Sea, Sarah King, The Rough Shapes and many more!

    The Sea The Sea

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    The Sea The Sea – “I’ll be Loving You”

    On the wave of their latest release, Stumbling Home, WEQX will play the single “I’ll be Loving You.” Heartfelt lyrics, soul stirring harmonies, and very attentive arraignments make this music so interesting to indulge in listening. 15 million Spotify streams can’t be denied. The Sea The Sea is a pop band only in their melodic infectiouness, otherwise they are at their best when subverting conventions and making really excellent music.

    Sarah King – “Nightstand”

    Sunday evening EQX will broadcast Sarah’s newest single, “Nightstand” before it is released on October 2. Sarah’s powerful and dynamic voice is a link between Americana roots and pure wide open soul. Her songs are insightful and cut to the many dualities of the human condition. There is an intensity to her lyrical honesty and vulnerability. You’ll feel like you’re sitting on a front porch in the deep south on a sultry summer night with one too many drinks behind you, looking out at a dark, beckoning path toward a future you want to believe in but can’t quite see.

    The Rough Shapes – “Lost Stations”

    If dark moody rock-billy is a thing, here it is in all its glory. The Rough Shapes latest release is titled “Lost Stations” and is full of significant flowing melodic songwriting coupled with world-class performances by this guitar, bass, and drums trio of Jeff Kadlic, Colin Almquist and Dan Cartwright. On the surface the music plays, but there are layers of rich textures that continue to reveal themselves upon each deep listen to this awesome new release.

  • Wiley Watson Releases Pop Rock Late Night Bar Anthem “The Kid”

    Brooklyn based artist Wiley Watson today releases his new single “The Kid,” taking listeners on a journey inspired by a rambunctious night in York, England, post-breakup.

    Wiley Watson

    The song features a variety of styles blended to construct the party-induced instrumental. The vibe you can expect going into this track is cheerful regret, its the type of music that plays in the background of a dive bar with a PBR in hand and, that is what makes it “indie” in the best way.

    The instrumentals fuse influence from across genres including pop, indie rock, and hints of hard rock but, with a heavy reliance on a new-wave funk swagger.

    The alt-rock/pop artist promises to bring all the energy on his new track exclaiming, “The song is a party/bar fight type song,” exclaims Watson. “I want the listener to listen to this song before they go on a night out with the lads. It’s all about bad decisions, poor choices, and having a legendary night with your pals.” A statement which, is swiftly delivered as the track progresses.

    Wiley Watson

    Wiley is genuinely giving in his approach to writing his music and it’s content. You can feel robust with his upbeat rock anthems, can transcend into a memory with his melodic guitar riffs, or even feel melancholy through his sadder, ‘lost love’ songs. His style can be credited to a broad range of influences from classical composers, heavy metal shredders, arena singing pop stars, and even spaghetti western films; Wiley’s influences broadens his sound which allows for a wide audience appeal. 

    A former college athlete, Watson returned to New York City, a place that influenced his childhood and now lives in Brooklyn. Here is where Wiley would begin to challenge his sound and grow with influences of contemporary indie rockers such as Bleachers and F.U.N. 

    To find out more about Wiley Watson, visit his website, and for more music, check out his Soundcloud.

  • Turkuaz “Ophidiophobia” melds Brooklyn funk and Talking Heads

    Brooklyn nine-piece funk lords Turkuaz explore the space between beauty and poison with their new single “Ophidiophobia,” featuring Jerry Harrison and Adrian Belew of the Talking Heads. They’ll debut the tune live this weekend during VIRTUAL ROO-ALITY, Bonnaroo’s Virtual music event.

    Within this age of social distancing, Harrison and Belew added in their parts remotely, and the collaboration between Turkuaz, Harrison and Belew will appear on VIRTUAL ROO-ALITY as Remain in Light, an ensemble that was slated to tour the festival circuit throughout the 2020 summer.

    We had always planned on doing a little bit of Turkuaz material in the upcoming ‘Remain in Light’ tour with Adrian Belew and Jerry Harrison. Once the pandemic hit and the tour was postponed, I started to think this would be a really nice track to have those guys on.

    Dave Brandwein

    Pronounced oh•fid•e•oh•fo•bia, what began as an instrumental groove originally titled “Dr. Jones” with a sinister, dark tinge turned into an Indiana Jones-inspired track, as recalled by Turkuaz bari-saxophonist and vocalist, Josh Schwartz. Another working title that Dave added was “Akar Saga,” but upon looking up the phrase and discovering it was a beautiful, tropical vine, Schwartz knew he was onto something special.

    “A poisonous but beautiful tropical vine with red and black features reminded me of snakes, of which Indiana Jones is famously afraid, so I realized I could combine imagery and words from both placeholder titles to write a song involving snakes. When I found out that the fear of snakes is a word as beautiful and strange as ophidiophobia, I knew this song had to be written.

    ophidiophobia

    This was yet another great collaboration experience with Josh building on a groove/bassline that Taylor [Shell] brought in to some writing sessions we had here at my studio. I think most of us took a small amount of these mushroom capsules I had. Turns out they weren’t so ‘micro’ and some of us had a bit more of an experience than we’d planned for. But we carried on and tried to let the grooves take over! Once Taylor started on this bassline I think we may have just jammed on it for about 40 minutes straight.

    Dave Brandwein

    Tune into Virtual ROO-ALITY this weekend to catch “Ophidophobia” performed live.

  • Jerry Sunday: The Grateful Dead at MSG, September 20, 1982

    By 1982, The Grateful Dead’s relationship with the State of New York had been firmly established. It began with a free show at Tompkins Square Park in 1967. Now, the band had graduated to regular gigs at Madison Square Garden, The World’s Most Famous Arena. Monday, September 20, 1982 would be part of their third run at The Garden, after playing there initially in 1979 and a brief two-show stay in 1981. The Brent Mydland era was now in full swing and this show from 38 years ago sees the band relaxed and fully cohesive as the Grateful Dead at MSG deliver another knockout New York performance.

    A spunky “Shakedown Street” gets things started off on the right foot. The band wastes no time getting into a nice groove and Mydland’s backing vocals spice this one up nicely.

    Guitarists Jerry Garcia and Bob Weir take turns leading the way on vocals through pristine versions of “Candyman” and “El Paso,” respectively, with the rest of the band sounding fully engaged. Afterwards, the recent revival of “Dupree’s Diamond Blues” continued. A month earlier, the Dead dusted off this oldie but goodie after a four-year layoff. Garcia’s vocals seem to have an almost echo-y feel to them on this one before he nails the corresponding guitar solos.

    Mydland’s signature raspy vocals accompany more beautiful Garcia-supplied guitar licks on the bluesy “Never Trust A Woman” that follows. The first set later ends with a couple of new tunes. Weir quickly mentions something about “remembering all the words this time” before they launch into “Throwin’ Stones.” This would be only the third one ever played after making its debut earlier in the fall tour. It’s an aggressive rendition as Weir certainly remembers the words and then some. But instead of the traditional outro jam the Dead would later develop for it, they pivot immediately to a rousing “Keep Your Day Job” that closes the set.

    Grateful Dead at MSG

    Things rev back up immediately with the “Scarlet Begonias” that opens up the second set. It features some delightful interplay between Garcia and Mydland on keys. With a pounding rhythm generated from bassist Phil Lesh, the jam eventually meanders a little bit before the familiar tones of “Fire On The Mountain” come through.

    The mid-set “Terrapin Station” that later follows has a very mellow feel to it early on. The composed section drifts off into near silence before eventually picking back up. Later in the set, emerging from the confines of “Space,” is another Dead specialty – the “Spanish Jam.” It’s a brief but infectious instrumental section that’s influenced by the theme to Miles Davis’ “Solea” from his Sketches Of Spain album. This more than aptly serves as the bridge to “Truckin’.”

    There would be no “Truckin’” jam tonight though. Instead, the band does another collective pivot of sorts and hurls into “The Other One.” It’s a quick but powerful version that sees Weir almost toying with the lyrics.

    After a customary joyous run through of “Sugar Magnolia” to close out the second set, the Dead decide to end things with yet another new number. This is also only the third ever performance of “Touch Of Grey,” a song that would later become synonymous with the band and their lone commercial “hit.” One more show at The Garden would follow the next evening as the Dead continue to make their presence felt in The Empire State.

    Grateful Dead at MSG

    Grateful Dead – Madison Square Garden 9/20/82

    Set 1: Shakedown Street > New Minglewood Blues, Candyman > El Paso, Dupree’s Diamond Blues, It’s All Over Now, Never Trust A Woman, Row Jimmy, Throwing Stones > Keep Your Day Job

    Set 2: Scarlet Begonias > Fire On The Mountain, Women Are Smarter, Terrapin Station > Drums > Space > Spanish Jam > Truckin’ > The Other One > Stella Blue > Sugar Magnolia

    Encore: Touch Of Grey

  • Belle-Skinner, TIP, Architrave and more featured on this week’s EQXposure

    Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from Belle-Skinner, TIP, Architrave, and many more!

    EQXposure Belle-Skinner

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Belle-Skinner – “Tapestry”

    Skinner was named one of “8 Female Musicians From Upstate New York You Should Be Listening To Right Now” by Saratoga Living and in 2015 was a finalist at the Telluride Troubadour Competition, a showcasing songwriter on the main-stage at Rocky Mountain Folks Festival in Lyons, CO. This Upstate artist has a nostalgic sense to her haunting voice that is nuanced with influences ranging from Joni Mitchel, Jeff Buckley, and Lana Del Ray. Her music elevates the modern folk song, rich in harmony, contrapuntal melodic phrasing, and wonderful song crafting.

    Architrave – “Blissed Out”

    Ballston Spa duo Architrave features programmed grooves, hearty classic synth sounds, with real guitars and bass. They have just released a new single, “Blissed Out,” which continues on their catalogue of moody electronic pulsating melodies. The New Wave movement of The Cure, Portishead, The XX has new momentum with Architrave.

    TIP – “Canadian Coins”

    TIP features Very clever and intricate song crafting and musicianship describes this quartet of college friends. The music is unique, evocative, and layered. Performing on recent live streams during quarantine for WEQX at HIGHPEAKS Sound. Think of guitar driven riff bands, each musician in this band plays with equal conviction as if these players were pre-destined to be in the same band today, they each play as an extension of the next player. There is a freshness to their sound, something bands strive for but these guys are out of the gate with that. Check their live stream show at High Peaks Sound a few weeks ago.

  • All the Years Combine: Grateful Dead at The Garden, September 13, 1991

    Today, we celebrate the anniversary of a Grateful Dead show at the most iconic of all New York music venues: Madison Square Garden. The Dead were certainly no strangers to this room by 1991. They had been playing the Midtown Mecca since 1979 and loved taking extended stays there. Fittingly, this show would be number five of a nine-show run at The Garden.

    1991 was still very much a transitional time in the band’s history. Vince Welnick had only joined the band a year earlier and Bruce Hornsby was still making regular appearances. This show would be no different. And while this one may not be designated with a “legendary” status in the record books, there are certainly moments that shine.

    To put it nicely, whether its the recording or the performance itself, the “Touch of Grey” opener is fairly mangled. Guitarist Jerry Garcia doesn’t seem to realize his part until a full verse passes first and the rest goes downhill from there. Fellow guitarist Bob Weir then takes over and directs “Wang Dang Doodle” afterwards that has a couple of inspired Garcia licks towards the end that seem to wake him up a little. With the band seemingly picking up on this, it carries right through the ensuing “Peggy-O” where Garcia continues to shine and brushes off some of the earlier mishaps.

    The first set doesn’t seem to really take off until “Althea” which features more delicate guitar licks from Garcia that’s finally accompanied by a vocal performance to match. “When I Paint My Masterpiece” follows nicely with the always lovely accordion fills supplied by Hornsby. The first set closes with a triumphant “Bird Song” that soars for more than 14 minutes with both Welnick and Hornsby, along with the rest of the band, on top of their respective game.

    After a rather nondescript Weir-led “Victim Or The Crime” to open the second set, things escalate quickly with a rousing “Scarlet Begonias” where the intensity of an MSG show is very much audible. The seamless segue into its traditional pairing with “Fire On The Mountain’ is vintage Dead and one of the definitive bright spots of this show.

    Another valid complaint for this show may be the extended “Drums” > “Space” sequence that follows. While it does feature a few moments of fun, psychedelic mayhem, it also drifts off completely at parts and takes up almost 28 minutes of the second set.

    Grateful Dead 9/13/91 Madison Square Garden

    Garcia brings a little of the “Space” along with him in the beginning sections of “The Other One” that follow before falling into its signature pattern. This brings about another inspired jam with all seven legs of the band acting as one cohesive unit while Weir belts out the lyrics he penned for this song years ago.

    The second set ends with a joyous “Throwing Stones” that features both Weir and Garcia with some passionate singing. A somewhat abrupt cut to “Not Fade Away” follows that gives the band one last chance to stretch out and jam.

    Grateful Dead 9/13/91 Madison Square Garden – New York, NY

    Set 1: Touch of Grey, Wang Dang Doodle, Peggy-O, Big River > Cumberland Blues, Althea, When I Paint My Masterpiece, Bird Song

    Set 2: Victim Or The Crime, Scarlet Begonias > Fire On The Mountain > Drums > Space > The Other One > Stella Blue > Throwing Stones > Not Fade Away

    Encore: Knockin’ On Heaven’s Door

  • ERIE, The Reckless Few, and more are featured on this week’s EQXposure

    Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from The Reckless Few, ERIE, and many more!

    EQXposure ERIE

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    The Reckless Few – “Sunshine and Love”

    From Troy, The Reckless Few is a sextet featuring Louis Emory (guitars, vocals), Bob Boyer (drums, percussion, guitars), Tim Lynch (piano, organ), Kate Sgroi – (bass), Rocco DiDonna (vocals) and Eliyahu Baruch (vocals). Their inspirations include The Beatles, The Rolling Stones, Bob Dylan, The Band, The Beach Boys, Frank Sinatra, Motown, and Muscle Shoals. Singer/Songwriter Louise Emory has been writing and recording original rock ‘n roll with a diverse family of local musicians for over 20 years. This song was released fifteen years after it was written while floating on a boat in Long Island sound.

    https://soundcloud.com/therecklessfew/sunshine-and-love

    ERIE.” – “Fears Come Runnin”

    From Albany, ERIE earlier this year self-released record the week before Covid-19 started running rampant and put us all into quarantine. With all that, the band managed to get picked up by Mint 400 Records out of Jersey City, NJ. They will be re-releasing the record on Friday, September 18 and have a virtual release show planned at The Linda on Monday, September 21.

  • Oliver Wood Covers “The Battle is over (But the War Goes On)” as his Solo Career Takes Off

    Oliver Wood released a single of the cover, “The Battle Is Over (But The War Goes On)” on September 4. This classic protest anthem cover is only his second solo single, the first being “Soul Of This Town.” Both are found across all streaming outlets. To donate to the American Civil Liberties Union (ACLU), you can purchase the song now at Bandcamp.

    Oliver Wood
    Oliver Wood (Photo by Come To Life)

    Recently branching out on his own as a solo artist, Oliver Wood has been a part of an American folk band, The Wood Brothers, since 2004 and has released seven studio albums with them since. The Wood Brothers have played in high profile shows such as Red Rocks and Bonnaroo and even earned a Grammy Award-nomination. Check out more about The Wood Brothers on thewoodbros.com. He has also been a part of Medeski, Martin & Wood where he opened for them and sat in on their show.

    Now, stepping into his solo career, the release of the cover “The Battle Is Over (But The War Goes On)” follows his original genre of American folk/Rock to get the message out about standing together. In his recent interview about the single, Oliver Wood stated, “With all that’s going on today, it felt inspiring to put this song out in the world again and help keep the momentum of a movement that really needs everyone’s help.” This song has a great rhythm and powerful lyrics that make you think about the message he is trying to convey as well as the emotions that go with it.

    “If talk was money, you’d be a millionaire
    If thoughts could kill, there’d be no one here
    So many thinking’ evil and talkin’ jive
    But its in only true love, this old world cans stay alive”

    This verse is moving, and you hear the truth through Oliver Wood’s voice. Keeping the song fun and upbeat, listeners get tied into this single and only makes one want more from the new solo artist.

  • Sydney Worthley, The Sweats, and more to be featured on this week’s EQXposure

    Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from Sydney Worthley, The Sweats, and many more!

    EQXposure Sydney Worthley

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    The Sweats – “Caught In A Wave”

    From the Finger Lakes who just released their full-length debut album Caught in a Wave recorded at Pyramid Sound Recording Studios in Ithaca. You can pick up the album for contributions on BandCamp. Singer Travis Durfee says they hope to sell a few digital copies to make up what they’ve lost this year in live shows and that they are already working on material for a new album. Check out their quaratine videos on Facebook.

    Sydney Worthley – “4:15

    In February, Worthley went to Nada Recording Studio in Montgomery, NY to record five new songs in five days and you can hear them all on the new album Rose Colored Glasses. Worthley is a notable advocate for mental health awareness, having performed in Saugerties at the annual Hope Rocks Festival.