Author: Nora Hones

  • Sevendust Releases Cover of Soundgarden “The Day I Tried to Live”

    Sevendust announced new music for the first time since 2018 critically acclaimed album All I See Is War. The heavy metal legends released a new lyric video for their Soundgarden cover of “The Day I Tried to Live” on June 26 and is available on all streaming platforms.

    sevendust soundgarden
    Sevendust photo credit to Travis Shinn.

    Sevendust decided it was time to release new music and return to the airwaves after seeing the societal changes happening around the globe. “The Day I Tried to Live” was relevant back in 1994 when it was first released by Soundgarden and is just as relevant today. The message behind the song is all about trying to learn to live a better life which is only possible for everyone if everyone is given equal opportunities to do so.

    The new track was produced by Michael “Elvis” Baskette who worked on the bands latest album. The new lyric video for the song was created by Wayne Joyner  who is known for his work with Dream Theater. The video features a lone figure walking down a road thinking about his life. The video also includes clips of the band throughout it.

    “Soundgarden is such an important band to all of us in Sevendust and this love for them goes all the way back to when we were starting,” explains lead vocalist Lajon Witherspoon. “We discussed trying to do one of their songs and our producer Elvis suggested ‘The Day I Tried To Live.’ I would have been fine with any of those songs personally. When I first heard it, I thought the lyrics were timeless. The lyrics are about trying to experience new things and change the way you live, and we see examples of that every day with what is happening around the world. To have the chance to cover this song and release it is so special to all of us. Thank you, Chris Cornell and Soundgarden.” 

    The song is available for purchase here. For more information on Sevendust please visit their website.

  • Bonnaroo Music & Arts Festival Decides to Cancel Their 2020 Season Due to COVID-19

    Bonnaroo Music & Arts Festival announced it’s decision to cancel it’s 2020 festival due to the COVID-19 pandemic. The festival had previously planned to postpone their 2020 festival but decided to completely cancel it. Like many festivals out there right now, the priority of keeping people safe trumps the priority of the festival happening this year. 

    Bonnaroo Music & Arts Festival was originally postponed to September 24-27 back in March. The festival was ultimately cancelled on June 24 via a statement made on their website. Their statement on their reasons behind cancelling the festival said, “Our annual time together on the Farm is nothing short of magical, but out of an abundance of caution and for the health and safety of all Bonnaroovians, artists, staff, partners and our community, this is a necessary reality.  More information on lineup, camping and accommodations will be available at a later date.”

    The festival will be offering for current ticket holders to either having their tickets roll over to the 2021 season or to get a refund on their tickets. Ticket holders will have to log into their Frontgate account and select the refund option starting on July 1, 2020 and will be able to request refunds until July 31, 2020. Ticket holders who don’t request a refund within this time will have their ticket automatically roll over to the 2021 festival. Ticket holders who purchased from Nashville Shuttle, Airport Shuttle, Hotel package, or purchased tickets through Lyte, Fevo, or Ticketmaster Resale, there will not be a rollover ticket option for 2021. Those ticket orders will be automatically refunded and will be issued to your original method of payment.

    Although there will be no Bonnaroo Music & Arts Festival this year, a weekend-long virtual festival will be taking place on the rescheduled Bonnaroo dates September 24-27, 2020. The virtual festival will include some of the staff’s favorite moments from past and present, along with some special surprises. There will be more details on this released on this virtual festival soon.

    For more information on the Cancellation of the 2020 season and the virtual festival visit Bonnaroo Music & Arts Festival’s website.

  • Mazzstock Music Festival Cancels for 2020 Due to COVID-19

    Marlboro New York’s Mazzstock Music Festival cancels their 2020 festival in light of the COVID-19 pandemic. This decision didn’t come lightly, but staff decided that protecting the health, safety, and well-being of their attendees, staff, performers, and vendors was most important than having the festival take place this year.

    In Mazzstock Music Festival’s original COVID-19 announcement posted on their website and Facebook page on April 5 said the festival would be tentatively scheduled for August 20-23, 2020. Then it was announced on June 23 via their Facebook page they would be cancelling the event entirely saying, “Mazzstock will not take place in 2020.  We will miss all of the awesome people who make our event special this year, and we look forward to celebrating life, love, music, and our health with you under more normalized circumstances in 2021. Until then, please stay safe and take care of each other. We [love] you!

    Take A Walk On The Wild Side ~ The Mazzstock Allstars ~ Mazzstock 2018

    If it all goes as planned, and COVID-19 calms down, Mazzstock Music Festival will be back and kicking in 2021. The Mazzstock Music Festival hosts jam bands to blues, reggae to trip hop, alternative to country, this family vibe fest covers the entire spectrum of great rock and roll. Previous lineups can be found here and include a lot of great local music. The festival started as a birthday party back in 2008  has become an annual three-day festival that sprawls over two stages.

    For more information on Mazzstock Music Festival visit their website.

  • Justice Comes Alive Virtual Music Festival Announced in Support of PLUS1’s Black Lives Fund

    The virtual benefit festival, Justice Comes Alive, was announced and will be streamed across multiple platforms. It will take place on June 28 at 12PM ET. The festival will be a donation based event supporting the PLUS1 For Black Lives Fund. It will feature live performances from big names like Phil Lesh and The Terrapin Family Band, The Soul Rebels, and Lettuce. It will also feature speakers like Gary Bartz, George Porter Jr., and Harvey Mason tackling racism & the fight for equality.

    This festival is taking place after the success of the Quarantine Comes Alive which raised over $170,000 to benefit participating artists and PLUS1’s COVID-19 Relief Fund. The creators of QCA and mainstay events Brooklyn Comes Alive and Denver Comes Alive decided to create Justice Comes Alive in hopes of having similar outcome and felt obliged to shift their focus to matters of racial inequality facing our nation. The festivals partnership with the  PLUS1 For Black Lives Fund will donate proceeds raised during the day-long event directly to benefit participating artists as well as  organizations. Some of the organizations include Equal Justice Initiative, Impact Justice and The Bail Project. The donations will also go to Black and Indigenous-led grassroots organizations combating racism. Justice Comes Alive is also partnering with HeadCount during this event to encourage voter participation and help people register to vote.

    The virtual festival will feature performances by: Antibalas, Alvin Ford Jr., BANDEMIC (feat. John Scofield, John Medeski, Billy Martin and Jesse Murphy), Big Sam’s Funky Nation, Bobby Rush, Brandon “Taz” Niederauer, Christone “KINGFISH” Ingram, Cory Henry, D’Vibes Trio w/ Adam Deitch & Adam “Shmeeans” Smirnoff, David Shaw, Doom Flamingo, Dumpstaphunk, Eric Krasno, Everyone Orchestra, Full Moonalice, The Funky Knuckles, G. Love, Galactic, George Porter Jr., The Ghost of Paul Revere, Ivan Neville, Jennifer Hartswick w/ Nick Cassarino & Christian McBride, Kim Dawson, Lettuce, Louis Cato, Marco Benevento, Maurice “MOBETTA” Brown, Mononeon, Moon Taxi, The Motet, MoTown Getdown, Nahko, Neal Francis, Nick Cassarino & Erin Boyd, Nigel Hall, The OG’s, The Original Nth Power, Phil Lesh and the Terrapin Family Band, Robert Walter, Roosevelt Collier, Shaun Martin, The Soul Rebels, Southern Avenue, Stanley Jordan, Star Kitchen, Stout, Tank and the Bangas, TAUK, Terence Higgins & The Nola Krewe, Turkuaz, and Umphrey’s McGee.

    The festival will feature talks by: Christian McBride, Dennis Chambers, Ellis Hall, Eric Krasno, Gary Bartz, George Porter Jr., Harvey Mason, Ivan Neville, Karl Denson, Oteil Burbridge, Patrice Rushen, Terence Blanchard, and Weedie Braimah.

    Justice Comes Alive will be hosting a donations page which can be found on their website where the viewer donates the amount of their choice and then will be emailed links to watch on the day of the show. Options range from donating  $5 to $1,000 and any donation gives the viewer the link to stream on the day of show to donating. There is even a custom donation amount viewers can use to donate less or more depending on their financial situation. 

    For more information please visit Justice Comes Alive’s website.

  • Live Nation Implements Changes That Will Include Cutting Artists’ Pay

    Due to the economic climate’s downturn from COVID-19 the American events promoter Live Nation is cutting artists pay and is putting pressure on the artist in unprecedented ways. Artists will now be given a lot more of financial responsibility and accountability. 

    Live Nation was originally called SFX Entertainment and formed in 1996 by Robert F. X. Sillerman. The company has gone through a few different renditions but finally landed on Live Nation in 2005. Then in 2010, Live Nation ended up merged with the widely known ticketing company Ticketmaster and formed the larger conglomerate Live Nation Entertainment that we know today. 

    One of the major changes Live Nation is embarking on is that now if a show is cancelled due to poor ticket sales the artist will now only receive 25% of a predetermined guarantee. Generally artists would always receive 100% of  predetermined guarantee before the pandemic according to the document acquired by Rolling Stone. The other major change Live Nation is enacting is that it will now require artists who cancel their performances due to illness, or any other reason in breach of contract, to pay out twice their artist’s fee which is unheard of. 

    The Live Nation memo to talent agencies reads, “We are in unprecedented times and must adequately account for the shift in market demand, the exponential rise of certain costs and the overall increase of uncertainty that materially affects our mission. In order for us to move forward, we must make certain changes to our agreements with the artists.”

    Live Nation stock since the COVID-19 pandemic started has experienced a 48% drop. Live Nation not only slashed artists pay but also enacted sweeping salary reductions, furloughs and hiring freezes in an attempt to keep the company afloat. 

    “We are fully aware of the significance of these changes, and we did not make these changes without serious consideration. We appreciate you – and all artists – understanding the need for us to make these changes in order to allow the festival business to continue not only for the artists and the producers, but also for the fans,” The Live Nation memo to talent agencies writes. It is unclear what the follow out from these changes will exactly look like for the industry and artists. 

    Read the full memo below:

    Live Nation Memo to Talent Agencies

    The global pandemic has changed the world in recent months and with it the dynamics of the music industry. We are in unprecedented times and must adequately account for the shift in market demand, the exponential rise of certain costs and the overall increase of uncertainty that materially affects our mission. In order for us to move forward, we must make certain changes to our agreements with the artists. The principle changes for 2021 are outlined below.

    Artist Guarantees: Artist guarantees will be adjusted downward 20% from 2020 levels.

    Ticket Prices: Ticket prices are set by the promoter, at the promoter’s sole discretion, and are subject to change.

    Payment Terms: Artists will receive a deposit of 10% one month before the festival, contingent on an executed agreement and fulfillment of marketing responsibilities. The balance, minus standard deductions for taxes and production costs, will be paid after the performance.

    Minimum Marketing Requirements: All artists will be required to assist in marketing of the festival through minimum social media posting requirements outlined in artist offer.

    Streaming requirements: All artists will be required to allow their performance to be filmed by the festival for use in a live television broadcast, a live webcast, on-demand streaming, and/or live satellite radio broadcast.

    Billing: All decisions regarding “festival billing” are at the sole discretion of the promoter.

    Merchandise: Purchaser will retain 30 % of Artist merchandise sales and send 70% to the artist within two weeks following the Festival.

    Airfare and Accommodations: These expenses will be the responsibility of the artist.

    Sponsorship: The promoter controls all sponsorship at the festival without any restrictions, and artists may not promote brands onstage or in its productions.

    Radius Clause. Violation of a radius clause without the festival’s prior authorization in writing will, at the festival’s sole discretion, result in either a reduction of the artist fee or the removal of the artist from the event, with any pre-event deposits returned to the festival immediately.

    Insurance: The artist is required to maintain its own cancellation insurance as the promoter is not responsible for the artist fee in the event of a cancellation of the festival due to weather or a force majeure.

    Cancellation by Artist: If an artist cancels its performance in breach of the agreement, the artist will pay the promoter two times the artist’s fee.

    Cancellation Due to Poor Sales. If a show is cancelled due to poor ticket sales, the artist will receive 25% of the guarantee.

    Force Majeure: If the artist’s performance is canceled due to an event of force majeure – including a pandemic similar to Covid-19 – the promoter will not pay the artist its fee. The artist is responsible for obtaining any cancellation insurance for its performance.

    Inability to Use Full Capacity of the Venue: If the promoter – either because of orders of the venue or any governmental entity – is not permitted to use the full capacity of the venue, then the promoter may terminate the agreement, and artist will refund any money previously paid.

    We are fully aware of the significance of these changes, and we did not make these changes without serious consideration. We appreciate you – and all artists – understanding the need for us to make these changes in order to allow the festival business to continue not only for the artists and the producers, but also for the fans.

  • The Disco Biscuits Takes You Out to the Ball Game in Support of Black Live Matter

    The Disco Biscuits announce “The Disco Biscuits Take You Out to the Ball Game” benefit concert. This will be a free live-stream concert at Citizens Bank Park, the home of the Philadelphia Phillies, supporting PLUS1 For Black Lives Fund. The show will take place on the infield on Tuesday, June 23 at 7:45pm ET. 

    The concert is being put on by the Philadelphia Phillies, Citizens Bank Park, and Live Nation in support of PLUS1 For Black Lives Fund. The show will donate 100% of donated proceeds to the PLUS1 For Black Lives Fund. Donations will be distributed to various organizations including Urban League of Philadelphia. All partners in the event recognized that the on-going struggle with racism and violence aimed at the Black Community in this country need to be fought against and that the many systemic injustices are the root of the issue. 

    The Disco Biscuits were in discussion with the Philadelphia Phillies to perform at Citizens Bank Park when the death of George Floyd in Minneapolis happened and decided that this was an issue they wanted support and decided to make their performance support PLUS1 For Black Lives Fund. Live Nation is providing financial funding, personnel, production support and other resources. Philadelphia Phillies are donating their field to the event as well as resources and personnel to the event. The Disco Biscuits will be wearing Phillies jerseys, have use of the Phanavision and other iconic stadium signage, and have an introduction from iconic public address announcer Dan Baker

    People can watch the event live on the official YouTube & Facebook pages for The Disco Biscuits, Phillies and Live Nation, as well as on Live Nation’s Live From Home platform. To donate to PLUS1 for Black Lives website or text DISCO to 50155.

    For more information visit The Disco Biscuits website.

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • LIGHT FROM LOCKN’ LIVE-STREAM Brings Three days of Music to Your Home

    LOCKN’ Music Festival announces it’s “The LIGHTS FROM LOCKN’” live-stream festival that will include three days of free music. The festival will begin at 10AM each day and running until 2AM and is taking place on June 19-21. The festival will include live music, archived footage, special  guests, virtual dance parties, and more. Between music and audience engaging activities “The LIGHTS FROM LOCKN” is attempting to put that festival feeling right into your home. 

    The Lights From Lockn’ full line up.

    “The LIGHTS FROM LOCKN’” and FANS are partnered up with HeadCount‘s nationwide voter registration campaign and Conscious Alliance‘s “Virtual Art That Feeds Food Drive” in hopes of the audience making socially conscious actions throughout the festival. Although the festival is entirely free, the audience is encouraged to donate and register to vote. 

    “The Light From LOCKN” will be hosting special appearances from friends of the LOCKN’ festival as Andy Falco, David Shaw, Doobie Decibel System, The Infamous Stringdusters, Jack Casady, Keller Williams, The Lil Smokies, Luther Dickinson, Marcus King, Melvin Seals, Moonalice, Nahko, The Suffers, and Warren Haynes. 

    The festival will include many archived performances from legendary artists as The Allman Brothers Band and The Black Crowes. It will also be featuring performances from  Billy & The Kids, Charles Bradley, Zac Brown Incident, Col. Bruce Hampton & Friends w/ Oteil Burbridge, Del McCoury w/Preservation Hall, Fishbone, Furthur ft. Trey Anastasio, Gov’t Mule ft. Ann Wilson, Grace Potter & The Nocturnals, Jason Isbell & The 400 Unit, Hot Tuna, Joe Russo’s Almost Dead, Keller’s Grateful Gospel, Khruangbin ft. Trey Anastasio, Lettuce, Margo Price, Phil Lesh & Friends, The Revivalists, The Suffers, Tedeschi Trucks Band, Trey Anastasio Band ft. Derek Trucks, Umphrey’s McGee, Vulfpeck, Widespread Panic, and Zac Brown Incident.

    There will also be the virtual late-night dance parties mentioned before. These dance parties will including DJ JerrBrother with the hugely popular “Jerry Dance Party,” Andy Frasco’s “I Wanna Dance With Somebody,” (currently in the Top 10 of Pollstar’s Livestream Chart), and wrapping things up with “The Rock and Roll Playhouse Father’s Day Celebration,” which will air Sunday morning. Other highlights of the festival include a special “Photos With Stories” session, chronicling the incredible visual history of LOCKN’ with renowned photographer Jay Blakesberg.

    “The Light From LOCKN” live-stream event will be available to view via FANS.com, FANS Facebook Page, FANS Twitch, Relix YouTube, Littlestar (Playstation4) and DailyMotion.

    For more information on the “The Light From LOCKN” festival visit Fans website.

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • The Roots Picnic Goes Virtual

    The 13th annual “Roots Picnic” will be joining , like many other concerts this summer, the virtual experience platform as an attempt to keep everyone as safe as possible while still connecting during COVID-19. The event will take place on June 27 at 8PM EST and will stream on The Roots’ youtube channel. The event will have musical acts along with speakers including Michelle Obama. 

    The Roots Picnic is partnered with Obama’s nonprofit, “When We All Vote” and will be helping people sign up to vote by texting viewers through a platform that targets unregistered voter. This event won’t replace the usual festival, which is still postponed, but will be additional content. Organizers of the festival urge people to, “Please stay tuned for more updates on the 2020 festival.” 

    The musical acts include H.E.R, Lil Baby, Roddy Ricch, SZA, Kirk Franklin, Snoh Aalegra, D-Nice, Polo G, G Herbo, Musiq Soulchild, and Earth Gang. The Speakers include Michelle Obama, Janelle Monáe, Tracee Ellis Ross, Kerry Washington, Tom Hanks, Liza Koshy, Chris Paul, Elaine Welteroth, Lin-Manual Miranda, Deon Cole, Coach K, Wallo267, and Ghetto Gastro. 

    RSVP to the event and for more information in the event visit the Roots Picnic website.

  • Anti-Union Initiatives Instigate Work Stoppage at Pitchfork

    The American online-media-magazine Pitchfork is undergoing work stoppages in protest against the anti-union initiatives being taken by the publication and its parent company, magazine publisher Condé Nast. The stoppages also revolve around the lack of diversity within the publication and the unresponsive management to staff trying to address these issues.

    Pitchfork Work Stoppage

    The editorial staff refused to publish any new content on the website and let all social media go dark on Thursday, June 18 for four hours beginning at 9 a.m. This stoppage was done to draw attention to the targeted lay-off of senior editor Stacey Anderson, the union chair and the only senior editor who was a person of color, according to the Pitchfork’s union statement. The staff of the Pitchfork worked hard to try to find an alternative to the lay-off of Stacey Anderson and presented a plan to Condé Nast and Pitchfork management (Editor-in-Chief Puja Patel and Managing Editor Amy Phillips) as a way to keep jobs intact while achieving their target savings for this year.

    Pitchfork unionized last year with the New York chapter of the Newsguild. The NewsGuild was founded back in 1933 by newspaper journalists in hopes of not only improving wages and working conditions, but to also help uphold honest and quality work from journalists and the news industry’s business practices. Newsguild currently represents a number of other unions that Condé Nast publications owns like Wired and The New Yorker, The New York Times and The Daily Beast.

    Pitchfork employees have not only stopped publishing but have also sent criticizing letters to people like editor-in-chief Puja Patel and CEO Roger Lynch about the lack of respect for employees. A lot of the unrest from employees comes from the lack of diversity within the publication and Condé Nast’s alleged racist treatment of staffers of color. The staff proposed that the publication should require that 50 percent of prospective job candidates who are brought in for an interview should come from minority backgrounds and, according to Pitchfork’s union statement, Condé Nast and Pitchfork counsel rejected their proposal because “for certain positions it’s hard to find qualified applicants from underrepresented backgrounds” and “not every job is created equal.”

    Pitchfork’s union statement expanded on this saying,”When it comes to diversity and inclusion, Condé Nast has been broken for a long time. This includes Pitchfork. Stacey’s removal would be the second layoff of a Senior Editor of color in under 18 months. We need to change the culture of Pitchfork and hold management accountable for their decisions. We also need to acknowledge our own complicity in these systemic failures so we, as coworkers, can improve.”

    Condé Nast has been holding town hall meetings over the last few weeks to address concerns but also has given vague warnings to staff about unionizing journalists losing their jobs for being in unions. CEO Lynch sent an email to the all-staff dismissing the usefulness of unionization saying, “some may believe that joining a union will protect their job, unfortunately, it’s just not the case. We all have seen the thousands of journalists who have lost their jobs over the last many months. The headwinds that the media industry is experiencing right now, combined with COVID-19, are just too strong for any union,” according to the The Daily Beast article.

    Pitchfork’s union statement explains their demands saying they want the targeted lay-off of  their union chair Stacey Anderson’s reversed and for Condé Nast to agree to their counter-proposal to achieve both parties’ goals and re-center attention on other issues. One of the biggest issues they want worked on is making sure Pitchfork and other Condé Nast brands uproot all their pre-existing racist power structures.

    For more information on the Work Stoppage at Pitchfork please read Pitchfork’s union statement.

  • Tribute to Jazz Legend Jimmy Heath Announced at Flushing Town Hall

    Flushing Town Hall announced a tribute to the late Jimmy Heath, nicknamed Little Bird in the industry, who was an NEA Jazz Master and Queens Jazz Orchestra Music Director. Heath passed away back in January of 2020 at the age of 93 and was a jazz legend for his saxophone skills in particular. The event will be live-streamed on Flushing Town Hall’s Facebook page on Friday, June 19 at 7:00 PM. 

    Percy Heath (Left) and Jimmy Heath (right) performing in June 1977.

    Jimmy Heath received three Grammy nominations over the years. He was nominated for Best Historical  Album with John Coltrane: The Heavyweight Champion: The Complete Atlantic Recordings (Album) during the 38th Annual Grammy  Awards in 1995, Best Large Jazz Ensemble Performance with Little Man, Big Band (Album) during the 36th Annual Grammy  Awards in 1993, and Best Jazz Instrumental Performance, Group with Live At The Public Theatre (Album) during the 23rd Annual Grammy  Awards in 1980. Jimmy Heath was also a recipient of the 2003 NEA Jazz Masters Award and in 2004 he was awarded an honorary Doctorate in Human Letters. With performing in over 100 albums and writing over 125 compositions Jimmy Heath was truly a legend in the Jazz world. 

    Flushing Town Hall plans to honor him with this special tribute by including appearances by many celebrated musical artists who have crossed paths – and taken the stage – with Jimmy Heath throughout his career. People on the docket include Jimmy Heath’s wife, Mona, and jazz legends Albert “Tootie” Heath, Barry Harris, Jimmy Owens, and Dorthaan Kirk; and members of Queens Jazz Orchestra, including Antonio Hart, David Wang, Jeb Patton and Douglas Purviance. On top of the musical component of the tribute there also will be testimonials about Jimmy Heath from special guests such as New York City Council Member Francisco Moya.

    Flushing Town Hall seemed like the right venue for this tribute for Jimmy Heath according to Town Hall Executive and Artistic Director Ellen Kodadek because, “Jimmy Heath was an iconic presence at Flushing Town Hall. Whenever we would announce that our Queens Jazz Orchestra would return, performances would sell out – because people wanted to come together to experience the music and the man.” 

    The event will take place Friday, June 19 at 7:00 PM and can be viewed for free on  Flushing Town Hall’s Facebook page. Donations will be accepted to support the Jimmy Heath Fund at Queens College. They can be sent to: The Jimmy Heath Fund, c/o Mike Lipsey, Queens College Music Department, 65-30 Kissena Blvd., Flushing, Queens, 11367. Donations are also being accepted for the Jimmy Heath Scholarship Fund at Queens College. They can be made by writing a check to the QC Foundation (and putting “Jimmy Heath Scholarship” in the memo), and mailed to: Queens College Foundation, Keily Hall, Queens College, Queens, NY, 11367, or by calling Joann Acquista, Queens College, Director, Donor Relations, at (718) 997-5864.

    For more information on the event visit Flushing Town Hall’s website.