NYS Music 20​19

Category: NYC Metro

  • In Focus: Phish Makes Long Awaited Return to Nassau Coliseum

    Phish’s Fall Tour rolled into Long Island on Sunday with an appearance at Nassau Veterans Memorial Coliseum, a building they hadn’t played in almost 17 years. While this Sunday show may not have reached the level of the esteemed February, 28, 2003 show, one of the more venerable shows in Phish history and they last time they played here, it still delivered two robust sets of music filled with old classics, bustout covers, intricate jams and a nod to the past. Check out NYS Music’s photo gallery of all the fun below.

    Phish 12/1/19 Nassau Veterans Memorial Colisuem

    Set 1: Ghost > Rift, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > The Wedge, Martian Monster > Timber (Jerry the Mule) > Cool it Down > Roggae > Poor Heart > Tube > Character Zero

    Set 2: Everything’s Right > Down with Disease -> Cities > Carini > Ruby Waves > Twenty Years Later > Backwards Down the Number Line > Say it to Me S.A.N.T.O.S.

    Encore: Roses are Free > Slave to the Traffic Light

  • CEG Plans Huge Slate of Phish After Parties NYE Run

    December is here, and that means Phish’s annual four night run at Madison Square Garden is right around the corner. And with those four nights of Phish come… Phish after-parties! CEG Presents has put together an incredible slate of post-shows that you’ll be looking to check out after emptying out on 7th and 8th Avenues following Phish. See below for details on all the great shows you’ll find starting late, December 28-30, plus a special NYE show from The New Mastersounds!

    Click on the band name to browse tickets

    – Saturday, December 28 – Sony Hall

    John Medeski and Billy Martin (Medeski Martin and Wood) will come together with Scott Metzger (JRAD) and Nels Cline (Wilco) for the first time, one night only, for an evening of improvisational music after Phish performs at Madison Square Garden on December 28.

    CEG
    – Saturday December 28 – Rockwood Music Hall Stage 2

    An eclectic jam/funk band, infusing deep psychedelic grooves with improvisational techniques. The ambitiously crafted keyboard mastery, expressive saxophone and immaculate guitar shredding meld into a dynamic fusion. Lean more about The New Motif.

    CEG

    Saturday December 28 – Hill Country     
    CEG
    Saturday December 28 & Sunday December 29 – Gramercy Theatre

    Pink Talking Fish provides their own original musical concept by combining the songbooks of Pink Floyd, Talking Heads and Phish to create a unique experience for live music fans.  The band has added to this concept over the years by adding a 4th Act such as David Bowie, Grateful Dead, Michael Jackson and more.  They have also performed complete albums while intertwining songs from the other 2 Acts into the mix. On December 29 at Gramercy Theatre, PTF will unleash one of the most exciting concepts to date: Pink Talking Fish Are Beastie Boys!  This will be a fusion of Pink Floyd, Talking Heads, Phish AND Beastie Boys. 

    Joining the band will be DJ Logic, who will be assuming the duties of Mix Master Mike and also adding his flavor to songs from the other 3 Acts.  PTF will also be performing ‘Dark Side Of The Moon’ for a NYC Phish After-Party on December 28th, also at Gramercy Theatre.  This will be a full rendition of the Pink Floyd album with Phish and Talking Heads songs intertwined through the album cuts.

    – Sunday December 29 – (le) poisson rouge

    Anybody who’s seen Marco Benevento perform will attest, with eyes closed, smile wide across his face and fingers free-flowing across the keys, he’s a satellite to the muse. With a devout and growing fan-base, Benevento is an artist whose story is only beginning to unfold..

    – Sunday December 29 – Hill Country

    The music of The Grateful Dead transcends time, age and space. Their high energy, soul-touching jams, and family-like environment were central to the counter-culture experience.  Over the past 19 years Dead Sessions has grown to become one of the favorite Grateful Dead experiences in the Northeast. Playing since 1998, the collective is known for their authentic but unique renditions of Grateful Dead classics, thick with spiritual connectivity and heartfelt jams that make the most jaded Deadhead rejoice. Dead Sessions is composed of a rotating cast of musicians throughout the country, but the roots of origin are easily traced to the Green Mountain State. With an unmasked joy that pours off the stage and blurs any boundaries with their audience, the Sessions are beloved by all from the casual fan to the dedicated Terrapin warrior.


    Monday December 30 – (le) poisson rouge

    On December 30, Greenwich Village venue (le) poisson rouge will host Electric In The Village: Ryley Walker, Chris Forsyth, and Garcia Peoples. Guitarist/songwriter Chris Forsyth got his start in Brooklyn’s experimental circles in the early 2000’s, and as the bandleader of Chris Forsyth & the Solar Motel Band, channeled both the psychedelic jamming of the Grateful Dead and the precision of art-punk guitar acts like Television. Illinois-based fingerstyle guitarist and singer-songwriter Ryley Walker adds new flavor to the series; his music has been described as fingerstyle ballads, psychedelic waltzes, and raga-inspired blues. Garcia Peoples is the Brooklyn Sextet blasting through residencies and new songs and sessions and collaborations, leaving a trail of live tapes in their wake, and scaling ever upwards.

    – Tuesday December 31, 2018 – Gramercy Theatre

    The New Mastersounds have been delighting audiences with their infectious brand of funky soul-jazz since they formed in Leeds in 1999. For the first five years of the band’s career they were regulars at the Jazz Café in London, before they began to turn heads on the funk scene in the US, where guitarist/producer/bandleader Eddie Roberts now lives. For over a decade they have been a staple act of the late-night scene during New Orleans’ annual Jazz Fest.

    Though they have collaborated over the years with such musical luminaries as Maceo Parker, Fred Wesley, Corinne Bailey Rae, Art Neville, Bernard Purdie and Lou Donaldson, they are at their best on stage as a tightly-packed quartet – bass, drums, guitar and keyboards – firing scorching grooves off each other and feeding on the energy of the dancers in the front row.

  • NYC’s Fever Dolls blur ‘The Distance’ between Music and Art with New Video.

    New York City’s Fever Dolls, a pioneered quintet hinged on being “brash and over-the-top,” are hot off the release of their new music video for “The Distance.” Released this past Wednesday, November 27, the video evokes the limitless nature of modern music with a vintage film.

    Fever Dolls The Distance

    With an endless supply of irresistible hooks and lyrics about sex addicts, according to the band’s website, “The Distance” follows suit. The band’s leading duo, Evan Allis and Renn Mulloy, fuse musical queues that are equally as provocative as the video’s visuals. With each step, or foot traveled, the viewer picks up on a new detail once overlooked – meanwhile, the stereo proves to be growing in complexity.

    “The Distance” is one of the first songs Renn and I sang when we started playing together. It has always been a favorite of ours to perform live and a favorite of our audiences to sing along with. It’s the kind of song that makes people lose their minds and jump for joy.

    Evan Allis

    While we’ve played “The Distance” in different bands and different forms for a few years now (even releasing a version in 2016 with our previous band Iron Eyes Cody) we never felt like we captured the live energy and spirit of the song in a recording until now. We feel like we caught something special with this cut of “The Distance,” and are excited for people to hear it.

    Evan Allis

    The Fever Dolls are no strangers to NYS Music after Sammy Steiner dubbed them as musical populists, transcending as visual storytellers for their release of “Mr. Carver.” They are on the rise with a constantly sharpened sword, ready to disrupt the music scene with a vengeance. Check out “The Distance” on all social media platforms, such as Spotify, where the band draws over 9,000 monthly in.

    Fever Dolls are playing Mercury Lounge on January 12 with West End Blend and Travers Brothership. The show is 21+ with an 8 pm start time. Tickets can be purchased HERE.

  • Debut performance of Jam Just Happened planned for December 6 at Nublu

    A first of its kind show, Jam Just Happened will bring together the intimacy of a podcast and the uniqueness of a live music experience. The first live performance is set for Friday, December 6, at Nublu NYC. The show will feature guitarist Scott Metzger, drummer Adam Chase, keyboard player Aron Magner, and bass player Jay White. 

    The musicians will bring each of their individual styles together to create something entirely unique for a small audience. A podcast companion will be released after the show. This event is presented by Osiris Media and nugs.net, and will be emceed by Tom Marshall.

  • Joe Russo’s Almost Dead perform dream setlist at HeadCount Benefit

    The fans voted, and Joe Russo’s Almost Dead delivered a dream setlist at the Brooklyn Bowl on Monday, November 25. “Make Democracy Rad Again” was a benefit for HeadCount included selfie moments as well as plenty of goodies for those who signed up to vote or showed support for democracy. The biggest treat was the incredible setlist played to a packed house.

    Joe Russo's Almost Dead Headcount

    If you aren’t familiar with the group, Joe Russo’s Almost Dead offer a fresh take on the music of the Grateful Dead. The band consists of Joe Russo (Drums), Dave Dreiwitz (bass), Marco Benevento (keyboards), Scott Metzger (guitar/vocals), and Tom Hamilton (guitar/vocals).  They are known to sell out venues within minutes and offer experimental takes on classic tunes.

    Joe Russo's Almost Dead Headcount

    HeadCount is dedicated to registering new voters through music. Joe Russo and Marco Benevento were part of the first HeadCount benefit back in 2004, making Joe Russo’s Almost Dead an easy candidate for the first of many benefit shows between HeadCount and the Brooklyn Bowl. Brooklyn Bowl owner Pete Shapiro was recently named Chair of the Board of Directors at the non-profit. The band has also outgrown this venue, which made this pairing more enticing. According to HeadCount’s twitter, the benefit successfully generated $150,000.

    Joe Russo's Almost Dead Headcount

    In order to uphold one of HeadCount’s missions, democratic participation, the set list was voted on by those attending the show. The results included heavy hitters, starting with a full suite of “Terrapin Station,” “Eyes of the World,” “The Eleven,” and “Franklin’s Tower.” Notable favorites like “Fire on the Mountain,” and “Help on the Way” didn’t get enough votes to make the cut, however, two stellar non-Dead tunes made the cut, including “In Memory of Elizabeth Reed” by the Allman Brothers and “Atlantic City” by Bruce Springsteen.

    Joe Russo's Almost Dead Headcount

    After this incredible show of dynamic improvisation and fan favorites, it’s easy to see why this band quietly sells out venues. They are back on the road in 2020, kicking the year off at The Capitol Theatre in Port Chester, NY. Head on over to the band’s tour page for more details before the tickets are gone.

    Setlist: Joe Russo’s Almost Dead Headcount Benefit at Brooklyn Bowl, Monday, November 25, 2019

    Set One: Althea > The Eleven > Viola Lee Blues > Franklin’s Tower, Atlantic City > Reuben & Cerise > Eyes Of The World > In Memory Of Elizabeth Reed

    Set Two: St. Stephen > Scarlet Begonias > Dark Star > Terrapin Station Suite > Shakedown Street > Throwing Stones > Another Brick In The Wall Part 2 jam > Throwing Stones

    Encore: Jack Straw

  • They Might Be Giants Add New ‘Flood’ Shows

    Brooklyn’s “Ambassadors of Love,” They Might Be Giants,  due to popular demand, have added new shows to their 2020 tour. New stops will include  Boston, New Haven, Pittsburgh, Minneapolis and many more. They also have added additional shows in Chicago, Detroit and New York City at the Bowery Ballroom, all of which are now sold out. New Yorkers can still catch TMBG at the State Theater in Ithaca (May 5) and Buffalo at the Town Ballroom (May 6). 

    The 2020 tour is in celebration of the 30th anniversary of their third album, Flood, which catapulted them into international stardom upon its release. Dubbed as an “evening with” show, fans can expect for TMBG to play Flood in its entirety along with favorites and some brand new tracks thrown into the lineup. Find a full list of the shows below and visit the band’s website for ticketing.

    They Might Be Giants 2020 Tour Dates

    Jan.10 – Daryl’s House Club – Pawling, NY

    Jan.11 – Bowery Ballroom – New York, NY

    Feb.6 – College Street Music Hall – New Haven, CT

    Feb.7 – Columbus Theatre – Providence, RI

    Feb.8 – Bowery Ballroom – New York, NY

    Mar.5 – Pabst Theater – Milwaukee, WI

    Mar.6 – Vic Theatre – Chicago, IL

    Mar.7 – Geek Bowl XIV – Chicago, IL

    Mar.8-9  – The Majestic – Detroit,MI

    Mar.13 – Union Transfer – Philadelphia, PA

    Mar.14 – Bowery Ballroom – New York, NY

    Apr.8-9  – Lincoln Theatre – Washington, DC

    Apr.10 – 930 Club – Washington, DC

    Apr.11 – Bowery Ballroom – New York, NY

    Apr.30 – May 1 – Royale – Boston, MA

    May 2 – Higher Ground – South Burlington, VT

    May 3 – Academy of Music Theatre – Northampton, MA

    May 5 – State Theater – Ithaca, NY

    May 6 – Town Ballroom – Buffalo, NY

    May 7-8 – Mr. Smalls Theatre – Millvale, PA

    May 9 – Bowery Ballroom – New York, NY

    May 12-13 – Beachland Ballroom & Tavern – Cleveland, OH

    May 14 – Vic Theatre- Chicago, IL

    May 15 – First Avenue – Minneapolis, MN

    May 16 – Fitzgerald Theater – St.Paul, MN

    May 17 – The Pageant – St.Louis, MO

  • Gramatik Formulates Electronic Wizardry in Brooklyn

    Electronic wizard and free music advocate Gramatik made people dance into the early morning hours with his digital weave of urban and funky beats at the premiere EDM venue in Brooklyn, Avant Gardner. He was supported by incredibly talented colleagues Opiou and Balkan Bump for a night of organic, hip-hop-infused electronica.

    Balkan Bump is an electronic artist who mixes live instruments, world music and digital production. Trumpeter, producer and enthomusicoligist Will Magid is the brain child behind this band. A tapestry of funky beats, stellar trumpeting and dance hall vibes was cleverly woven throughout the set. At one point, Magid announced that he was playing a one word song, and everyone should sing along. That song was “Tequilla” by The Champs, and it was a huge hit with the crowd.

    Opiou, a producer and artist from New Zealand, was up next, and brought his Kiwi electronic heat. Also known as Oscar Davey-Wraight, this DJ is known for funky beats and deep bass grooves, as well as a penchant for keeping the dance floor alive well into the late night. Will Magid joined Opiou during the middle of his set on trumpet, creating a refreshing organic synergy. His signature buildups and drops continued throughout the set, framed with an engaging LED light display and plenty of fog.

    Gramatik took the stage to a packed crowd that was ready to dance. And dance they did. Denis Jašarević is Gramatik, hailing from Slovenia, and is known for his mind numbing hip-hop beats and fresh remixes. He played with guitarist Adam Stehr, adding an organic feel to his live performance. His stage setup included several LED panels that displayed colorful graphics, a healthy dose of fog, and a stacked lighting rig that fostered an elevated visual experience.

    This evening’s stellar performance included samplings of “No Sleep Til Brooklyn” by NYC’s own Beastie Boys and “Can’t Get Enough” by Gramatik’s frequent cohort Griz. Will Magid joined the party on trumpet for a tune, and the crowd was loving every second of this vibrant collaboration. Gramatik noted that this was his last show of 2019 and he sure went out with a bang.

  • Governors Ball Institutes New Age Policy for 2020

    The Governors Ball Music Festival, held annually on Randall’s Island in New York, is instituting an 18 and over age policy for festival attendees beginning in 2020. The 10th edition of the festival will be held June 5-7.

    The Yeah Yeah Yeahs perform at the 2018 GovBall

    Festival attendees 17 and younger must have a valid photo ID and be accompanied by someone 21 or older in order to gain entry to the 2020 festival. According to the new policy, “All persons aged 17 and under MUST attend with an adult who is 21 or older. Each adult must have a valid form of ID and may accompany up to TWO ticket holders aged 17 or younger. All individuals must arrive together, via the same entrance, and all individuals must have valid wristbands/tickets.”

    Festival co-founders Tom Russell and Jordan Wolowitz stated, “The changes we are implementing this year come directly from fan feedback and conversation. We are always listening, always evolving, and always trying to give our fans and our City the best festival they could ask for.”

    In addition to the new age policy, the festival also announced new VIP perks. The VIP Experience allows access to all VIP viewing ages at all four stages, specialty food vendors, shade tents, cell phone charging stations and comfortable seating options. New to the 2020 festival is a separate lane for transportation pick up points, private Wi-Fi, free water and air-conditioned bathrooms. VIP areas will be 21 and over.

    This year’s GovBall was fraught with weather issues. Organizers were forced to cancel the entire final day of the festival due to severe thunderstorms. The cancelation nixed performances by The Strokes and Nas along with 25 other acts.

    The 2020 lineup should be rolled out after the first of the year. For more information, follow the festival’s Twitter feed here or the website here.

  • Kamaal Williams Showcases His Modern Jazz on Two Floors at Elsewhere

    UK-based modern jazz artist Kamaal Williams brought his band to Brooklyn this past Saturday for a headlining show at Bushwick’s Elsewhere. Also known as Henry Wu, Williams has been putting out hip-hop-infused jazz music since 2012. With a musical foundation as a drummer, Williams has brought a percussionist mentality to his music, developing deep layers and rhythms on the keys.

    Kamaal Williams at Elsewere, Brooklyn – Photo: Joseph Buscarello

    In 2018, Williams founded his own record label, Black Focus Records, and released his debut as Kamaal Williams, The Return. The album is a true representation of the modern jazz scene, with influences from hip-hop, UK garage and funk melding with the jazz foundation in a unique way. All of these influences feature heavily on William’s NTS Radio residency as Henry Wu.

    Kamaal Williams at Elsewere, Brooklyn – Photo: Joseph Buscarello

    The show relied heavily on The Return, but throughout the night the band ventured in and out of unidentifiable musical passages and jams. The connection between Williams and the drummer was obvious as they cued off each other constantly, all while keeping in sync. Along with Williams’ large keyboard setup, the band consisted of drums, bass and tenor saxophone, but the depth of their sound made them seem much larger.

    Kamaal Williams at Elsewere, Brooklyn – Photo: Joseph Buscarello

    Shifting back to his roots as Henry Wu, Williams also released the 70th edition of the legendary series DJ Kicks this earlier this month. Still with jazz influences throughout, this release focuses more on the eclectic history of UK beat and garage music with Williams’ jazz style layered in. After the show at Elsewhere, Williams moved up to the second floor loft to DJ a late night party celebrating this release.

    Kamaal Williams at Elsewere, Brooklyn – Photo: Joseph Buscarello

    The band continues a tour of North America through December. It will be very interesting to hear how Williams follows up The Return in 2020.

  • Crumb ‘Jinx Tour’ Stops at Music Hall of Williamsburg

    Crumb played some of their classic songs and sold out the Music Hall of Williamsburg on Friday. The show opened with sets from the groups of Shormey and Divino Niño. Both had a similar wavy, indie sound similar to Crumb. Divino Niño delivered a spectacle of a performance with an excess of dancing and tossing roses; their showmanship rivaled that of the headliner.

    Crumb

    Crumb donned the stage to “Sweet Escape” and kicked off the show with “Cracking,” the opening song to their full length album Jinx. Lila Ramani delivered her signature sweet vocals and dreamy guitar licks. At some point, she brought balloons to the front of the stage and emptied a water bottle on the crowd. For their encore, Crumb played one of their most popular hits, “So Tired.” When the song picked up, everyone from the opening acts burst on stage to play and dance together.

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