ASAP Ferg paid a visit to Terminal 5 on Friday and brought with him an ensemble of artists for his second to last stop on the Floor Seats Tour. Prior to the show, the crowd’s anticipation came to a head, initiating a few mosh pits before the opening act. The openers arrived just in time to release the tension. Heater IV raved about glitter and glasses, MadeinTYO performed his biggest hits, and Mudra Beatz maxed out the energy with a DJ set.
ASAP Ferg then charged the stage to the tour’s title song “Floor Seats” and the room exploded with every color of the rainbow. Various other artists joined him on stage to perform their featured songs, including MadeinTYO, Murda Beatz, Brent Faiyaz, and Antha. It was all good vibes and love coming from ASAP Ferg, referring to his fans as family and reminding everyone to check up on their loved ones’ mental health.
PEAK had a truly remarkable 2019, and they’re looking forward to winter tour 2020 with a slate of Northeast shows, as well as one big show to close out the year.
Combining the characteristic flair that a weathered live band brings to the table, PEAK has the instrumental prowess and focus that draws crowds in. The group’s music, described as psychedelic indie funk, is a mix of poetic, melodic songwriting, moody electrofunk, riffed-out blues-rock, and exploratory danceable improvisations. Some of their many influences include artists such as The Band, The Talking Heads, Phish, The Grateful Dead, Radiohead, James Brown, and Miles Davis, as well as modern songwriters such as Conor Oberst, Mac Demarco, Kurt Vile, and Jack White to name a few.
PEAK consists of singer-songwriter and guitarist Jeremy Hilliard, drummer Kito Bovenschulte (Particle), bassist Josh T. Carter (Hayley Jane and the Primates) and Johnny Young on keys.
Their latest album,Electric Bouquet, offers a staple sound that PEAK can use to differentiate themselves from an ever-growing list of funk/rock bands.
Joining PEAK on December 30 are Digital Frontier, who lay down robotic dance beats and driving bass lines, producing progressive, multi-dimensional, synth-laden soundscapes; Teddy Midnight, who mix house, disco, techno and breakbeat with drum and bass to bring high energy to the dance floor; and Up & Orange, who bring soaring melodies, chunky grooves, and drum and bass driven electronica. For more information visit here.
Over five of the final days of December, The Fab Faux – featuring Jimmy Vivino, Will Lee, Rich Pagano, Frank Agnello and Jack Petruzzelli – will be bringing their versions of the Beatles songbook to the Cutting Room in NYC.
Each of the five gigs will have its own theme, including ‘Animal Songs,’ and favorites from Revolver and The White Album on the final two nights. Food and drinks will be served during the show. Check out themes and ticket links below:
Runaway Gin – a Tribute to Phish – has announced their ‘Ophishal YEMSG pre-party’ in New York City on Thursday, December 26. Hosted by Facebook groups Phish Chicks, PHISH TOUR 2014, and GrooveSafe, the event will feature two sets of “Evil Phish” starting at 8:00 pm. Kicking off the night will be special guests Space Junk is Forever. Peak Builders Network will host a meet-up at 7:00pm and hold a raffle to benefit the non-profit GrooveSafe, who also receive a portion of each ticket sale.
The Charleston, SC based quartet Runaway Gin has also announced that they will now be extending to a 19-date 2020 Winter Tour. The tour begins Friday, January 10th at the Masquerade in Atlanta, GA and then returns the band to Nashville, TN for a debut at the Mercy Lounge the following night. The following weekend Gin will make their long awaited Colorado debut with a 2 night-run in Steamboat Springs Thursday and Friday nights followed by a Saturday show in Denver at Cervantes.
Saturday, February 8th returns the band to their home venue: the Charleston Pour House. At the end of February the band will return to the Orpheum in Tampa, FL as well as Revolution Live in Ft, Lauderdale, FL. The first weekend in March brings the Charleston based tribute up to Portland, ME for a debut show at PHOME, a Boston debut at Brighton Music Hall, and a Hartford, CT debut at Arch Street Tavern.
The end of March brings the band north again for a return to the Ardmore Music Hall just outside of Philadelphia, PA and a Pittsburgh debut at Thunderbird Music Hall. Returns to the Pour House Music Hall in Raleigh, NC and the Broadberry in Richmond, VA close out this tour.
The band has also just released full show soundboards from their Norva debut November 29th containing both a 30 plus minute “You Enjoy My Frankenstein” and a 24 minute “Runaway Jim” on the anniversary of Phish’s longest jam, the ‘Worcester Centrum Jim.’
Runaway Gin’s 2020 Winter Tour
Thursday, December 26, Knitting Factory, Brooklyn, NY
Friday, January 10th, the Masquerade – Atlanta, GA
Saturday, January 11th : Mercy Lounge – Nashville, TN
Friday, January 24th : Ramkat – Winston-Salem, NC
Saturday, January 25th : 5 Points Music Sanctuary – Roanoke, VA
Thursday and Friday , January 30 + 31st : Old Town Pub – Steamboat Springs, CO
Saturday, February 1st: Cervantes Other Side – Denver, CO
Saturday, February 8th: Chaleston Pour House – Charleston, SC
Friday, February 28th: the Orpheum – Tampa, FL
Saturday, February 29th: Revolution Live – Ft. Lauderdale, FL
Thursday, March 5th: PHOME – Portland, ME
Friday, March 6th: Brighton Music Hall – Boston, MA
Saturday, March 7th: Arch Street Tavern – Hartford, CT
Friday, March 20th: the Senate – Columbia, SC
Saturday, March 21st: Neighborhood Theatre – Charlotte, NC
Friday, March 27th: Ardmore Music Hall – Ardmore, PA
Saturday, March 28th: Thunderbird Music Hall – Pittsburgh, PA
Friday, May 1st: the Pour House Music Hall – Raleigh, NC
The Nest, a basement dive bar located in Brooklyn, will host Eliza Moon, Nautics, Layla Ku, and Earth Dad on December 29 for a space themed lineup. Fans are encouraged to wear astronaut and/or holiday themed attire.
Nautics, an independent four-piece band from New York City. After meeting in high school, Nautics quickly began playing some of New York’s iconic venues such as the Bitter End, Sidewalk Cafe, and Webster Hall before any of the members reached the age of twenty. The band has continued to actively play gigs and record new records well into the member’s college careers.
https://www.youtube.com/watch?v=dcEpPUB0fo8
Recently Nautics have played the Johns Hopkins spring festival and have had their single “Post-Madonna” featured on Spotify’s Fresh Finds playlist. The band has stayed together through formative moments of each of the members’ lives. Nautics has been a reflection of the bands transition from childhood to adulthood. Staying together throughout this tumultuous time, the band has created cathartic songs that resonate not only with the members, but, hopefully, with all those who listen.
Doors open at 6pm for a 6:30pm showtime. Cover is $10 and more info on the event can be found here.
This past Thursday night, Brooklyn was treated to an incredible metalcore/industrial triple bill: Daughters, HEALTH and Show Me The Body. Both HEALTH and Show Me The Body are still supporting new releases from earlier this year (Vol. 4 :: Slaves of Fear and Dog Whistle, respectively) and Daughters is still going strong behind their excellent and genre-defining release You Won’t Get What You Want from late 2018.
Show Me The Body was up first and the room was already packed to see the group open the night. Frontman Julian Cashwan Pratt had an intense level of energy on stage – violently throwing his body back and forth all while playing hardcore riffs on a heavily distorted banjo. Several friends of the band came on stage for brief guest vocals, and subsequently stage dove into the pit to amp up the crowd even more.
Show Me The Body at Brooklyn Steel. Photo by Buscar Photo
Next up was electronic-infused industrial rock greats HEALTH. Their intoxicating bass and melodic vocals were a sharp contrast to openers SMTB, but fit so nicely in the middle of the triple bill. Their latest release, Vol. 4 :: Slaves of Fear, sees the band soundtracking an industrial rock dance club, reminiscent of where Neo met Trinity in The Matrix. They present a stripped back stage with blinding, beat-synced strobes that overwhelm your senses regardless of where you are in the room.
Daughters have been looked up to in the metalcore, industrial rock cloud ever since their debut in 2003. But in 2010, their self-titled LP made a firm statement as one of the best records in the genre, only to see the band then break up and go on a long hiatus. They briefly reunited in 2013 for a one-off show, but it would not be until 2018 that the band returned with the excellent You Won’t Get What You Want. This record is essentially the soundtrack to your worst nightmares. With shrill, spine-tingling guitar riffs; despondent, brutal lyrics; and a relentless flow from start to finish, the record taxes your emotions no matter how many times you’ve heard it. The rare slow down on the album comes from the track “Less Sex.” The song opens with a funky bass groove, but the high pitched guitar riff and haunting, repetitious monologue conveys a hopeless feeling for the listener.
Alexis Marshall of Daughters at Brooklyn Steel – Photo: Joseph Buscarello
Frontman Alexis Marshall has a stage presence that truly conveys the tortured sentiment of the record. Several times during the show he would appear to choke himself with his microphone chord, his fist (or the fist of a lucky(?) audience member) or his clothing. His facial expression would convey the darkest emotions of the human mind and he would frequently jump down to the audience to mosh and engage with the energetic fans. As dark as Daughters’ music is, the connection between the band and those listening cannot be understated.
The show at Brooklyn Steel was one of the last of the combined tour, which wrapped up on December 21 at a sold out show at Paradise Rock Club in Boston. HEALTH have shows in Europe next April while Show Me The Body play New Year’s Eve at the newly opened NYC venue The Dance.
This iteration of the Daughters lineup seems to have a deep connection on stage, and they deliver an intoxicating performance. This was my second time seeing them on this tour cycle and the presentation of YWGWYW somehow got substantially better the second time around. Hopefully we see more from the group in the near future!
Governors Ball may be moving to the Bronx in the future, relocating from Randall’s Island to Van Cortlandt Park in the Bronx. While the festival has been denied a permit to move locations in 2020, the company behind the festival made a pitch to members of Bronx Communty Board 8 last week.
Concerns over the event’s size and duration were part of turning down the move in the past, but organizers are now appealing that decision. With 50,000 people expected to attend the June 5-7 festival each day, a relocation would need to factor in the strain on local infrastructure caused by the arrival of the GovBall crowd.
Recently, a new age policy was revealed, as well as an updated VIP experience. The festival says regarding raising the minimum age from 18 to 21, “In a change from previous years, for the 2020 festival all persons 18 and over are welcome at the festival, but a valid proof of ID is required for entry. All persons aged 17 and under MUST attend with an adult who is 21 or older. Each adult must have a valid form of ID and may accompany up to TWO ticket holders aged 17 or younger.”
Governor’s Ball also unveiled an updated VIP experience, offering access to special viewing areas, as well as air-conditioned, flushable bathrooms; a private wi-fi network; a separate lane at ferry docks and shuttle pick-up points; free water at VIP areas and more.
This Saturday night, at the Capitol Theatre, bluegrass diehards and fans of live music, in general, will come together to celebrate a true musical luminary, the one and only Del McCoury. The Port Chester rock palace will host the Del McCoury Band for an eightieth birthday celebration that will feature special guests like David Grisman, The Infamous Stringdusters, Andy Falco, Leftover Salmon’s Vince Herman, and more.
A groundbreaking and genre-defining flatpicking guitar master with one of the most recognizable voices in the history of bluegrass, McCoury has done it all—left an impression on them all. From his many years fronting the Del McCoury Band, to his time sharing the stage with other bluegrass giants like Bill Monroe, John Hartford, and more, the Grammy-winning singer and songwriter has had quite the looming career. In our excitement for the show Saturday night, we’re revisiting some of our favorite live moments from the man’s career.
Del McCoury + Bill Monroe: Two Days At Newport
Bill and Monroe and Del McCoury are like the Socrates and Plato of American bluegrass history— teacher and pupil contemporaries and often compared masters of the craft. In the formative days of his career, McCoury came up as a member of Monroe’s band along with other giants like Bill Keith, Kenny Baker, and more. Two years before Newport Folk Festival exploded in infamy after Bob Dylan’s electric set, the group recorded this still-lauded live album.
Del McCoury + David Grisman: FreshGrass Festival 2017
It wouldn’t be a proper tribute to Del if legendary mandolinist David Grisman weren’t on the scene. For the past several years, Grisman and McCoury have toured regularly as Del and Dawg, presenting an intimate style, anecdote-rich, two-man show that is just so special. Watch the two put the charm on FreshGrass Festival back in 2017.
Del McCoury + Preservation Hall Jazz Band: The David Letterman Show
Back in 2011, The Del McCoury Band and Preservation Hall Jazz Band linked up to record an entire album together and perform a great cross country tour in support of the album. Legends of different styles of American roots music came together in a beautiful, and musically hot, way. Watch the two amazing bands light up Letterman in this awesome video here.
Del McCoury + Friends: Winterhawk AllStar Jam 1996
While Colorado has always had Telluride, New York has had Winterhawk, a historic weekend event started in 1984 that continues to run every year and that has seen performances from just about every bluegrass player ever. McCoury has graced Winterhawk, which is now known as Grey Fox, with his presence many times. Check out this clip from 1996 which has McCoury picking alongside titans like John Hartford and Vassar Clements, but also some younger talent like Jerry Douglas and members of the Del McCoury Band.
Del + Trey Anastasio Band: DelFest 2017
We don’t have to say much about this one—the smiles between Del and Phish frontman Trey Anastasio say it all. This fan-shot clip shows the pair at McCoury’s self-hosted event DelFest in 2017, and it’s actually not the first time by any stretch that these guitar gods have performed together.
Del McCoury Band: NPR Tiny Desk Performance
The appeal of NPR’s TinyDesk video series comes in showcasing historically influential and generally mega-popular artists in their intimate, academic-like setting, and it’s no wonder that the Del McCoury Band got their time to shine there last year. The band’s three-song set opens up with a great take on “That Ol’ Train.”
Del McCoury Band + Chris Thile: Live From Here
Another great honor awarded to McCoury and his band over the past year was to be featured as guest performers on Chris Thile’s “Live From Here” events. Now, if you know bluegrass, you definitely know Del. But if you know bluegrass you probably also know Chris Thile, arguably one of the most masterful mandolin players in the world currently. Listen to these guys rip up “Baltimore Johnny” at the one and only Ryman Auditorium from last April.
Del McCoury Band + Billy Strings: GreyFox Bluegrass Festival 2019
In 2019, Del McCoury sounds as fresh as ever, not only continuing to tour and write new music but making sure to pass the torch on to the next generation of greats. That’s right, it was only a matter of time before Del and the young gun Billy Strings found themselves on stage next to one another, which is a number of times by now. Del and Billy crooning together in this clip from Grey Fox this past summer is a thing of honorable beauty.
Home For the Holidays featured a stacked lineup of top-of-the-line musicians in the Dead community including Melvin Seals, Oteil Burbridge, Tom Hamilton, Duane Trucks, Jacklyn LaBranch, and Lady Chi.
They played Jerry Garcia Band staples like “Tore Up Over You,” “My Sisters and Brothers,” and “Reuben and Cherise.” The first set started with “How Sweet It Is” and also featured “Shakedown Street,” “Eyes Of the World,” and an electric “Dancing In the Streets.”
Hamilton and Oteil had great chemistry on stage, working off each other’s grooves. Tom was listing vigilantly to where Oteil was going but always checked in to see where Melvin was at. And when it was time to peak, Melvin was really letting it ring!
The second set opened up with “Stop That Train” followed by “Money Honey” and a crowd favorite, “Tore Up Over You.” “My Sisters and Brothers” was touching and full of soul, it is a song about peace and brotherhood after all. The set ended with “Reuben and Cherise” and they encored by getting the whole theatre to sing along to “Shining Star.”
The Bell House in Brooklyn will host Freaks Ball XX on Saturday, February 15. New York City’s Freaks, hosts and internet jam band group, have brought together another all star lineup of supergroups and rising stars in the New York City jam scene.
Artists include The Showdown Kids (Scott Metzger, Katie Jacoby, Simon Kafka), Garcia Peoples, The National Reserve, Karina Rykman/Adam November Duo, and headlining is the live debut of Hawaiii, a new group consisting of Joe Russo, John Shaw and Erik Deutsch. Throughout the night, a light show will be provided by Macrodose.
Proceeds from the event will go towards the Freaks Action Network, which harnesses the “strengths and love of music to make a positive difference in people’s lives.” Tickets for Freaks Ball XX are now on sale.