NYS Music 20​19

Category: NYC Metro

  • Universal Hip Hop Museum Receives 3.7 Million from NY State, Set to Open in 2023

    New York state governor, Andrew Cuomo, has officially signed off on a grant to help sponsor the impending construction of the first-ever museum dedicated solely to rap music – The Universal Hip Hop Museum.

    The Universal Hip Hop Museum is slated to open its doors in the South Bronx (it’s birthplace) in 2023. It is seen as a profitable venture for the state, looking to bring in additional tax revenue, as well as plenty of tourists looking to learn about what is now the world’s most popular genre. As of right now, the museum currently operates as a pop-up exhibit in the Bronx Terminal Market until construction begins in 2020.

    Bronx Native Rocky Bucano serves as the executive director of the board of trustees with hip-hop pioneer Kurtis Blow – whose 1980 single “The Breaks,” is recognized as hip-hop’s first ever gold record – is among the board of founding members while Public Enemy’s Chuck D, serves as the chairman of the celebrity board. “The credibility he brings to our team is mammoth,” Kurtis Blow says of Chuck D. “He also understands the importance of the UHHM and vows to let the world know via a star-studded celebrity board in the near future. Flame on!”

    The likes of LL Cool J, Q Tip, Nas, Fab Five Freddie, and Rakim also serve as cultural ambassadors, according to the UHHM official website.

    “We knew it was important because the Bronx is where hip-hop started,” Bucano told CNN. “It’s crazy to think of how hip-hop — which has such an influence on pop culture, advertising, politics — doesn’t have a place to call home.”

  • Biscuits Bring the Heat to NYC for annual New Year’s Run

    Trance-fusion pioneers, The Disco Biscuits, laid down some serious jamtronica heat at NYC’s PlayStation Theatre on Saturday during their annual New Year’s run. PlayStation Theatre is closing permanently at the conclusion of this run, and the Biscuits are ensuring the venue goes out with a bang. The Disco Biscuits members include Allen Aucoin (drums), Marc Brownstein (bass), Jon Gutwillig (guitar), and Aron Magner (synthesizers).

    Saturday’s first set included a delicious “Munchkin Invasion” jam sandwich, filled with an inverted “The Great Abyss.” The second set intensified with jam vehicles “Caterpillar” and “Spraypaint” seguing into a fresh and dirty “Tractorbeam Jam,” and then right back into both.

    Tickets are still available for the two remaining nights of this soon to be legendary run at this link. FOMO can truly be damned because the band is webcasting this historic run as well. Head over to their Youtube page for more details.

    Set One: King Of The World> Munchkin Invasion> The Great Abyss*> Story Of The World> Freebis Slinky> Munchkin Invasion

    Set Two: Caterpillar> Spraypaint> Humuhumunukunukuapua’a**> Tractorbeam Jam> Caterpillar, Air Song> Spraypaint

    Encore: Bazaar Escape

    * inverted version

    ** unfinished

  • Medeski, Martin, Metzger and Cline Kick Off Phish After Party Season at Sony Hall

    Just as Phishmas at YEMSG got underway last night, so too did after party season. Night one’s offerings were numerous, highlighted by the one-off supergroup of John Medeski (keys), Billy Martin (drums), Scott Metzger (guitar, Joe Russo’s Almost Dead), and Nels Cline (guitar, Wilco) at Sony Hall. Not to discount the draws of Metzger and Cline, but MMW’s acid jazz has been intertwined with the Phish scene since 1995 and this highly anticipated show would eventually sell out in the hours before its 1:00 am start, leaving many fans outside on the sidewalk. 

    Medeski Martin Metzger Cline

    Sony Hall occupies the footprint of The Diamond Horseshoe, a celebrated and historic Times Square dinner theater with a standing room capacity of 1,000. The room is trimmed with gold paint, coffered ceilings and a disco ball, and lounge seating around the perimeter, lending to its historic feel. The room sounded great, although overcrowding was a serious deterrent for many. 

    Medeski, Cline, Metzger, and Martin were arranged audience left to right respectively, and began their two hour improvisational journey just before 1:00 a.m. Medeski would contribute the evening’s bass lines on his keys, as he and Martin provided the anchoring rhythm section for guitarists Cline and Metzger to explore in, on, and around. There were gorgeous moments of Metzger shred amidst a backdrop of effects heavy psychedelic exploration from Cline. The tempo was deliberate and purposeful and, coupled with the intense crowding, didn’t create much of a dancing atmosphere. At times the music felt almost transcendent, as Medeski and Martin created an ambient space for guitarists Metzger and Cline to play, their guitar work totally dictated by the tempo and beat of the drums and keys.

    These musicians clearly enjoyed playing with one another as they treated those who braved the crowds and the late hours to a two hour set of improvisation that ended at 3:00 a.m. Sony Hall will host after shows on nights two and three as well, with Star Kitchen on 12/29 and Ghost Note plays Prince on 12/30.

    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline
      Photo by Chad Anderson
    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline
    • Medeski Martin Metzger Cline

  • In Focus: Phish kicks off 2019 New Year’s Run at Madison Square Garden

    It’s been 25 years since their first New Year’s Run show at Madison Square Garden, and Phish kicked off four nights of shows to end 2019 with some new material, a second set chock full of improv, and an “On Broadway” jam.

    The festivities began with the debut of a new Phish original, “Evening Song.” Sung by guitarist Trey Anastasio, the opener had many looking around and checking phones to find out what exactly it was. From there, the first set took a second set type of turn with a rousing “No Men In No Man’s Land” and a monstrous “Down with Disease” that followed. Another first timer then appeared in the form of “20-20 Vision” as bassist Mike Gordon took the reigns and sang the cover song originally recorded by the great Gene Autry. “Ghost” then seemed to shift things back to the second set frame of mind courtesy of a locked in, psychedelic groove it produced. Another first set highlight was the first “Dog Faced Boy” since 2016. The opening stanza closed with a powerful “Say It to Me S.A.N.T.O.S.” which was a nod to the New Year’s spectacle of last year.

    phish 2019

    With sprits high, “Everything’s Right” was an ideal choice to open the second set. Phish let it be known to all that they were on point and having fun with discernable “On Broadway” teases from Anastasio and keyboardist Page McConnell that highlighted a “Set Your Soul Free” that transitioned seamlessly into “Gotta Jibboo.” about the second set jams, Barry Mann wrote “On Broadway” and the Guy Forget lyrics in the “Drowned” jam. Another true highlight was the triumphant return of “Drowned,” the Who cover that hadn’t been played in more than a year. Things then got a little silly thanks to “Ass Handed,” sung as usual by drummer Jon Fishman. This led to a wacky “Chalkdust Torture Reprise” of sorts that was sung to the tune of “Ass Handed” before “Character Zero” showed up in its predictable set closing slot. Further showcasing their ability to be sensitive and fun at the same time, an encore of “A Life Beyond the Dream” and “Rocky Top” closed the book on night one of the 2019 New Year’s run.

    Setlist via Phish.net

    Phish, December 28, 2019, Madison Square Garden, NY, NY

    Set 1: Evening Song[1], No Men In No Man’s Land, Down with Disease, 20-20 Vision[2], Ghost, Gumbo > Rift, Weigh, Dog Faced Boy, Twenty Years Later > Tube > Say It To Me S.A.N.T.O.S.

    Set 2: Everything’s Right > Beneath a Sea of Stars Part 1 > Set Your Soul Free -> Gotta Jibboo > Free > Piper, Drowned, Ass Handed > Chalk Dust Torture Reprise[3] > Character Zero

    Encore: A Life Beyond The Dream, Rocky Top

    [1] Debut.
    [2] Phish debut.
    [3] With lyrics changed to Ass Handed.

    • phish 2019
    • phish 2019
    • phish 2019

  • Vevo and Fabolous Present Live Performance of “B.O.M.B.S.”

    Vevo announced rapper, Fabolous, as the next artist in their Ctrl series, with a performance of “B.O.M.B.S.”

    Vevo’s Ctrl series highlights the work of hard-hitting, cutting-edge musicians, both emerging and established, making an impact on today’s music scene. These artists demand attention and Vevo’s Ctrl shines a deserving spotlight. Shot in Vevo’s Brooklyn studio, Fabolous’ performance of  “B.O.M.B.S.” follows sessions from Rick Ross, Common, Rapsody, Jeezy, Jadakiss, A$AP Ferg and more, according to their official website.

    The record is the second track from his latest project, Summertime Shootout 3: Coldest Summer Ever. It is a sample of “Sirius,” the opening composition of British rock-band — The Alan Parsons Project, and their 1982 LP — Eye in the Sky. While it samples a rock-band, the song is undoubtedly an ode to Michael Jordan and the 1990’s Chicago Bulls (with the title serving as acronymic reference), who used “Sirius” as part of their entrance music, making it synonymous with Jordan and their 1990’s dynasty.

    Fabolous spends roughly three-minutes delivering one punchline after the other, with plenty of NBA and other pop culture references alike. Reminding the listener that his relevancy in hip-hop is everlasting. Similarly, to how the Chicago Bulls have been a mainstay of pop and sports culture, despite their run happening over two decades ago.

    A veteran of the hip-hop scene, The Grammy-nominated emcee has been a force since the early 2000’s. With his first big hit, “Can’t Deny It,” coming in 2001. His mix of lyricism, pop-friendly records, and implementation of nostalgic references has kept him in demand, nearly twenty-years after his debut.

    Despite taking a step-back from commercial releases he has managed to stay relevant, and in “B.O.M.B.,” he signals a return to his dominant status in the rap game, rapping “I feel like Michael in ’95, back on my bull sh*t this summer ya’ll.”

  • The Soul Rebels Announce Poetry In Motion 2020 Tour

     The Soul Rebels, a brass/hip-hop ensemble out of New Orleans, has announced a winter tour in support of their new album, Poetry In Motion. Joining them on tour will be Matisyahu, Tank and the Bangas, and Big Freedia who are also featured artists on the album. 

    During the month of March, The Soul Rebels will make four stops in New York. First, they will be performing at Buffalo Iron Works on March 1. They will travel to Syracuse for a night at the Westcott Theater on March 2, before journeying downstate to Poughkeepsie to play at Revel 32 on March 7. Finally they will spend their last two days on March 13 & 14 at the Brooklyn Bowl where they will be joined by unannounced special guests.

    Released in October via their imprint Rebelution Music Group, on Artistry Music/Mack Avenue Music Group, Poetry in Motion debuted at #1 on the Contemporary Jazz charts and was in the top 20 for the Current Rap, R&B/Hip – Hop and R&B Album charts. The song “Greatness” was ESPN’s official College Hoops Blockbuster promo song for the 2019-20 season. Recently The Soul Rebels appeared on Dave East feat. Nas‘ track “Godfather 4,” adding harmony and backup vocals.

    Tickets are on sale now and available at TheSoulRebels.com. All tours dates are listed below.

    Tour Dates:

    Dec.30-31 – The Ardmore Music Hall – Philadelphia, PA *with Matisyahu

    Jan.7-12 – Jam Cruise – Miami, FL

    Jan.13-18 – Havana Jazz Festival – Havana, Cuba *with Tank & The Bangas & Cimafunk

    Jan.24 – The Independent – San Francisco, CA

    Jan.25 – The New Parish – Oakland, CA

    Feb.25 – Snowmass Base Village – Snowmass Village, CO

    Feb.27 – Riverfront Live – Cincinnati, OH

    Feb.28 – Thunderbird Café & Music Hall – Pittsburgh, PA

    Mar1 – Buffalo Iron Works – Buffalo, NY

    Mar.2 – Westcott Theater – Syracuse, NY

    Mar.3 – The Press Room – Portsmouth, NH

    Mar.6 – Washington, D.C. – U Street Music Hall

    Mar.7 – Poughkeepsie, NY –  Revel 32

    Mar.8 – Hawks & Reed Performing Arts Center – Greenfield, MA

    Mar.10 – Port City Music Hall – Portland, ME

    Mar.11 – Infinity Music Hall – Norfolk, CT

    Mar.12 – StageOne – Fairfield, CT

    Mar.13-14 – Brooklyn Bowl – Brooklyn, NY *with Special Guests

    Mar.15 – The Sinclair – Cambridge, MA

    Apr.9 – Carolina Performing Arts-UNC at Chapel Hill  – Chapel Hill, NC *with Big Freedia

  • Runaway Gin delivered Evil Phish to the Knitting Factory

    Charleston, SC’s Runaway Gin delivered their “Evil Phish” covers to the Knitting Factory in Brooklyn, NY on December 26, to a crowd excited for the upcoming Phish run at Madison Square Garden. Led by Dentist and guitarist Andy Greenburg, the funky jams hit for two delicious sets.

    Space Junk is Forever opened the evening with vintage instruments and their self-described “simple melodies, stirring harmonic language, and frequent key and meter changes into impressionistic, aptly titled tunes.”

    Notable covers by Runaway Gin included “Punch You In the Eye,” “Stash” and “David Bowie.” “Bowie” had excellent guitar work by Greenburg, and the crowd was loving the jam in “Stash.”

    Runaway Gin is on tour this winter, with more doses of “Evil Phish.” Visit their tour page here.

  • Watch “Nature’s Change” from Marco Benevento, performing at Le Poisson Rouge Dec. 29

    Marco Benevento has released the video for “Nature’s Change” the 11th track from his latest studio album, Let It Slide. The clip was filmed by Benevento using VHS cameras, perfectly encapsulating a 1980s’ aesthetic that he’s been known to embrace in his work. It was then handed off to longtime friend Jon Wood (vocalist/guitarist in Talking Heads’ tribute band, Psycho Killers) who added animation to the clip, enhancing the song—which has become a barn-burner in the set lists for Benevento’s album release tour this Fall—with a “psychedelic warble.” 

    Benevento and his band, featuring bassist Karina Rykman and drummer Dave Butler will perform at Le Poisson Rouge on Sunday, December 29 following Phish at Madison Square Garden. They then pick up again in 2020 with Texas and Southeast shows in January and a three-night Colorado run in February.

    Marco Benevento Winter Tour 2020

    12/29 – New York, NY – Le Poisson Rouge
    1/16 – Austin, TX – Parish *
    1/17 – Houston, TX – Last Concert Cafe * 
    1/18 – New Orleans, LA – Blue Nile **
    1/19 – Birmingham, AL – Saturn **
    1/20 – Knoxville, TN – Open Chord **
    1/21 – Asheville, NC – Grey Eagle **
    1/22 –  Carrboro, NC – Cats Cradle **
    1/23 – Charlotte, NC – Neighborhood Theatre **
    1/24 – Charleston, SC – Pour House **
    1/25 – Atlanta, GA – The Earl **
    2/6 – Fort Collins, CO – Aggie Theatre
    2/7 – Crested Butte, CO – Public House
    2/8 – Denver, CO – Cervantes’ Masterpiece

    ^ w/ The Mattson 2
    * w/ Mike Dillon Band
    ** w/ Ian Ferguson

  • Multi-Sensory “Jerry Dance Party” returns after Phish at MSG

    “The Jerry Dance Party,” a unique and immersive late-night audio/visual experience held at ZeroSpace in New York City will return to close out 2019, immediately following Phish at Madison Square Garden on December 28, 29, and 30. Fans can walk one convienent block to ZeroSpace.

    “The three-night Jerry Dance Party at ZeroSpace is a chance for Deadheads and Phisheads alike to experience the mind-bending marriage of cutting-edge audio-visual technology with the timeless music of the Grateful Dead.” says concert promoter and Relix publisher Peter Shapiro.

    The three-night art-tech event will feature “custom projections, interactive LED screens, projection mapped floors, synchronized illuminations, the largest augmented reality sandbox in the world and more, all tuned to the magical sounds of the Dead.” Additionally, ZeroSpace will feature a 3D mapped, 30-foot geodesic dome synchronized to “Drums & Space” all night long.

    A successful inaugural edition of “Jerry Dance Party” was held following Dead and Company’s Halloween run at Madison Square Garden, leading to the three-night event being announced. Helming the events music will be DJ Jerrbrother.

    “The shows we did around Dead & Company were over the top and we can’t wait to return to ZeroSpace,” says Stephen Grybowski, co-producer of The Jerry Dance Party. “We’re taking some of the most psychedelic art-tech available and pairing it with the most amazing song catalog known to man. Our goal is to bring the energy and vibe of the early events produced by The Merry Pranksters into 2019. I have a feeling they’d be very proud.”

    And as if these three nights weren’t enough, the Capitol Theatre in Port Chester, N.Y. is hosting a similar event, “A Very Jerry Holiday Dance Party,” on Dec. 27. “At the Dec. 27 ‘Very Jerry Holiday Dance Party’ you can experience The Capitol Theatre like never before, as the ghosts of Grateful Dead past come alive to our amazing, state-of-the-art sights and sounds,” adds Shapiro.

    The Jerry Dance Party will feature concert-quality sound throughout each room so jam fans can dance to the Dead until dawn. Tickets are $30 per night.

  • Arlene’s Grocery brings Chameleonize and Nerd Salad to LES on December 29

    Chameleonize, a six-piece acid-jazz / funk-fusion band based in New York City, will be joined by Nerd Salad for a Phish After-Party at Arlene’s Grocery on the Lower East Side on Sunday, December 29.

    Doors are at 11:30pm, with Chameleonize at Midnight and Nerd Salad at 1:00am. Tickets are $10 in advance or $12 day of show. More info can be found here.

    chameleonize nerd salad

    Chameleonize draw influences from Erykah Badu, Snarky Puppy, and Hiatus Kaiyote. They combine complex musical sequences with attractive pop melodies and hip-hop grooves, and exhibit a unique twist on contemporary music. Current members include Gabi Feliciano on vocals and alto saxophone, Mo LaMastro on guitar, Brian Gipson on guitar, Mikey Rotunno on bass, and Jake Navarro on drums.

    Nerd Salad’s music is the product of childhood friends combining their love for the melodies of alternative rock, with their appreciation for technical musicianship. Their debut album Your Father And I Aren’t Angry, We’re Just Disappointed showcases the wide range of styles Nerd Salad is capable of. In just under twenty minutes of music, they leap from the infectious melodies of indie rock, to the psychedelic grooves of funk rock, and even the crushing breakdowns of metal, all while keeping their lyrics witty and relatable. Nerd Salad is truly an act that offers a little something for everyone.

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