NYS Music 20​19

Category: NYC Metro

  • Café Carlyle welcomes Buster Poindexter for two intimate shows this October

    Rock icon Buster Poindexter returns to Café Carlyle, October 8 & 9. As a founding member of the New York Dolls and in a prolific solo career, David Johansen has been a seminal force in rock and roll, influencing countless singers and bands to this day.

    For these performances, Buster Poindexter, Johansen’s celebrated alter ego, will showcase his songwriting, spanning his career from New York Dolls until now, in his inimitable elegant style, interspersed with amusing anecdotes from life in New York, past and present. As Poindexter, his previous engagements have been sellouts and he has become one of the most revered artists to grace Café Carlyle.

    The E Street Band’s Steven van Zandt has said of past performances, “Buster Poindexter at the Café Carlyle is one of the great shows of the year. David Jo does an impressionistic look back at his life through his alter ego’s lens and it all works. It’s a jazz performance. His actor’s chops riffing comedy in between songs. Don’t miss it!”

    Originally opened in 1955, Café Carlyle is New York City’s bastion of classic cabaret entertainment, a place where audiences experience exceptional performers at close range in an exceedingly elegant setting. Since composer Richard Rodgers moved in as The Carlyle’s first tenant, music has been an essential part of The Carlyle experience. No place is that more evident than in the Café Carlyle.

    Reservations can be made online. Café Carlyle is located in The Carlyle, A Rosewood Hotel (35 East 76th Street, at Madison Avenue).

  • STS9 Achieves Lift Off at the Brooklyn Mirage

    Santa Cruz, California’s Sound Tribe Sector 9 (STS9) touched down on September 20 at the Brooklyn Mirage for their Apo11o tour, commemorating the 50th anniversary of the Apollo 11 mission. STS9 celebrated a theme of space exploration in their setlist and gave New York City a much anticipated dose of their celebrated livetronica. They were joined by some of their favorite musical friends: Orchard Lounge, Cut Chemist and Mark Farina. 

    Hunter Brown of STS9

    Orchard Lounge kicked off the festivities with a delicious set of eclectic dance mixes, downtempo and “bass-dropping efunk.” Hailing from Chicago, the band members include Spencer Lokken, Bethany Lokken and Ben Silver. Their melodic interwoven beats had the crowd moving and grooving immediately.

    Orchard Lounge

    Next up was Cut Chemist, also known as Lucas McFadden, a DJ from California who utilizes original 45 records along with his digital production. He specializes in hip-hop, funk and scratching, an art form that is dying in the current digital revolution. Drawing from artists like the Beastie Boys to Chali 2na, Cut Chemist delivered adventurous breakdance-worthy urban beats.

    Cut Chemist

    STS9 took the stage to a packed house and did not stop playing their space exploration-themed jams until the first set ended. The first set began with a new urban tune “Strange Games” that later turned into “When the Dust Settles Reprise,” a morphing of “When the Dust Settles” from the album of the same name. The jam sandwich continued with “Tooth” transitioning into “Golden Gate,” also from When the Dust Settles, as well as old school favorites “Golgi” > “Grow” > “Kamuy.” The band closed out the set with new song “Push The Sky” and then took a well deserved setbreak.

    STS9

    The second set continued to go where “no sectornaut has gone before,” as the band had landed on the Moon, metaphorically speaking of course. “Looking Back On Earth” opened the set, and transitioned into “Rabble” and “Open E,” transporting the crowd into the ethos. “Scheme” was up next, another tune from When the Dust Settles, followed by “Hubble”, the STS9 classic named after the famous satellite telescope. The crowd could not contain their excitement during this rarely played tune from Interplanetary Escape Vehicle. A transition from “Seed” into “Click Lang Echo” followed with more tasty intergalactic jams. The set wrapped up with “World Go Round” from The Universe Inside. STS9 finished the evening on a high note with the perennial favorite “Inspire Strikes Back”, named after the famous Star Wars sequel.

    STS9’s Zach Velmer addresses the audience

    DJ Mark Farina kept the festivities going with his signature blend of house, jazz and downtempo. Known for his “Mushroom Jazz,” Farina wove well-known and obscure tracks into a dance tapestry that delighted the late night crowd well into the early morning hours.

    DJ Mark Farina

    The Brooklyn Mirage was successfully launched into outer-space by post-rock dance musicians Sound Tribe Sector 9, supported by their savvy DJ friends. NYC Fans were delighted by the space exploration theme well into the night, and excitedly await their next trip into the cosmos with this talented band.

    The crowd loving STS9

    Set One: Strange Games >> When the Dust Settles Reprise >> Tooth >> Golden Gate > Golgi > Grow >> Kamuy >> Push The Sky

    Set Two: Looking Back On Earth >> Rabble >> Open E, Scheme, Hubble, Seed >> Click Lang Echo, World Go Round

    Encore: Inspire Strikes Back

  • Steve Kimock & Friends announce 25 year tour, release “While We Wait”

    Steve Kimock & Friends kick off their 25 year celebration on Wednesday, September 25, and leading up to this silver anniversary they’re releasing SKF videos from the archives. Check out “Cole’s Law” from earlier this year at Sweetwater Music Hall in Mill Valley, CA.

    The group recently released “While We Wait,” an elegant instrumental with Steve playing lap steel, guitar and piano on the track, alongside Spencer Murphy on bass, and John Morgan Kimock on drums, kalimba, piano, and synthesizers. Written by Steve and produced by John Morgan, the initial source of the song was the bittersweet joy Steve experienced in visiting with a friend who didn’t have much time left. 

    Steve’s playing creates a unique space, one not conventionally occupied by the average mind.  As John Morgan put it, “You cannot identify what you are hearing, which is really exciting to me. I try to run with the ‘UFO’ vibes and let that creep into the production.” Commenting on John’s production work, Steve replied, “I don’t know how he does it.  He takes pieces I’ve done and creates something new…his process is fascinating.”  The other-worldly magic of Steve’s guitar meets its match with John Morgan’s studio alchemy. 

    Steve Kimock and Friends 25th anniversary tour dates:

    Wednesday, Sept 25 – Ridgefield, CT @ Ridgefield Playhouse

    Thursday, Sept 26 – Beverly, MA @ Cabot Theatre

    Friday, Sept 27 – New York, NY @ Le Poisson Rouge

    Saturday, Sept 28 – Ardmore, PA @ Ardmore Music Hall

  • The Morning Sea release video for “Mad in Berlin”

    Brooklyn-based, folk-Americana group The Morning Sea recently released their new single and video, “Mad in Berlin” via Americana-UK. Recorded in band member Sonny Ratcliff’s Brooklyn apartment, “Mad in Berlin” is the second single from their upcoming album Half Keys and features footage from the band’s travels to Berlin.

    “Mad in Berlin” portrays an air of excitement and freedom, and a sense of optimism slightly obscured by a wary sense of struggle on the horizon. The song’s video, directed and edited by Ratcliff, captures these emotions beautifully by combining a blend of joyful and melancholy images.

    Songwriter / frontman, Adam Cohen, started The Morning Sea as a solo project in 2013, but the project quickly flourished into a full-fledged band with the help of a talented crew of New York City musicians, notably including Cohen’s long-time collaborator Ratcliff, a multi-instrumentalist and producer. The band has since gone on to create three previous albums, multiple singles and videos, and have played countless shows at New York City’s most prominent venues.

  • In Focus: Andrew Bird’s ‘Finest Work Yet’ at Kings Theatre

    Andrew Bird has spent much of the year supporting his newest album, My Finest Work Yet, and Tuesday night at Kings Theatre was no different. The band played the entire new album nearly straight through in the first leg of the show. At one point, Andrew even confessed to the audience how much he loved playing this particular set of songs together live.

    Andrew Bird at Kings Theatre – Photo: Joseph Buscarello

    Opening the night was Chicano Batman, behind their excellent EP Black Lipstick, from earlier this summer. Their blend of of psychedelic, Latin funk was a wonderful complement to Andrew Bird. The lively grooves and melodies bounced around the cavernous Kings Theatre with ease.

    Eduardo Arenas of Chicano Batman – Photo: Joseph Buscarello

    Kings Theatre is a unique piece of Brooklyn history. First opening in 1929 the theater hosted movies, shows and vaudeville. After sitting closed for decades and a five year renovation, the theater reopened in 2015 as a modern concert venue. Once past security, the space transports you back in time with gorgeous velvet decor and intricate carvings throughout.

    The band sounded particularly sharp inside Kings Theatre. Andrew’s whistling echoed around the room, mixing seamlessly in and out of the lush strings and vocals from the rest of the band. A tall, projected backdrop framed the band and made them seem as large as the theater itself.

    Andrew Bird, Kings Theatre – Photo: Joseph Buscarello

    After running through My Finest Work Yet, Andrew treated the crowd to a few classics, including “Pulaski at Night.”

  • Runaway Gin to bring “Evil Phish” to The Knitting Factory this December

    On the heels of their first 3-song second set at a Hurricane Dorian Afterparty in Charleston, SC, Runaway Gin – a Tribute to Phish has announced the “Ophishal YEMSG Preparty” along with Facebook groups Phish Chicks and Phish Tour 2014. The event will feature two sets of “Evil Phish” starting at 8:30pm on Thursday, December 26th at the Knitting Factory in Brooklyn, NY.

    The band recently released an HD Video of “Tube” from their March 30th show in Richmond, VA.

    Runaway Gin 2019 Fall/Winter Tour:

    Saturday, September 7th: Charleston Pour House

    Friday, September 13th: the State Theatre – Greenville, NC^

    Saturday, September 14th, the Ramkat – Winston-Salem, NC

    Friday, October 11th: the Glass House – Lynchburg, VA

    Saturday, October 12th: the Lincoln Theatre – Raleigh, NC

    Thursday, October 17h: Victory North – Savannah, GA

    Friday, October 18th: Capri Theatre – Montgomery, AL

    Saturday, October 19th: Zydeco – Birmingham, AL

    Friday, November 1st: Neighborhood Theatre – Charlotte, NC^

    Saturday, November 2nd: the Broadberry – Richmond, VA^

    Friday-Saturday, November 8th: the Woodlands Festival – Charleston, SC

    Thursday, November 14th: 1904 Music Hall – Jacksonville, FL

    Friday, November 15th: the Orpheum – Tampa, FL* 

    Saturday, November 16th: Revolution Live – Ft. Lauderdale, FL* (with Pink Talking Fish)

    Friday, November 29th: the NorVa – Norfolk, VA

    Friday, December 6th: Charleston Pour House – Charleston, SC+ (Just the covers Phish afterparty)

    Thursday, December 26th: the Knitting Factory – Brooklyn, NY

    Saturday, February 1st: Cervantes – Denver, CO

  • Jason & The Rex release debut music video and single “Bullets are Flying”

    Brooklyn alternative hip-hop artist, Jason & The Rex recently released their debut single and accompanying music video for “Bullets Are Flying.” Inspired by emotion from the Parkland shootings, Jason unfurls a pensive, sometimes manic flow that expresses the convoluted public discourse surrounding the gun violence epidemic in the U.S. over vibrant horns, a melancholy piano lead, strange-sounding synths, and a reverb-washed chorus create a dense soundscape.

    Hoping to inspire activism within his art, Jason layered hidden meanings and messages with each aspect of both the video and the track. The dancers movements, the TV screens, sounds and atmospheric layers created from voice samples of common gun-violence soundbites are just a few examples of the extreme intuitiveness found in the creation of this video, conveying an emotive message of gun violence. 100% of proceeds from “Bullets Are Flying” will be donated to March For Our Lives.

    Hip-hop, future-funk, and dream-pop influences blend to create a densely layered lamentation of our nation’s gun violence crisis in “Bullets Are Flying.” Jason draws on his love for socially-conscious 90’s hip-hop artists like De La Soul and Common with the synth-heavy, lush soundscapes of psychedelic dream-pop artists like the Cocteau Twins, the Cranberries, and Tame Impala. The video is directed by Samantha Silver and produced by Tag Brum.

    “Bullets Are Flying” will appear on Jason’s forthcoming EP Synthesizer or Variations of: An Endemic Cycle, which will explore and expand the theme of living in the mass shooting generation.

  • John Leguizamo’s one-man play ‘Latin History for Morons’ returns to NYC

    Following its Tony-nominated hit Broadway run seen by tens of thousands, Tony Award winner John Leguizamo’s one-man play Latin History for Morons will return to New York for one night only at Kings Theatre in Brooklyn, NY on Saturday, November 9.

    Latin History for Morons is inspired by the near total absence of Latinos from Leguizamo’s son’s American History books. Leguizamo embarks on an outrageously funny, frenzied search to find a Latin hero for his son’s school history project. From a mad recap of the Aztec empire to stories of unknown Latin patriots of the Revolutionary War and beyond, Leguizamo breaks down the 3,000 years between the Mayans and Pitbull into 110 irreverent and uncensored minutes above and beyond his unique style.

    Ben Brantley of The New York Times called the show a “surprisingly poignant one-man play that slyly poses sharp and timely questions of what culturally defines American identity and who, in the nationalistic age of Trump, has ‘the right’ to be here.”

    Latin History For Morons

    Latin History for Morons concluded its successful run on Broadway on February 25, 2018. The original 16-week engagement was extended an additional three weeks on opening night, November 15, 2017. The production was the first play of the 2017-2018 season to recoup its entire capitalization.

    This marks theatre’s most prolific modern Latino playwright, John Leguizamo’s sixth one-man venture onto the stage, following success on Broadway with Ghetto Klown (Outer Critics Circle Award, Drama Desk Award), Freak (Drama Desk Award), Sexaholix…A Love Story (Tony nomination) and Off-Broadway with Mambo Mouth (Obie Award) and Spic-O-Rama (Drama Desk Award). 

    Directed by Tony Taccone (Wishful Drinking, Bridge & Tunnel), the Tony-nominated production of  Latin History for Morons is written and performed by Leguizamo, featuring scenic design by Rachel Hauck, lighting design by Alexander V. Nichols, and original music and sound design by Bray Poor. Latin History for Morons is produced by THE WOW Agency, Berkeley Repertory Theatre and The Public Theater.  

  • James Murphy and Friends to perform at The Kitchen’s new benefit concert series on September 25

    The Kitchen, one of New York City’s most forward-looking nonprofit spaces, will kick off a new benefit concert series on September 25 with DJ sets from James Murphy (LCD Soundsystem/DFA) and friends. The first floor theater will host Murphy, with doors opening at 8:30pm and the DJ sets running from 9pm-12am. More information on the upcoming concerts for the 2019-20 season will be announced soon.

    The Kitchen shows innovative work by emerging and established artists across disciplines, with programs ranging from dance, music, performance, and theater to video, film, and art, in addition to literary events, artists’ talks, and lecture series. Since its inception in 1971, The Kitchen has been a powerful force in shaping the cultural landscape of this country, and has helped launch the careers of many artists who have gone on to worldwide prominence.

  • Hot Chip Hits the Dance Floor at Brooklyn Steel

    Hot Chip brought their electronic-infused indie rock to Brooklyn Steel on September 4 in support of their new album, A Bath Full of Ecstasy. This was the middle of a three-night sold out run. Holy Fuck opened the night which featured a guest vocal/sample appearance from Alexis Taylor. [Update: Holy Fuck have released this single featuring Alexis Taylor, “Luxe.” Listen here]. 

    Hot Chip at Brooklyn Steel – Photo: Joseph Buscarello

    The night began with the opening track from their last full length album Why Make Sense? “Huarache Lights,” followed by the title track from 2010’s One Life Stand. The band then played two sequential tracks from In Our Heads, “Night & Day” and “Flutes.” It was not until the halfway point of the set where we heard the first new song, “Hungry Child.”

    Hot Chip – Photo: Joseph Buscarello

    The stage was built to resemble classic bandshell stages, with projection towers in a crescent shape behind the band projecting various color palettes throughout the show. A dramatic laser show came and went throughout the night, an effect well received by the fans in the room.

    The second half of the set saw a very frenetic rendition of the Beastie Boys’ classic “Sabotage” before two more tracks from A Bath Full of Ecstasy, “Melody of Love” and “Positive.”

    The tour is just getting underway. The band tours North America throughout the fall, followed by shows in Japan, Europe and South America into December.

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