Category: NYC Metro

  • Hot Tuna Plan Late 2019 Shows, Kicking off in NYC

    This November and December, guitarist Jorma Kaukonen and bassist Jack Casady will take to the road to close 2019 as Hot Tuna and wrap up their 50th year with acoustic shows with electric holiday performances as well.

    Town Hall in New York City will host the tour kick off with two nights of electric Hot Tuna on Nov. 29 and 30, with special guest Steve Kimock. The Jefferson Airplane alums will then team up with Larry Campbell and Teresa Williams for 11 shows around the Northeast and Midwest, including stops in Troy, Poughkeepsie and Buffalo. Hot Tuna will then close out 2019 in Florida with shows on Dec. 28 in Clearwater and Dec. 31 in Ft. Lauderdale with an electric performance. Full tour dates can be found below.

    Hot Tuna Fall Tour Dates

    Nov. 29-30 – The Town Hall – New York, NY*
    Dec. 2 – Musikfest Cafe at ArtsQuest Center – Bethlehem, PA^
    Dec. 3 – Troy Savings Bank Music Hall –  Troy, NY^
    Dec.
    5 – Bardavon 1869 Opera House – Poughkeepsie, NY^
    Dec. 6 – The Colonial Theatre – Keene, NH^
    Dec. 7 – Garde Arts Center – New London, CT^
    Dec. 9 – Asbury Hall – Buffalo, NY^
    Dec. 10 –  The Palace Theatre – Greensburg, PA^
    Dec. 11 –  Kent Stage – Kent, OH^
    Dec. 13 – Park West – Chicago, IL^
    Dec. 14 –  Fitzgerald – St. Paul, MN^
    Dec. 15 – Turner Hall Balroom – Milwaukee, WI^
    Dec. 28 – Bilheimer Capitol Theatre – Clearwater, FL
    Dec. 31 – Parker Playhouse – Fort Lauderdale, FL+

    * w/ Steve Kimock
    ^ w/ Larry Campbell & Teresa Williams

  • How a Led Zeppelin guitar case was stashed on Long Island for 47 Years

    On June 15, 1972, Jeff Curtis went to see Led Zeppelin perform at the Nassau Coliseum on Long Island, and he would leave with a guitar case belonging to Jimmy Page and hold onto it for 47 years.

    led zeppelin guitar

    The case, an original Liften guitar case, famously came with 1958-1960 Gibson Les Paul guitars. While only about 1,500 Sunburst Les Paul guitars were made during this time period, they are regarded as the most prized and demanded guitars by rock musicians and known for their incredible tone. Such notables who played and recorded with 1958-1960 Les Pauls include Jimmy Page, Eric Clapton, Slash, Jeff Beck, Keith Richards, and many other guitar gods.

    led zeppelin guitar
    The case can be seen on the inside cover of Led Zeppelin IV

    Jimmy Page owns two of them, but his favorite is his 1959 Les Paul sold to him by Joe Walsh around 1969. Jimmy recorded pretty much all of his iconic Led Zeppelin songs with that guitar, starting with Zeppelin’s second album. Page used a telecaster on the first album before he acquired his ’59 Les Paul.

    led zeppelin guitar
    via LedZeppelin.com

    That summer, Led Zeppelin was in the middle of their eighth U.S. tour, and two heavy nights at Nassau Coliseum served as the final East Coast dates of the summer. After the show, Mick Hinton, John Bonham’s drum tech, who Jeff had met the year before at Madison Square Garden, invited Jeff to the stage after the show. Jeff was in the stands behind the stage and shouted to Mick, “How do I get down there?”

    Hinton picked up and tossed a guitar case belonging to the Led Zeppelin guitarist to Jeff, who then walked down, past two security checkpoints with the case in hand, up onto the stage, and handed it back to Mick. For years, the case was “hidden under a pile of junk deep in an attic” as Curtis shared with NYS Music. Living in Westbury, Curtis is a guitarist who can be found at open mic nights across Long Island and has performed in Hawaii, California and Sweden.

    led zeppelin guitar

    Curtis shared the full story on Facebook how he wound up with the original case, and was recently able to return it to Jimmy. Read below their photo for the full story.

    After the few minutes it took to pack up the drums, he says to me, “You can have that.” I was speechless, to say the least! “Where will the guitar go?” He took me over and showed me Jimmy Page’s number one Les Paul guitar in its brand new anvil road case. The case I was given was being discarded that night since its back was crushed and no longer afforded protection to the guitar. Talk about being in the right place at the right time!

    So began my decades-long possession of a genuine rock n’ roll artifact. But I also realized from that point onward that it was something I couldn’t talk about. While there have been a small handful of friends over the years who were aware that I had it, I had kept this a deep secret over the past 47 years in fear that someone might either burglarize my house or worse, threaten me in order to steal it. For this reason, I had decided a couple of years ago that I no longer wanted the guitar case.

    Despite its certain significant monetary value to a collector, I had also decided that I wouldn’t ever sell it since making money off someone else’s fame is simply against my principles. I decided that I would find a way to personally return it to Jimmy Page. But how to accomplish this? How would I get in touch with the right people to set up a meeting?

    Back in July, I went to see the Play It Loud exhibit at the Metropolitan Museum of Art in New York City. Jimmy Page’s number one Les Paul guitar was one of the instruments on display. I got the idea that maybe I could be put in touch with his people via the exhibit’s curator. A few days later, I called the museum and spoke with the curator’s assistant who asked me to send an e-mail with photos, which I did. About two weeks later, I got a call from a gentleman, Perry, who works with Jimmy. He asked to set up a meeting to personally examine the case and take several more detailed photos. About a month later, I received word that Jimmy wanted to meet me and have the case returned.

    So, on a beautiful Sunday afternoon in a hotel lounge in New York City, my two daughters, a close friend and I had the pleasure of a 1-hour sit-down and conversation with Jimmy, with him finally getting the guitar case back. When I opened it up, the look on his face was priceless: “What memories this brings back!” “Thank you so much!” In person, he is a genuinely warm and very welcoming gentleman. We talked about Led Zeppelin, he asked about my musical influences, asked my daughters what type of music they enjoyed and various other topics. I gave him copies of both my CDs, which he said he would listen to. He also had brought me a special limited box set edition of Led Zeppelin 2 and signed its book as well as another book I had brought with me. I can honestly say that after the first few minutes, my nervousness completely disappeared and it felt like I was talking with an old friend. Nevertheless, the experience of having had the opportunity to sit down with the very person whose music not only greatly influences my own but also inspired to me to initially pick up and learn to play the guitar almost 50 years ago is something that I will never forget!

    Thanks so much Jimmy and thank you Perry! Mission accomplished.

    After sitting with Page for an hour, Curtis said of the legendary guitarist, “It was like talking to an old friend.” He continued, “Jimmy was a real gentleman to sit and talk with, not a hint of ego. He asked my daughters about their musical interests, and asked about my influences as well. He made us all feel very comfortable. But it took a week to kind wrap my head around the experience of meeting him for that long.”

    This article was originally published by Under the Radar – Covering the Long Island Music Scene and appears as a special to NYS Music. Under the Radar and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene across Long Island. For more, visit BreslauBombers.com.

  • Antibalas Delivers Sweet Afrofunk at Industry City

    On Saturday night at Industry City, Antibalas delivered their infectious Afrofunk, closing out the Summer Series presented by City Farm Presents. They were joined by the sassy High and Mighty Brass band, rooted in sounds from New Orleans funk to R&B and hip-hop. Both bands exceeded expectations, despite missing parts of their regular lineup, in this new and exciting venue within a redeveloped section of Sunset Park, Brooklyn.

    High and Mighty Brass Band

    The High and Mighty Brass band brought their energy and unique covers to Industry City. The bands stealthy line up included Charlie Kay (vocals), Evan Howard (drums), Tyler Tritt (trumpet), Nolan Tsang (trumpet), Dan Lehner (trombone), Corey Wilcox (trombone), Vija Brown (guitar), Chauncey Yearwood (percussion and vocals), and Steve Duffy (sousaphone). Two notable covers included TLC’s “Waterfalls” and Ginuwine’s “Pony.” The band recently released “Pony” on video, shot in their hometown of NYC.

    Amayo from Antibalas

    Antibalas took the stage and continued the high energy affair with their signature blend of Afrobeat, which incorporates elements of improvisation, jazz, funk and traditional drumming. Vocalist and original member Amayo engaged the crowd with his positive vibes and inspirational spirit throughout the night. The talented band members on stage included Jordan Mclean (trumpet), Marcos Garcia (guitar), Reinaldo De Jesus (percussion), Giancarlo Luiggi (shekere), Timothy J Allen (guitar), Kevin Rackza (drums), Raymon Mason (trumpet), Eric Biondo (trumpet), Michael Buckley (baritone sax), Lynn Ligammari (saxophone), and Vince Chiarito (bass). Notably missing from the lineup was the founder, saxophonist Martin Perna, however the replacements held their own, making for a memorable night of music in Brooklyn.

    Antibalas Horns
  • National Sawdust set to host Resonator Festival on October 5

    Resonator Festival, being held this Saturday at National Sawdust in Brooklyn, is what happens when your wildest musical daydreams get a chance to come to fruition. With a curated lineup of the best of NYC’s underground music scene, you’ll find once in a lifetime sets where two acts come together on stage to exchange ideas through performance, including supergroup collaborations you’ve always wanted to see, and some you’ve yet to imagine. Innovative, groundbreaking and forward thinking artists join forces with others to explore the boundaries of modern sound.

    An extension of a belief in beauty through collaboration, Resonator Festival celebrates and showcases this musical movement. Hosted by Resonator and National Sawdust, this event will be nothing short of a party, where the sounds of hip-hop, jazz, R&B, soul and rock come crashing upon each other.

    There’s nothing complicated at Resonator Festival: good friends, good vibes, and good music. When people of color, women, members of the LGBTQ+ community, and beyond are given the space to freely exist, and the equal representation they deserve, there is no limit to the change that can be made in the world.

    This year’s festival is Saturday, October 5, with shows from 4-7 pm and 8pm-12am. NYC ensemble ShoutHouse will be collaborating with hip-hop dancer/choreographer Quilan Arnold, MC Nuri Hazzard, and soloist Connell Thompson, premiering new songs by Will Healy, Jesse Greenberg, and Alix Goffic, with support from the Brooklyn Arts Council. For more info visit National Sawdust for details.

    Schedule:

    Music all-day by: DJ Likwuid

    Show 1:
    11pm – Midnight: Royal Khaoz x QNA
    10pm – 11pm: ShoutHouse
    9pm – 10pm: Edward Spliffington Big Band
    8pm – 9pm: OJ in the Yams

    Show 2:
    6pm – 7pm: Olivia K x Jahlani Roberts Steel Pan Orchestra
    5pm – 6pm: EARTHTONE x MNFST
    4pm – 5pm: WSABI Fox x Dizzy SenZe

  • Common announces one-night-only at the Apollo Theater

    Common, an Academy Award, Golden Globe, Emmy and GRAMMY-winning artist, actor and activist, returns to the Apollo Theater stage on Tuesday, October 8, to celebrate the release of his second book, Let Love Have the Last Word and his latest studio album, Let Love. 

    This one-night-only New York City concert will showcase Common’s own unique and personal stories of the people and experiences that have led to a greater understanding of love and all it has to offer. Jamilla Woods joins Common as his special guest this evening. Visit the Apollo Theatre website for more information.

  • Break Science shares new single “Oshun” ahead of Fall Tour

    In advance of their upcoming fall tour, which starts in Washington D.C. on Wednesday, October 2, Break Science has shared the downtempo and lyrically esoteric single, “Oshun.”

    “This song is a dedication to Oshun, the Goddess who governs love and freshwaters,” shared Break Science keyboardist and producer Borham Lee. “She is the protector of the poor, healer of the sick, the bringer of music and dance, prosperity and fertility. With this song, we hope to invoke the divine feminine essence of nature to instill a higher thought and create spiritual balance.” 

    With over a decade of creation under their belts, and arguably among the artistic pioneers of the mid-2000s electronic music explosion, the duo –comprised of keyboardist, producer and jazz pianist, Borahm Lee (Pretty Lights Live Band) and funk, hip-hop drummer extraordinaire, Adam Deitch (Lettuce) – adds a layer of intrigue and depth to their music with the incorporation of Deitch’s live drumming and Lee’s real-time performance behind the synthesizer and keyboard.

    Break Science Fall Tour Dates

    10/2 – Washington, DC – Gypsy Sally’s
    10/3 – Brooklyn , NY – The Brooklyn Bowl
    10/4 – Richmond, VA – The Broadberry
    10/5 – Asheville, NC – Asheville Music Hall
    10/10 – Salt Lake City, UT – Soundwell
    10/11 – Seattle, WA – The Crocodile
    10/12 – Portland, OR – The Star Theater
    10/16 – Minneapolis, MN – The Varsity Theatre
    10/17 – Grand Rapids, MI – The Stache @ The Intersection
    10/18 – Chicago, IL – The Chop Shop
    10/19 – Indianapolis, IN – The Mouse Trap
    11/29 – Portland, ME – Port City Music Hall
    11/30 – Philadelphia, PA – Ardmore Music Hall

  • In Focus: Vulfpeck Funks Up The Garden

    Madison Square Garden was given a heavy dose of uptempo funk on Saturday September 28 as the entire arena was surging with energy as Fearless Flyers and Vulfpeck brought their A-game to a sold out MSG.

    Fearless Flyers, one of Vulfpeck’s many side projects, opened the night. Right out of the gate they came out swinging with heavy bass lines at an incredibly quick pace. All dressed in fighter pilot jumpers, the band was cool and clean as they ripped through each song.

    Vulfpeck came out to a roaring arena, its members being announced one by one. They started the set with their incredibly upbeat “Animal Spirits” and went quickly into “Cory Wong.” After each song, the band moved seamlessly around the stage, changing instruments and showing off their incredible versatility.

    After several songs, Antwaun Stanley joined the band on stage for “1612” which sent the fans into a frenzy, and appeared to be the climax of the night until the band got the crowd singing the chorus to “Back Pocket,” the intensity roared on for the rest of the night.

    Vulfpeck Setlist: Intro, Animal Spirit, Cory Wong, My First Car; Daddy, He Got a Tesla; Smile Meditation, Running Away, Baby I Don’t Know Oh Oh, 1612, Funky Duck, Aunt Leslie, Wait For the Moment, Back Pocket, Beastly, Christmas in L.A.,Dean Town

    Check out photos from Zatchmo Lives Media below.

  • Max Creek to perform at Garcia’s, plan NYE show at Colonial Theatre

    The legendary Max Creek, featuring guitarist Scott Murawski, bassist John Rider, drummer Bill Carbone, keyboardist Mark Mericier, and percussionist Jamemurrell Stanley will make a stop at the Garcia’s at The Capitol Theatre on Friday, October 25. They also recently announced their New Years Eve performance at The Colonial Theatre in Pittsfield, MA.

    max creek garcia's

    Titans of the jam music scene, Max Creek, have been going strong for nearly 50 years. The band has been known for embarking on extensive tours, playing as many as 200 shows a year to crowds of thousands of people.

    True pioneers of electric rock jam, Max Creek has more than four decades of experience launching musical adventures with a rich repertoire of originals and uniquely interpreted gems. Each set is a journey for audience and band alike, chasing muses without a net and bringing it all back home to the roots again. The Max Creek show at Garcia’s is a unique opportunity to see the legendary band in a completely new way. Fans will be able to jam out and boogie along to Max Creek’s electrifying music in an intimate concert space.

  • There’s a Reward: Neal Casal and his life of music celebrated at The Capitol Theatre

    “Have an epic party for me and play my favorite records and remember all the good times we had, the music, images, and waves we caught. That’s all.” These words from Neal Casal shown on The Capitol Theatre stage, began the tribute of his life after the lights went down and Exile on Main Street had stopped playing over the house speakers. His message, hope, and dream were put on display for the audience and it wasn’t until “Moonlight Mile” started to play that everyone realized that our friend was truly gone. The crowd was so eager for this show to start and visibly sad once it finally did. All eyes were on Neal’s jacket, draped over a lone chair on stage with his guitar resting silently next to it.

    Neal Casal Capitol Theatre

    This musical wake consisted of numerous segments, each focusing on different chapters of Neal’s life. The first set highlighted Neal’s earlier work and had his friends and collaborators each share songs that Casal had written, while the second set highlighted his projects with friends over the last decade. Behind the stage was a screen showing pictures from Neal’s life as well as the photos Neal took himself. Gary Waldman led us through Neal’s life between songs, telling stories that highlighted their friendship and also his experiences as Neal’s manager. The emcee’s jokes and tales had the crowd engaged and excited for each new detail he’d share with in his stories.

    The two hour first set was full of beautiful solo performances, touching respects and countless collaborations from Neal’s former band members. Hazy Malaze, one of Casal’s early bands, ended the set before Peter Shapiro came on stage to thank the crowd for coming out. He regaled the audience with a tale about needing “intermission music” for the Fare Thee Well shows and how that led to the creation of Circles Around The Sun. Before leaving the stage, he announced that the stage at the Garcia Forest at the Lockn’ Festival will now be known as the Neal Casal Stage.

    After a very short intermission, the tribute continued with a more upbeat second set starting with Beachwood Sparks and then the premiere of the new Circles Around the Sun lineup featuring Eric Krasno on guitar. Joe Russo also popped in for a tune before coming out with Joe Russo’s Almost Dead with Adam MacDougall filling in for Marco Benevento. After a few songs, Chris Robinson came on stage and played with a few members of Chris Robinson Brotherhood to end the set. The late hour didn’t deter the crowd or the performers, and the entire lineup came out for an encore performance of “Farther Along” and a final prayer Robbi Robb to end the night. It was a memorable, emotional evening that left everyone both fulfilled and drained after five and a half hours of music.

    You can watch the entire Tribute below on Relix’s YouTube channel.

    https://www.youtube.com/watch?v=4pAor7Cv66s

  • Interview: NYS Music catches up with Psychedelic Trio Cycles

    Denver, Colorado psychedelic jam-trio Cycles are making their way through the northeast this week, performing a series of shows throughout New York state as part of an extensive 2019 fall tour. Last night, the band played at Buffalo Iron Works, with Colorado’s The Magic Beans and Connecticut’s Eggy, for a commemorative night celebrating the venue’s tenth anniversary. This past Wednesday, Cycles sat down for an interview with NYS Music in Brooklyn, NY, just before performing a set at famed music club The Knitting Factory.

    This was a first time appearance for the trio’s drummer Collin O’Brien, not only at the venue, but in Manhattan altogether. “I haven’t been to New York in like fourteen years,” he told NYS Music. “I’ve been freaking out walking around all day.”

    It was a return, however, for the band’s guitarist Patrick Harvey and bassist Tucker McClung, whom have performed as Cycles in NYC before. “We’ve played New York a few times,” said McClung. “There was Brooklyn Bowl, and then we played at American Beauty once, for a Phish after party. That was really fun.”

    “There’s a really sick jam from that [Phish] show,” said Harvey.

    Sick jams were definitely in full supply for their The Knitting Factory show, which saw the band deliver a full range of musical styles, from jazz to funky-metal to soulful rock, across a dizzying set of songs that were all linked together via impeccable technical abilities.

    While new to the city, O’Brien is also a relatively new addition to Cycles, at least as a full time member. The Chicago-born drummer moved to the band’s home base of Denver earlier this year and jumped on board with the band just in time for huge gigs like Arise Music Festival, Peach Music Festival, and Resonance Music Festival just last weekend. “I love it,” he said. “This has been the best summer of my life.”

    cycles
    Cycles’ Drummer Collin O’Brien. Photo: Tara Gracer

    He certainly fits into Cycles’ live musical experiment, with constantly shifting drumbeats and tempos thrown up against barrages of shrieking guitar solos from Harvey and slap-happy bass rips from McClung. As a unit, the band navigates an amazing balance between improvisational spontaneity and technical precision, and the results fuse together unique, often even quirky, song material with a sustained sense of freewheeling whimsy. A sense that, musically, anything could happen at any moment.

    In their Knitting Factory show, they showed this resolutely. Some songs bled out into super spacey, affecting moments of trippy space rock. Other moments saw battles for highest intensity between chromatic guitar picking and dramatic drums fills—sometimes while McClung was balancing his bass on one finger like a vaudeville performer. At one awesome point in the set, Harvey broke from a melodic guitar solo to incorporate audio samples of an eighties’ sounding, glam rock tune into a hard-driving metal-funk jam from bass and drums. Does that sound odd? Absolutely. It is exhilarating and actually pretty groovy.

    “I think when we first started, it used to be challenging to make it sound really full,” commenting on the three-piece driving force behind such heavily improvisational shows night after night. “But now, it just feels like I get to do whatever I want all the time. We’ve been playing together so much over the past three years, I feel like we all know where to get in and fill space, or where to leave space.”

    Tucker McClung, Bass.

    “Yeah, there is a lot of freedom in not having a lot of people on stage,” said O’Brien. “It’s easier to communicate ideas more instantaneously.” This sense of freedom is what gives the band the inspiration to perform a live musical game show next month, at Denver’s Cervantes’ Masterpiece Ballroom (where they will actually have many people on stage).

    Tucker broke the concept down to NYS: “It’ll be one set of us performing as Cycles, but we’ll open up the night with a set of this game show. It’s going to be a super interactive experience. We might have as many as 30 to 40 people coming up intermittently and participating in the show, and we’ll be the host band for this Johnny Carson mixed with Wheel of Fortune kind of experience.”

    “And,” added Harvey, “we have a game show host who is the freakin’ man! Dennis Craig. Definitely the best host any game show could ask for.”

    “It’ll be a healthy amount of uncertainty,” said O’Brien. “Stuff will go wrong in the best possible way.”

    cycles
    Cycles Guitarist Patrick Harvey. Photo: Miles Hurley

    The rest of Cycles’ schedule coming ahead has them linking up with jam scene contemporaries like The Magic Beans, Sunsquabi, and others. The trio looks forward to a huge hometown show in December: a debut at Denver’s The Fillmore Auditorium opening up for Umphrey’s McGee. 

    “I used to see them all over the place when I lived in Chicago,” said O’Brien. “They’re so nice. They’re just some normal guys that are like really, really freaking talented.” McClung, meanwhile, talked about seeing the six-piece staple act for the first time at this year’s Resonance Music Fest. “Yeah, they did an acoustic set which was pretty awesome. I was getting really pumped watching it.”

    This week, catch Cycles as they finish their New York stretch with a show tonight at Syracuse’s The Westcott Theatre, followed by shows next week at Olive’s in Nyack and at The Hollow in Albany. While this season of touring seems to continue a road-tested sense of hardcore gigging for the band, they show no sign of slowing down, an instead an invigorated and grateful attitude for the experience.

    When you’re as blessed to be doing what we’re doing, it’s foolish to be agitated at the world. Because you have this awesome opportunity to rock out. There’s nothing better than this. If there was something better than this, I’d be doing it.

    Patrick Harvey, Guitar.

    For more information about the band, their music, and their upcoming shows, head to their website.

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