Category: Beyond NYS

  • Fun Lives at The Farm: Previewing Bonnaroo 2019

    Salutations friends! As June opens its’ door, festival season is officially underway. People can once again begin to embark out on the perpetual quest to satisfy their ears and eyes by indulging in one of the greatest gifts life has to offer-live music. Across the nation, fans now engage in chasing their favorite destination events, bands, songs, and comrades. Among them, next weekend’s (June 13-16, 2019) Bonnaroo Music & Arts Festival in Manchester, Tennessee.

    Bonnaroo has risen to world fame from its’ beginnings as a mostly jam-centric haven to its’ current state, a wonderful melting pot of genre, visual art, and collectiveness from all over the planet. Yes, Bonnaroo is one of the largest festivals in the country, but it’s so much more. It is an explosion of diversity through art, a sponge for culture, and a tradition of expression like none other.

    bonnaroo 2019

    The lineup this year is as staggering as ever, dripping with intrigue at every avenue. Heading up the cavalry is the likes of Phish, Cardi B., Post Malone, The Childish Gambino, The Avett Brothers, Griz, John Prine, Gucci Mane, Odesza, Solange, The Lumineers, Brandi Carlisle, Joe Russo’s Almost Dead, The Grand Ole Opry, The National, and so many, many more brilliant acts waiting to unload, including tremendous representation from New York sure to stamp the South. Additionally, Bonnaroo boasts so much extra flavor it differentiates itself from any other event on the circuit. Bonnaroo has, and continues to always stand-alone in greatness and mystique. As I prepare to join the horde down on the farm, let’s look ahead to some of what this year’s installment has to offer.

    Bonnaroo stretches four days; each packed to the brim with exciting names, activities, and opportunity. I look forward to rejoining the mass down in Manchester for the first time in many years, and it’s a pleasure to act as the correspondent for NYS Music for the first time! I’ll be rolling along from start to finish as the biggest party of the year pops its’ top, and I’d like to point to a few things which excite me about this event.

    bonnaroo 2019

    The Grand Ole Opry (Thursday evening): This conglomerate of folk and bluegrass takes the headlining slot on Thursday evening. The wagon features Old Crow Medicine Show, Steve Earle & The Dukes, Ricky Skaggs and a collection of other friends that is sure to bring the downhome sounds of the do-si-dos right into the heart of Graceland. The energy at Bonnaroo on Thursday night is something fierce; of course arriving at a festival is always special. Anticipation breathes, evening comes quickly, and for the first time the site really becomes alive. Bonnaroo Thursday is the above but just a little more special simply because of the size and tradition of this place. The sounds of Appalachia is the perfect way to send the first shockwave through the crowds, and I can’t wait to see what this group of bluegrass all stars has to throw down.

    Access to new discovery: I can’t stress to our readers and fellow attendees how special this aspect of the festival is. Naturally a few names will jump off the lineup every year, and every individual has their favorites, but Bonnaroo is at its’ roots a mecca of discovery. Stumbling upon a band I’ve never heard of, from a distant region, or perhaps one whose genre is so outside my wheel well is just serene, and Bonnaroo is the place for that. I encourage those on the grounds to get lost at least once, and bask in the sheer size and undertaking of this gathering. Follow your feet to sound, and discover something new.

    bonnaroo 2019
    Sheryl Crow – photo by Nick Karp, Bonnaroo 2018

    Phish: The boys from Vermont make their third appearance on the hollowed grounds of the What Stage for what promises to be an epic soul shakedown.  Their last appearance at the ‘Roo was in 2012, and the band is in quite a different place today then they were in 2012, when they really had just begun to step back into their stride following their hiatus during the early and mid 2000s. Today, the band has been firing on all cylinders for quite a while, and while Bonnaroo is only at the tip of their summer tour, these shows will be absolutely special. Especially of note is Friday’s performance, which finds the foursome busting loose at 11pm, a start time much later than their usual shows. Always well aware of the stage and moment, expect a high energy, barnburner style punch right out of the gate.

    Photo by Brian Ferguson – Magnaball 2015

    New York in the house: Good news everyone! Fine company represents New York this year down in Manchester. A group that includes headliner Cardi B, the space funk party sounds of Rubblebucket, the indie quartet Parquet Courts, the dynamic electro dance king Space Jesus, the multi-instrumentalist rockers The Lemon Twigs, the young singer-songwriter and producer whiz King Princess, modern pioneers of the “now” sound AJR, and of course Joe Russo’s Almost Dead. I want to touch explicitly on Russo’s band for a second, or, JRAD, as many known them by their acronym. JRAD, a band born at the New York’s own Brooklyn Bowl in 2013 is a group which reprises the music of The Grateful Dead in a way that is so fresh, so their own that a listener can get completely lost within their compositions. Bonnaroo would not be the same without some iteration of The Dead’s catalogue in its’ midst and JRAD is the perfect selection. Late night? In a tent (That Tent)? Yes please. The group pioneered by kit virtuoso Joe Russo is always good for a surprise as well. Listen carefully for off the wall covers and licks to keep the crowd guessing. This collection of homegrown artists is as diverse as the great state and city from which they hail, and it will be a treat to see how they weave into the mix.

    bonnaroo 2019
    Photo by Nick Karp, Bonnaroo 2018

    The site/sights/people: Bonnaroo is absolutely a national treasure of sound, but it’s also delightfully visual. The installations and works of vast creative genius teams stretch far beyond the actual venue (dubbed Center Roo), and engulf in color, light, and wonder that sweeps through the surrounding campgrounds and commonplaces that make up the bulk of the festival’s map. Feast your eyes on tapestry of color created by attendees and visual artists alike. There is not a more diverse group of patrons to be found than at Bonnaroo, and there is something very powerful to be said in that. The beauty in a distinct diversity of ages, races, sexes, nationalities and beyond all transcend themselves on the farm. I have always found it to be a fluid place in so many different ways, I encourage everyone to notice how special this feature is as they traverse through the weekend.  

    Bonnaroo has a lane, a speed, and a taste for everyone. It continues to reinvent itself. It’s a testament to the industry and people for which it serves. Stages arise out of the woods; themed areas such as The Christmas Club Barn wait to be stumbled upon, roving DJ pop up sets in the plazas of the camps are just the beginning. To invoke the great Paul Simon, these are the days of miracle and wonder, of lasers in the jungle my friends, this is the long distance call. A wave of positive kinetic madness is about break under the hot Tennessee sun. Bonnaroo 2019 is finally here!

    bonnaroo 2019

    For more information on the Bonnaroo Music & Arts Festival, including tickets, the complete lineup, map, schedule, and much more, visit www.Bonnaroo.com. Keep your browsers dialed in right here at NYS Music for all of our coverage as I roam around the fields with my trusty photographer Rob Roane. Check our coverage out throughout the festival as we document our happenings via the NYS Music Instagram page, and after the festival wraps we will be dropping our reviews to keep you informed, up to date, and enthralled. Until then my friends, I will see you on the other side.

  • Fever Dolls: Musical Populists Transcend As Visual Storytellers

    Earlier this month, Fever Dolls released their third single, “Mrs. Carver.” Similar to their previous two releases, this song was accompanied by a thematically sound music video. However, it would be a disservice to simply call this visual component a music video, as its narration and storytelling resembles elements of a short film. Just like “Gennifer Flowers” and “Adline,” there are greater cinematic influences at play here that work together with the lyrics to ultimately enhance the listener’s experience. 

    Fever Dolls The Distance

    NYS Music had the pleasure of asking Renn Mulloy and Evan Allis of Fever Dolls questions regarding their creative vision and how visual media has influenced their music. 


    Sammy Steiner: Who are some of your biggest musical influences? How have they influenced your work?

    Evan & Renn: Our biggest influences are people that play no-frills, hook-driven pop music. We love Motown, new wave, and 70’s FM radio, and see ourselves in that tradition. We’re musical populists. We write choruses you can sing with your friends. 

    SS: What (or who) excites you within the realm of music right now? 

    E&R: RKS, Lizzo, Kacey Musgraves, Billie Eilish…people that transcend genres and think about their music as a fully immersive experience for their fans. That excites and inspires us. We’re noticing more bands that aren’t afraid to draw from pop music, write big choruses, or make the spectacle an equally important part of the live experience. We feel like there’s a better responsiveness to our type of band than there was a couple of years ago.

    SS: Lyrically speaking – do you draw on influences from your personal lives or through the lives of others? 

    E&R: At first our songs were mostly autobiographical and confessional, but recently I’ve started writing more about made-up people. In general, I think I’m probably a better storyteller than a protagonist, and find that writing songs about fictional characters allows me to write about a wider array of subjects than when I was starting out and only writing about my own love life. Moreover, since we always wanted to be a theatrical band, it feels more in line with our vision to play ballads and story songs.

    SS: Do you think the average person’s relationship with music has changed with the rise of visual storytelling? What role has the convergence of visual media had on your creative process and ability to tell a story?

    E&R: It definitely seems that for a lot of people hearing a song by itself isn’t enough anymore. Why stimulate one sense when TV stimulates two! Even Spotify now incorporates video into the platforms of their top tier artists, with these slightly ridiculous 20 second loops of animation or video. For the record, this seems to be about as cool as the iTunes equalizer button, but the point is people are excited by the relationship between audio and visuals, and want more music that speaks to them in that way. 

    Speaking as a member of this generation, I think television is the greatest art form ever invented, and it invades every part of my life and thought process. I constantly find myself reducing complicated life situations to derivative story arcs, and the personalities of people in my life to those of their most similar TV character. It makes living easy. Even when I write songs, I find my brain responds to what I’m writing by concocting scenes from fictional movies that play out in my head over the melodies. For a long time this seemed crazy, but now we try to lean into these associations and embrace the ways in which our band’s music inspires images and non-musical stories for us. We feel like the output makes sense to our audience’s listening experience, and has been more authentic and reflective of the way people in our generation’s brains work.

    SS: With an album on the way, what are your goals for the upcoming year?

    E&R: We’re sitting on a ton of recorded material that we’d like to release in the next year. The hold up is that I’m not a very capable engineer — but I’m getting better at asking for help and relinquishing control. The goal for the upcoming year, beyond the album, would be to release most or all of what we’re recording right now. We’re especially excited about a collection of songs and videos we’re working on about different criminals throughout American history that we’re calling, Only When Its Dark Out.

    Be sure to follow Fever Dolls on Facebook for updates regarding new music. 

  • Hearing Aide: Freekbass ‘All The Way This. All The Way That.’

    Hail the almighty bass – a beautiful cornerstone of countless bands through history. Its versatility is a product of its transformation over time, to become a tool that is both seismic and transient. With such a dichotomy, the possibilities are endless, and that attracts some of the most sagacious of musical minds. Chris “Freekbass” Sherman is one such person; his bombastic aesthetic and revolutionary playing style is evened out by his time learning from one of the most accurate and revolutionary funk bassists of all time (Boosty Collins).

    In this focused yet unrestrained way, Freekbass explores the extremes of his instrument while never venturing too far into the obscene, instead riding the line of being an accessible yet progressive artist. Freekbass himself is one of the true cornerstones of a band, with a physical image formed around his vision and shaped by the eccentric. In this new album, All The Way This. All The Way That., Freekbass puts on a clinic for bass enthusiasts, as he invites along a cast of immensely talented musicians to create a work that takes the listener on a travel through funk music’s past, present, and future.

    The band on this album is stellar in every performance aspect. The Freekbass Experience is composed of all-star players Rico Lewis on drums (George Clinton & Parliament-Funkadelic), Sky White on keys (Foxy Shazam), and Sammi Garett on vocals (Turkuaz). Every track is unique in its usage of the band, with Freekbass’ bass lines acting as a centerpiece for most tracks, developed further by his supporting cast. In general, each song could be described as being steeped in a sort of chaotic beauty, creating a very instrumentally deep album that breathes an air of robustness. This is one of the things that defines Freekbass’ aesthetic in a way; from his image to his stage presence, it’s wild, yet neither ignorant nor forced. It’s large, but never overwhelming.

    “Blizzard Lizard” offers a great look at this dynamic. A soft opening gets the listener comfortable before the bass slaps them awake, ushering in a groove so funky it warrants a spray of Glade air freshener. While this track has a darker mood, the energy remains potent as heavily effected guitar and synth lines swirl above a dark, black-hole of bass.

    Much of the time though, the album has a brighter nature with springy instrumentals and sing-able hooks. An unrelenting pulse between the bass and the drums sets the tone in “You Make Me Wanna Dance.” Here, the vocals sit nicely in an agile arrangement with a lot of interplay between the organ and bass. Added strings nod to older funk and disco. Vocal “ooh’s” on top of that work to create a cinematic atmosphere – a unique experience in a mostly pocket-funk styled song. One thing that stands out here, as well as in numerous places elsewhere on the album, are the transitions between the song’s parts. There is a well-phrased melodic line in “You Make Me Wanna Dance,” much like something out of a Stevie Wonder song. In the more 80’s funk-pop styled song, “Your Love Is Always On Time,” you find a lot of bass fills between side-chained sub-bass and drum breaks ala Prince. And speaking to that point, it’s evident that these modern funk figures, such as Stevie and Prince, lent as much influence to this album as did pioneers like James Brown and P-Funk.

    The intricacies in more pop-oriented songs are a testament to the skill of the band on this record. Take “Steppin’ Outta Line” – this song could have easily gotten away with a simple drum beat; bass drum on the one, snare drum on the two, and so on. Instead, you’ll notice that the bass drum lines up almost perfectly with the bass line, which does move around a fair amount without becoming too evasive. One of the lyrics on this song offer a great explanation as to why this type of intricacy is preferred to the more modern simplicity in this funk-pop: “Some may conform with the norm of the time / Others fly the coop / Steppin’ out of line.”

    Composition on this album stands out in a big way against the back drop of good-ol’-fun funk jams. Accessible and technical! Modern, yet paying homage to what made this type of music so intriguing to begin with.

    The closing song, “Thrust”, sends the album out on a high note, acting as a good cap to a breakthrough album. The chorus holds strong as an earworm. The drums are accurately performed, filling out their function as the co-equal to the bass while breaking out in fills at just the right time; vocals are layered so thick that they are felt seismically. It’s just as much as the bass, though their presence makes it so a voice never get lost in the mix. This chorus is likely the strongest on the album, and along with the chipper instrumental, it is a great end to an absolute trip. As the song fades out, the need to listen through again will surely arise.

    Chris Sherman’s on-stage persona is a sight to witness. That taken along with this new album, one should expect to be seeing the name Freekbass more and more over the next year. Make sure to listen on Spotify, and visit Freekbass’ website for upcoming show information as well as live content. Follow on Instagram, Twitter, Facebook and more! And if you’re in NYS, you can see him in Marlboro for Mazzstock 2019, playing onstage with Zach Deputy.

    Key Tracks: Thrust, Fre3kroNomoKon, Gotta Get Back To You

  • In Focus: 10th Boston Calling Music Festival Highlights

    Over Memorial Day weekend the city of Boston hosted the 10th Boston Calling Music Festival, located on Harvard University’s amazing campus. The Harvard athletic complex is beautiful and gave some luxury to the festival experience, where each stage was constructed on the Astro turf fields. There was a three-stage setup with the two main stages next to each other, separated by a replica Green Monster that read: “You Are Our People” across the top.

    Each day was filled with great acts and music fans with a great energy. Here are some of the best things we saw during this festival weekend:

    Brandi Carlile

    She greeted her audience, “Hello Rock n Roll People.” She plugged in and was off, on one the best sets of the weekend. Highlights included opening song, “Hold Out Your Hand,” which every fan in attendance was singing word for word. Amazing covers of “Babe I’m Gonna Leave You” and Joni Mitchell’s “A Case of You” followed. Brandi and her band put on one of the most special sets.

    Anderson .Paak and The Free Nationals

    From the moment his drum set rose from the bottom of the stage, .Paak and his band brought funk and soul to the main stage the second night with their amazing songs and musicianship. Anderson .Paak and The Free Nationals are one of the top live music acts doing it right now; it’s amazing to see the growth and following that has already surrounded theses musicians. The highlight of the set was the guest appearance by Lil Nas X, and the duet of “Old Town Road”

    Travis Scott

    Music festival performances are special, you want to see and artist give their all and hold nothing back – that’s where Travis Scott delivers. His live show was top notch, out-of-control fun. The stage was adorned with a fifty-foot teddy bear, timely pyro technics, and amazing visuals and lights that covered everything on the stage. His stage presences and hype helped make this performance one for the Boston Calling history books.

    Tame Impala

    Kevin Parker informed the audience that he recently fell off a roof during a photo shoot and was taking lots of pain meds. That being said, it had little to no effect on Tame Impala’s headlining set Saturday night. The sets was like a slow burning fire, slowly progressing until an explosion. It was the bands hit song, “Elephant.” Confetti, smoke and lasers took over the crowd, as this song flipped everyone from a calm somber mood, to 150 MPH hauling down the highway. Impala knows how to entertain a festival crowd, period, allowing them to deliver one of the best sets of the weekend.

    Twenty-One Pilots

    Prior to this festival there was  a lot of hype about Twenty One Pilots being a headliner. The magic of live music, proof you can’t judge a book by its cover surpassed the hype, tenfold. This was more than just a set of music it was a full stage show, opening with a knight igniting a car on stage to start the set, confetti and fire, and a cinematic storytelling element.

    Over all, the 10th edition of Boston Calling Music Festival was a success. Music fans were treated to an amazing weekend with clear weather and one of the most eclectic lineups for the 2019 festival season. Great food and that ‘home team comradery’ within the heart of Boston, made this year’s festival one to remember. We are looking forward to what comes next for this premier music festival.  

  • Historic Tanglewood Announces 2019 Summer Season

    Tanglewood, the famed summer home of the Boston Symphony Orchestra since 1937, launches the Tanglewood Learning Institute, and a dazzling array of concerts for their summer season, which runs from June 15 through Labor Day weekend. Tanglewood is located in the Berkshire Hills, between Stockbridge and Lenox, MA. This summer includes a lot of debuts, as well as returning acts for Tanglewood.

    The season starts off with Popular Artist Series throughout the month of June, including performances from Postmodern Jukebox, Josh Groban, James Taylor and Earth, Wind & Fire. Then, starting on July 5, the Tanglewood will be home to BSO’s Music Director, Andris Nelsons, for 14 orchestra programs. The BSO and Andris Nelsons will open the orchestra’s summer season with Mahler’s Symphony No. 5 and Mozart’s Piano Concerto No. 22, with Emanuel Ax as soloist.

    Other highlights from the season include a one-night-only performance of Bach Cello Suites by Yo-Yo Ma and three performances from The Boston Pops celebrating the music of John Williams. One of these performances being Star Wars: A New Hope, which includes a showing of the classic 1977 film, with the Boston Pops Orchestra performing Mr. Williams’ iconic score. For a complete list of events this summer at the Tanglewood and ticket information click here.

  • Dancing in a Hurricane: Brandi Carlile Acoustic Set at Shelburne Museum

    Rising to increased popularity with her recent Grammy win, Brandi Carlile has been selling out acoustic shows up and down the east coast this spring.  Saturday’s show at the Shelburne Museum in Vermont was no exception.  Hundreds of fans filled the open-air amphitheater, ignoring the forecasted weather warnings of lightning storms and surrounding the stage as the technicians brushed sheets of water off the rubber stage.

    Brandi Carlile Acoustic
    Photo by Jim Gilbert

    Brandi and the twins would inevitably have to cancel this concert after performing a mere three acoustic songs due to safety concerns. But frankly, their performance, while uplifting and inspiring as always, was only half of this concert experience.  The mood of the fans, drenched in rain and mud, huddled in the cold for hours, was brighter than any sunshine hiding behind the clouds. Strangers at 6 pm when the gates opened, the fans quickly bonded, sharing ponchos with strangers, supporting children so they had space to dance, and even covering our concert photographer with an umbrella to protect his gear.

    Brandy Clark, the sultry country opener who crooned about divorce, breaking stereotypes of “good girls,” and even smoking weed, was a well thought out choice for the Brandi Carlile fans. Ms. Clark’s real-speak poetry and sexy voice quieted the shivering fans, her music temporarily distracting them from their discomfort. She appeared completely unmoved by the rains that came in sideways toward her while singing. Her voice was a balance between graceful beauty and gritty truths, leading this writer to check her out immediately after on Spotify to hear more.

    Between sets, fans began to worry about the weather. It appeared to be worsening, and while the concert was advertised “rain or shine,” there was awareness that the electrical equipment on stage was drenched by the soaking deluge.

    Photo by Jim Gilbert

    But Brandi and the twins didn’t disappoint. They took the stage with acoustic guitars and stomped wooden boxes for percussion, as plastic covering protected the drums. Starting with “Follow,” Brandi thanked the fans for staying in the pouring cold rain. She remarked, “This is simply amazing to see everyone here.”

    And everyone did seem to be there. The fans were overflowing the venue, filling every open grassy area (and the muddy ones too). The trio shifted the song list to accommodate their acoustic sound, bringing great joy to fans who are familiar with older Brandi Carlile albums.

    But sadly after the third song, Brandi announced lightning strikes were too close, and the concert would have to be cancelled. The stage was quickly cleared, and fans ran out through hurricane like rains and winds to safely evacuate the space.

    Brandi Carlile Acoustic
    Photo by Jim Gilbert

    Shorter than expected, but as authentically Brandi Carlile an experience as one might hope for, Shelburne Museum offered a perfect setting for kindness, acoustic music, poetry, and even some dancing in a hurricane. Brandi Carlile concerts – even when cut short – are worth braving any storm.

    Note: Higher Ground Music announced that ticket holders will receive refunds. Tickets purchased online through Ticketfly will be refunded automatically; otherwise, fans need to visit their point of purchase for the refund.

    Brandi Carlile Acoustic
    Photo by Jim Gilbert
  • Tennessee’s Bonnaroo Arch Roo-ined

    The famed Bonnaroo Arch has been demolished, confirmed directly from Bonaroo’s social media accounts,. After buzz was created from posts about the arch being ‘destroyed’ and ‘burned in a fire,’ the iconic landmark on The Farm was put into question. It was engulfed in flames – rightfully so – due to structural deficiencies.

    Check out Part 1 and Part 2 of NYS Music’s Bonnaroo Coverage in 2018.

    The Bonnaroo Arch has draped the festival’s skyline since its inception in 2002. Over the years, its changing face has remained a rite of passage for new and returning festival junkies – illuminating the night’s sky as late night jam-sessions and raves blare till dawn.

    bonnaroo arch

    Bonnaroo 2021 Update:

    We want to thank you for being a loyal Bonnaroovian, and we appreciate your patience as we navigate the best options to ensure we can be together on the Farm in 2021. 

    The dates we originally announced for Bonnaroo Music & Arts Festival 2021 have changed.  Bonnaroo will now take place on September 2-5, 2021.  Information on lineup, camping and accommodations will be available at a later date.

    We encourage you to rollover your tickets to the new dates, however, we will make refunds available for those who cannot attend.

  • Marco Benevento Joyously Delivers at Historic White Eagle

    “We’re having sooooooo much friggin’ fun on this little run of shows!” quipped Marco Benevento in an Instagram post on the afternoon of May 3. Later that night, the sentiment became overtly obvious as Benevento and Co. brought their colorfully energetic mix of pop and rock to Jersey City. White Eagle Hall, an historic venue is situated in the Village neighborhood of downtown Jersey City, welcomed every note as if it knew Marco came home to play.

    Providing a short opening set was New York City native Andrew Fox, a solo singer/producer with a small assembly of toys and knobs but a large sweeping psychedelic soul. Warming up the Jersey crowd with a selection of songs from his recently debuted EP Shock by Shock, Fox sang passionately over a mix of deep bumping bass and sinking synthesizer leads. The live performance of these tracks varies slightly as Fox mixes, filters, and plays keys. A stand out was the funky “John / Candy,” featuring a pop laced guitar riff and chopping snare claps.

    marco benevento white eagle

    In a nod to the oh so obvious theme of welcoming that encompasses Benevento and crew, Fox mentioned that the two had in fact only first met in person just prior to the show. It was just a few weeks ago that Benevento reached out to Fox via the internet and asked him to tag along for a few shows. This speaks volumes to Marco’s openness to opportunity and appreciation.

    After a short break, the headliners appeared to an uproarious applause and took a moment to settle in before jumping right into “Free Us All.” Immediately, the rainbow lights began to blanket the room as the crowd swayed in delight. The trio continued on through a mix of old tunes like “All The Other Dreams,” “Greenpoint,” and “Dropkick.” Still, there was room for a new song debut and announcement that a to-be-titled album is on the way, due out in September.

    marco benevento white eagle

    Dressed in silver sequin jackets and white tees reading “We’re using time for fun” (a song committed to tape on 2007’s Live At Tonic) the trio of Benevento, David Butler and Karina Rykman held on to their smiles as much they did the groove for 2 hours straight. There is an incredible enthusiasm in this group that creates an energy so palpable it’s hard to not participate in the celebration. Marco takes every opportunity available to thank the audience, thank his bandmates, and relish in the feel-good momentum that makes their performances uniquely positive.

    The mid-section of the set brought more from the recent The Story of Fred Short record with the zany “I Can’t See The Light,” a soaring “Stay In Line,” and the bouncy “Walking With Tyrone.” Benevento jumped back and forth between center stage to dance around and sing and then again to his piano rig just in time to walk up and down a solo.

    marco benevento white eagle

    Just after Rykman removed her jacket, but not the smile, Benevento made banter by recalling a previous show where the crowd roared for 10 minutes when he announced the bassist by name. The audience took this obvious cue and cheered ever more loudly as Marco clapped and yelled “KARINAAA” into the mic. It was a cheerful moment that shined a happily embarrassing spotlight on the youngest band member just before she took a distortedly delayed bass solo. This paved the way for the crowd-pleasing cover of the Butthole Surfers 90’s hit “Pepper,” led by Rykman on vocals.

    As is with most musicians, this band and Benevento, especially as the songwriter, gets as much out of sharing in the music as they do playing it. This was evident through the entire set but was most clear when the trio “answered the call” to play “The Real Morning Party,” an infectious pop number that had the entire crowd gleefully singing along to the melodic hook. As the audience bounced up and down in enjoyment, it was hard to tell whether the ground was shaking because of the dancing or because of the powerful rhythm section and soulful jamming.

    marco benevento white eagle

    After one last thank you, the party was brought to a close with the aptly titled finale “At The Show.” Members of the audience were still humming the vocal melody as the three band mates took their final bow at center stage.

    Marco Benevento tour continues on May 10 in Washington D.C. with Andrew Fox.

    *Setlist was not written down and songs were being called out by Marco. The following list was provided by management:

    Free Us All, All The Other Dreams, Solid Gold, Dropkick, Greenpoint, Send Me On A Rocket, Walking With Tyrone, Live a Certain Life, Stay In Line, I Can’t See The Light, Follow The Arrow, Pepper, Witches of Ulster, The Real Morning Party, Oh Baby Can’t You See, At The Show

    marco benevento white eagle
    marco benevento white eagle

  • Marco Benevento Preps for Colorful Summer at White Eagle

    Beginning tomorrow, keyboard maestro, Marco Benevento, will kick off a string of 10 summer tour dates with room for more to be added along the way. The experimental rock and jazz pianist will play two dates before hitting White Eagle Hall in Jersey City on Friday, May 3, where NYS Music will be there to catch the set in full review.

    Armed with the rhythm section of Karina Rykman on bass, drummer David Butler, and a smile from ear to ear, every one of the trio’s gigs is a celebratory event. With appearances already booked at Mountain Jam and Levitate Music and Arts Festival, Benevento’s summer is sure to be as colorful as the stained striped suits he likes to wear on stage.

    A taste of live Benevento

    Ahead of the first release under his birth-name, New York City native Andrew Fox has been enlisted to bring his soulful psych-pop blend to both the Jersey City and Washington D.C. dates as the opening act. Be sure to check out Shock By Shock, on streaming platforms now.

    Andrew Fox Debut Shock by Shock
    Marco Benevento

    Tour Dates:

    May 1 – Wilkes-Barre, PA – River Street Jazz Cafe
    May 2 – Ardmore, PA – The Ardmore Music Hall
    May 3Jersey City, NJWhite Eagle Hall w/ Andrew Fox
    May 4 – Greenfield, MA – Hawks & Reed Performing Arts Center
    May 10 – Washington, DC – Pearl Street Warehouse w/ Andrew Fox
    May 11 – Harrisburg, PA – The Abbey (Free)
    June 13 – Bethel, NY – Mountain Jam
    June 26 – Brooklyn, NY – Industry City
    July 13 – Marshfield, MA – Levitate Music & Arts Festival
    August 7 – Big Indian, NY – Full Moon Resort

  • moe. Appetit! Cook with Vinnie Amico at Summer Camp

    Calling all aspiring chefs, taste-testers and food lovers; Vinnie’s Kitchen is making a return to Summer Camp 2019! This year, moe.’s Vinnie Amico will be hosting his cooking show during the Thursday Pre-Party. Summer Camp is giving fans a chance to participate in the recording of the episode!

    All you need to do to cook with Vinnie is share a description of your favorite festival food and attach a photo/video in a post on Facebook, Twitter, or Instagram. In order to enter you must include the hashtag #VinniesKitchenSCamp19 by Friday, May 3. Then, fans will vote to see who wins the grand prize – a 4-day pass to Summer Camp, and you get to pick the recipe you and Vinnie cook together! For more info, visit Vinnie’s Kitchen.

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