Up and coming Albany based jamband, Formula 5 has announced its new album, the band’s third, along with a supporting spring tour. The new album, All Points North, was funded through a Kickstarter campaign last fall and is set for release April 14.
The album was produced, recorded and mixed by Bryan Brundige at Overit Studios in Albany and Mastered by Michael Schoonmaker at Gigantic Mastering and will be available on streaming platforms on April 14 as well as at the band’s website and JEMP Radio.
The new album marks a new stage in the band’s progression, bringing a more mature sound. Guitarist Joe Davis reflected on the old version of the band:
“Q&A” and “Excalibur” are on ode to the old band, having been written by myself and (former keyboardist) Mike McDonald. It’s like a final farewell to the old, mixed in with new styles, such as with “The Birch Tree,” “Do Tell,” “Figure Out a Feeling,” “Trout Waters Pt I & II” and “It Goes…;” that old jammy style is still in us but it’s more mature and reigned in.
The new sound has a more introspective feel while still maintaining roots in the band’s signature improvisational style. It’s an album that will appeal to old fans and garner new as the band looks to expand its reach beyond the Capital District.
Formula 5 kicks off its Northeast spring tour at the Rock ‘n Roll Resort in Kerhonksen, N.Y. on March 31 and hits several New York venues along the way, including the legendary Monopole in Plattsburgh, the Waterhole in Saranac Lake, Putnam Den in Saratoga Springs, American Beauty in New York City, Buffalo Iron Works, Three Heads Brewing in Rochester, Nanola in Malta, the Dinosaur in Troy and wrapping up at Disc Jam Festival in Stephentown June 8 through 11.
All Points North Tracklist:
1. Come Along
2. Sad Bed
3. Trout Waters, Pt. I & II
4. It Goes…
5. Excalibur
6. The Birch Tree
7. Q&A
8. Do Tell
9. Figure out a Feeling
Formula 5 Spring 2017 Tour:
March 31 – Rock n Roll Resort – Kerhonksen, NY
April 1 – Nectar’s – Burlington, VT * April 7 – The Monopole – Plattsburgh, NY April 8 – The Waterhole – Saranac Lake, NY
April 13 – Bourbon and Branch – Philadelphia, PA ^
April 14 – Pacific Standard Tavern – New Haven, CT + April 15 – Putnam Den – Saratoga Springs, NY &
April 26 – Wonder Bar – Asbury Park, NJ April 27 – American Beauty – NYC %
May 3 – The 8×10 – Baltimore, MD $
May 5 – B.R.Y.A.C. – Bridgeport, CT
May 12 – Stone Church – Newmarket, NH !
May 13 – Bishop’s Lounge – Northampton, MA
May 18 – Fete Music Hall – Providence, RI +
May 24 – James Street – Pittsburgh, PA May 25 – Buffalo Iron Works – Buffalo, NY @ May 26 – Three Heads Brewing – Rochester, NY May 27 – Nanola – Malta, NY June 2 – Dinosaur Bar-B-Que – Troy, NY
June 8 – Arch St Tavern – Hartford, CT # June 8-11 – Disc Jam Music Festival – Stephentown, NY
* with Mister F and Phantom Airwave
^ with Space Carnival
+ with Relative Souls
& with The Other Brothers
% supporting Dead Phish Orchestra
$ with Litz
! with Revibe
+ with Electro Politics
@ with Space Junk
# with Airlooms
It was a night of pure psychedelic/prog rock heaven at The Hollow in Albany on Saturday, March 18 as the musical explorations of Ampevene, Felix Martin and NYC-based headliner Consider the Source took the stage to an enthusiastic crowd of the band’s faithful fans.
First to take the stage was Ampevene, a locally based quartet founded by guitarist Gabe Stallman. The band’s roster includes Mack Hogan on bass, Darryl Kniffen on drums/percussion, and Ava Smith on keyboards. Their sound is a self-described eclectic mix of free form frenzy, jagged riffs, and hypnotic rhythms. Ampevene was formed in 2013 and since it’s inception has played Albany’s coveted Lark Street festival in 2015. They also have produced three EPs, the latest of which is entitled Rometheu which the band chose as the opener for the show. It was one of the only times throughout the night they blended lyrics with the incredible instrumental skills of the band. One of the high points of the hour long set in my opinion was the use of imaginative sounds that were crafted by talented keyboardist Ava Smith. They provided a beautiful sonic layer that enhanced the psychedelic musical experience that Ampevene created early in the evening.
After a brief break in the action the musical journey continued with the talent of Venezuelan guitarist Felix Martin whose claim to fame is being able to simultaneously play two guitars at once. His website describes his amazing skill in this way, “Felix uses his self-designed 14 and 16-string guitars, which are two regular guitars in one, in a way never seen or heard before.” Felix and his band which is comprised of bassist Killian Duarte and drummer Victor Carracedo are currently wrapping up their 10 date tour with Consider The Source while promoting their newly released album Mechanical Nations.
Felix and his band started their show with “Carnat,” which showcased the slap style guitar playing Felix is renowned for on an instrument that looks like it was cooked up in Frankenstein’s lab. Two separate guitars attached together at the neck in a most unnatural way, but yet yields wondrous results at the hands of guitar virtuoso Martin. Up next was newly released “Bom,” which illustrated how tight the band plays as an ensemble ever pleasing the crowd with it’s upbeat hypnotic tempo. Midway through the show bassist Killian Duarte aptly stated to the energized audience “Let’s keep things heavy and proggy” and they did not disappoint. The tone of the show was aggressive with the three piece creating a wall of sound that was reminiscent to Primus, featuring lots of chest cavity pumping bass with head bouncing percussion.
Last on the bill were headliners Consider the Source, the NYC power trio, whose credits since their formation in 2004 include playing Burning Man, Gathering of the Vibes, Catskill Chill, and numerous other nationally renowned music festivals took the stage. CTS is comprised of Gabriel Marin on fretless doubleneck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Consider The Source’s music showcases a Middle Eastern flair and features pieces with hypnotic melodies such as set opener “Aquarians.” The sonic landscape that filled the room took the audience on a mystical journey into unchartered territory with pieces such as “Closer To Home” and “Abdiel.” The enthusiastic crowd seemed transported to the desert with female spectators breaking out in impromptu belly dancing reminiscent of some ancient Bedouin tribe. The musical menagerie that is Consider The Source is deceiving in its sound, with multi-layered and complex rhythms; it easily feels like these sonic sculptures could have been created by a band twice its size. The craftsmanship and camaraderie of the band was obvious and while CTS was playing early in the set, both previous opening frontmen Gabe Stallman from Ampevene and Felix Martin stood by appreciatively taking in the show in the nearby wings along side the captivated audience.
Consider the Source’s next local performance will be on May 5 at the Putnam Den in Saratoga Springs. They will also be featured at this year’s Disc Jam festival June 8th- 11 in Stephentown NY.
Felix Martin Setlist: Carnat, Bom, Bom Continues, Eight Moon Headress, Nomadic Tree, Santos, Barquisimetal, Flashback
Consider The Source Setlist: Aquarians, Many Words of Disapproval, Keep Your Pimp Hand Strong, Closer To Home, Abdiel (Second 1/2), (Good Point) Wandering Bear, A Monument To Compromise, Blue Steel
Originally hailing from Aukland, New Zealand but now residing in Los Angeles, USA, Gin Wigmore is known for her powerful vocals and melodies.
Listen to the interview with Gin Wigmore by Alexander Spinelli/Longbow Media/Recess with Spinelli:
Ms. Wigmore originally came to my attention while I was in London, England in 2012. While surfing the channels on the (in the local vernacular) “telly,” I stumbled on a James Bond, “Skyfall” commercial featuring Gin’s song, “Man Like That,” off here 2011 release “Gravel & Wine.” At this point, I was as Peter Pan may say, ‘hooked.’
Gin Wigmore at the Hollow Bar and Kitchen in Albany, NY
Ms. Wigmore’s 2013 release, Blood to Bone lived-up to her reputation and in fact, ever solidified her growing American fanbase, with songs such as “Written in the Water” and “New Rush.”
Back in December, Gin came to Hollow Bar and Kitchen, in Albany, NY to a packed audience in support of her upcoming album and newly released, bold single “Mercy.”
I interviewed Ms. Wigmore ahead of the show, during which she speaks of her musical progression, move to California, the upcoming album and much more!
You can also listen to the full radio broadcast here:
Recess with Spinelli can be heard every Wednesday 8pm-10pm EDT on WSPN in Saratoga Springs, NY on 91.1FM and on Hoxton FM in London, England every Wednesday 11pm-1am GMT 6pm-8pm EDT
Brooklyn, NY based Yarn stopped by Albany’s Parish Public House on Thursday, March 16, and played to an excited “home” crowd. Yarn boasts not one, but two capital region members. Band leader Blake Christiana is from Schenectady, NY and Trevor MacArthur on vocals and guitar is from Clifton Park, NY. The crowd was excited to hear many of the songs from their 2016 release This is the Year, as well as old favorites. They closed out the evening with Jim Croce’s “Bad, Bad Leroy Brown,” leaving the stage to join the crowd for very well received last song.
It sure didn’t feel like a Sunday night in Albany’s Times Union Center on March 12, as the Garth Brooks World Tour played its third and final night at the Capital Region venue. Garth’s three hour set, which also featured his wife and country/food network star Trisha Yearwood, had the whole arena shaking, testing the building’s foundation.
Fans ate up and reacted thunderous to everything Brooks did on stage, prompting him to scream and raise his arms in triumph, like a MMA fighter winning his match after every song. The atmosphere that was created between fans, and one of the best entertainers, not only in country music, but the music industry itself, has to be experienced in person. Brooks sounded amazing; his powerful country southern twang just draws you in and almost hypnotizes you with every lyric he sings, especially on hits like “The River,” “Unanswered Prayers,” and “The Thunder Rolls.”
I’ve never seen so much love and admiration between fans and an artist like Brooks. Brooks is such a class act and in a league of his own when it comes to an artist, caring for his fans. During Brooks set, he admitted that back in 1992 when he first came to the Capital Region area, he was afraid, because of the stereotypes of the Northeast, but it’s nights like this, that prove all of that wrong, and that country music is well received in the area.
The energy in the building was unbelievable. Brooks constantly ran around the arena-width round stage set up, while waving and howling at fans. Every fan in the building, reacted to every first note, and sang every word, to every song. The fans were so vocal on every song, the tour should be renamed “Sing along with Garth and Trisha.” Fans at times even drowned out Brooks, when he performed and talked to the crowd in between songs. The crowd was so loud in singing his songs, it felt like a 17,000 plus choir that was part of the show.
Garth was so amazed by the crowds participation, he said to them that they were singing his songs, like it was their songs, and if they keep singing like this, he’ll stay and play all night.
When the night was over, fans leaving the arena were on a natural high, as they sang “Friends in Low Places,” together as they filed down the staircases leaving the Times Union Center.
After openers Karyn Rochelle and Chris Lane, opened the show with solid performances, all that stood in the way of fans, from Brooks, was a countdown clock to Garth. As every second inched closer, the Times Union Center began to vibrate.
A brief video package started playing on the video wall backdrop, reflecting Garth’s career and the achievements he’s earned throughout, The video wall lifted to reveal Garth’s band, as Brooks shot up on a platform from underneath the stage. Brooks started his extensive set with “Baby Let’s Lay Down and Dance,” followed by “Rodeo.” By the second line in the first verse in “Rodeo,” Brooks realized quickly that the vocal fans in Albany meant business, as he yelled to fans “Oh you came here to sing!”
Once the song ended, Brooks said to the crowd “Thanks again people, it’s been 20 years since we been back, thank you [the fans] for coming back.” Brooks then went on to say that fans were going to get everything that the two previous nights saw, and more.
Brooks spoke briefly about when he goes to concerts as a fan, he wants to hear the old stuff, and know fans feel the same when wanting to hear their favorite songs when coming to a show performed by their favorite artist. He then told the crowd that he and the band brought all their old stuff with them. Brooks then joked to the crowd “Speaking of old stuff, you got to remember, I’m like 117 years old. The only way this big ass is gonna get through this night, is your gonna have to pick me up and carry me over the finish line.” Brooks then said to the crowd before playing “The River,” “We can talk about the old stuff all night, let’s find out who knows the words to the old stuff.” Cell phones started to light up for this song, as the crowd sang along.
Fans held their breath for a brief moment as Garth’s high energy convinced himself to climb to the top of the sphere like structure that surrounded his drummer during the song “Ain’t Goin’ Down (‘Til The Sun Comes Up).” Amazed on how hot the crowd has been through the night, Brooks said to the crowd “This is a Sunday Night?”
Brooks conducted a 2 minute scream off between fans in attendance, on what section of the arena could be the loudest. Brooks double pointed at each section like a gunslinger drawing his weapons.
Garth stood in awe, took off his cowboy hat, and applauded the audience after they sang “Unanswered Prayers,” with him in a magical performance.
Fans went crazy when they heard the sound of thunder starting to roll. Garth talked about how the next song didn’t catch on right away, and it took a while for it to eventually become a hit. As he started singing the first verse of the song, Garth, hearing fans still singing right on cue with him told fans to “Bring It.” Everyone could not get enough of Garth and reacted to every gyration, note, and crash.
Trisha Yearwood soon took over the show, and gave her husband a breather. Garth did stay on stage and play some guitar during her set.
Yearwood started off with “XXX’s and OOO’s (An American Girl).” Yearwood stated after the song that they had the best weekend performing in Albany. She said “It’s been loud, it’s been fun, you have been singing every word. It’s been incredible, thank you, thank you, thank you for a great weekend Albany.”
Yearwood told the crowd that she’s been listening to them sing, and that they sounded really good, and asked, if they knew the next song, to please sing it with her. She continued that the song has a really high note in it, then joked to the crowd “So I’m expecting a lot.”
Fans then held it down throughout Trisha’s amazing vocal performance of “How Do I Live.” Yearwood slowly made her way around the stage giving all fans in the arena a glimpse of her as she waved. When she came full circle, Yearwood turned the ending of the song over to the Albany fans. She held the mic in the air and said “It’s on you Albany.” In that instance, a breathtaking concert moment was created as fans did not let Yearwood down including hitting the high note she talked about. Yearwood said after the song, “Even the high note Albany, great job.”
For those of you who know the lyrics, a real life Katie and Tommy in the crowd holding a sign, caught the attention of Yearwood as she was explaining the rules of the kiss cam for the upcoming and last song in her set “She’s In Love With The Boy.” Yearwood brought them up on stage for the song. Couples were kissing and dancing as Trisha sang the feel good song. After the song, Katie and Tommy walked away with not only one hell of a memory, but Yearwood autographed her sign, and not to be outshined Brooks autographed the guitar he was playing and handed it over to the couple.
Garth returned with a cover of Billy Joel’s “Shameless,” and “Callin’ Baton Rouge,” before performing “Friends In Low Places.” As Brooks hit the first note, the place erupted. The crowd was at peak singing volume and insanity at this point. Fans received a special treat during the song as Garth explained to fans, that on the new World Tour, he and the band, don’t perform the third verse of the song. He then stated “I am thinking though, it’s the last night here. It has been 20 years since we been back here.” Brooks then joked that still wasn’t enough before stating “But when you think about a Sunday night, kicking the shit out of any other Saturday night…that’s enough reason to say screw it, let’s do the damn thing, so New York if we’re going to break the rules, I got to hear you sing this as loud as you have ever sang before.” Confetti cannon’s shot white streamers over the crowd as the song ended.
Garth came back out for an encore. Before he got started, he thanked fans for coming out and wished those who needed to leave cause they have work tomorrow, safe travels.
A lot of artist should take note from Brooks, and change the norm of an encore if you perform all your hits during your set. Brooks said to the crowd, “For you guys who may never have been to a Garth show…if I’m lucky enough to get to this position after the show is over… people will bring their signs, and they will bring them out here for songs that maybe they didn’t get to hear during the show, sometimes like album cuts. So let’s see what we can do here.” Brooks then scoured the signs for songs and made brief comments to fans holding signs that he chose. In all, Brooks performed seven tracks from the audience’s wish list.
An impromptu second encore started with an amazing version on Billy Joel’s “Piano Man.” Garth stated he only pulls out the guitar he his holding on special occasions to perform this one song. It was the perfect song to fit the mood of the evening. Garth once again took his cowboy hat off and bowed to the crowd for their appreciation and admiration, after the song concluded.
Brooks again stated to the crowd “Ok, same speech as before, but now it’s 11:00 at night. For you people who have to go, thank you for a tremendous evening, for a tremendous weekend. For you people who can stay…I’m gonna play more music for you all night.” At one point, the crowds enthusiasm, prompted Garth to say “Are you motherfucking kidding me?” Brooks lowered the mouthpiece on his headset mic, so the curse word didn’t come through the PA.
Before running off more covers, Brooks said that he was going to play songs by some of the greatest voices in country music. Brooks stated to the crowd “You guys always get a bad rap, people don’t think you know your country music. I know, you know country music.”
He went to talk about that after so many years in the business, he considers himself one of the old guards, he self imposed on himself the responsibility, to make sure the newer generation, knows some of the greatest country vocalist that he knows. Brooks played covers by Keith Whitley, George Straight, and Randy Travis, before ending the night with “Standing Outside the Fire.”
Garth Brooks World Tour Setlist: Baby Let’s Lay Down and Dance, Rodeo, Two of a Kind, Workin’ on a Full House, The River, Two Pina Coladas, Papa Loved Mama, Ain’t Goin’ Down (‘Til The Sun Comes Up), Unanswered Prayers, If Tomorrow Never Comes, That Summer, The Thunder Rolls, In Another’s Eyes, XXX’s and OOO’s (An American Girl), How Do I Live Without You, Prize Fighter, Georgia Rain, She’s In Love With The Boy, Shameless, Callin’ Baton Rouge, Friends in Low Places, The Dance
Encore 1: When You Come Back To Me Again, Wild Horses, Belleau World, The Red Strokes, Fit For a King, Much To Young (To Feel This Damn Old), More Than A Memory, Piano Man
Encore 2: Don’t Close Your Eyes, Amarillo By Morning, I Told You So, Standing Outside the Fire
The Clifton Park performance on Sunday, March 5 for the Rest in Space Tour may have left fans covered in pizza and Doritos, but smiles were stretched across their faces. Pierce The Veil acted as kings for a day performing at the sold out venue alongside Falling In Reverse and Crown The Empire as they all brought the Rest in Space Tour to Upstate Concert Hall in Clifton Park.
The show opened with metal group Crown The Empire who kicked off their set with the hit “Zero” off of their most recent album, Retrograde. Crown The Empire kept the energy up from the very start of their set, encouraging fans to crowd surf to the front of the venue. Front man Andy Velasquez tried to encourage the action by discussing their tradition of having crowd surfers at the venue.
During their hit “The Fallout,” a fan crowd surfed to the front of the venue with two beers in hand for the band. “Is this what I think this is? This is the best day of my life,” said Velasquez as he took the beers from the fan. This was the first time that Crown The Empire played a sold out show the Clifton Park venue. Due to this, there seemed to be additional energy and joy given off by the band. The set contained an entertaining performance by Velasquez by using all areas of the stage to get fans’ attention, as well as from bassist Hayden Tree and guitarist Brandon Hoover.
Following Crown The Empire was the rock band Falling In Reverse who initiated a food fight during their set. Fans found themselves being victims of the “Bad Girls Club” after foods like Doritos and an entire pizza were rained upon them. Besides food being thrown around during “Bad Girls Club,” the song of the night seemed to be the way the crowd reacted to “Fashionably Late.”
When the band started “Alone,” a fight broke out in the middle of the song, and as security escorted people out of the venue, Falling In Reverse decided to start the song over again. This was Falling In Reverse’s first performance at the Clifton Park venue since their headlining show in 2012 which resulted in front man Ronnie Radke leaving mid-set due to his disapproval of actions by the audience.
After personally kicking out fans who came to the show to protest Falling In Reverse, this was the first time in four years that the band decided to play their set at the venue. Although this led to the show starting on an odd note, by the end of the set, Radke seemed grateful for the way the crowd responded to their set. The band all bowed together, as Ronnie thanked the crowd for the performance
When Pierce The Veil took the stage, the sold out venue became the loudest it was the entire evening. All four members took the stage exhibited intense energy which included guitarist Jaime Preciado jumping to all parts of the stage. “Do you guys like to make noise out there, Clifton Park?” said frontman Vic Fuentes as the crowd screamed back at him.
Their set opened with fan favorite “Dive In,” off of their new album, Misadventures. A more emotional song of the night, Fuentes spoke a little before performing their first single off of their new album, “The Divine Zero.” “I was a super timid kid and I didn’t have that voice yet, I didn’t have my confidence yet,” said Fuentes. For Fuentes, music became his, “one thing” to build up his confidence. With this, he dedicated the song to everyone in the audience.
A treat for older fans of Pierce The Veil, for their Rest in Space Tour show, the band decided to do an acoustic performance of “Stay Away From My Friends,” a song off of their second full-length album Selfish Machines, and a song not commonly done by the band live.
Besides the songs they performed, Pierce The Veil gave an incredible performance. There were minimal errors to be heard in their live performing in comparison to their studio recording. Vocals by Fuentes were crisp, and he was able to do harsh vocals that complemented that of their recordings. The guitar by Preciado was exceptional compared to that of their recorded work. During fan favorite “Bulletproof Love,” Pierce The Veil brought one lucky fan on stage with them throughout the beginning of the song for Fuentes to serenade. “Are you ready to cut f-cking loose on this last song?” said Fuentes as they led into their encore.
When it came to the end of their performance, Pierce The Veil closed their set with their intense, powerhouse song, “King For A Day.” The venue felt electric with the energy from the vocal performance by Fuentes, guitar by Preciado, the bass chords by bassist Tony Perry and drumming by drummer Mike Fuentes. The Rest in Space tour concludes on March 10 in Pheonix, A.Z.
The Albany based trio Lord Electro has made an epic sound for such a humble group, their debut album Business is highly synthetic, immersive and overall impressive. This is the first full length album for the group and they’ve done a immaculate job. The production quality is top notch, their performance is tight and it will leave listeners with a few pleasant ear-worms. They’re playing all over the tri-state area, mainly focused in New York, as well as an album release show on Friday, March 10 at The Hollow in Albany, NY.
They’ve played with big names like The New Deal, Soule Monde (Ft. members of TAB), Roots of Creation, Conehead Buddha and have been influenced by groups like The Disco Biscuits, Lotus, Phish, NERVE and STS9. They haven’t reinvented the livetronic style, but they have created a great album to add to the library of livetronica lovers. The group consists of Dan Gerken on Synth, Steve Mink on bass and synth and Jordan LeFluer drums.
The title track “Business” is first up and it’s a little generic to start, but as the saying goes, ‘If it ain’t broke, don’t fix it.” It builds nicely through a variety of unique tones from Gerken and is very spacious and trance-like with mild peaks and drops. The direction isn’t very surprising but it will definitely get people moving in a live setting. Vocal hooks will have listeners humming the tune for days making this a key track. Again, it’s easy to forget that only three men are creating this music, through the help of loops and drum tracks of course, but it is still impressive nonetheless.
“Spiral” is truly encapsulating, partly because of the instrumental track, but also because of the thought that went into the vocals. Again, Gerken’s voice is sultry and spot on, harmonized at some points and thoroughly impressive. That voice laid over a never-stopping beat is a really nice touch considering it’s an overlooked aspect of livetronica.
“The Slumber” is another track that incorporates that fantastic voice from Gerken. That, on top of a darker take on a trance tone makes for an excellent song. The verses aren’t the most incredible pieces of music ever created, but the chorus is astounding. The lyrics, “Too much, too fast” will be ringing out in the heads of listeners as well as this washy, never ending riff that leaves listeners feeling trapped in a whirlpool of sound.
Towards the end, “Reflections” comes in a little slow to start, but pulls through in the end in the best possible way. LeFluer stays consistent the whole way through, Mink lays down a fantastic, highly addictive, but slightly repetitive groove and Greken digresses from a peppy and tight synth run to an intense, falling lick that gives a nice contrast of light and dark tones.
Overall, this album won’t revolutionize the livetronica genre, but it is well thought out, well produced and will be an absolute blast to see performed live. Lord Electro perform later this month at Dino BBQ in Troy NY, March 24, The Monopole in Plattsburgh NY March 25 and several other New York based shows mid March through late April. Tour dates are on their Facebook page as well as hard copies of their CD for purchase and digital downloads available on iTunes.
The eight-piece powerhouse that is St. Paul & The Broken Bones took the stage at The Egg in Albany on Sunday, March 5 in classic soul – R&B fashion, with the lights dimmed and front man Paul Janeway cloaked in a cape. As the sound of “Crumbling Light Posts, Part 1” built to a crescendo, he shed the cape as the band exploded into their next number, in which Janeway sang “Just flow with it.” It was good advice. Janeway and the Broken Bones took the audience on quite a journey, from funk to earth shaking shouts to heartbreaking soul music, changing tempo and dynamics while the attendees’ enthusiasm continued to build.
The group consists of Chad Fisher on trombone, Allen Branstetter on trumpet, Jason Mingledorff on saxophone and flute, drummer Andrew Lee, bassist Jesse Phillips, guitarist Browan Lollar, and Al Gamble on organ and piano, with Paul Janeway on lead vocals. A consummate showman clad in a leopard print jacket and pants with gold shoes, Janeway pulled out all the stops, dropping to his knees, rolling on the floor, shimmying and sliding all over the stage, and doing a crowd walk halfway up and across the theater during the emotionally wrenching “Broken Bones and Pocket Change.” The band changed gears once again, following up with the crowd singing and dancing to “Call Me.” The bulk of the set was from 2016’s Sea of Noise, but there were a few remarkable cover songs. During the encore, a fan called out for some Otis Redding. Janeway responded that the band hadn’t played the song yet on this tour, but led them into a showstopping rendition of “I’ve Been Loving You Too Long.” Despite over ninety minutes of music and a four song encore, St. Paul & The Broken Bones adhered to one more bit of showmanship – always leave the audience wanting more.
Opening act Aaron Lee Tasjan captured the audience’s attention before he even played a note, taking the stage bedecked in a black and white star-spangled suit, silver boots, and a wide brimmed cowboy hat.
He led his trio through an eight song set peppered with humor and story telling between songs. The songs were from his 2016 album Silver Tears, released on the New West Records label. Describing him as alt-country, or folk rock with a gritty undertone, doesn’t completely tell the story. Some songs, including “Little Movies” had an ethereal Brian Ferry / Electric Light Orchestra vibe, and Tasjan certainly showed his considerable guitar skills on “Ready to Die” and also when he was invited onstage for an encore with the headliners for a cover of David Bowie’s “Moonage Daydream.” You should put both of these acts on your list of artists to listen to and go see live.
Set Lists:
Aaron Lee Tasjan: Out of My Mind, Little Movies, Memphis Rain, Lucinda’s Room, 12 Bar Blues, Where the Road Begins and Ends, Ready to Die, Success
St. Paul & The Broken Bones: Crumbling Light Posts, Pt. 1, Flow With It (You Got Me Feeling Like), Like a Mighty River, I’ll Be Your Woman, Tears in the Diamond, All I Ever Wonder, I’m Torn Up, Unknown (band instrumental), Brain Matter, Waves, Midnight on the Earth, I’ve Been Working (Van Morrison cover), Broken Bones & Pocket Change, Call Me, Sanctify
Encore: Is It Me?, I’ve Been Loving You Too Long (Otis Redding cover), Moonage Daydream (David Bowie cover, joined by Aaron Lee Tasjan), Burning Rome
Sunday night, The Barkley Ballroom in Frisco, CO was home to a reunion of two former New Yorker bandmates turned Colorado transplants. Thom LaFond, former guitarist for Albany-based and Camp Bisco alum, Dirty Paris, joined his former bassist, Chris Duffy, with Duffy’s current band The Magic Beans for an ambient take on The Magic Bean’s space funk rager “Jabu Jabu’s Belly.”
LaFond lent his hand in setting the tone with an opening improv jam, heavy with ambient delay which built the suspense and anticipation for the first drop into the meat of the song where Casey Russell took over with a soulful organ lick to get the bodies moving. Chris Duffy held things down for the bulk of the song with his thick bass grooves while the rest of the band moved through keeping things danceable yet continuing to utilize the spacey vibe that has become more familiar to a Beans dance party as they develop as a band.
Around the 8:20 mark, drummer Cody Wales started laying out the heavy snare hits, signaling the jam to open up, transforming into a high flying shred fest. Lafond adeptly built the speed and intensity of his lead work while Beans guitarist Scott Hachey complimented, both matching LaFond’s picking runs and building things up behind LaFond to take the final few minutes of this jam into something that had the whole room soaring before being dropped straight back into the dance party for a few more measures.
If you haven’t had a chance to experience The Magic Beans in person, be sure to catch them on tour in April.
The Magic Bean’s 5th annual music festival Beanstalk, will be held June 22nd-25th at the legendary festival venue Rancho del Rio along the Colorado River in Bond, CO. The lineup includes tons of faces familiar to the Northeast jam scene including Holly Bowling, lespecial, Corey Henry, Tom Hamilton as well as a smattering of established and up-and-coming awesome Colorado based bands. Don’t miss out on a chance to learn why Colorado is so in love with The Beans.
You can catch LaFond’s band, Banshee Tree, at License No. 1 in Boulder, CO every Saturday night for a swing dance-dance party.
WEQX, The Real Alternative, has three big shows in Albany this weekend! Thursday March 2: Slothrust at The Hollow
This Brooklyn-based trio of graduates from Sarah Lawrence College bring their Indie-grunge rock with influences of jazz and blues to The Hollow on March 2nd. They recently performed at Upstate Concert Hall this past November. Check out their latest album Everyone Else.
This pop duo from California hits The Hollow the following night, and will be performing at SXSW Festival later this month. Fun fact: singer Asa Taccone (brother of Lonely Island’s Jorma Taccone) helped Andy Samberg and Akiva Schaffer produce “Dick in a Box,” among other Lonely Island numbers.
Self proclaimed ‘Dairy Rock‘, this San Francisco garage pop rock comes to The Low Beat on Sunday night. Their latest EP, We’re Set, has found them joining the stage with the likes of Hinds, Night Beats, Adult Books, SWMRS, The Aquadolls and many more.