Category: Albany

  • Interview with Lord Electro: Turning up the Electricity in The Capital Region and Beyond

    Albany’s very own Lord Electro is a jamtronica power trio bringing a new sound to the Upstate region. Since forming in 2015, Lord Electro has been making large strides to show the music scene they mean business. With a stream of festival slots, shows with bands such as The New Deal and a library of recordings further proves that these guys are playing their cards correctly and have a drive to succeed. From the start of their show to completion Lord Electro likes to keep the dance party alive, with Dan Gerken (synth) Steve Mink (bass/synth) and Jordan LeFleur (drums).

    NYS Music interviewed Lord Electro and learned more about them as a band and individually. Knowing them from previous bands and performing with them in the past meant a lot to me in regards to learning their approach and what’s driving them to do what they are doing. Keep your radar on for Lord Electro, they are a personal favorite and keep your eyes open for what’s to come this year, including their album Business, due out in March.

    lord electroJared Raphel: How did LE come to be?

    Steve Mink: After Dan’s group, Timbre Coup and my group, Digital Dharma, split, Dan and Steve spoke about putting together a trio highly influenced by The New Deal. We needed a drummer to round off the trio.

    Jordan LeFleur: For me, it all started when Dan would come over and hang at my apartment. He knew I played drums but didn’t really know what kind of a drummer I was. I played some jam music in the past and dance beats always felt very natural to me. So, Dan would come over and jam on my Micro Korg and I would just play over his riffs. After that Dan and I decided to take things into full swing and he mentioned that he had been jamming with a bass player. And that’s when I met Steve.

    Dan Gerken: We always had Steve sit in with Timbre Coup and he knows his tones well so he’d be a perfect fit for a project. Jordan and I came together through a random Groovestick show and started jamming. Soon after, all three of us were together for a jam session and the rest was history.

    JR: Is there a symbolic meaning behind LE’s name, who came up with it and what were some other choices?

    SM: I wanted the name to play off our genres in some way. Because we play Electronic music, “Electro” seemed fitting. For some reason, I always thought “NORD” when hearing electro. Nord is a very popular award winning keyboard. So then I thought about it, and “Lord” popped in. With the DJ scene huge these days, Lord sounds like one person. So when someone hears the name, they think maybe we’re a DJ. But then come to find out that Lord Electro is actually three guys playing instruments, LIVE, as ONE, Lord Electro.

    JR: You have a system of non verbal communications, utilizing hand signals. Explain this to me and how did you come about this procedure?

    DG: I brought in some signals we had used for Timbre Coup and a couple other groups in improv sections that we were building. Each signal has it’s own key or structural meaning and Steve has been known to throw a couple sometimes too. At times I’ll point to a member and they’ll know to start a phrase where we all drop out and they hold it down/build another riff. It’s a great way to insure some semblance of layering and order with also limitless possibilities in an off the cuff setting, which we love.

    JR: What is your goal while playing in a band?

    SM: I want to be successful playing music, it would be a dream to be able to perform doing what I love and support a family while living that dream. At the same time, I want to make bodies dance, and see smiles from ear to ear. I want to feel a connection with the crowd. And that is just as fulfilling.

    DG: This is a great question. There are many things this band satisfies for me. I get to improv, I get to form a sound with these guys that I feel is unique and different. I will always play music for enjoyment and i feel I’ve found a special group of guys to write with and share our music!

    JL: I’ve always wanted to tour the country seeing new cities and meeting new people. For me music is an escape and a stress reliever. When I perform live nothing else matters. Especially when I see people getting down to LE, it completely enhances my performance. I would love nothing more than to see this band take off and become nationally known in the jamtronica scene.

    lord electroJR: LE follows the theme of electronic/jamtronica, though you guys magically create it all with organic performance. Has the idea of implementing automated technology been discussed, thoughts?

    SM: There has been some light talk of using some loops. But at the moment we’re not focused on it. We’re trying to keep the group as organic as possible.

    JL: Eventually the time will come where we use some samples in our music but at the moment it’s 100% organic.

    DG: You know its interesting you bring that up because we just played with our friends Teddy Midnight and I mentioned to Jordan getting into some of the Abelton programming they were doing. It created such well produced layers I was impressed. At the moment we are all mechanical and there’s a certain pride in that. But I wouldn’t be opposed to expanding into the automated world eventually!

    JR: How has/does performing in a band effect your personal life?

    SM: We all work full-time jobs aside from music. So we keep busy juggling. But we do make time for family. I’m lucky enough to have a girlfriend who actively supports our music, from promoting, to attending all the shows, and making custom clothing. She’s amazing and I’m happy I found someone who digs the music I create and the music we both enjoy.

    JL: It can sometimes be tough juggling jobs, girlfriends, and a music schedule all at once, but we make it work.

    DG: I have a wonderful five year old son and that’s a big part of my life. Each of us work. Music is a part of life and everything must be balanced. We are running a business and don’t want to burn out, rather we want to provide a good mixture of shows, recording, hanging together that lends itself to being a part of life not all of it. And in the end our girlfriends and families don’t hate us as much for being never present and the dynamic between band mates is always top notch because we share in those goals together.

    JR: So what’s in store for Lord Electro this year?

    SM: We’re starting off the year with a bunch of shows this winter including three nights with The G-Nome Project in MA,WNY and NYC. We’re releasing our full length studio album “Business” in march. we’re really stoked on how it’s turning out and we’re looking forward to releasing that to everyone including YOU at NYS Music! Our CD release party will be at The Hollow Bar and Kitchen in Albany along with Normal Instruments and the return of SOLARiS. We’re hoping for a great festival season this year. There’s so many great festivals we would love to play for.

  • Rock Band Iüdica Talks New Album, Roots and The Glens Falls Scene

    Upstate New York rock band Iüdica just got out of the studio after recording their first album entitled Brain Carvings and debuted it in proper fashion. Earlier this month, the band held an album release party at Gug’s in Glens Falls, NY with Paradox Saints, Chestnut Grove, Dustin Sawyer and Germy Cats supporting them. NYS Music spoke to frontman Brian Alvarado, drummer Nate Fidd and bassist Chris Walker about their recent rise in the scene.

    IüdicaFrank Cavone: First of all, I would like to congratulate you guys on the new EP Brain Carvings. What was the process like writing the album all the way to mixing?

    Brian Alvarado: Recording and mixing this EP with Jason Brown at Starling Studios was a great experience. I had the worst feeling in my stomach the days leading up to the recording session. The band had practiced every week several times a week for months leading up to the recording session though, and we all managed to talk ourselves into a point of calm collected mindsets.

    After about an hour of setup, we recorded these songs in one take. Everything, the vocals, drums, guitars at once – but through separate tracks of course. It was amazingly easy, and after all that worry – we proved to ourselves we were indeed ready to rock. After a couple of touch ups here and there, we are now left with our Brain Carvings EP.

    FC: So the name Iüdica is a cool name that you guys chose as a band. Where did the name originate from?

    Nate Fidd: Brian actually had the name from a prior band. It was the name of a song first.

    BA: Iüdica is a Latin word that means to judge yourself. Especially from past actions that you make and transgression with the same conviction as god himself.

    FC: What were your influences prior to forming the band?

    Chris Walker: I like to keep an open mind but I would definitely say that classic rock and grunge are my favorite genres of music.

    BA: The bands that really mean alot to me are Modest Mouse, Brand New, and Nirvana.

    FC: What are your favorite local bands that you have played with?

    NF: There are a lot of great bands in the area but I would have to say playing with Formula 5 at a benefit concert was pretty cool and the Paradox Saints.

    FC: Over the past year, the music scene in Glens Falls has expanded. For those outside the area, what is your scene like?

    BA: My favorite venue to play is and always will be Gug’s. I see a lot of potential in places like the 190 grille. The scene is developing and I think that we are in the middle of a boom. There is going to be even more live and local music and that is what the area needs more of.

    To check out the Iüdica’s new album check out their Bandcamp and stay up to date with the band on their Facebook page.

  • Pat Metheny and friends crush The Egg

    As a 30-something Phish and jam band fan, it’s easy to feel you know the ins and outs of the the most highly respected musicians in the scene – arrogance and intelligence are in a constant state of competition. However, an expansion of your delicate horizons can both impress and humble you. Such is the case of my first time seeing Pat Metheny.

    This 20-time Grammy Award winning guitar welcomed a sold out crowd of mostly Baby Boomers to The Egg in Albany on January 18. Accompanied by his pick of world-class musicians: Linda Oh on bass, pianist Gwilym Simcock and drummer Antonio Sanchez.

    Entering The Egg on a solo mission, with no entourage as I’m accustomed to, I felt alone, but soon quickly extinguished said feeling. As the show began, I quickly took on the student role, ready to learn what this devout musician could instruct me. An instrument like I’ve never seen: two guitar necks, one to the mandolin, one to the guitar, add on a set of harp stings to the belly; it created a full ensemble of sound, reminisce to ancient Japan. A geisha could surely appear on stage, with grace, mystery and peace.

    Throughout the evening, I witnessed Metheny, a man with a clearly elevated intelligence and sense of creativity, work with his chosen colleagues to create an eye-awakening performance of both classical and truly improvisational jazz rock. Rotating through five different guitars, he birthed a new sound and song by song ambiance. A guitar that could be mistaken for a wind instrument and then to something with a screeching, yet eerie sound – my eyes and ears were openly anticipating the next unique and unfamiliar sound.

    Oh controls the bass in such a way that I can only describe as both forceful and graceful – a contradiction of elegance and pure physical power. Simcock is a break-out pianist – technical and at times playful. He nearly steals the show from Metheny at times. As a novice, the wheels are turning. I want to see him everywhere. His back facing the crowd, I only wish I could see his face to see the man behind the art.

    The rest join him in a whirlwind of improv. It sounds like a dinner party, with five of the most interesting conversations happening at once. Yet, every one weaves into the other creating a blur of sound, a peaceful yet chaotic soundtrack to a solo mission.

    Standing in the back of The Egg at maximum capacity and without a chair to sit in or a friend to lean on, I take the ride through the ages. For me, it’s a learning opportunity. For others it’s nostalgia. But for everyone in that room, it’s a exhibition of the raw talent of the legendary Pat Metheny.

  • A Phantogram Homecoming

    Phantogram played to a sold-out crowd in Clifton Park Saturday with New York City-based We Are Scientists. Josh Carter and Sarah Barthel of Phantogram spoke of their love for Upstate NY throughout the set and even Sarah’s mother was in attendance. They electrified the crowd with new gems like “You Don’t Get Me High Anymore” and threw down with the classic “When I’m Small.”

    Setlist: Funeral Pyre, Black Out Days, Turning Into Stone, Don’t Move, You’re Mine, Same Old Blues, Answer, Mouthful, Howling At The Moon, Bad Dreams, Destroyer, When I’m Small.  Encore: Cruel World, Fall In Love, You Don’t Get Me High Anymore.

    PHANTOGRAM.ECOKER_11

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  • Marco Benevento Kickstarts the New Year with Album and Show Announcements

    Marco Benevento is set to blastoff in 2017 with a new album and tour on tap. The multi-instrumentalist dubbed the Mad Hatter will start the year spinning forty-fives for an intimate hometown get down at the Catskill Mountain Pizza Company in Woodstock, NY on January 7. Teaming up with music journalist Brian Turk, the event is called Brian Turk and Mr. D present “I’m a DJ Too,” and will feature tasty pizza and beer from the Catskill Brewery, not to mention a set of fresh cuts straight from Marco’s head to the floor. But only 75 tickets will be available. Click here to get yours.

    Later in the month, Benevento will launch a tour in support of the Feb. 17 release of The Woodstock Sessions, a new live album recorded last September at Applehead Studios. The first show will take place on Jan. 30 at Funk ‘n Waffles Downtown in Syracuse. Local Grateful Dead tribute act, Pearly Baker’s Best, will open. Tickets are $20 at the door and $15 in advance. Tickets are available through Ticketfly for the Syracuse show.

    Other New York stops for the Woodstock resident include Buffalo, at The Iron Works on Jan. 31, Ithaca, at The Rongo on Feb. 1, The Brooklyn Bowl on Feb. 2, and at The Hollow in Albany on Feb. 3. See below for full tour information.

    With a full schedule ahead of him, Marco Benevento has gone ahead with a Pledge Music campaign that will put fans at the forefront of his new album and musical adventures throughout his 2017 tour stops. Packages include a chance to pre-order The Woodstock Sessions, opportunities to receive show tickets, signed setlists, a bookshelf made from Marco’s grand piano, a band lesson, or even the chance to record with Marco at Fred Short Studios in Woodstock, NY; plus, Marco is making himself available to spin vinyl or play a solo piano concert at a lucky fan’s private party. More information is available here.

    Tour Dates:

    Jan. 30 – Syracuse, NY – Funk ‘N Waffles
    Jan.31 – Buffalo, NY – Iron Works ^
    Feb. 1 – Ithaca, NY – The Rongo
    Feb. 2 – Brooklyn NY – Brooklyn Bowl  *
    Feb. 3 – Albany NY – The Hollow  ^^
    Feb. 4 – Burlington VT – Higher Ground
    Feb. 6 – Portland, ME – One Longfellow Square
    Feb. 7 – Hamden, CT – The Ballroom at The Outer Space  ***
    Feb. 8 – Holyoke, MA – Gateway Arts
    Feb. 9 – Boston MA – The Sinclair  *
    Feb. 10 – Ardmore, PA – Ardmore Music Hall  *
    Feb. 11 – Baltimore, MD – Ram’s Head Live  **
    March 25-26 – Boise, ID – Treefort Music Festival
    March 31 – Denver, CO – Cervantes’ Masterpiece Ballroom
    April 1 – Boulder, CO – Fox Theatre
    April 2 – Avon, CO – Agave
    April 4 – Salt Lake City, UT – The State Room
    April 5 – Bozeman, MT – The Filling Station
    April 6 – Spokane, WA – The Bartlett
    April 7 – Seattle, WA – Tractor Tavern
    April 8 – Portland, OR – Wonder Ballroom
    April 9 – Eugene, OR – Hi Fi Music Hall
    April 11 – Bend, OR – The Capitol
    April 12 – Sacramento, CA – Harlow’s
    April 13 – Petaluma, CA – The Mystic Theatre
    April 14 – San Francisco, CA – Independent
    April 15 – Los Angeles, CA – The Bootleg

    * w/WOLF!
    ** w/Psycho Killers
    *** w/Superhuman Happiness
    ^ w/Mayabird
    ^^ w/Mayabird + Band of Ghosts

  • Twiddle Packs the Palace for NYE

    Vermont-based jam band Twiddle packed the Palace Theater in Albany with a near capacity crowd on NYE. Fellow Vermont two piece Soule Monde and Buffalo groove rockers Aqueous opened in support.

    photo by Steven Rauch

    Twiddle pleased fans with two sets of music. The night opened with Twiddle’s most recent song “Moments.” The first set also included “Blunderbuss,” the band’s newest instrumental piece, which was debuted this past May at the Capitol Theatre.  Twiddle’s first set also included fan favorites “Lost in the Cold,” “Doinkinbonk,” and first set closer “Apples.”

    Twiddle took to the stage just before midnight with the members of Soul Monde and Aqueous to ring in the new year with “Auld Syne Lang”. As the clock struck midnight, fans in the venue’s balcony lobbed hundreds of green and purple balloons onto concert goers on the venue’s lower level. Everyone also stayed onstage for a rendition of ALO “Barbeque”. The second set also included an extended version of “Polluted Beauty,” “Jamflowman” and “Frankenfoote.”

    Twiddle returned to the stage for their encore with Aqueous’ Mike Gantzer and Dave Loss, as the band debuted the classic hit “Layla.” Although the band is often know for teasing the tune, it was the first complete performance of the song.

    The Albany performance closed out a stellar year for Twiddle, who continue to develop a growing fan base, perform sold out shows and grow into larger venues as well as their own festival Tumble Down, which will enter its sophomore year this summer.

    photo by Steven Rauch

    2017 is already shaping up to be another stellar year for the band. Announced dates include a January stint on Jam Cruise as well as the Jungle Jam in Costa Rica in March. Twiddle hits the road with Aqueous in support for several dates including multiple two night runs in February and March. Twiddle is on a short respite until the end of the month.

    Setlist:

    Set One: Moments, Doinkinbonk!!!!, Lost in the Cold, Blunderbuss, Daydream Farmer, Dusk til Dawn, Apples

    Set Two: Auld Lang Syne (with Soule Monde and Aqueous) BBQ (with soule Monde and Aqueous), Polluted Beauty, Zazu’s Flight, Jamflowman, Frankenfoote

    Encore: Layla (with Mike Gantzer and Dave Loss of Aqueous)