NYS Music 20​17

Category: Reviews

  • Breaking Biscuits in the Bowl

    Brooklyn Bowl, the iconic music haven in the heart of Williamsburg, served up some delicious sounds last weekend, courtesy of a mashup of two giants in the jamtronica world.  Breaking Biscuits is the name of this super group which is comprised of Aron Magner (keys) and Marc Brownstein (bass) of Disco Biscuits fame alongside renowned drummer Adam Deitch and Borahm Lee (keys) who together form Break Science, an emerging force all their own.  As a sparse crowd of people took their hacks on the bowling lines on the other side of the room, the dance floor was full of attentive listeners and dancers enjoying everything this uber talented side project had to offer.

    Breaking Biscuits in the BowlThe show featured two opening acts in Upright Man, a relatively new act formed in the halls of NYU’s music school, and Space Bacon.  The latter of which was an ideal choice for an opener as the Disco Biscuits influence was palpable in some impressive jamming that saw virtual hat tips to Bisco staples like “Morph Dusseldorf” and “Basis for a Day” with a noticeable “Funkytown” tease thrown in for good measure at some point.  But the main course was served via two sets of precise and enthralling electronica orchestrated by some of the best in the business.

    With Deitch and Brownstein setting much of the rhythmic foundation, Lee and Magner seemed to go back and forth, trading incendiary leads and emptying out all the tricks their respective keyboard rigs carried.  While it didn’t quite have the raging intensity of a Bisco show, both sets featured constant downtempo grooves that were more than easy to move along to as well as selective covers of some of the genre’s finest like Air’s “La Femme D’Argent” and RJD2’s “The Horror.”  This was only the second night of a short three show tour, after playing only once before that, but it seems as if these artists have formed a collective that yields a unique sound that also pays respect to its forefathers in the electronica scene.

  • Strange Machines To Host Inaugural Festival At The Stone Church In NH

    June 2 & 3, Strange Machines will host the very first Strange Days Festival at The Stone Church in Newmarket, NH. The guys are bringing a jam-heavy lineup to one of their favorite venues. An intimate Friday night includes an opening set from Litz and the first of many from the Strange Train. Saturday is an all day affair that ends with a double dose from the hosts, including a Doors tribute set. Single-day passes are available and a two-day pass is only $20 and worth every penny. Check out the event on Facebook and catch the band as they head south this week on a short tour before playing at Domefest this weekend.

  • PA Line Folk-ed Up Buffalo Iron Works

    PA Line is a five-piece band hailing from Buffalo. Forming just two years ago, they are yet another band on the rise in the plump music scene in our beautiful Queen city. The band consists of Trevor Stribing (vocals, guitar, percussion), Pat Brown (banjo), Adam Nicpon (mandolin), Alyssa Wainwright (violin, vocals) and Lucas Honig (bass, vocals).

    The 2016 Western New York Music Awards winners of both Best Folk Band and Best Indie Band lived up to those credentials for their third ever performance at Buffalo Iron Works. Their set provided high energy and the band seemed to feed off of the crowd’s positive reaction. Filming was completed for their first official music video throughout the duration of their set at Iron Works. Stay tuned to NYS Music for when that drops.

    PA Line will be announcing some upcoming tour dates in the very near future.  The band had this to say: “All of us at PA Line love performing and when the crowd has great energy, we really feed off that. Its a priceless feeling when everyone at the show is just having fun and good energy is in the air. With that being said the fans were absolutely amazing last night, definitely a night we wont forget.”

    Setlist: Breathe, Time, Baby Don’t Go, Scream Out, Open, Shadows, Shut Up, The King, Liar, Escape

    Encore: The End

  • Hearing Aide: Yoko Miwa newest album ‘Pathways’

    Without a word, after reviewing jazz pianist Yoko Miwa and her longstanding trio’s newest album Pathways waltz you from the dance floor to the back alley with hints of everything from standards to show tunes and a few surprising renditions in between.

    Released by Ocean Blue Tear Music on May 12, the album features pianist Yoko Miwa, Bassist Will Slater (with Brad Barrett stepping in for one track), and drummer Scott Goulding (Miwa’s husband). A highly affable experience featuring three seasoned and spectacularly attuned musicians, Pathways is a timeless album that goes down smooth from start to finish.

    Things get rolling with a rare reprisal of Bill Evans Trio Bassist Marc Johnson’s “Log O’Rythm” which is also joined by another one of Johnson’s songs, “After You” on Pathways. Miwa also borrows from a page of Joni Mitchell’s songbook with a rendition of “Court and Spark.”

    “Lickety Split” takes listeners on a spin across the dance floor with fast-paced crescendos, spiraling into spontaneous jazz riffs. Like a rollercoaster ride, the song has peaks and valleys, with appropriately placed drum and bass solos building anticipation which Miwa rises to meet.

    Pathways’ finale, a heartfelt rendition of the Beatle’s “Dear Prudence” could not be a more appropriate ending to a gorgeous piece of musicianship. A perfect blend of simplicity and beauty, the eight-plus minute track unfolds gradually and deliberately, with some sections of improvisation dispersed among this familiar classic.

    Yahama Pianos Artist, JVC Victor Entertainment recording artist, and an assistant professor at the Berklee College of Music, Miwa came from Japan to Boston to attend Berklee in the late-1990s on a full scholarship and never left. With more than a decade and a half together, the jazz threesome holds down weekly residencies at several renowned Boston venues. This is Miwa’s sixth album. Give it a listen and let Pathways bring pure beauty into your world.

    Key tracks: Lickety Split, Dear Prudence

  • State Champs Sell Out Hometown Show

    Albany natives State Champs truly came around the world and back after selling out their hometown venue in Clifton Park, N.Y. With a full house, State Champs performed to the best of their ability for their friends and loved ones on Saturday.

    On May 13, State Champs alongside Against The Current, With Confidence and Don Broco sold out Upstate Concert Hall on their second to last night of their headlining tour.

    The night kicked off with Young Culture, another band from Albany, N.Y. Even from the start, they got everyone’s attention by performing their song, “Bedroom Floor” which features Derek DiScanio of State Champs. The support from fans of Young Culture led into the next band on the lineup, Don Broco.

    The England-based rock group kicked off the night with their fantastic stage presence, and unique sound. Frontman Rob Damiani made sure to jump into the audience for their hit single, “You Wanna Know,” which took the audience by storm.

    Don Broco, which sound like a heavier version of The 1975 as a comparison, had a perfect vibe to bring to this tour. With their outstanding energy and audience engagement, Don Broco left an impression on fans with their catchy pop-sounding choruses with rock undertones. With their unique vibe and style, had it been any other night of the tour, Don Broco have the ability to be the band to steal the show.

    Intense pop-punk group With Confidence picked the pace back up with their engaging and impressive vocals and energy. Opening their set with their hit song, “Voldemort,” the crowd immediately reacted accordingly to their performance. Fans were jumping and screaming the words to the song, and trying to get as close to the stage as they could. Due to the importance of this date of the tour, With Confidence dedicated their performance of “London Lights” to State Champs. “This goes out to anyone who knows someone who’s stepped on their fucking heart,” said vocalist Jayden Seeley as they led into their performance.

    With the crowd starting to get sweaty from all of the activity, the night shifted to pop group Against The Current to steal the stage. Frontman Chrissy Costanza immediately jumped on stage grabbing everyone’s attention. Despite being on the road for over a month, you would not have been able to tell from Costanza’s performance. Her vocals were great for a live performance with the amount of jumping and running around she does with her time on stage.

    Although some of her high notes could have used a bigger breathe for a cleaner note, this can be forgiven from her non-stop intensive energy song-after-song. The band also worked to get the crowd ready for State Champs by having screaming contests with fans. Perhaps their strongest performance of the night was their song “Runaway.”

    When the time came for State Champs to take the stage, the energy inside the venue shifted. There is something absolutely incredible when you feel the energy and excitement of the friends and family of the members of State Champs cheering along in support.

    “It was truly special for us to play in our hometown at Upstate Concert Hall,” said guitarist Tyler Szalkowski. “We grew up going to shows there when we were teenagers so to now come back as a headliner and sell it out was astounding,” he said.

    State Champs opened their set with a popular older hit of theirs, “Remedy.” Fans immediately made their way to the front of the venue in droves crowd surfing on top of each other to make contact with State Champs.

    With their first performance at Upstate Concert Hall this year, the feeling of love and support from seeing friends and family in the audience made the vibe for this hometown State Champs show indescribable.

    “The night was made even more special by all of our friends and family being there alongside us,” said Szalkowski.

    With the new release of the deluxe edition of Around The World And Back, State Champs were able to use their tour to debut performing their new song, “Slow Burn” which was received well by the audience.

    Along with performing their newer material, you could tell there was support from longtime fans at the show due to the amount of activity from performing an older State Champs song during the show. Their performance of “Deadly Conversation” led to not a single person still inside the venue. Uncommon for State Champs, on this tour they performed one of their earlier acoustic hits, “Stick Around,” followed by a single from their new album, “Around The World And Back.” Their performance of the ballad featured Costanza from Against The Current, and had every fan in the audience singing along. “We used to sneak into this venue when we were too young to get in,” said frontman DiScanio.

    If you have the chance to see a band perform in their hometown venue, you have to take that opportunity. With the nature of State Champs intense energetic performances, this style is only magnified while performing for their friends and family back home.

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  • Hearing Aide: Matisyahu ‘Undercurrent’

    Matisyahu may have found a unique niche in the Jewish reggae and hip hop scenes, and with the 2017 release of his sixth studio album Undercurrent, his religious convictions are woven into a stream of consciousness that flows between genres throughout the album. The album was described in a recent press release stating, “The vulnerability felt throughout the lyrical narrative comes from acceptance in uncertainty. “Step out into the Light” sets the tone for the record, as Matisyahu delves into a musical reframing of the Jewish philosophical differences between the constant of faith and the immediacy of trust.”

    Matisyahu completed the album with a team of esteemed collaborators including some who have a long history working with Matisyahu on past projects. Aaron Dugan (guitarist), Stu Brooks (bassist), Joe Tomino (drums), Tim Keiper (drums) Cyro Baptista (percussion) and Big Yuki (keys) serve as the vehicle through which Marisyahu delivers his rhythmic remarks.

    Undercurrent serves as the musical checkpoint along Matisyahu’s continued journey of seeking greater truth within himself and the world around him. “Step out into the Light” opens the album with a modern hip hop vibe. Matisyahu quickly entangles the album with religion, mentioning a dreidel in the first few lines. The lyrics are at times ambiguous but flow well. Matisyahu offers some seemingly deep philosophical musings but leaves it to the listener to fully unpack their meaning

    “Coming up Empty,” is more heavily produced than much of Matisyahu’s work and may catch fans off guard. “Blue Sky Playground” is heavy on the hip hop and is the first song on the album worth a head bob or two. Halfway through, the nasty hip hop groove fades to a mellow jam which rounds out the eight-minute track. “Forest of Faith” is easygoing and pleasant on the ears with instrumentation that sounds like a tropical xylophone. “Head Right” tricks the listener into thinking its a heavy rock tune, but quickly morphs into a hip hop/reggae hybrid and flips back and forth to the rock realm. “Driftin” concludes the eight-track album with a song that could almost be split into tow separate tracks. The first half serves as a low key hip hop track akin to Dirty Heads before the last seven minutes resort to minimalist instrumentation with Matisyahu displaying his beatboxing ability. This album will certainly keep listeners on their toes.

    Key Tracks: Blue Sky Playground, Forest of Faith, Head Right

  • Balance and Composure ‘Afterparty’ Breaks Out for Night 2 at Monty Hall

    Reflection: Who did I really see? What turned out as a spontaneous, nearly three hour drive from New York’s capital region to Jersey City to catch Doylestown, PA natives Balance and Composure for a low key night of alternative rock, grunge and some newfound shoegazey material, quickly turned into what can be described as a Balance and Composure after party, an appropriate nod to a popular track on their latest album. I’ve been to my fair share of B&C shows and lets just say this one does not conventionally belong among the rest.

    Queens of Jean and From Indian Lakes opened up the second Monty Hall gig of the weekend on April 23 before the three groups took the reigns of their US. Spring 2017 tour. Frontman Jon Simmons took to the stage to prep for the set ahead–along with two other non-band members, which quickly generated buzz among the loitering fans. Simmons guitarist Andy Slaymaker and drummer Bailey Van Ellis, took their respective spots on stage, however, guitarist Erik Petersen and bassist Matt Warner were nowhere to be seen.

    Taking a glance around the tightly packed venue, it was evident that the calmer and probably older Balance and Composure veterans sat toward the back while the younger crowd channeled their energy and pushed their bodies to the forefront of the room. The two unknown members turned out to be members of the Doylestown, PA group on hiatus, Superheaven, bringing an evident “pop punkier” sound throughout the set.

    Without lineup explanation or further ado,  Simmons briefly addressed the crowd, thanking everyone for coming out for night two at Monty Hall in Jersey City– a place they’ve yet to play or “even knew existed.” It was clear Balance and Composure 2.0 was ready to kick things off for a night of fun, even with the unconventional or unexpected lineup. Making cryptic jokes and spewing one-off phrases and interjections throughout the show such as “well, let’s uh have some fun tonight” and “the band and I have taken a consensus…” I wasn’t sure if I had walked into the alternative rocker’s edition of The Twilight Zone or if Ashton Kutcher reprised Punk’d just for me, but confusion danced in the air as did I. Although not the run of the mill B&C show, there was only one thing to do– embrace it. (I later found out that Erik and Matt are in the midst of planning their own weddings. Congrats, guys!)

    The group’s third and most recent studio album, Light We Made, stirred up some fan controversy and genre expectations. With the help of producer Will Yip, they took a leap away from the grunge and angst given off on their debut album Separation and implemented auto tune and electronic drumming. Their sophomore release, The Things We Think We’re Missing, blended said genres with more wistful sounds and whimsical lyrics until their third album completely strayed away from their original angered disposition. Diving into Light We Made’s inaugural track for the opener, “Midnight Zone,” Simmons’ threw his hands in the air and began to groove, as the crowd followed. He began to sing through a mic which crafted his voice into the exact way it sounded on the album, certainly Kanye West-style auto tune, but airy and intriguing all at once.

    “Spinning” came next, further conjuring fans to dance and get movin’ before TTWTWM’s “Tiny Raindrop” and “When I Come Undone.” “Void” awakened the violent finger pointing, mosh veterans and long-time fans of the band, conjuring nostalgia and angst from their very first studio album which segued nicely into “Fade,” another heavy hitter. “For A Walk” definitely sits in its own category, as it uses mainly electronic sounds and beats and only makes sense it was delivered to the Monty Hall crowd during the band’s most electronic set to date. “Postcard” was fun to see in a live setting, as Bailey originally tracked the song with electronic drums. If you’ve ever heard of Balance and Composure, you know “Quake,” which was instantly proven as all sang along and rocked their heads to the classic fan-favorite. Next, the group executed  “Run From Me,” giving fans another opportunity to hear their latest Record Store Day project before a bust out of the calming and emotionally charged “Stonehands.” “Notice Me” found the most audience praise and participation as the ending lyrics and title were shouted loudly in repetitive unison with Simmons.

    “Afterparty” came next to accurately sum up the night’s theme. With a group of what seemed to be intoxicated high school girls screaming “well that was fun!” rap music blaring over venue speakers between sets, the makeshift lineup and the care-free, party mentality that Simmons displayed, it truly felt like the song’s namesake. A penultimate deliverance of “Reflection” and a final encore of “I Tore You Apart in My Head” found all fans pushing directly to the front. Whether you entered the Balance and Composure fandom at the grungy, ground level, jumped in during TTWTWM’s experimentation or just came into their new-found electronic explorations, all fans found themselves layered against one another for the final track of the night.

    I’m not sure if it was the atypical line-up, or the self-preparation before the show that shaped this one of a kind experience, but toss all factors together into a neat package and the hour and ten minute set proved to be quite a unique one– and one I’ll never forget. Balance and Composure never fails to deliver.

    Setlist: Midnight Zone, Spinning, Tiny Raindrop, When I Come Undone, Void, Fade, For A Walk, Postcard, Quake, Run From Me, Stonehands, Notice Me, Afterparty, Reflection, I Tore You Apart in My Head

  • Hearing Aide: String Cheese Incident ‘Believe’

    Those crazy kids from Colorado are it again. String Cheese Incident, one of the true pioneers of the modern jamband scene, has just released a feature length LP entitled Believe, their seventh studio produced LP and second with famed Talking Heads producer Jerry Harrison playing a prominent role.  Spawned from an intensive, full band writing session in Sedona, Arizona in 2014, the songs on this album range from simple and laid back to complex and intense, showing just how much of a range SCI can navigate through these days.

    Things pop instantly on the first and title track “Believe” with a quite funky, techno-ish groove that snakes in and out of some glossed up vocals led by guitarist/violinist/string wizard Michael Kang.  “Sweet Spot” gives Keith Moseley a chance to shine on vocals on a feel good, simple number featuring his always steady bass play. One of the jewels of this recording is “My One and Only” which masterfully mixes the band’s rhythmic cohesiveness and heartfelt lyrics over a bed of pleasant violin and acoustic guitar before abruptly transitioning into an Irish folk dance ending of sorts, reminiscent of something from Riverdance.  Along with vocal support supplied by Elephant Revival’s Bonnie Paine, it’s no surprise this song is in constant rotation on Sirius Satellite Radio’s Jam On channel.  “Get Tight” is another one of those classic SCI songs that’s beautiful in its simplicity and catchy as all get out. Although it is very similar in nature to “Sweet Spot,” both songs elicit a relaxing, summertime vibe that would seem to fit perfectly in a first set when played live.

    The following track, “Stop Drop Roll,” quickly changes things up and represents one of the true “dance” tracks on the album with evident elements of Daft Punk and Talking Heads (see: Harrison, Jerry).  This one seems to be heavily influenced by the rhythm section of Michael Travis (drums) and Jason Hann (percussion) which would make sense as they comprise EOTO, an established EDM act that is no stranger to late night festival sets.  “Flying” is really the only track that gives guitarist and founding member Bill Nershi a chance to take center stage and has a somber yet airy feel to it. “So Much Fun” gives keyboardist Kyle Hollingsworth a turn on lead vocals and has so much of an 80s pop rock classic feel to it that you almost expect Huey Lewis to jump in and sing a few bars.  And perhaps no other track on Believe serves as a better example of the band’s current sound than the last one, “Beautiful.”  Already well established in the live setting, this song meshes String Cheese Incident’s signature sound texturing and heartfelt, joyous, lyrics all while being powered by an infectious electronica-type groove.

    Overall, this album does a nice job of keeping the listener engaged and mixing up different sounds and styles almost track to track.  It showcases the band’s musical chemistry that comes from decades of playing with one another and a simple yet heartfelt songwriting approach, serving as a great example of both the band’s history and their current sound.  This is a recommended purchase certainly for any SCI fan, but also for anyone who may be out of the loop and is curious what these rockers from the Rockies sound like today.

    Key Tracks: My One and Only, Beautiful

  • Hearing Aide: Kolby Oakley ‘Where Would I Be’

    Several years ago I had an opportunity to see a local young man open for Parmalee at Toby Keith’s.  Impressed by his talent, I made a point to speak to him that evening as I noted something unique about him.  Fast forward two years later and color me pleasantly surprised to have his new EP Where Would I Be come across my desk to be reviewed.  After listening to it, once again I noted that unique quality in his work that makes him stand out amongst the crowd. Kolby Oakley, a 22 year old country musician, hails from a musical family.

    Although he is young in years, his experience is that of years of musical influences.  His father, Steve Oakley, sings, his mother, Kim Oakley, plays bass, and his uncle Craig Oakley, is well known for performing with both The Beach Boys, and Bob Hope.  Playing alongside his folks throughout the years on drums, he taught himself the guitar, and after loosing his great Grandmother in 2007, he began writing his own work.  A wonderful musician, it’s his writing that stands out to me.  Kolby has a gift of story telling.  His descriptive lyrics place you in a frame of mind of the characters he sings of and transports you to the moments in which they reflect.  This was evident as I began to listen to his four-song EP that is being released this week.

    The title track, “Where Would I Be,” paints a story of those influences throughout the years that shaped the person he sings of.  This upbeat song, gives thanks to those moments and the reflective journey taken to arrive at the destination of today.  The next track, “First Kiss,” slows down the tempo, but not the momentum of this EP.  Kolby’s knack of writing mimics that of a novel writer, giving your senses the touch, taste, smell, and flavor of the moment, making this track somewhat sensual.  My favorite track however is the third, “Keeps Me Coming Back.”  Perhaps it’s the fun Caribbean flare of toes in the sand, sun on your shoulders, beer in your hand that come across and pulls me in on this number.  The final track, “Counting On,” is my next favorite. The consistency in his writing once again draws you in and takes you on a journey of heartbreak, loss, and coping. It floors me that at only 22 years of age, this young man, has the soul of a seasoned country  musician.

    I highly recommend catching Kolby Oakley this weekend at his EP release party, in Binghamton at Touch of Texas. Doors open at 6pm and tickets can be purchased both online and at the door.

    Key Tracks: Keeps Me Coming Back and Counting On

    https://youtu.be/RTdXHgiSVug

  • Hartley’s Encore: Albany’s Newest Funk Band

    Albany has a new funk band in town and Hartley’s Encore is a can’t miss show. Twice this spring I have been floored by the high energy funk originals and covers that have kept bar stools empty and the club floor full. A lineup of veteran musicians from around the Capital District, Hartley’s Encore is led by Luke Malamood on keys and vocals, backed by what he accurately refers to as ‘Albany’y Best Rhythm Section’ in Andrae Surgick on drums (and occasionally Mike Gilet) and Josh Gordon on bass. Co-founder Chris Oliver on guitar opposite Jeff Nania on saxaphone (and on some nights like this evening at Parish Public House, joined by Phil Chow on trumpet) completes the five/six man group, a welcome addition to Albany’s stellar music scene. Go see this band!