Tag: Music News

  • Holly Bowling Announces New Album Date, Tracklist for “Better Left Unsung”

    Holly Bowling’s crowd-funded album now has a release date and a track list. Bowling’s set of solo classical arrangements of Grateful Dead songs, Better Left Unsung, is set for release Dec. 9 on the Royal Potato Family label.

    To date, Bowling has raised 38 per cent of her goal, with less than 60 days remaining in the crowd funding campaign.

    The three-LP/two-CD set includes over two hours of music:

    Help On The Way > Slipnot!
    Franklin’s Tower
    Cassidy
    Bird Song
    Wharf Rat
    Unbroken Chain
    Crazy Fingers
    Cryptical Envelopment > The Other One
    Row Jimmy
    Terrapin Station (Suite)
    Eyes Of The World (6/18/74 Louisville, KY)
    China Doll
    Dark Star

    Bowling revealed a sneak peak of what’s to come in a Jambase session for the magazine’s Twenty Years Later series, in which she also performs Buffalo’s own Ani DiFranco’s “Dilate” from the 1996 album of the same name.


    Original post:

    Pianist Holly Bowling, best known for her piano renditions of Phish songs, has announced a new album.  Bowling is crowd-sourcing the new album through Pledgemusic entitled Better Left Unsung that reinterprets the music of the Grateful Dead for piano.

    holly bowling - better left unsung

    Featured on the upcoming three LP,two CD album are her versions of the Dead classics “Eyes of the World,” a completely hand-transcribed interpretation of the 6-18-74 Freedom Hall rendition from Louisville and a “Terrapin Station” suite.

    Bowling’s tour kicks off in Columbus, OH Aug. 24 and heads west, including four dates in Colorado. New York stops on the tour include the Night Lights Music Festival in Sherman on Aug. 27 and Brooklyn Comes Alive on Oct. 22.

    Holly Bowling Upcoming 2016 Dates:

    Aug. 24 – with Joe Marcinek Ban – Columbus, OH
    Aug. 25 – with Joe Marcinek Band – St Charles, IL
    Aug. 27 – Night Lights Music Festival – Sherman, NY
    Aug. 31 – Owsley’s Golden Road – Boulder, CO
    Sep. 1 – Quixote’s True Blue – Denver, CO
    Sep. 2 – Quixote’s True Blue – Denver, CO
    Sep. 3 – Quixotes True Blue – Denver, CO
    Sep. 7 – Tin Pan – Henrico, VA
    Sep. 8 – The Shed – Durham, NC
    Sep. 9 – The Charleston Music Hall – Charleston, SC
    Sep. 10 – The Music Farm – Columbia, SC
    Sep. 11 – The Gray Eagle – Asheville, NC

    Sep. 22 – Lost Sierra Hoedown – Blairsden, CA
    Oct. 13 – Lunalight Music and Arts Festival – Darlington, MD
    Oct. 22 – Brooklyn Comes Alive – New York, NY
    Oct. 23 – The Towne Crier – Beacon, NY

    Check out Bowling’s piano rendition of Phish’s “Harry Hood” from a performance in Seattle this past spring and check her out on tour.

  • Vulfpeck and Friends Celebrate a Funky Friday at Brooklyn Bowl

    Vulfpeck returned to the Brooklyn Bowl for a Friday night funk fest, which showcased their incredible talent while welcoming numerous special guests. The sold-out room was greeted with a mellow, opening performance by Joey Dosik. Dosik performed the first Beatles cover of the night, “Don’t Let Me Down,” before giving us a taste of some of his originals off of the Game Winner EP.

    vulfpeck brooklyn bowlAs the members of Vulfpeck appeared on the Brooklyn Bowl stage, fans new and old dropped everything they were doing to rush as close to the front as possible. One thing that this foursome is well known for is heavy crowd interaction. The closer you are to the stage, the more involved you will be at these shows. Right off the bat, asses were shaking and high fives were being exchanged as the band treated us to “Outro” from their 2012 release, Vollmilch, with help from their friend Eddie Barbash on sax. The Vollmilch album was highlighted two more times in the beginning of the show with the danceable “Barbara” and “Mean Girls” before welcoming groove drummer, Bernard Purdie to the stage for “It Gets Funkier.”

    vulfpeck brooklyn bowlAlmost half way through their relatively short set, the guests continued to pour on stage as Dosik joined Vulpeck for “Game Winner” and the second Beatles cover of the night “Something.” The floor of the venue was certainly packed with groove enthusiasts, but at this point there wasn’t much space on stage either. As if having the funk innovator, Bernard Purdie, wasn’t enough of a treat for these guys, they enlisted help from Melissa Gardiner and Rachel Price (Lake Street Dive) to tackle Aretha Franklin’s “Rock Steady.” Joe Dart’s bass playing was a key feature in this solid cover as the tasty brass sounds echoed down the bowling lanes.

    vulfpeck brooklyn bowlThe crowd was fully locked in and feeling the horn section when the Vulf brought well known, Antwaun Stanley up to sing the extremely soulful, “1612.” Stanley’s vocal ability and stage swagger add the one-two punch these suburban boys from next store need to construct a more powerful song. During “1612”, New York, NY wanted to be a part of it, as the audience became one with the Vulf. Lyrically, these guys tip their hats to one of this city’s most iconic figures “Frank Sinatra” and with the crowd belting out the tune with Stanley, it was clear that these guys are forever welcomed in the city that doesn’t sleep.

    There was no slowing down at this point as the group nailed another classic, “Boogie on Reggae Woman,” written by Stevie Wonder and covered by numerous other bands that know a thing or two about good music. Stanley remained on the stage through the lyrically ridiculous “Funky Duck,” which can be found on their most recent album, Thrill of the Arts. Louis Cato was then brought on to help with “Wait For The Moment” and “Beastly” as Stanley walked off stage to the cheers of a very grateful room.vulfpeck brooklyn bowl

    “Christmas in LA” gave the band and the crowd a breather packed with banter from Jack Stratton and Theo Katzman. Probably the most well known song to new followers of the Vulf, “Back Pocket” ended the set. Gardiner and Barbush brought the brass back into the mix, while Stanley enlisted help from the audience for the hook. One more cover, “Kid Charlemagne” by Steely Dan was executed in the funkiest of ways for the encore. Who knows what Vulfpeck will bring to the table for Saturday’s final night at the Bowl. They have had many repeats in their first three shows of this NY run and with their limited, yet powerful catalog, fans do not seem to mind. The group continues to surprise us by welcoming numerous guests onto the stage physically and welcoming funk icons into the room sonically through their amazing covers. After seeing so many smiling younger faces fill the streets of Williamsburg after the show, I was reminded that Vulfpeck isn’t just the funk band that this generation wanted, but it’s also the one this generation needed.

  • Umphrey’s McGee to Release Mashup Album ‘Zonkey’

    Jamrock veterans Umphrey’s McGee are set to release a new album, Zonkey, on November 11, thus bringing the band’s eight-year Halloween tradition of live mashups to the studio. The mashups cover tunes that span 40 years of music history and a plethora of genres, featuring spot-on renditions and fresh arrangements of classics by the Beastie Boys, Beck, Chicago, Eurythmics, Metallica, Michael Jackson, Talking Heads, Rage Against the Machine, The Weeknd, Ween, and many more.

    zonkey

    Check out the spooky, elusive, crucial first track “National Loser Anthem” here.

    Following in a longstanding tradition of fan-centric offerings, which includes UM Bowl, the Hall of Fame series, the Headphones & Snowcones experience, and Reel to Real, Zonkey promises to be yet another achievement in the Chicago-based sextet’s quest to bring relentless rock and peerless innovation to the jam scene. In what’s become an increasingly digital live music scene, the mashup concept not only draws on the fluid juxtapositions of the remix revolution, but also re-imagines the traditional blues medley, in that there are no samples used on the album. In the words of keyboardist Joel Cummins, “Zonkey clearly pays homage to some of our favorite artists & songs. While we’ve tried to reproduce the spirit of the original compositions & recordings, we’ve also tried to have some fun with the takes as we’ve often combined seemingly dissimilar musical elements to create a new vibe altogether.”

    Fans who pre-order Zonkey on CD or digital download are eligible for a limited time to receive one of 200 signed CDs. CD pre-orders will also come with an mp3 of each track. Plus, Umphrey’s McGee has selected artists to create a limited edition pin for each song.

    Visit Umphrey’s McGee’s website, FB page, and Soundcloud for tour dates, tickets, downloads, and more.

    ZONKEY Track Listing

    1. “National Loser Anthem”
“National Anthem” (Radiohead) + “Loser” (Beck) + “In The Air Tonight” (Phil Collins)
    2. “Life During Exodus”
“Life During Wartime” (Talking Heads) + “Exodus” (Bob Marley) + “City of Tiny Lites” (Frank Zappa) + “25 or 6 to 4” (Chicago)
    3. “Can’t Rock My Dream Face”
“Rock With You” (Michael Jackson) + “Can’t Feel My Face” (The Weeknd) + “Dreams” (Fleetwood Mac)
    4. “Sad Clint Eastwood”
“Sad But True” (Metallica) + “Clint Eastwood” (Gorillaz)
    5. “Electric Avenue To Hell”
“Highway To Hell” (AC/DC) + “Electric Avenue” (Eddy Grant) + “The Triple Wide” (Umphrey’s McGee)
    6. “Ace Of Long Nights”
“Ace of Spades” (Motörhead) + “It’s Gonna Be a Long Night” (Ween)
    7. “Sweet Sunglasses”
“Sweet Dreams” (Eurythmics) + “Sunglasses at Night” (Corey Hart) + “Electric Feel” (MGMT)
    8. “Strangletage”
“Stranglehold” (Ted Nugent) + “Sabotage” (Beastie Boys)
    9. “Come As Your Kids”
“Kids” (MGMT) + “Come As You Are” (Nirvana) + “You Spin Me Round (Like a Record)” (Dead or Alive)
    10. “Frankie Zombie”
“Thunder Kiss ’65” (White Zombie) + “Relax” (Frankie Goes to Hollywood) + “Have a Cigar” (Pink Floyd)
    11. “Bulls On The Bus”
“Bulls On Parade” (Rage Against the Machine) + “Mark On the Bus” (Beastie Boys)
    12. “Bittersweet Haj”
“Hajimemashite” (Umphrey’s McGee) + “Bitter Sweet Symphony” (The Verve)
  • Teddy Midnight Releases Debut LP, Music Video for Lead Single

    Teddy Midnight, an electro-dance-funk jamband hailing from Brooklyn, released a debut LP Wednesday titled Velvet Blue, now available on Soundcloud. The group also premiered a music video Tuesday for their lead single “Turkish Silva” on Youtube.

    TeddyMidnight5

    The quartet includes Wiley Griffin (guitar), Sean McAuley (vocals/keys/percussion), Adam Magnan (drums/sampler), and Sean Silva (bass/synth).

    Velvet Blue features eight tracks that encompass Teddy Midnight’s artful blend of electronic beats, mixed with jamband improvisation. Their sound has been compared to the likes of New Deal, STS9, Lotus and Dopapod.

    The music video for “Turkish Silva” is a depiction of “the tribulations of sex, romance, and partying on the notoriously super-dramatic BK dating/Tinder scene,” according to a press release. “I wanted to capture a couple of concepts that I observed about the nature of life and love in our youth. One of them was the vulnerability we all experience in our relationships,” Wiley Griffin was quoted about the inspiration for the video. The video was produced by Sobokeh Exports and directed by Wiley Griffin and Kristina Rusch.

    There will be a record release party on Oct. 1 to celebrate Velvet Blue, at BRYAC in Bridgeport, CT.

    Teddy Midnight has shared stages with Kung Fu, Twiddle, Formula 5 and Pigeons Playing Ping Pong and has played sold out shows at such NYC venues as Irving Plaza, Brooklyn Bowl, Grammercy Theatre, and Bowery Ballroom. On the horizon for the band are festivals such as Great North this weekend, and Luna Light Music Festival in October.

    https://www.youtube.com/watch?v=vIAK6xqRpzM

  • Dopapod Reunites with Former Drummer

    Berklee-born, Brooklyn-based improv specialists Dopapod are going with the Fro. The band announced a reunion with drummer Neal “Fro” Evans Wednesday. Evans stepped away from the band in 2013 for personal reasons and was replaced by Scotty Zwang.

    dopapod-matt-balch-web500

    Speaking to Evans’ homecoming, a statement released by the band said, “As we count our blessings for every moment we’ve experienced while surrounded by a wonderfully supportive family of fans, we’ve also found ourselves recounting the original chemistry that undeniably forged the path that we’re grateful to be walking.”

    Zwang appears to be exiting the band under cordial circumstances and is working on other projects.

    Evans’ first shows back behind the kit will be at the Resonance Festival in Thornville, OH and Catskill Chill festival in Lakewood, PA at the end of September.

    Dopapod recently announced an extensive fall tour with Pigeons Playing Ping Pong.The tour kicks off in Jacksonville, FL on Oct. 5 and includes several New York stops throughout the trek. The Putnam Den in Saratoga Springs, Syracuse’s Westcott Theater and Buffalo Iron Works will all get an upstate taste of the “DopaPong” fall tour, while Irving Plaza is paid a visit later in the tour.

    Dopapod/Pigeons Playing Ping Pong Fall Tour:

    Oct. 5 – Jacksonville, FL – 1904 Music Hall
    Oct. 6 – Gainesville, FL – High Dive
    Oct. 7 – St. Petersburg, FL – The State Theatre
    Oct. 8 – Ft. Lauderdale, FL – Culture Room
    Oct. 9 – Orlando, FL – Venue 578
    Oct. 11 – Macon GA – Cox Capitol Theatre
    Oct. 12 – Columbia, SC – Music Farm
    Oct. 13 – Richmond, VA – The National* w/ The New Deal
    Oct. 14 – Darlington, MD – Luna Light Festival
    Oct. 26 – Saratoga Springs, NY – Putnam Den
    Oct. 27 – New Haven, CT – Toad’s Place
    Oct. 28 – Burlington, VT – Higher Ground* w/ West End Blend
    Oct. 29 – Northampton, MA – Pearl Street
    Nov. 2 – Syracuse, NY – Westcott Theater
    Nov. 3 – Buffalo, NY – Buffalo Iron Works
    Nov. 4 – TBA
    Nov. 5 – Morgantown, WV -Mainstage*
    Nov. 10 – State College, PA – The State Theatre
    Nov. 11 – Charlottesville, VA – The Jefferson Theater
    Nov. 12 – TBA
    Nov. 17 – Stroudsburg, PA – Sherman Theater
    Nov. 18 – New York, NY – Irving Plaza
    Nov. 30 – Asheville, NC – The Orange Peel
    Dec. 1 – Atlanta, GA – Terminal West
    Dec. 2 – Charleston, SC – The Pourhouse
    Dec, 3 – Raleigh, NC – Lincoln Theatre
    Dec. 6 – Chattanooga, TN – Revelry Room
    Dec. 7 – Nashville, TN – Exit / In
    Dec. 8 – St. Louis, MO – Ready Room
    Dec. 9 – Iowa City, IA – Gabe’s
    Dec. 10 – Chicago, IL – Bottom Lounge
    Dec. 11 – Champaign, IL – The Accord
    Dec. 14 – Ann Arbor, MI – The Blind Pig
    Dec. 15 – Kalamazoo, MI – Bell’s Brewery
    Dec. 16 – Milwaukee, WI – The Miramar Theatre
    Dec. 17 – Indianapolis, IN – The Vogue Theatre

    Check out the full  GoFro view of Evans performing at the Paradise Rock Club in Boston back in February 2013 for a glimpse of what will come with his re-entry.

    https://youtu.be/pjOTDAoeGdo

  • Mike Gordon Announces Fall 2016 Tour Dates

    Mike Gordon dropped 15 dates today for his 2016 fall tour. He’s playing with frequent collaborators Scott Murawski and Craig Myers along with organist Robert Walter and drummer John Kimock for the tour that hits locations in the east and midwest throughout November and early December.

    mike gordon fall 2016The tour kicks off on Nov. 18 at the Delmar Hall in St. Louis, MO, and completes with a three-night run at The Sinclair, in Cambridge, MA. 

    New York dates on the tour include stops at the Town Ballroom in Buffalo on Nov. 23 and the Egg in Albany on Nov. 26.

    A limited number of pre-sale tickets are available now through Thursday Sept. 8 at 5:00 p.m. After that, tickets will then go on sale to the general public beginning Friday Sept. 9. For more ticket information, visit Mike Gordon’s website.

    Mike Gordon Fall 2016 Tour Dates

    Nov. 18 – Delmar Hall – St. Louis, MO
    Nov. 19 – Majestic Theatre – Madison, WI
    Nov. 20 – Park West – Chicago, IL
    Nov. 22 – Stage AE, – Pittsburgh, PA
    Nov. 23 – Town Ballroom – Buffalo, NY
    Nov. 25 – Higher Ground – Burlington, VT
    Nov. 26 – The Egg – Albany, NY
    Nov. 28 – Union Transfer – Philadelphia, PA
    Nov. 29 – Lincoln Theatre – Washington, DC
    Dec. 1 – Orange Peel – Asheville, NC
    Dec. 2 – Cannery Ballroom – Nashville, TN
    Dec. 3 – Variety Playhouse – Atlanta, GA
    Dec. 9 – The Sinclair – Cambridge, MA
    Dec. 10 – The Sinclair – Cambridge, MA
    Dec. 11 – The Sinclair – Cambridge, MA<

  • Chris Brown Taken Into Custody After Home Gun Incident, Posts Bail

    Chris Brown just can’t help himself, as he finds himself in trouble again. NBC News reports that the Hip Hop and R&B singer was taken into custody by the Los Angeles Police Department after law enforcement showed up to Browns house with a warrant. An unidentified woman claimed that Brown had threatened her with a gun.

    Chris Brown

    The early morning incident happened when the unidentified woman claimed that Brown had pointed a gun at her before she left his gated estate in Tarzana. Police received a phone call around 3:00 a.m., sending several patrol cars to Brown’s home early Tuesday.

    Lt. Chris Ramirez told reporters that, “Mr. Brown is going to be transported where he will be arrested for ADW (Assault with a Deadly Weapon).” Police stated “Brown will be formally booked sometime Tuesday night, or early Wednesday morning.”

    As of this afternoon, Lt. Ramirez stated that people were removed from the residence, and interviews would take place following a “protective sweep” of Brown’s home. Ramirez also told reporters that the investigation is still ongoing, and the search still being conducted and evidence collected. He would not comment on whether a gun or any other weapons were found on the premises due to the investigation still being on-going.

    Sources also reported to NBC that witnesses say Brown, who has recently pleaded guilty to a felony assault for another crime, refused to come out of his home when officers arrived. Some witnesses on the scene were uncooperative.

    Brown released a video on his official Instagram account. The profanity laced video has Brown saying that he is fed up with police showing up to his house. Brown stated “Every three months, y’all come up with something, bro. What is it? What’s going to be next?” he asked, adding, “At the same time, when I call police for stalker people … they don’t come until the next day.”

    Brown’s most famous dust up with the law is when he assaulted his then girlfriend singer Rihanna, after a night out on the town in 2009.

    According to the Associated Press, Brown was released late Tuesday after posting bail of $250,000.

  • Corey Taylor Speaks About Fan Cell Phone Incident; Would Do It Again

    Slipknot/Stone Sour frontman Corey Taylor, was interviewed recently by Las Vegas Review-Journal freelance writer Melina Robinson. Robinson asked Taylor various questions from what the weirdest thing about Las Vegas is to what its like to be Corey Taylor. She also asked Corey Taylor about when he recently slapped a cell phone out of a fans hand who was on Facebook, Twitter, Instagram, or playing Pokémon Go, instead of paying attention to the show.

    https://youtu.be/NbI-gcnmPVk

    A video went viral of the incident on social media and YouTube, which made fans who attended future shows standing up close on the rail or inside the pit, think twice about pulling their phone out at a Slipknot show. Taylor does clear up some of those phone issues in the interview.

    Robinson mentioned the recent controversy involving Taylor smacking the phone out of a fans hand at a show. Robinson then asked, “What is your personal take of the connectivity/disconnectivity of cell phone usage?”

    Taylor replied:

    You watch people walk down the street, and they can’t get their beaks out of their stupid phones to cross the street. I love watching people get buried in their tiny little technological worlds, and then reality comes and smacks them in the face.

    I don’t mind people who take pictures. I don’t even mind people who shoot video. I love that because you’re still engaged in the show. A lot of people get the wrong idea, they think that if I just see someone on their phone, I’m trying to rage quit their fun. I’m not trying to do that at all.

    But if I see someone, and it’s so obvious they’re not even there, you’ve got to poke them with a stick to get their attention sometimes. Sometimes that means smacking the phone out of their hands. You can hate me all you want. It’s not going to stop me from smacking those things out of people’s hands.

    Slipknot/Stone Sour fans, consider yourself duly warned.

  • Rockin’ in Paradise: Styx at American Music Theatre

    It wasn’t at the famed Chicago Paradise Theatre that the legendary classic-rock band Styx performed. This time it was the stunning and fairly modern American Music Theatre in Lancaster, Pennsylvania on a warm summer night, August 15, 2016. The 1600 seat American Music Theatre first opened its doors in 1997 and has been the host of a multitude of Grammy winners, Grand Ole Opry legends, National Broadway Tours as well as numerous top musical acts and performers over its two decade span.American Music Theatre

    It may not have the history as the famed Chicago’s Paradise Theatre, however, but the classy modern AMT is surely a beautiful and relaxing place to catch a show with its wonderful mezzanine accessible by two grand staircases on each side of its spacious open lobby, a nice and unique gift shop, clean modern restrooms and two plentiful and delicious refreshment areas that are easily accessible from the main lobby directly outside the theatre doors. Seating is very comfortable and spacious with a good open view of the stage. There really isn’t a “bad seat” in the house. The AMT provides state of the art sound and lighting as well as top notch production, sound, lighting, crew, very friendly ushers and accommodating staff.American Music Theatre

    Styx, one of the world’s best selling bands of all time, formed in Chicago in 1972 by twin brothers Chuck and John Panozzo and Dennis DeYoung along with Guitarist James Young. Tommy Shaw would join the band in 1975. Styx signed with A&M Records and released Equinox in 1975 as well which gained the band considerable recognition and airplay on FM radio in the relatively new Album Oriented Rock (AOR) format. The band’s 1976 album, Crystal Ball, would be the first to feature Shaw. The bands real breakthrough triple platinum smash album The Grand Illusion was released on July 7, 1977 and featured the mega-hits “Come Sail Away,” “The Grand Illusion” and “Fooling Yourself (The Angry Young Man)”. Styx would go on making huge albums and selling out arenas and stadiums throughout the late 1970’s and 1980’s with albums Pieces of Eight, Cornerstone, Paradise Theatre and 1983’s Killroy Was Here.

    American Music Theatre

    At just a little after 7:30 p.m. in the sold out 1600+ seat AMT, the house lights went down and Styx drummer Todd Sucherman could be seen settling in behind his kit while waving to the crowd. As the intro music intensified, the other members of Styx walked out a stage door just to the right of the drum riser waving and moving into position. As the intro reached its crescendo the band, guitarist/singer Tommy Shaw, founding guitarist James Young, keyboardist/singer Lawrence Gowan, drummer Todd Sucherman and bassist Ricky Philips established their musical diversity and ageless sound right away opening with “The Grand Illusion” followed by the timeless 1981 hit “Too Much Time on My Hands” and another from the 1977 Grand Illusion album, “Fooling Yourself (The Angry Young Man)” which featured original founding bassist Chuck Ponazzo joining the band on stage.American Music Theatre

    The band was musically superb. Without a doubt the performance was outstanding as the band was as tight as could be, delivering a loud but clean sound with the amazing vocal harmonies the band is known for, dazzling guitar tones blended well with the mix of electric and acoustic six and twelve stringers along with the synth and piano from Gowan, who replaced founding keyboardist/singer Dennis DeYoung in 1999. Shaw however soaks up the majority of the spotlight while sharing frontman duties with Gowan as he took lead on at least half of the 18 song set as well as explained a little history of the band including Styx being one of the founders of “Album Rock” and “Story Telling” through LP’s. He commented that the goal in the late seventies for bands was the idea of Album Oriented Rock and that “If you made it through side A of the album and flipped over to side B, the more experimental and personal songwriting and sounds tended to find its way to the B sides”. Shaw introduced the next song as the second song from side two of the Grand Illusion album, “Man in the Wilderness,” as he strummed his beautifully crafted Gibson acoustic guitar.

    American Music Theatre

    Styx continued throughout the night with Young engaging with the crowd as well as he took lead on several numbers and introduced the next song, “Light Up,” from the 1975 Equinox album. He talked about the days when President Ford was still in office, before the cell phone era, when the band would engage in “not so healthy choices,” and when the crowd forty years ago would hold up actual lighters and a “so called aroma would permeate the air.” He urged the modern concert goers to instead hold up and light their cell phones as the band broke into the song sung by Gowan. Young then took lead on the 1977 song, again from the Grand Illusion album, “Miss America” and later on the 1981 song “Snowblind” from the Paradise Theatre album making reference to how hot it has been recently and for the audience to relax and cool down a bit for this song.

    Shaw and Gowan performed a mesmerizing tribute to David Bowie with their rendition of “Space Oddity” featuring bewitching harmonies with only Shaw’s acoustic guitar and Gowin’s piano accompanying their vocals. A few other surprises were covers by The Beatles with “I am the Walrus,” Elton John’s “Rocket Man,” and Prince’s “1999,” as well as a rendition of Otis Redding’s “(Sittin’ On) The Dock of the Bay” all performed solo by Gowan while the rest of the band stepped offstage for a bit. It seemed the hits kept coming one after another. With close to 45 years as a band and over 15 studio albums with four consecutive albums being certified as Multi-Platinum from 1977-1981, the set-list could continue for hours. Styx’s AMT set included thirteen of their well known hits as well as five covers. The band tends to avoid adding some Dennis DeYoung songs to their set-list including “Babe,” “Mr. Roboto,” and “The Best of Times.” Needless to say, the set, the songs, the musicianship, the showmanship, the enthusiasm and energy all made for an amazing show in the very classy and comfortable American Music Theatre.

    American Music Theatre

    Styx had the audience highly entertained and engaged throughout the night in between their powerful guitar heavy rock songs such as “The Grand Illusion,” “Too Much time on my Hands,” and “Miss America,” and their more laid back hits such as “Man in the Wilderness,” “Crystal Ball,” and “Lights.” As the show progressed, Shaw urged the crowd to move up to the front of the stage and move around. And again, as expected, the crowd was enthralled in the moment, with much of the audience choosing to sit and watch the show from their relaxing theatre seats many of the other fans moved right up to the front of the stage waving and extending their arms in the air hoping to slap hands or catch a guitar pick from one of the band members.

    The hits kept coming all night including “Blue Collar Man” and the mega power rock ballad “Come Sail Away.” Styx came out and performed two encores including “Rockin’ the Paradise” complete with confetti blasters on both sides of the stage and finally, from the 1978 album Pieces of Eight, “Renegade.”

    Styx continues their summer 2016 tour throughout the months of August, September, October and November. Whether you’re an old fan or a newcomer to Styx, the band is timeless and the band features amazing musicians that perform all the Styx hits with flawless sound, energy and passion. Check out their upcoming tour dates, news and more at their website below.

    Styx, August 15, 2016 – American Music Theatre, Lancaster, PA

    Setlist: The Grand Illusion, Too Much Time on My Hands, Fooling Yourself (The Angry Young Man), Man in the Wilderness, Light Up, Miss America, Space Oddity, Crystal Ball, I Am the Walrus, Snowblind, Lights, Blue Collar Man, 1999, Rocket Man, Dock of the Bay, Come Sail Away

    Encore: Rockin’ the Paradise, Renegade

  • Kristen May Departs Flyleaf, Feels She Never Fit In

    Flyleaf is now in search of a new vocalist after Kristen May posted a video recently on social media updating her status and announcing that she is departing the band. In the video, May stated that fans have been asking her what’s going on with Flyleaf; if they were writing new music and if the band had any touring plans.

    flyleafMay then did a quick recap of her career up to where she is at now, which is being a mother to her baby boy. She then stated that after three years she was leaving Flyleaf:

    Now is the time that unfortunately have to say goodbye to Flyleaf. It’s sad to say that, because so many of you fans have really accepted me with open arms and loved me. And to not have played for some of you, and you know, I know we have a lot fans in South America and all over the world, um even with all the touring we did, I know I didn’t get to meet you all. So if you were a fan of what I have done with Flyleaf I just want to say thank you so much, and much love to you.

    May plans to continue her music career, just not with Flyleaf. She then touched on another reason why she is leaving the band besides wanting to be the best mom she can be for her child. She says:

    I’ve toured in bands, and been on the road and away from home for 12 years. And so for me to be able to plant some roots for a little bit with my son, and my husband, and our dogs here at my home is really, really important to me.

    As far as will I make music later, absolutely. I know that I will make music again. I already am picking up the guitar again and getting time when I can to make music but, I don’t think it will be with Flyleaf. Though I love the album Between The Stars, and I feel like the guys and I really poured our hearts and soul in it. I never truly felt like I was part of the team in the way that I never truly felt like the band was mine. And I’m sure a lot of people feel that way when they come in to a band that had a previous lead singer, um the story isn’t all mine. And so I never truly felt like I fit in. Life is too short to stay where you aren’t fully growing. Anyway, to be completely honest with you, I need to grow and move elsewhere. Committing myself to one band, just isn’t what is right for me.

    May took over for Lacy Sturm, who stepped down from Flyleaf in October of 2012, after the death of one of the band’s lead audio engineers, and to raise her son Jack. Sturm has recently returned to music with a solo album titled Life Screams. Could a possible reunion between Sturm and Flyleaf be in the works?