NYS Music 20​16

Category: Folk/Americana

  • Twiddle Takes Over The Town Ballroom – Photo Gallery

    Twiddle returned to Buffalo in their first ever headlining show at the Town Ballroom this past Thursday.  The packed house was treated to Twiddle history as guitarist Mihali Savoulidis  cased his signature Becker Hornet and debuted two new guitars from DGN Custom Guitars.

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    The Twiddle evening was also a Town Ballroom debut for hometown band Funktional Flow.

    The night’s set list only included one song, “White Light”, from the band’s latest release PLUMP- Chapter One. The evening was packed full of Twiddle fan favorites like “Brown Chicken, Brown Cow” and “Cabbage Face.” The setlist also saw a healthy dose of jam friendly tunes and covers including ALO’s “BBQ” and Tears for Fears “Mad World.”

    Twiddle continues to promotes a packed schedule including a slot at the Lockn’ Music Festival and their own two-day summer concert event Tumble Down in Burlington, VT this July.

    Setlist: Atlantic Mocean > BBQ > Atlantic Mocean, Brown Chicken Brown Cow, Orderly Chaos, Wildfire, Jamflowman[1], Cabbage Face, White Light -> Pachelbel’s Canon In D -> White Light

    Encore: Mad World

    [1] “Jamflowman” contained  a “Layla” (Eric Clapton) tease.

    Setlist courtesy of utwiddle.

  • Hearing Aide: Ten Cent Howl’s ‘Ain’t It Strange’

    Ten Cent Howl does the Americana genre proud on their latest album Ain’t It Strange. Featuring the deep and distant voice of Bill Smith, who sounds like he is coming to us from a different era a half century ago, this band makes it nearly impossible for listeners to not be tapping their feet and singing along after just one listen. All the songs on the album seem to be characterized by the perfect mix of catchy lyrics in the choruses, interspersed with beautiful poetry that is definitely worth focusing on. Also, as an added bonus, if you are of the opinion that one can do no wrong as long as there’s a mandolin playing, then this album is for you.

    Sounding like they come from a simpler time, unspoiled by the marvels of modern technology, Ten Cent Howl offers a refreshing glimpse into rural American living through their vacillatingly uplifting and melancholy songs, many of which are about love lost and found. While one can say this has been done already, Ten Cent Howl manages to put more on the table, with each band member seeming to be giving it their all on each and every tune. Featuring Jerry Hall on the bass, Harmony Griffin and Tim Pitcher on guitars, Peter Ramos on drums, and Bill Smith on guitar and lyrics, this band sounds like they have been playing together for decades, just like the music of the past, passed down through the generations. Listening to this album, one feels as if they have been transported to a country bar in the ‘50s, the way the harmonica licks come flying, the pedal steel strings are picked and the extraordinary harmonies that are belted out.

    From the Johnny Cash-sounding “33 Days” to the Roy Orbison-esque “This Is Real,” there is something to please everyone on this album, appealing to those who appreciate an album for its instrumentals, with its ideal mix of electric guitar, pedal steel, mandolin, and harmonica, as well as to those who are more interested in the vocals, with Bill Smith’s perfectly polished yet old timey quality, and fellow band members Hall, Griffin, Pitcher, and Ramos, who all seem to be able to harmonize so flawlessly. With a growing fan base in the Buffalo area, the band’s hometown, having numerous gigs lined up at local hotspots Sportsmen’s Tavern, where the band celebrated its release of Ain’t It Strange on February 27, as well as other area favorites including 189 Public House and Tudor Lounge, one can only hope that these guys will venture further to bring their wonderful timeless take on Americana music to the rest of the world. In the meantime, give Ain’t It Strange a listen; I can guarantee you won’t be disappointed.

    Key Tracks: Never Ceases, This Is Real, In View of Her

  • American Babies Raise the Dead in Albany

    On Thursday, February 25, those willing to boogie down on a school night took to the Hollow Bar and Kitchen in Albany to see Tom Hamilton’s American Babies. Considered to be “the hardest working man in show business,” Hamilton proved once again that this hard work pays off. The crowd, while somewhat sparse considering the talent on stage, was thoroughly impressed as evident by cheers, dancing and plenty of “Hamilton’s the man” exclamations.

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    The evening began with opening act Bump, a three piece ensemble with Americana sounds similar to that of their headliner. American Babies rhythm guitarist Justin Mazer joined the trio for a rendition of “Angels from Montgomery,” which was as rocking as it was sweet.

    American Babies played “What Does it Mean to Be” early in their set, a song from their new and still unreleased album, An Epic Battle Between Light and Dark, which kept the crowd as equally intrigued as it was satisfied. The song is about not feeling your age or what society tells us we should feel like at a certain age; the album is set to release on March 18.

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    The rest of the set was cover heavy and was surely influenced by Hamilton’s experiences in his other projects. “State Police” and “Let’s Start a Gang,” both Brother’s Past songs, provided opportunities for spacey yet upbeat jams. Directly following this was several Grateful Dead covers including “Big River” and “Cumberland Blues,” in which Mazer delivered the solo of the night.

    ER.COKER-AMERICAN.BABIES_05“Buckle in, we’re just getting started,” Hamilton tells the crowd as he took off his pin-decorated jacket to reveal a black t-shirt with the text “9:30” in large white letters, likely from the famed club in Washington D. C.  Drummer Al Smith also changed out a cymbal in preparation for what was to come.

    They picked up with another Grateful Dead song, “The Wheel” which led into the American Babies’ version of “Jolene” and then back into “The Wheel,” adding depth to the familiar sound and inches to my perma-grin.

    The Babies then did another cover, this time Bruce Springsteen’s “Atlantic City,” but again adding something to it all their own.

    Throughout the set, Hamilton seemed to have chemistry with every member of the band. Smith and Bassist Mark Sosnoskie looked to him as a leader, awaiting cues for their next move while he and Mazer bounced back and forth taking turns as the star. His professional chemistry was only amplified by that of the romantic sort with guitarist Raina Mullen. They harmonize well on stage and off it as well as a couple.

    The night ended with even more Dead, “Deal,” and I’m just left thinking how much Hamilton really sounds like Jerry Garcia at this point. Clearly, his work with Billy and the Kids and Joe Russo’s Almost Dead has become ingrained in his repertoire. If for any reason John Mayer stops playing with Dead and Company, Tom Hamilton is the obvious choice to step in.

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  • Hearing Aide: The North & South Dakotas ‘Been Away’

    The North & South Dakotas, from the Saratoga Springs area, have been bringing their blend of bluegrass, country and rock n’ roll infused folk to music fans around the area since 2013. While they’ve always been a great combination of those genres, their new release ‘Been Away’ shows them able to put together an album that even further masters that sound. Start to finish, this is a great piece of alt-country, full of a healthy portion of slide guitar, great harmonies and songs that just sound like the sound track to living and loving far away from the lights of any big city.

    The album’s opening track “Caroline” starts off full of twangy goodness and sets the tone for the album, in the listener’s mind it’s all rural country life, there’s going to be lots long roads and heartbreak. But perhaps  most importantly there’s some fast-as-lightning string picking and great melodies to carry us through the ups and downs. Once the vocals kick in, you know you couldn’t be listening to any other group it’s the distinct sound of Zack Hay’s voice, now with a hint more grit and attitude from their previous releases.

    Sometimes though, the long nights full of whiskey, the growing feeling of needing a change, and perhaps a bad choice or two catch up with you and a day in bed is in order, contemplating how rough the lows really may have become. On one of the records slower tunes, “Please Don’t Wake Me” there’s talk about about  speaking with the devil if he chooses to shows up, and admitting maybe it’s time to pack up and move along. “I ain’t ashamed to float like a feather as I fall from grace. And I ain’t putting up a fight, and heaven knows I’ve tried, and when I land, you know I’ll find my place.” Guitarist Mark Retajczyk never misses the opportunity to throw in a classy guitar solo and in the video below, seeing the band in the warm golden glow of a fall corn field helps you hear the breath of hope even in a sad song.

    Other stand out tracks include “Katie”, fast paced with quick little starts and stops this is a song in the live setting that is going to get the ground shaking resulting from a room full of stompin’ boots. Nayt Patenaude sets the strings of the mandolin on fire in this track, good luck trying to sit still when it hits your ears. Throughout the album, the rhythm section of Mike Graves on drums and Colin Hunt on bass stay locked in time and provide a steady backbone throughout an album with plenty of musical turns and changes in tempo that give the songs life.

    “Nowhere Slow” is a little more outlaw country, like a dark storm rolling in, hot on your trail as you bolt out of town. The break down towards the end even sounds as if they threw a dash of sludgy metal into the every-type-of-Americana stew they’ve whipped up through the album. “Prayin’” will be the track that gets hips swayin’, before leading into the album’s final track “Swan”. The album’s closing track talks about making the way back home, after an album that has taken the listener through several tales of love, a few lonely nights, and no shortage of fun evenings spent with a drink in hand. With a long instrumental close to the song and album we’re reminded that these tracks are just as catchy as they are complex, and at its heart this is a group of very talented guys that are capable of showing us a good time while maintaining a level of depth and integrity that is often lacking in modern country music.

    On Saturday, February 13th The North and South Dakotas will be celebrating the release of Been Away at The Parting Glass in Saratoga. $10 entry also gets you a copy of the new album. The night will start off with a performance from Rebel Darling, the full band that M.R. Poulopoulos, one of the area’s strongest songwriters, puts together with a rotating cast of talent. Doors open at 7pm, music is set to start at 8pm. The Parting Glass is located at 40 Lake Ave. in downtown Saratoga.

    Key Tracks: Katie, Nowhere Slow, Please Don’t Wake Me

  • Anthology Will Host the Rochester Revival

    In early March, the new venue in the East End of Rochester, Anthology, will host a two-day celebration of roots and Americana music called Rochester Revival 2016.

    Pennsylvania’s emergent jam-grass heroes Cabinet will return to Rochester to headline the first evening of music on Friday, March 4. Also on the bill that night are fellow ‘grass and dust-kickers The Blind Owl Band from Saranac Lake and The Prickers from Naples.

    The party continues early Saturday afternoon for a full day and night of ear-pleasing, foot-stomping fun. Oyster Bay’s electro-prog instrumental powerhouse TAUK will provide a massive sonic cleanse when they close out the mini-festival late Saturday night.

    Leading up to the grand finale will include the introduction of two new Rochester groups and one of the oldest and most beloved bands of Rochester. Aaron Lipp, who has played keys for Robert Randolph, Giant Panda Guerrilla Dub Squad and the Campbell Brothers, has assembled a new band which will play their premiere performance at this event. Another Dub Squad player, guitarist Dylan Savage, will also introduce a new band with Wil McKenna of RootsCollider called the Medicinals. Rochester’s very own gospel legends The Campbell Brothers are slated to bring their classic sacred steel style that is tried, true and always a great time. Other announced bands include Josh Rollins, Personal Blend and the Honey Smugglers, with more to be announced soon.

    Mark March 4 and 5 down in your calendars. It’s a weekend that will showcase music from all across New York state including a dip into our neighbor Pennsylvania, so make plans now to come and show your support. Tickets are on sale now at the Anthology website. Admission is $12 for Friday and $24 for Saturday, or $32 gets you in for the whole weekend. A great deal for a great deal of music!

  • The Blind Owl Band Coming to The Westcott Theater February 6

    The Blind Owl Band, hailing from Saranac Lake, a small town nestled in the heart of the Adirondack Mountains, are coming to The Westcott Theater on February 6, with local musicians Chris James, Mama G and the Spittin’ Sirens from Syracuse, NY.

    The Blind Owl Band will be bringing their four stringed freight train to Central NY as they kick off their 2016 tour taking them all over the East Coast. With Arthur Buezo (guitar, vocals), Christian Cardiello (double bass/fretless bass), Eric Munley (mandolin, vocals) and James Ford (banjo, vocals).

    Opening artists Chris James and Mama G shared the spotlight with The Blind Owl Band at Sterling Stage Kampitheater, in Sterling NY at the String Fling Festival 2015. The Spittin’ Sirens are sure bring a new energy to the stage and get the crowd dancing with Chris James (aka Davey Jonesin’, guitar/vocals), Mama G (aka Silva Tooth, mandolin/vocals), Foxy Rutkowski (aka Shipwreck, percussion/vocals) and Heidi Jane Kessel (aka The Kraken, one string bass banjo).

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Annie in the Water returning to Funk ‘n Waffles with St. Lenox

    On Friday, February 5 Annie in the Water will be returning to Funk ‘n Waffles with St. Lenox  who are sure to bring a unique mix to downtown Syracuse.

    Annie in the Water whose roots remain in Watertown NY, will be making their second stop on their 2016 Tour here in Syracuse NY, bringing their positive vibes to numerous venues throughout Vermont, Maine, Potsdam NY, Troy NY, Wilmington NY and their homestead Watertown. Founding members Brad Hester (vocals/percussion/guitar/looper) and Michael Lashomb (guitar/vocals) and featured member Dillon Goodfriend (keys) are sure warm the atmosphere with a mixture of high energy reggae/rock and uplifting lyricism.

    Andrew Choi is the incredibly talented singer/songwriter behind St. Lenox, with Chris Hills / Nick Fed (guitar), Jorge Vega/Brandon Vitruls and Todd Celmar (drums), Chris Bolognese (bass) and Fritz Chrysler (mp3 Player). St. Lenox is a smooth mixture of jazz, classical music and electronica. Andrew Choi’s will surely bring some depth to the stage with some powerful lyrics from his debut album Ten Songs About Memory and Hope released on January 20, 2015. Andrew hopes to release their newest album titled Ten songs from my American Gothic in the Spring of 2016.

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Railroad Earth, Twiddle to Headline Susquehanna Breakdown

    The initial lineup for the fourth Annual Susquehanna Breakdown has been announced. On May 20-21, the Pavillion at Montage Mountain in Scranton, Pennsylvania, will welcome Railroad Earth, the Infamous Stringdusters, Twiddle, Fruition and of course the gracious hosts themselves, Cabinet.

    Cabinet is bluegrass, country, folk band that is quickly growing in popularity both in the Appalachian region and throughout the country. Also on the lineup is Pappy and Friends featuring Cabinet’s Pappy Biondo.

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    The Infamous String Dusters are set to release their latest album, Ladies and Gentlemen, on Feb. 5. Twiddle also recently released their latest album, Plump.

    Additional bands are expected to be announced.

    In the past few years, Montage Mountain has become a household name for music festivals, catering to various musical tastes. For this one, those wishing to camp will set up inside the venue on the lawn. Previous years have offered a farmers market, concert poster art gallery, kids’ activity area, as well as a slew of vendors.

    Susquehanna Breakdown is a family-friendly festival. According to its website, quiet hours will be enforced from 2 a.m. to 8 a.m.

    Tickets for the Susquehanna Breakdown are currently available and with modest prices. Two-day passes with camping are currently $55 plus fees. Two-day VIP passes with camping are now $125 with fees. RV passes are also available for $100. Kids 10 and under are free with adult ticket purchase.

    Please visit http://www.susquehannabreakdown.com/ for tickets and additional information.

  • Hearing Aide: Bruce Horan’s ‘Tigershark’

    Artist-turned-musician, Bruce Horan offers the listener a glimpse into his creative mind on his debut album Tigershark. A graduate of Pratt Institute with a Masters of Fine Arts, and currently based out of Norwalk, CT, this guy has clearly got talent, which comes through on the seemingly careful thinking that went into each step of producing and recording this album. While primarily an artist (he paints in many mediums), Horan courageously ventures into the world of music through this work. Being a solo venture, with every instrument and vocal part recorded individually and then mixed and mastered at 30 Below Recording Studio in New York City, Tigershark is a true work of art.

    Every song offers the listener a poem put to music. The vocals on this album have an almost spoken word-like quality on many of the tunes, putting more emphasis on the lyrics, which are definitely worth giving a listen to. Some of the lyrics even teach lessons, including “Stalactite,” which contains a description of how stalagmites and stalactites are formed, and “Combined,” which features a whole verse of a couple speaking French that sounds like it is sampled from a language learning tape.

    Although tough to categorize, one could consider the first half of the album to be in the family-friendly genre, with some more repetitive and easy to follow instrumental patterns, and goofy lyrics about how Horan likes his eggs cooked on “Eggs,” and what would happen if the poles were reversed on – surprise, surprise – “If the Poles Reversed.” The second half of the album takes a more “emo” turn, with some more melancholy tunes about unrequited love on “Bumble,” and about having eight different worlds going on in his head on “Entropy.” Overall, most of his songs have a very stream of consciousness-like quality to them, with a bit of a perhaps intentionally unpolished sound. Hints of inspiration from bands like Ween and Weezer seem to come through in Horan’s quirky musical stylings.

    If you are interested in giving Tigershark a listen, you can stream or download it for free on Bruce Horan’s website, where you will also find music from his second album Riptide, as well as samples of his impressive artwork. Horan also keeps his Facebook page pretty well up-to-date with music videos as he produces them, so there are plenty of opportunities to check this guy out. While not currently performing live, one can only hold out hope that he will decide to do some shows in the future. In the meantime, you’ll just have to enjoy the listen.

    Key Tracks: Stalactite, Combined, Peregrine’s Wall

  • Hearing Aide: Gone Gone Beyond

    Gone Gone BeyondPicture a small, dimly lit venue with a dusty stage in the back. The ambiance is quite relaxed; the space is occupied, but not packed. There is minimal chatter between young music-lovers who appreciate innovative music and ideas. The crowd vibes in time to a conglomeration of folk, indie, and electronic sounds. This is the mental imagery that could conceivably accompany Gone Gone Beyond’s self-titled debut album.

    Danny Musengo’s raw, captivating vocals are quite prominent throughout the album. The raspy timbre of his voice coupled with the soul behind each note keeps the audience holding onto each syllable.

    “Back Swing’s” electric guitar sounds haunting with the echo distortion and open melodic intervals. More unique instrumentation includes a growly trumpet harmony and violin. “Carnival” nicely juxtaposes what sounds like acoustic piano with electronic percussion. It’s got a flair of EDM with a dance groove towards the end that gives the a song cool ‘B’ section. “Under Seige” implements the innocent female vocals of Colibri which gives the track a refreshing quality.

    Gone Gone Beyond says that the subject matter of their lyrics stems from life, nature, and love- The Human Experience. “Here for A Moment” highlights that love and life are both fleeting, and Musengo sings that he’s “here for a moment, then floating away.” The repetition of the line allows for the layers to build and solidify the concept. In “Ain’t Givin’ Up On Love,” it’s obvious the quest for love is ongoing and shouldn’t be missed out on. The longest and final track called “Long Day” is the longest track in the collection. This song seems to represent life as a whole as life can be thought of as one lengthy day. While lyrics touch on children growing older and seemingly unrequited love, the instrumentals say it all. The soft lull and highs and lows paint an aural picture of the ups and downs of life.

    It is evident that David Block (producer) put a great deal of time and energy into writing and blending each of the compositional elements. The majority of tracks are just over five minutes long, which deviates from the standard four minute norm. There is more consideration for development of phrases and transitions between different ideas, which ultimately takes more time than a regular indie or folk song. Each song begins with a very sparse texture and builds throughout incorporating more and more instruments. The choice of instrumentation and musicianship of the players are what make this album enticing to listen to. Traditional band instruments like guitar and piano are combined with flute, violin, trumpet, double bass, synthesized sounds, and steel pan. Each instrument has a specific purpose and isn’t incorporated for the novelty of doing so.

    This album is quite artistic in creation and the hard work of perfecting each of the elements is very apparent. Check the album out on SoundCloud and Bandcamp!

    Key Tracks: Back Swing, Long Day, Ain’t Givin Up On Love