The Great Hudson River Revival, popularly called The Clearwater Festival, will take a break in 2016. The festival was founded in 1966 by Toshi and Pete Seeger as a series of fundraising concerts to support the Hudson River Sloop Clearwater organization, and by 1978 had settled into its home at Croton Point Park in Westchester County.
Clearwater is currently facing some financial strains due to an extensive restoration of the sloop Clearwater, costing upward of $5,000 a day. Since hosting the large, two-day festival concurrently with the restoration project would be a struggle for the organization, several smaller fundraising concerts are being planned throughout the year. In the meantime, Clearwater is looking for support from the community here.
Sloop Clearwater
The festival draws an average of 15,000 attendees each of its two days and has played host to a variety of local and nation folk and roots-rock artists. While the festival will not be held this year, the organizers plan for it to return in its usual form in 2017.
Read the letter below from Clearwater below:
Dear Friends,
We are saddened to announce that Clearwater will not be holding its Great Hudson River Revival this year. As you may have heard, the sloop is undergoing its largest restoration ever. It is a restoration that costs $5,000 a day and will run until at least June 2016. We must take this time to focus our effort on making sure the boat can sail again this year. The sloop Clearwater is the foundation of our organization, the vessel that brings people to the Hudson River and an inspiration to all who love her. Our work to protect the Hudson River is still our primary mission.
While we will not be having a Revival this year, we will be holding a number of smaller fundraising concerts and events up and down the River throughout the year, and hope to have a larger riverside concert in the fall. Stay tuned and please join us!
If it were not for our members, volunteers, vendors, artists, and many supporters, there would not be a Clearwater. We appreciate your unwavering support as we navigate this difficult time. We ask you to stay with us so that we can Float the Boat and come back stronger next year with a celebration truly worthy of 50 years and an incredible Great Hudson River Revival in 2017.
The Felice Brothers – Clearwater 2015
While we wait for the festival to return next year, revisit NYS Music’s recap of the 2015 Clearwater Festival here.
On January 13, Funk’n Waffles welcomed The Bog Brothers with special guest, Ericka Longo. With Mike Gridley on lead vocals, mandolin, and banjo he brings a charisma to the stage. Joined by Marc Odin on the guitar, Scott Wilson on the debro, and Steve Buck on bass and vocals, this quartet brings an eclectic mix of music ranging from roots, to folk, to Americana. Joined this evening by special guests, Mike Lounsbery, who added some great energy to the stage with harmonica, percussion, and vocals; and Ericka Longo who brought it all together with the violin, adding a beautiful presence to the stage.
The Bog Brothers’ intimate, fun nature surely created an energetic atmosphere for all to enjoy, bringing not only their love for music to the stage, but also sharing many smiles and laughs in between sets with close friends and family who filled the dance floor.
David Bowie is arguably one of the most influential artists of multiple generations. He infused his music with fantasy and fashion to create a style all his own—and that style was always changing. His legacy was felt years before his passing, and his influence spans genres, generations and location, including several artists deep-rooted in New York State.
David Bowie performs during a concert celebrating his 50th birthday, on Jan. 9, 1997, at Madison Square Garden in New York City.
NYS Music takes a moment to not only honor the iconic musician, but to also revisit artists who have paid tribute to David Bowie with these covers.
Umphrey’s McGee with STS9 – “Let’s Dance”
During their encore from Northerly Island in Chicago on Aug. 17, 2013, Umphrey’s McGee invited STS9 on stage for this knock out rendition of Bowie’s most successful hit to date:
Beck – “Sound and Vision”
With a little help from his father, legendary arranger David Campbell, folk artist Beck went big on this 1977 Bowie tune. The evening was sponsored by Lincoln Motor Company and was part of their “Hello, Again” campaign, which used Beck’s version of “Sound and Vision” for its campaign theme song:
Starset – “Space Oddity”
Alternative rockers Starset showed up big in December 2014 at WQLZ’s aQustic Christmas Jam. The Columbus, OH, natives turned out a stunning rendition of Bowie’s “Space Oddity”:
moe. – “Ziggy Stardust”
What could be better than Halloween and Star Wars? Halloween, Star Wars and Bowie! Jam rockers moe. treated the crowd at their 2015 Halloween show to a little Bowie. Makes you wonder what a Bowie song sung by C-3PO would really sound like:
Buffalo groove rockers Aqueous cover highly produced, multi-layered tracks with amazing accuracy. In this rendition of “Fame” at the 2014 Gathering at Chaffee’s, they surprise the crowd as they flow into the classic Bowie tune. They hit the mark at about three minutes, but enjoy the jam before they get there. You won’t be disappointed:
The Cure – “Young Americans”
The Cure carry their own legacy in the world of rock, but the Bowie influence is deep with these fellow Brits. They contributed their version of Bowie’s song “Young Americans” for a 1993 compilation for London’s 104.9XFM. The song later reappeared on their 2004 release Join the Dots: B-Sides & Rarities 1978-2001:
Placebo – “Five Years”
Slightly known fact: David Bowie was a big fan of alternative rock band Placebo; he even performed with them on several occasions. In this clip, Brian Molko of Placebo quickens the pace on this acoustic version of “Five Years” to create a slightly altered but beautiful version of the Bowie tune from The Fall and Rise of Ziggy Stardust and the Spider from Mars:
Def Leppard – “Ziggy Stardust”
Def Leppard turned up for an acoustic set in a Sheffield England pub back in 1996. They encored with an incredible version of “Ziggy Stardust”:
Dr. Dre – “Fame”
Bowie’s influence isn’t limited to genres: famed producer and headphone guru Dr. Dre put his own twist on a Bowie tune. This version was featured on the 1996 album Dr. Dre Presents: The Aftermath and features Jheryl Lockhart, King Tee and RC along with Dr. Dre and Chris “The Glove” Taylor. Youtuber Mychael Helmz edited some fashion video footage and credited a piece good enough to have been the song’s official video:
Natalie Merchant – “Space Oddity”
The former lead singer for the 10,000 Maniacs enjoyed a solo career she probably never dreamed of growing up in the small town of Jamestown, NY. Her unique vocal style adds drama to this haunting rendition of Bowie’s “Space Oddity” during a performance on June 12, 1999:
Lucero -“Modern Love”
Hailing from Memphis, TN, Lucero is a five-piece band that mixes punk rock and country, creating a sound that is distinctly all their own. They showed up to the AV Club and banged out their own version of this Bowie pop classic with the addition of a saxophone solo:
James – “China Girl”
A lot of artists show up to their BBC Sessions with covers in hand. Manchester, England, natives James were no different; they rocked out their version of one of the three top 10 singles from Bowie’s 1983 album Let’s Dance:
Nirvana – “The Man that Sold the World”
Nirvana brought new life to this song during their 1993 performance on MTV Unplugged. They also exposed Bowie’s music to a host of new listeners. The song would garner major market radio play, as well as be featured on both the released album and video of the performance:
Foo Fighters – “Under Pressure”
When the Foo Fighters showed up in Mendig, Germany, during June 2015 to play the “Rock am Ring,” they played a set list infused with music they felt was the most influential to their journey as musicians. On the list was this David Bowie/Queen collaboration:
Smashing Pumpkins “Space Oddity”
Smashing Pumpkin’s frontman Billy Corgan says in this video for San Diego’s ROCK 105.3 that he appreciates the song more as an artist covering it, than he ever did as a fan listening to it. The Pumpkins put their own brand of alt-rock styling on this version recorded on June 19, 2012:
Fall Out Boy – “Life on Mars?”
FOB guitarist and singer Patrick Stump cites Bowie as his favorite musician of all time. In April 2013, he sat down to record an acoustic session for BBC One. He shows off his vocal range and passion for his idol in this lovely version of “Life on Mars?”:
Warpaint – “Ashes to Ashes”
Los Angeles-based indie-rock band Warpaint has been known for their dream-pop sound since they formed in 2004. The all-female quartet set a mellow groove at the BBC Music Tepee in 2014 with their ethereal version of this Bowie classic:
German metal band Atrocity brings a whole different level to Bowie’s No. 1 hit, and the song was featured as part of the Hard Rock Covers album series:
Duran Duran – “Fame”
British ’80s pop icons Duran Duran followed Bowie’s model of fashion, reinvention and style better than almost anyone. Bassist John Taylor has even cited Ziggy Stardust as the “perfect album.” Their version of “Fame” was a beloved B-side before landing on their 2003 box set Singles 1981-1985:
Scott Weiland and the Wildabouts – “The Jean Genie”
Scott Weiland was never quiet about his fanboy obsession with Bowie. Shortly before Weiland’s death, he and the Wildabouts stopped at the Strombo Show where they did an acoustic performance of “The Jean Genie”:
Second Child – “Young Americans”
The future folk band based out of NYC and Philly, Second Child does a mixture of electric and acoustic jams. This version of “Young Americans” is so groovy that even some neighborhood kids get in on the dancing action:
Commander Chris Hadfield – “Space Oddity”
In May of 2013, Canadian astronaut Commander Chris Hadfield made musical history when he made this video on the International Space Station, making it the first video ever created in space. The video is nearing 30 million views on YouTube:
The Get Up Kids – “Suffragette City”
The Get Up Kids were major players in the ’90s emo-rock scene. They paid tribute to Bowie with a fairly non-emo version of Bowie’s “Suffragette City”:
Phish – “Life on Mars?”
Shortly after debuting their version of “Life on Mars?” in 1995, Phish would later play the song at the Clifford Ball. The seven-disc box set celebrating the festival was more than a decade old in March of 2009:
Seu Jorge – “Rebel Rebel”
Brazilian musician Seu Jorge’s Bowie covers came to prominence when they were featured on the soundtrack to Wes Anderson’s The Life Aquatic with Steve Zissou. Jorge translated the Bowie tunes into Portuguese. His version of “Rebel Rebel” from Diamond Dogs sounds romantic and whimsical in Jorge’s hands:
Some Kind of Jam 11, which will be taking place April 22-24 in Schuykill Haven, Pennsylvania, has announced its initial lineup.
The three-day event takes place just 20 miles northwest of Reading and will feature four stages and 31 musical acts. Since 2005, Jibberjazz festivals has been hosting the event. Headliners the New Mastersounds will offer their unique blend of funk/soul/jazz fusion, while the recently reunited RAQ brings an added element of excitement to the bill. Buffalo groove rock masters Aqueous were also announced.
The weekend will include a variety of music including jam, funk, bluegrass, folk, blues, rock, reggae and jazz. In addition to live music, festival-goers will have many activities to choose from including various workshops, light shows, fire performances and yoga. The family friendly event will also include a kids’ area and activities.
The weekend event is located on a 60-acre fairground that includes indoor and outdoor stages, camping, permanent restrooms and showers as well as nature trails, trout fishing and electricity access for RVs. Additional information about the festival, venue and tickets is available through Jibberjazz.
Complete Some Kind of Jam 11 Line-Up
THE NEW MASTERSOUNDS
RAQ
JASON RICCI & THE BAD KIND
MIKE DILLON BAND
BANDITOS
AQUEOUS
THE BIG DIRTY
SHOKAZOBA
GANG OF THIEVES
BLACK MASALA
CAPTAIN GREEN
ON THE SPOT TRIO
YOSEMIGHT
DESMOND JONES
THE PLATE SCRAPERS
THE JAKOB’S FERRY STRAGGLERS
STRANGE MECHANICS
THE HAWK OWLS
LOVANOVA
HEXBELT
THIS WAY TO THE EGRESS
APPALACHIAN GYPSY TRIBE
BONZO TERKS
UNCLE JAKE & THE 18 WHEEL GANG
KATE VARGAS & THE RECKLESS DAUGHTERS
COSMIC COWBOY SOWING CIRCLE
HEZEKIAH JONES
MATEO MONK
GILLIAN GROGAN
OLDS SLEEPER
KNITEBITCH
Upstate Rubdown, based out of New Paltz, NY, has a new video courtesy of Otis Live. Having performed at Otis Mountain Get Down on September 12, 2015, the group of diverse musicians who combine jazz, gospel, folk, bluegrass and Broadway with soul, Motown and R&B create a unique sound. Their video is from a session in the woods of Baxter Camp at Otis Mountain features three tracks: “How’m I Doin?,” “Jimmy (You Know How To Live),” and “Old Advice.” Read an interview with the group and enjoy the latest from Otis Live.
Credit: Directed & Edited by George Watts, Produced by Quillan George & George Watts, Additional Shots by Kayhl Cooper, Scott Sweitzer & Tazer Landlow, Field Recording Mastered by Eric Maier at Future Fields Recordings
Professor Louie & The Crowmatix, hailing from the musical history-rich Woodstock, NY, treats listeners to music and history on their latest album Music From Hurley Mountain, spinning tales of their home and surroundings, clueing listeners in to the rich history and lovely scenery we have right here in our backyard. A “super band” in a sense, with musicians in the band having played with such musical powerhouses as Bob Dylan, Van Morrison, Joe Jackson, and Levon Helm, Professor Louie & The Crowmatix are no slouches themselves. Covering a wide range of musical genres – perhaps leaning most heavily toward folk, zydeco, and gospel – listeners can expect to at times be knocked off their feet with the incredible instrumental collaborations and vocal harmonies, and at other times be glued to their seats just listening to all the local history that has seemed to seep its way into all of the band’s tunes. Song names such as “Hurley Mountain Road” and “Ulster Outcry” will garner reminiscent feelings from locals, and those who are unfamiliar with this region will be drawn to it after learning about all the Catskills and Hudson Valley have to offer.
Recording engineer and producer Aaron “Professor Louie” Hurwitz on vocals, keyboards and accordion, is joined by his songwriting partner vocalist/pianist/percussionist Miss Marie, drummer Gary Burke, guitarist/vocalist John Platania, and bassist/vocalist Frank Campbell, collectively making up the Crowmatix. To listen to this band’s latest album is to go on a musical journey that takes the listener from an Irish pub on “Four Farms,” to the Mississipi bayou on “Crop Dustin’ Blues,” to a spirited church service on “Hurley Mountain Road.”
This album has a particularly distinctive beginning, middle, and end. Starting off the album is the 36-second “Golden Morning,” beginning with a trilling accordion sound, which puts the listener right there at an outdoor café in Paris sipping coffee. Progressing through some more spiritual sounding and bluesy tunes, including “Ashton” and “Crop Dustin’ Blues,” the band chose to include “John’s Tractor,” which is essentially just a 30-second recording of a tractor, smack dab in the middle of the album. Given the band’s locale, this could actually be viewed as auspicious timing, as it is quite possible that this is a sound that the band might have had to contend with during the recording of its album in the agricultural surroundings. The album ends with “Goodnight Hurley Moon,” a jazzy/bluesy tune with a French flair featuring the accordion playing major chords juxtaposed against a backdrop of the other instruments playing in a minor key, giving the song a sort of melancholy feel while still remaining positive, a very effective song to end on because it kind of makes you feel like you want to start the whole album over again!
A folk band in the truest sense of the word, this group would fit in well at festivals like Clearwater and Falcon Ridge. Frequently touring throughout Upstate New York, including upcoming shows at Inquiring Minds Bookstore in Saugerties on January 15, and the Orpheum Film and Performing Arts Center in Tannersville on January 16, there is no excuse not to check out these guys. And for those of you looking for a taste of true Catskill Mountain folk music, you’ll definitely want to pick up a copy of Professor Louie & The Crowmatix’s latest album Music From Hurley Mountain, due out on January 15.
Key Tracks: Hurley Mountain Road, Ashton, Four Farmers
While we said fare thee well to our NYS Music staff picks for the best albums, festivals, venues and shows of 2015, we welcome the new music experiences that 2016 has in store, and with a new year, comes new talent on the rise.
Every year we shine a light on the music scene’s rising newcomers currently flying under the radar — but not for long. Here we note the five bands that the NYSMusic team has pegged as the emerging artists to keep an eye on in the New Year.
Some of the groups have already toured the globe, shared the stage with notable acts and appeared on national television, while others are still in heavy rotation at their local venues and surrounding regions. But you can be sure to expect new records, show announcements and other surprises from our 2015 bands on the rise.
1. THE BLIND OWL BAND
FROM: Saranac Lake, NY ALBUM:This Train We Ride is Made of Wood and Steel(2013) WHY WE DIG THEM: Formed in 2010 after meeting at Paul Smith’s College, the Blind Owl Bandhas become a household name in the jam circuit after putting on impromptu lot shows during Phish runs at SPAC, followed by heavy touring throughout the northeast and having now appeared at more than 25 festivals, including the Peach Music FestivalBackwoods Pondfest and Winter Carnival. Coining their style as Adirondack freight train string music, the North Country bearded quartet—Arthur Buezo (guitar, vocals), Christian Cardiello (double bass, fretless bass), James Ford (banjo, vocals) and Eric Munley (mandolin, vocals)—released their debut 15-track album Rabble Rousing in 2012 and have since shared the stage with Trampled by Turtles, Railroad Earth, Hot Day at the Zoo and Yonder Mountain String Band. Their raw, contemporary bluegrass style throws the genre’s traditional rules to the wind characterizing” their sound as if they stood on top of their mountain reaching out their beat up instruments grabbing various concepts of music, holding it captive ultimately for a presentation unique to the scene,” described Tabitha Clancy, and according to Laura Carbone, experienced live, they move, twist and turn, fingers a flying, bass a spinning and the audience pressing closer to the stage, dancing and feeling the joy of what is The Blind Owl Band. Hoot!
2. CASTLE CREEK
FROM: Syracuse, NY ALBUM:The Only Life(2014) WHY WE DIG THEM: Winner of the 2015 SAMMY Award for best blues recording, the Central New York-based band Castle Creek, comprised of Kim Monroe (vocals, guitar, keyboards, bass) and Chris Eves (vocals, guitar, keyboards, bass, drums), debuted their first full-length—and self-produced/engineered—album in 2014. Since then the alternative blues rock duo has extensively toured regionally and nationally from Maine to Texas to California and played at international festivals in Ireland and Japan. Most recently Castle Creek performed as guest vocalists with the Zac Brown Band for three east coast shows during their “Jekyll and Hyde” tour, landed a main stage spot at the winter NAMM show in Anaheim, toured with Tony Lucca from season two of The Voiceand last March Phish drummer Jon Fishman sat in with the group for a surprise four-song jam at Dinosaur Bar-B-Que in Syracuse. After seeing the band open for Tyler Farr, Kathy Stockbridge recalled how the duo’s vocals complement rather than overshadow each other, noting that “they both display such very strong vocals and instrumentation. The fact that they can play and sing the same instruments simultaneously without becoming one sound and over powering the other is what makes their sound so unique, so soulful, so bluesy.” Castle Creek has also opened for artists like Cabinet, Johnny Lang, Floodwood and John Popper and the Duskray Troubadours. Up next the band will release an EP recorded at Abbey Road Studios while touring abroad.
FROM: Buffalo, NY ALBUM: Let It Settle(2015) WHY WE DIG THEM: Founded in 2010, Buffalo-based funk, rock, reggae quintet Funktional Flow has risen in the music community’s ranks in the past few years, playing at Night Lights Music Festival and Buffalove Music Festival and sharing the stage with the likes of Warren Haynes, Railroad Earth, New Riders of the Purple Sage and notable local groups Twiddle and Aqueous. Comprised of Jeffrey Kuebler (guitar, vocals), Ben Whelan (bass), Joey Lewis (guitar, vocals), Jim Edgar (drums) and Matthew Lester (keys, saxophone, vocals), Funktional Flow released their self-titled album in 2011 and recorded their third studio effort Time Will Tell at Sonic Farm Studios this fall. The band recently gave fans a sneak listen of the album’s first single “Back Door” from the forthcoming 12-track record to be debuted in March 2016. While the band did face a departure of members this year, it surely did not stop the group from evolving into a tighter sound with two new bandmates in tow. And after witnessing this seamlessness at Buffalove 2015, Jen Foster and Thomas Sgroi noted that Funktional Flow “definitely earned their three sets, and stood on par with the headliners.”
4. VULFPECK
FROM: Ann Arbor, MI ALBUM:Thrill of the Arts(2015) WHY WE DIG THEM: It’s been a big year for Los Angeles funk group Vulfpeck. Since arriving on the scene in 2011, the band has released four EPs and made international news in 2014 after sneaking the silent album Sleepify on Spotify to fund an admission-free mini tour; they raised $20,000 in two months. The four-man rhythm section formed at the University of Michigan—Jack Stratton (keyboards, drums, guitar), Theo Katzman (guitar, drums, vocals), Woody Goss (keyboards) and Joe Dart (bass)—self-produced their first full-length release Thrill of the Arts through a 59-day Kickstarter campaign in October, and the album landed a number 16 spot on the R&B Albums chart and earned a review in the Wall Street Journal. The multi-instrumental quartet made their Brooklyn Bowl debut this fall with two nights of sold-out crowds. Pete Mason recalled the band’s showmanship, noting that the way the band was “moving around on stage and switching instruments, with two keyboardists at times, added a degree of difficulty not seen by many acts.” From a YouTube video to the Big What Festival in North Carolina to appearing on the Late Show with Stephen Colbert, Vulfpeck is proving that independent musicians in the 21st century can provide much more than studio session backtracks.
