Category: Reviews

  • Slightly Stoopid Returns to Saranac With Red Eyes

    Nothing beats a hot summer day like great live music, friends, a beautiful city, and beer. Cold, fresh-brewed beer at that.  Utica, NY was certainly hoppin’ as Saranac Brewery hosted Slightly Stoopid, SOJA, and Zion I, The Grouch, & Eligh on July 22 in the outdoor courtyard.

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    Zion I, The Grouch and Eligh kicked off the summer evening in the brewery district with their bright harmonies, feel-good rhythms, and conscious hip-hop lyrics. Zion I is swiftly attracting fans on this tour promoting his new LP due out in September, titled The Labyrinth.

    Humid air from the blistering sun didn’t seem to phase anyone in the audience as the cool, crisp ales flowed from the kegs and moistened the lips of the awaiting patrons. Following a brief refreshment break, SOJA danced onto the stage with instruments in hand and crushed a 45 minute set of their smile-inspiring original reggae-rock music, which included some dread swinging and tasty drum-line solos.

    Front man Jacob Hemphill continuously gave props to Utica for their unmatched energy, in between songs from the Virginia-based groups’ most recent Grammy-nominated album, Amid the Noise and Haste. Before exiting the stage, Hemphill again gave praise to the tour headliners for their generosity as well as the crowd and Saranac Brewery, wishing everyone to “Thanks and Have a great … everything!”

    Before Slightly Stoopid‘s set, Saranac’s own Fred Matt embraced the stage and took to the microphone to give a slurred thanks to all in attendance and took a traditional selfie, while holding up a fresh brew, stacked with a couple thousand excited fans behind him.

    Moments later, a rumbling Star Wars Imperial March pumped from the PA speakers grabbing the crowds attention, making way for another Return of the Red Eye Tour performance. The group kicked into gear with “Champion of the Charles,” as Miles Doughty yelled out “It feels good to be back, Utica!” while fist-pumping his chest. After a few songs, Doughty and Kyle McDonald switched up instruments allowing McDonald to sing a few tunes including “Officer” and “Just Thinking” with special guests The Grouch and Eligh, before beautifully singing “The Prophet.”

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    Taking turns singing and switching guitars seemed to be of second nature to McDonald and Doughty as they each continuously electrified the audience with energy and inspiration. “Too Little Too Late” provided some fast-paced dancing for fans with it’s up-beat Ska rhythms and horn-play. Doughty playfully asked “Where’s all the good Utica chronic” before hammering out “Rolling Stone” and “Ain’t Got a Lot of Money.” Hard work and extensive touring was surely paying off for the west-coast group as the audience cheered and sang along through a set ending “Anywhere I Go.”

    Returning for a solid 4-song encore, the group emerged amongst a dimly-lit stage to “Cantina Song,” further augmenting their semi Star Wars themed tour. While having much appreciation for the Grateful Dead, yet not being a “jam band,” Slightly Stoopid played a rather enjoyable take on “Franklin’s Tower,” sprinkled with some light piano work by Paul Wolstencroft. The group ended the night by staffing every inch of the stage with the help from SOJA on the Dennis Brown tune, “If This World Were Mine.”

    Set: Imperial March (Star Wars), Champion of the Charles, Til it Gets Wet, Somebody, Up On a Plane, Hold It Down, Officer, Just Thinking (w/s/g Grouch & Eligh), The Prophet, This Version, Prayer For You, No One Stops Us Now, Collie Man, Too Little Too Late, Del Roy → 2 AM, Serious Man, Closer To the Sun, Stones 1, Bandoz, Ain’t Got A Lot Of Money, Don’t Stop, Don’t Care, Anywhere I Go

    Encore: Cantina Song (Stare Wars), Franklin’s Tower, Train, Express Yourself, If This World (w/s/g SOJA)

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  • Kerfuffle Sells Out 3 Years In A Row

    This past Saturday was one of the most scorching days of the year. It also happened to fall on Kerfuffle’s third birthday. Kerfuffle is the creation of Alternative Buffalo 107.7 FM. This has sold out every year so far, they bring a selection of popular alternative bands from different sub genres. They have nailed it every year thus far.

    LA, rockers, The Moth and the Flame kicked things off this year. What makes TMTH such a distinct and fun band to listen to is their fearlessness and originality. They are not afraid to do what they want to do. They aren’t a cookie cutter pop band. There is the grittiness of Robbins’ vocals which glisten on the band’s recordings but give their performance life and depth.

    Coleman Hell was certainly not what I expected when he first appeared onstage. The only song I knew by him was his radio hit “Two Heads”. That was the black sheep of his song list. Everything else was very much different and percussion-heavy synth-pop. He appeared on stage in a paisley 70`s bright colored suit, that look straight out of the 70`s. He was a very spiritual individual and talked about the energy being overwhelmingly positive at the event.

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    Pvris (Pronouned as Paris) is a band that shows no signs of stopping. They have continuously been moving up the ranks and stealing the spotlight left and right. Today was an exception, they definitely brought their game but not their A, maybe B-.The vocals were great but she didn’t hit the high notes that she typically does, which gave it a less sensation to the song.

    Madisen Ward and the Momma bear were a breath of fresh air. Hailing from Kansas City, the duo performed lively, soulful acoustic folk tunes side-by-side for Madisen takes the lead on most of the verses, but his mother certainly held her own.

    New Politics come to Buffalo what seems like several times a year. They sell out each and every time. The band is based out of Brooklyn, NY. The love the audience had for this band is undeniable; it is clear as to why. Front man David Boyd gets the crowd to its feet and is quite the hype man. He has full faith in his fans and lets them carry him away into the crowd as far as they’ll take him. Dave`s famous acrobatic moves our ones you find in a hip hop studio; he does head spins and somersaults with the greatest of ease! Grant it some of their stuff is something you will find at every show they do, but if its not broke why fix it? These guys stole the show as they do every time.

    The Strumbellas are a six piece Canadian based band that played for the first time in Buffalo. They are alternative country rock but didn’t seem to woo the audience; they were rather uninterested in the bands performance. It’s hard to follow heavier hitter the New Politics.

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    Bloc Party are all the way from England, they had some technical difficulties after the first song. Even the first song you could tell there was trouble but they pushed through it. Lead singer Kele apologized a couple times saying “Buffalo doesn’t deserve this”. Buffalonians do what they do best and screamed from the crowd saying its ok and that they’ll wait, not in the sarcastic tone either; in the true we support you because this kind of stuff happens tone. After what seemed like the longest seven minutes of Bloc Party`s life they got their sound system working again. Once they did you could still sense the aggravation in the way they looked but they came back with what they could pull from the wreckage, which was restless punk ska music that had hints of old school wrapped up neatly into it.

    The Violent Femmes are a flash back from the past for some people. I think most of us know the song “Blister in the Sun”. That dates back all the way to 1983. The guys are well seasoned and casual dressers for the most part. They haven’t changed a bit vocally from when they first began according the people who have known them from day 1. They had the crowd to singing a good handful of their songs and the main audience was roughly between the ages 16-30.

    Awolnation, where do we begin? Let’s start by saying the entrance was one to catch attention. Lights were turned down low with a blueish hint haze. A woman dressed in a vintage looking space helmet, wearing a long black robe carrying a lantern appeared on stage. You can find her on their “Beautiful Things” music video as well. No words were spoken just haunting music. Then as quickly as she came she disappeared. As soon as that happened the audience knew it was time to get this party started; not that it hadn’t already. Front man and brain child Aaron Bruno took to the stage with the rest of his mates and when the bass dropped to start the chorus, the crowd erupted to pandemonium that would not cease until the night’s end. It was also refreshing to see a group of musicians who were so musically bound. There were moments of improvisation and jam band style expansions of songs. “Sail” stands out as an example of a song that sounds much stronger live than on the album.  The song set was nothing short of impressive; their performance guaranteed more sellout crowds on return trips through Buffalo.

    Kerfuffle was a success this year, the staff managed to keep their composure while aiding in keeping everyone cool hydrated and happy. The fans soaked up just about every performance that night and the headliner did not disappoint. Hopefully they can keep selling out and keep bringing heavy hitting bands that are relevant like they are doing now. Great job Alternative Buffalo, Kerfuffle is one to compete with.

  • Zac Brown Band Sling-Shots Their Way Into Syracuse’s Lakeview Amphitheater

    Zac Brown Band brought a diverse mix of traditional mainstream country, bluegrass, gospel and even rock ‘n’ roll to create an unpredictable evening of music for an enthusiastic crowd at the Lakeview Amphitheater on Thursday July 21. The eight-piece group transitioned seamlessly from one music style to another while incorporating a unique array of sounds including a three man horn line, pizzicato violin interludes, Latin percussion and powerful backup vocalists.

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    The group kicked off their set with “Homegrown” followed by “Knee Deep” and “Whiskey’s Gone” before getting the crowed all revved up with the well-known “S.O.B.” (Nathaniel Rateliff & the Night Sweats cover). Brown was engaging and endearing throughout. He paused before playing “Tomorrow Never Comes” to invite the fans to “Forget whatever bull**** happened to you this week, this month or this year or whatever and just get lost in the music.” He took a moment to promote his new line of red wine and to let folks know it was being sold at the venue. The band also appeared to have a blast catapulting merchandise into the crowd using a hand-held cannon and giant slingshots.

    The band took a short break midway through their set before coming back to delight fans with their notable covers of the Who’s “Baba O’Riley” and John Mellencamp’s “Jack and Diane.” Both were interesting choices for a country band but they performed them well and the crowd responded by dancing and singing along. They ended their set with fan favorite hit “Chicken Fried” before coming back onstage to perform a two song encore that included “Let’s Go Crazy” (Prince Cover) and “Beautiful Drug.”

    Zac Brown Band proved that they are much more than a mainstream country act. The show was well worth long waits in traffic both getting to and leaving the venue. Hopefully, the venue’s powers that be will continue to work to improve the traffic situation before next season.

    Set list: Homegrown, Knee Deep, Whiskey’s Gone, S.O.B. (Nathaniel Rateliff & the Night Sweats), Goodbye in Her Eyes, As She’s Walking Away, Tomorrow Never Comes, Colder Weather, Sweet Annie, It’s Not Ok, I’ll Be Your Man (Song For A Daughter), Baba O’Riley (The Who), Toes, Loving You Easy, Jack & Diane (John Mellencamp), Keep Me in Mind, Castaway, Chicken Fried

    Encore: Let’s Go Crazy (Prince), Beautiful Drug

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  • Rockin in the Heat, Vans Warped Tour Heats Up Darien Lake.

    It was a balmy, cloudy start to the day for this years edition of the Van’s Warped Tour at Darien Center. Around twelve the weather turned and the sun decided to stay out making the weather quite enjoyable.

    The Word Alive:

    The five piece metal core band out of Phoenix, AZ; led by lead vocalist Tyler “Telle” Smith kick-started the day off from the second they took the stage. Immediately the crowd was engaged, singing along with Smith and the mosh pits starting immediately when the band took the stage. When the band played their hit track “Sellout” off their most recent album Dark Matter, the crowd went insane and a circle pit started and seamlessly didn’t end until the song was near its end. All in all, The Word Alive kicked off Vans Warped Tour with an enormous bang.

     Four Year Strong:

    The Boston, MA punk rock group, dressed in Hawaiian clad gear took the stage on the Journey’s right. From the jump off the band’s energy ignited the crowd. Playing a good combination of old and a couple new tracks, the band held high energy throughout their performance. With a crew member dressed up as Santa tossing out shirts to the crowd, Four Year Strong lived up to the performances of the past Warped Tour.

    Ice Nine Kills:

    The quartet metal core band took the stage and their set up was miraculous. With a giant skull set up with the drum set the middle, INK hands down had the best stage set up on the entire bill. Playing all of their hit songs like, Bury this hatchet in your head, and closing with Me, Myself and Hyde. From beginning to end INK crushed their time on stage and the crowd was involved right from the jump. Lead vocalist Spencer Charnas was the life of the stage as he came into the crowd and really ignited the place around him. Overall Ice Nine Kills put on one of the better performances of the day.

    Every Time I Die:

    The Buffalo, NY five piece in their first Warped Tour appearance in two years took the day. With it being their homecoming performance on the Vans Warped Tour the band did not pull any stops, with the Buckley brothers Jordan and Keith jumping into the crowd really exciting everyone in attendance for their performance. They debuted a new track off of their upcoming album Low Teens to be released on September 23 of this year. A special gift was given to anyone that purchased any merchandise from their tent, with any purchase a digital download of the new album was given. Overall, the hometown boys really brought down the hammer and heated up the already hot day with the best performance of the day, really showing that Buffalo metal will only live on through this band.

    Sum 41:

    In their first appearance in many years the Canadian quintet showed they still have the juice. Playing all of their classic hits and a new track off of their upcoming album Sum 41 definitely gave this writer the nostalgic feeling of being back in high school. With tracks like Still Waiting, In Too Deep, Fat Lip and The Hell Song; Sum 41 brought the crowd to life with all of their classics as their performance was towards the end of the evening. There wasn’t much room to stand as the revival of an old punk rock classic made their long awaited reunion. One of the most notable parts of their performance was when the band brought up fans from the crowd to party on stage with them, proving that this band is definitely ready to make their way back into the scene. Deryck Whibley looked like he never missed a beat and the band followed his lead and kept the crowd alive with their performance.

  • 2016 Vans Warped Tour NYS Fairgrounds Syracuse

    The 2016 Vans Warped Tour made its first appearance in Syracuse at the New York State Fairgrounds on Thursday July 7. Despite the extreme heat, the punk rock music festival drew a large crowd. The fairgrounds was an ideal setting for the expansive set up that included seven  stages, vendors, local food trucks, an adult size slip and slide and the  air conditioned “chill out” truck that offered fans free energy drinks and some relief from the burning heat of the sun.
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    Warped Tour is celebrating its 22nd birthday this year and the impressive lineup included Warped Tour veterans Less Than Jake, Yellowcard, New Found Glory and Sum 41. The lineup also included popular metal acts Motionless in White, White Chapel and Every Time I Die. There were also a few Upstate New York bands, including Syracuse’s own One Last Shot and State Champs from Albany.
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    The Vans Warped Tour offered a perfect blend of veteran acts, rising stars, local favorites, punk rock and metal. The mix of offerings attracted a broad spectrum of fans of all ages and music preferences making for a one of a kind experience.
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    Check out the photo gallery for captured moments and memories from the day.
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  • Alice in Chains at the Turning Stone Casino

    Alice in Chains brought a perfect blend of classic and new hits to a near capacity crowd at the Turning Stone Casino and Resort on Friday July 22. Alice in Chains, who recently opened a few of the Guns N Roses reunion shows, is currently headlining a North American Tour that is scheduled through early October.

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    Alice in Chains, despite the passing of lead singer Layne Staley in 2002, has been forging ahead with William Duvall as their full time lead singer and has been touring since 2006. The new line-up has since released Black Gives Way to Blue in 2009 and The Devil Put Dinosaurs Here in 2013. Alice in Chains is beginning work on their next studio album with a TBD release date. This is my third time seeing Alice in Chains with DuVall and if you haven’t seen them yet, you are missing out.

    Alice in Chains opened with “Hollow,” followed by “Them Bones” and “Dam That River.” William DuVall and Jerry Cantrell flawlessly traded off vocals reinforcing that authentic Alice in Chains sound. The band continued with more hits, “Check My Brain,” “Angry Chair,” and “Man in the Box.” Bass player Mike Inez attempted to get the crowd revved up by playing at the edge of the stage and motioning for the audience to cheer. Cantrell worked to engage the audience as well by yelling come on and pumping his hands in the air. The crowd fell a bit flat despite the best efforts of the band members to get them pumped. Cantrell took the time to thank fans who were engaged by flipping a guitar pick to them between songs.

    Drummer Sean Kinney took a short break from pummeling his drum kit to joke around with the band and the fans by making a circle with one hand and poking a finger through it with the other to indicate the band was about to play “Down in a Hole.” Kinney in addition to being an amazing drummer, clearly has a sense of humor and finds creative ways to interact with the fans from behind his drum kit.

    The evening continued with “We Die Young,” “Got Me Wrong,” and “It Ain’t Like That” before the band took a short break. The encore included some of my favorites with a powerful version of “Rooster,” “No Excuses” and an in your face “Would?” Alice in Chains bid the crowd goodnight; Cantrell, DuVall and Inez tossed out handfuls of guitar picks as Sean Kinney handed out a few drum sticks to select fans he had engaged with throughout the set.  Alice in Chains created a memorable night of music from Cantrell’s haunting guitar riffs to DuVall’s perfectly sung harmonies, Inez’s energy and smile intermingled with Kinney’s constant backbeat; these guys know how to get it done.

    Set list: Hollow, Them Bones, Dam That River, Again, Check My Brain, Nutshell, Angry Chair, Man in the Box, Your Decision, Down in a Hole, Stone, Last of My Kind, We Die Young, Got Me Wrong, It Ain’t Like That

    Encore: Rooster, No Excuses, Would?

  • Photo Gallery: Happy Owl Fest 2016

    This past Saturday, on one of the hottest days of summer, the Happy Owl Fest flew into the quaint, Grateful Dead-esque ‘venue bar’ known as American Beauty, located in the midtown section of Manhattan. Typically, I would not be very excited to be inside for a festival in the middle of the summer, but fortunately, this venue’s air conditioning battled the 100 degree heat without mercy. At times, there were rumblings of people actually being cold. Add to this the ample selection of good craft beer, and American Beauty’s only food offering, a free personal cheese pizza with each beer, and you have a lovely way to spend the better portion of your weekend day. I haven’t even talked of the line up yet, which of course was the reason I was there in the first place.

    The schedule was ambitious, including nine acts between the hours of 3pm and 3am, with a bonus side hustle of the Phish webcast from Chula Vista, CA, which was projected in the main bar while the bands played on in the main stage area. I was one happy camper that I was able to catch the full sets of Polyvamp, Sylfox and the Hustler, Formula 5, and Sprocket. Alone across these four bands was an eclectic mix of music that should satisfy a majority of musical tastes. In sum, the Happy Owl Fest navigated improvisational rock, funk, and electronic with a dash of blues, not necessarily all at the same time.

    Should this event take place again next year under similar circumstances, I wouldn’t hesitate to make the trip. The balance between venue, beer, food, music and price of admission was quite welcome. The only suggestion I would make is for the venue to make a small investment in a house lighting system. On one hand, the noir scene makes for a rare experience in dedicated club venues these days. On the other hand, a little lighting action would would inject some energy into the room, in this photographer’s opinion.

    Till next year, enjoy my gallery from the first Happy Owl Fest.

  • A Jammin’ Dark Star and an IPA, Please

    They high-stepped into the Saranac Brewery and bid us all a fond goodnight, but in the middle, Dark Star Orchestra took the near capacity crowd on a mind bending, psychedelic journey through the middle 1970s.

    dark starOne of the most fun aspects of attending a DSO is trying to figure out what Grateful Dead setlist they are recreating. Opening the show with a fast “Bertha” made it immediately feel like a 1970s show to me, but because the band has played it for their entire career, it didn’t help much in determining a year. “Me and My Uncle,” “Loser” and “Black Throated Wind” confirmed that it was a show somewhere between 1970 and 1979, which, again, doesn’t do much in helping me decide.

    It was the following, stand alone “Scarlet Begonias,” complete with a harmonious and ferocious solo by Jeff Mattson, that gave away the show either being an original Dark Star Orchestra setlist, or coming from a show prior to March 18, 1977, when the first ever “Scarlet Begonias”>”Fire on the Mountain” was performed at the Winterland Arena.

    A song mainly performed by Jerry Garcia Band, “It Must Have Been the Roses” preceded “Jack Straw,” “Tennessee Jed” and “Mexicali Blues.” “Deal” then featured fun interplay between keyboardist Rob Barraco and Mattson, and really gave the show a 1973/74 feel. Rhythm guitarist Rob Eaton was visibly impressed with how the band was performing, smiling often and seeming more animated than usual.

    “Big River” and “Brown Eyed Women” were short and succinct, before the highlight of the show, “Playin’ in the Band” kicked into another realm. During the lengthy jam, I mentioned how I was confident this was a 1974 show, when an older gentleman informed me that DSO was recreating a Dead show from May 14, 1974 in Montana.

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    “US Blues,” “El Paso” and “Row Jimmy” were executed impeccably to open the second frame. “Weather Report Suite” then bled seamlessly into “Let it Grow,” before the opening lines to the 1960s psychedelic masterpiece “Dark Star” were played. Being the band’s namesake, DSO brought us on a journey from 1967 up until 1974, with elements of the grungy, late 1960s Dead feel, up to the mid-1970s, more mild tempo style and everything in between. It was the highlight of the entire show.

    Garcia ballad “China Doll” gave the crowd a breather before “Promised Land,” “Not Fade Away” and “Goin’ Down the Road Feeling Bad” literally rocked the set to a close. If there was a single person not dancing like a maniac, I surely did not witness that, and the set concluded with the utmost energy.

    Already prepared for the “One More Saturday Night” encore, I snagged one last $5 Saranac Legacy IPA (seriously, though, where else can you get a beer that delicious at a concert these days for $5? Most Bud Lights at other places cost more than $10 …) and took my space back for one final boogie.

    DSO, almost 20 years into a pretty successful career, is showing no signs of slowing down whatsoever. In a recent interview with NYSMusic, Barraco said the band plans to cut back on the number of shows per year to focus on new family members, and put the emphasis on bigger events. A stop at the Saranac Brewery seems to be an annual thing for the band, and I can’t think of a better place to spend a summer night grooving to my favorite music ever made.

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  • Hearing Aide: Keepin’ The Family Debut EP

    New Jersey indie rock band Keepin’ The Family independently released their self-titled debut EP in late June. The five-piece band has been gaining ground, only just getting started in 2016. With interesting instrumentation, including a trumpet and banjo, Keepin’ The Family has a range of talent with a little something for everyone. 10707147_1065713793490471_956034429_n(1)

    The first track ‘Wet Snow’ comes in fast and heavy, with lead singer Jacob Cafaro’s voice barreling through. The song’s impetus rhythm is undeniable, making it difficult to not bop your head to the beat of the drums. Throw in some banjo, and you’ve got yourself a beautifully intense song. It would be easy to pop this album in at the start of a road trip and get a solid start.

    Track three, titled ‘Charlotte’s Web,’ shows the band’s ability so slow it down and make listeners daydream a little. Slower in tempo and on the playful side, the track builds to a beautiful Allman Brother’s-esque guitar solo that makes the track feel more like a story. Cafaro’s voice isn’t perfect, but always hangs on and finds the perfect place to be. The band’s playful side is apparent, whether it be a rock song or a slower ballad.

    Getting to the final track, ‘Road Trip,’ listeners are given a simple, clean song that feels inspiring and promising. The banjo yet again shines through, adding a piece of bluegrass to the already classic song. It would be easy to listen a few times and want to sing along by yourself on the open road.

    ‘Keepin’ The Family’ is a really fantastic introduction to what this band is capable of. Their influences may be obvious to most, but the range of their music is unique and vast. Not many bands include banjo and trumpet, only adding to their already remarkable abilities. With just five tracks, listeners can be in any mood to enjoy the album in full. Keepin’ The Family has a promising future if they continue to put out albums that not just engage listeners, but make them really feel it.

    Catch up with Keepin’ The Family on their Facebook page, and listen to the album on their Bandcamp.

    Key Tracks: Wet Snow, Camelot, Road Trip

  • Hearing Aide: Jack and Amanda Palmer “You Got Me Singing”

    You Got Me Singing, Amanda Palmer’s first full-length album since 2012’s Theatre is Evil with the Grand Theft Orchestra, is a heart-felt tribute to both folk music and family. Along with her father, Jack Palmer, the album consists of twelve cover songs, spanning from Sinéad O’Connor’s “Black Boys on Mopeds” to Leonard Cohen’s “You Got Me Singing,” after which the album was titled.

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    Funded entirely by Patreon, the album cover itself is a pastiche of Bob Dylan’s Bringing It All Back Home. Recorded with a once-estranged father when Palmer was eight months pregnant, the simplicity of the songs reminds us of the power of music, and why we listen to it in the first place. They aren’t merely covers, but new versions of old favorites.

    The album opens with Leonard Cohen’s “You Got Me Singing,” with both Palmers sharing vocals, Jack’s bass (think: Johnny Cash) complimenting Amanda’s quieter tones. From there, covers include a nursery rhyme, Richard John Thompson’s “1952 Vincent Black Lightning,” where both Palmers swap vocals, and particularly relevant in today’s political climate, Sinéad O’Connor’s “Black Boys on Mopeds.”

    As a complement to the O’Connor cover, Phil Och’s “In The Heat of the Summer,” soon follows. Written in 1963 about the Harlem riots, some of the lyrics have been changed in order to bring home the message. Jack Palmer sings, “Another black kid face down in the road, whose life did not seem to matter.”

    Other highlights include “Skye Boat Song,” a tribute to Palmer’s mother’s family who originate from Scotland. The song tells the story about the escape of Bonnie Prince Charlie to the Isle of Skye after the Battle of Culloden in 1746. Both Palmers again share vocals here.

    The album overall has unconcealed messages about unity and togetherness. Though the songs were chosen because of their meaning to Jack and Amanda personally, the themes of family and peace are ubiquitous.

    Amanda and Jack are currently on a short tour together now. Two New York dates remain:

    July 20 – Le Poisson Rouge, New York
    July 23 – Basilica Hudson, Hudson, New York

    Key Tracks:
    Skye Boat Song, In The Heat of the Summer, 1952 Vincent Black Lightning

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