NYS Music 20​16

Category: Reviews

  • James Taylor Showers His Fans with Love – in Syracuse

    Through a career spanning six decades, James Taylor has put his stamp on the American songbook. That catalog of songs, as well as many outstanding cover tunes, were on display by Taylor and his All-Star Band Saturday, July 30 at the sold-out Oncenter War Memorial Arena in Syracuse.

    P_DSC_0445

    Taylor delivered far more than fans had a right to expect in a two set show lasting over 2-1/2 hours. His top-notch 11-piece ensemble included Rochester native Steve Gadd and Luis Conte on drums and percussion, Walter Fowler on trumpet, Blue Lou Marini on sax and flute, vocalists Arnold McCuller, Kate Markowitz, and Andrea Zonn, Michael Landau on guitar, Jimmy Johnson on bass, and Larry Goldings on keyboards. Above and beyond all that were the iconic songs and unmistakable voice of JT, Sweet Baby James, the one and only James Taylor.

    O_DSC_0350

    He was engaging, sharing stories of how certain songs came to be at different points in his career, and often hilarious. He joked about intermission. “I don’t even know why we have one. I usually just stand behind the curtain over there and stare at my watch for twenty minutes.” Surprisingly, he moved to the front of the stage during intermission, signing autographs and posing for photos with fans, and continued doing so while the band returned to the stage and jumped into an instrumental piece. Special praise is deserved by the sound technicians who made that venerable old arena sound better than I’d ever heard. Every voice and every instrument could be identified. If you have the opportunity to see James Taylor in concert, do so. There is nothing quite like seeing a world class musician at their very best.

    Setlist:

    Set 1: Wandering / Secret O’ Life, Everyday (Buddy Holly), Walking Man, Today Today Today, Country Road, Don’t Let Me Be Lonely Tonight, Coppermine, Carolina In My Mind, (I’ve Got to) Stop Thinkin’ ‘Bout That, Fire and Rain, Shed a Little Light.

    Set 2: Up on the Roof (Carole King), You’ve Got a Friend (Carole King), Promised Land (Chuck Berry), Shower the People, Angels of Fenway, Sweet Baby James, Steamroller Blues, Mexico, Your Smiling Face.

    Encore: Knock on Wood (Eddie Floyd), How Sweet It Is (To Be Loved by You) (Marvin Gaye).

    Second Encore: You and I Again

    [FinalTilesGallery id=’926′]

  • Hearing Aide: The Phryg Self-Titled Debut

    ThePhrygBrooklyn-based progressive funk quartet The Phryg released their full-length self-titled debut album last month. The band formed in 2013 and released their debut EP Midnight Snack in 2014. They tour regularly in the New York and Pennsylvania areas.

    The Phryg kicks off with “Hello Miss,” a six minute progression that opens with a funk groove bringing the whole band into the mix. The song moves through variations of the opening groove to the bridge, which features a brief piano solo, before the song climaxes with a rocking solo from guitarist Collin Patierno. It finally comes to a close returning to the initial funk groove.

    The second track “Puddin’ Head,” which is also the shortest track clocking in just under four minutes, brings a nice slow funky groove throughout. “Turn You Out” is a keyboard-led tune that rounds out the start of the album. “Crispy Hat” is an instrumental tune that shows off the band’s capabilities. The final track “Tang Slayer” is a perfect cap to the album.

    The album is straight up funk grooves throughout and will keep those listening moving. Unfortunately, they don’t stray very much from a standard form with many of the songs feeling as though they were written off the same groove. The production quality of several tracks is lacking, leaving the listener wondering if they’re listening to a demo or a fully produced album. Overall, The Phryg’s debut album is a fun listen, if lacking in places.

    Keep updated on The Phryg at their website and on Facebook.

    Key Tracks: Hello Miss, Crispy Hat, Tang Slayer

    [embedyt] http://www.youtube.com/watch?v=lUuSq252aGo[/embedyt]

  • Hobbled moe. Peps Energetic Saranac Crowd

    It’s a Central New York institution put on by New York’s jam band. For the second consecutive evening, moe., complete with an injured bassist, shook the Saranac Brewery to its hoppy core on Saturday with two sets filled with guitar-driven improvisation, fun set lists and even a few unconventional covers.

    Bassist Rob Derhak was in a seat for the entire show, laid up with a leg injury, which did not limit him in any way, as he was as animated as ever in the band’s annual residency in Utica. If Friday’s show was more laid back, then Saturday’s was a lesson in in-your-face rock and roll.
    Jim Houle Photography - moe. - Saranac Brewery - Saturday - NYSMusic Files-5

    And warming up the rowdy crowd was funk band Pigeons Playing Ping Pong. PPPP laid down a straightforward set filled with danceable and rhythmic numbers. Out of the gate, “Seat Of My Pants” featured a big solo each from guitarists Al Schnier and Chuck Garvey, which were catapulted by the backing beats of drummer Vinnie Amico.  “Big World”>”Ricky Marten”>”Spine Of A Dog”>”Not Coming Down”>”Wormwood”>”Okayalright” took up the next hour or so. While there wasn’t a section of the groove that stands out as supreme, the songs flowed together, allowing moe. to display the tight musicianship they’re loved for. “McBain” featured a short outro jam that crescendo-ed the crowd into happy oblivion just before setbreak.

    In 2015, Saranac released a moe.-themed beer, aptly titled Hoppy Hour Hero, a strong IPA that was the featured beverage of the night. (Amico discussed this and a range of other topics with NYSMusic back in May). Without hesitation, moe. began playing “Happy Hour Hero,” which exulted a huge road from the attendees.

    “Bearsong” began and amidst the noodling emerged an unusual treat: House of Pain’s iconic hit “Jump Around.” It’s expected for moe. to throw in covers here and there, but I was among many who didn’t see this coming. The crowd sang every word of the anthemic chorus, before the band veered into “Tailspin.”

    Jim Houle Photography - moe. - Saranac Brewery - Saturday - NYSMusic Files-36

    “Opium” then bled into “lylelovit.” With the curfew approaching, and the guitars dueling, Schnier began “Downward Facng Dog,” eliciting a huge applause, and closed out the energetic and overall very good set with “32 Things.”

    “Buster” brought the 2016 Saranac run to a close and gave the moe.ron famoe.ly nothing but smiles and happiness. The band thanked the crowd and exited, and everyone in my area began hugging and embracing.

    Now that the band has found a legitimate home in CNY, it begs the question: Is moe. ever bringing moe.down back? Amico has said it will be back, so now we just have to wait. But two nights at Saranac every summer is a pretty great consolation.

    07/30/2016 • Saranac Brewery • Utica, NY
    Summer Tour 2016

    Set 1: Seat Of My Pants>,Big World > Ricky Marten > Spine Of A Dog > Not Coming Down > Wormwood > Okayalright McBain

    Set 2: Happy Hour Hero, Bearsong > Jump Around > Tailspin >, Opium > lylelovit.>, Downward Facing Dog >, 32 Things

    Encore: Buster

  • moe. Brings More Than Tasty Brews to Saranac On Friday July 30, 2016

    Some families, if they’re lucky, have reunions every year or so. If you’re a moe.ron, its whenever moe. the band is able to park it and throw down for a couple of days. Last weekend, the boys dropped into their old stomping grounds of Utica for two nights of their annual stint at the Saranac Brewery, over July 30-31, 2016; bringing a wave of openers and late night shows, along with their own bust-outs and full throttle psychedelic rock to 830 Varick St.

    With Ryan Montbleau opening the first night, fans were treated to a full band which, in typical Montbleau fashion, kicked off the weekend with sulky vibes mixed with high intensity big band sounds encapsulated within a small ensemble.

    People who know what a Montbleau Band show is capable of were buzzing over his electricity and for those who only thought they knew, were served a healthy dose of wild female vocals, buttery trombone, crazy fingered keys, and the smooth charm of the talented singer-songwriter.

    With gray skies, high heat and humidity hovering, a crowd with a propensity for partying gave moe. full-bellied cheers as the first set began with the classic ,”Timmy Tucker,” a sign that things were off to a great start. “Timmy” sneakily segued into the bouncy “Threw It All Away” followed by another segue back into “Timmy.”

    A quick hello and welcome to Utica from bassist Rob Derhak led into the cautionary, in-your-face monster, “Don’t Fuck With Flo” followed by “CIA.” Fans were then treated to two covers, “Fame” by the late David Bowie, and Steely Dan’s “Bodhisattava,” with Ryan Montbleau, accompanied by his female vocalists, sitting in on the performance. The two covers showcased guitarist Chuck Garvey’s vocal abilities and classic rock chops to help close out a stellar first set.

    The second set began with a bang, as drummer Vinnie Amico rolled off the opening beats to “Water,” followed by the instrumental ditty “Hector’s Pillow;”  the first two songs of a six-song segue. The beloved “Bring You Down” began patiently, but the jam soon grew to heights the song is known to reach. Yet each time the beauty of it is expanded upon as guitarist Al Schnier soloed his way into the songs closing lines, “be with me, be with me,” all while checking off stats as the first time played in the city as well as at the brewery.

    The last half of the segues included the epic “Silver Sun”. The Pink Floyd inspired tune quickly turned into a beast as it transitioned into the Grateful Dead’s “The Other One,” using the same quadraphonic sound implemented earlier in the summer by the bands front-of-house engineer, Steve Young. Heads were spinning as sound echoed from the towering brewery back onto the fully loaded crowd and segued back into “Silver Sun.”

    The night was completed with “Mar De Ma,” an Amico-penned instrumental honoring his wife and daughters, “Y.O.Y,”, and “Plane Crash.”

    Much to many fan’s pleasure, the band strayed from the setlist and chose “Sensory Deprivation Bank” for the encore. Attendees were then unleashed into the streets to take part in the late night acts offered throughout Varick Street.

    moe – Saranac Brewery, Utica, NY – July 30, 2016

    Set I: Timmy Tucker > Threw It All Away > Timmy Tucker, Don’t Fuck With Flo > CalifornIA > (n.h.) Fame, Bodhisattava

    Set II: Water > Hector’s Pillow > Bring You Down, Silver Sun > The Other One > Silver Sun, Mar-DeMa (n.h.) Y.O.Y., Plane Crash

    Enc: Sensory Deprivation Bank

  • Tumbledown: An Unforgettable Series of Musical Experiences

    Tumbledown was an incredible weekend of music, delivering countless excellent and unexpected moments. Upon arrival, the buzz of energy and anticipation in the air was strong. Sunshine, happy faces and eager ears covered the expanse of the Burlington waterfront.

    tumbledownThe first day started out with a few solo songs with Mihali, followed by an incredible set by Annie in the Water, which was a total surprise. The Kitchen Dwellers were originally in place to kick it off, but had a delayed flight, so Annie In The Water filled in on the spot. This ended up being a blessing in disguise, as the Kitchen Dwellers played at Higher Ground later in the evening, before Cabinet – we got the best of both worlds! Annie in the Water really started it off right with a mellow, jam/rock, reggae vibe. Up next came Turkuaz, a funky super-group that really lay it all out, featuring tunes from their most recent album Digitonium (2015). They drew a large crowd, which they amped up with their high-energy performance – a perfect opening for Twiddle’s first set of the evening.

    Twiddle tore up the stage for the first night of their event, leaving their fans wondering how it could get any better. They played some of their older tunes starting with “Blueberry Tumble,” “Brown Chicken Brown Cow” and “Amydst the Myst.” They finished off the first set with a few excellent tunes from their 2011 album, Somewhere On The Mountain, “Wescotton Candy,” “Beehop” and “Honeyburste.” The second set opened up with several of their newest songs which are heavy jams, “Fire on High,” “Blunderbuss” and the classic “Tiberius” followed by another new lyrical favorite, “Every Soul.”

    tumbledownTwiddle then played “Beethoven & Greene,” which led to a super connected interaction with the crowd, where, what seemed like the entire crowd echoed back the chorus: “Somewhere on the mountain they say that there’s a potion, that makes you truly happy and infinite in wisdom. It makes you shine as bright as the sun do shine, Keep your life doing right and your mind being kind, If your heart is true and your heart is pure, then this won’t undo the potion will endure in you.” They finished the second set off with a few more older tunes, and a classic cover, “Carter Candlestick,” “The Catapillar,” and an extra special version of “Funkytown,” joined by members of Turkuaz who belted out, “Won’t you take me to, Tumble Down?”

    Topping off the day of amazing music, was the after-shows which included Pigeons Playing Ping Pong with a sit in by Mihali at Nectar’s, and the ‘Kitchen Cabinet’ at Higher Ground. The Kitchen Cabinet show turned out to be an incredible surprise. First the Kitchen Dwellers played a set, followed by Cabinet. Then the two bands came together for their first ever collaboration. The chemistry between the two bands was undeniable, and they had everyone in the crowd stomping and dancing. This was the perfect way to end the first night of Tumble Down.

    Besides the array of musical experiences offered, Tumbledown also featured some other treats, such as the ‘Wompahoofus,’ a disc golf tournament held by the White Light Foundation, which donates proceeds to charity. There were games scattered throughout the waterfront such as corn-hole, frisbee, and even a squirt-gun powered boat race station. There were many excellent vendors, and even an art show hosted by PhanArt which was held at Club Metronome throughout the day. This was a good way for fans of the music to showcase their artwork, and make connections – the turnout was great, and the line at the door when they opened up it continued to grow.

    Day two began with a yoga class in the beautiful sunshine. Cabinet started off the music, bringing their deep bluegrass, Americana roots sound. The vibe they created was just right for Nahko & Medicine for the People to follow. MFTP’s set was another super high-energy show, featuring songs off of their most recent album Hoka (2016).  A request to the crowd for the cultivation of presence together, and grounding into the space in silence was made and Nahko then led the band into the songs “Directions,” “Make A Change,” “Love Letters to God”and “We Are on Time.”

    Nahko truly left an imprint on the crowd with the message he brought through the music during this set. Observing the onlookers, it was easy to notice that even the security guards were listening with a little deeper curiosity. Towards the end, Nahko invited Mihali on stage to play guitar alongside him during “Wash Away.” There was also a guest vocal appearance by singer/songwriter Madison Pruitt. These two bands really got the crowd riled up for Twiddle’s upcoming show.

    Twiddle shocked the crowd even more this set, with the biggest surprise of the weekend. They played mostly classic songs off of their first two albums, throwing a few new ones in here and there. They started off with “Subconscious Prelude,” doing what they do best – shifting from one jam into the next, into “Earth Mama” > “Brick of Barley” > “Daydream Farmer” > “Indigo Trigger” and back into “Subconscious Prelude” to finish it off.  The first set finished with their rendition of “Best Feeling” by Keller Williams, with a little tease of Michael Jackson’s “Smooth Criminal.”

    Holly Bowling took over for the setbreak, doing another ‘Tweener’ set, and then was invited to stay on stage for the beginning of the next. That’s when the big surprise came. The crowd could never have seen it coming. They started the second set with “Hatti’s Jam” – at this time I was over by the waterfront enjoying the tail end of the sunset, and I heard them shift into “When It Rains It Poors.” At that moment, I started feeling drawn to the stage, as that song typically does to most Twiddle fans. As I approached, I saw that Page McConnell from Phish had joined Dempsey on keys for “WIRIP.” Unexpected, unannounced to the crowd – the keys of Phish came onstage to sit in with Twiddle. The crowd was a sea of smiles, and all I could think was what an incredible and completely shocking moment. Truly a triumph for Twiddle, being life-long fans and deeply inspired by their music. After this, the vibe was electric. They ripped through a few songs I’ve heard them play many times, but with a new luster: “Dr. Remidi’s Melodium” and “Grandpa Fox,” into a new crowd favorite “Lost In The Cold” and finishing with “Wasabi Eruption” and “The Box.”

    And again for the second night, it didn’t end there. Finishing off the weekend full of amazing musical acts, was ‘Mihali & Frends’ at Higher Ground. This was a super cohesive collaboration, with Nahko Bear on keys and vocals, Justin Chittams on drums and Mihali on acoustic and vocals. After a few songs, they were joined by Tim Snider on the fiddle who really tore up the stage with his presence. As the night went along, Mihali invited musicians from the previous day’s acts to join him on stage.  Zdenek joined on the bass, then from the Kitchen Dwellers, Shawn Swain on mandolin and Torrin on banjo and vocals, and eventually Joe joined in swapping out with Zdenek.

    Brook Jordan and Ryan Dempsey also switched out with Justin and Nahko, coming full circle throughout several others coming and going from the stage also including Lowell Wurster from Lucid on vocals, harmonica and the washboard. At one point, Mihali re-joined the stage -after giving a guitar solo to the man who builds his guitars-and picked up the mic to MC and freestyle, shifting into a song that he created on the spot about Tumbledown. It was an incredible late-night show of revolving musicians. The best part, is that it was not rehearsed at all and it seemed as if they had all been playing together for years. To be able to pull off a show like that, is much more than a feat. It was an incredible array of talent joining forces, all put together by Mihali himself.

    The fact that this was Twiddle’s first big event, must have played a role in how well they played, because in the past eight years that I have experienced the pleasure of watching them grow as a band, this was by far the best I have witnessed yet. They were really interactive with the crowd, and it felt interconnected on a level that allowed for the vibe to rise and expand throughout the entire atmosphere over the span of both days. Stay tuned for a larger photo gallery coming soon, featuring coverage from the entire two days.

  • Steel Panther Brings Hair Metal To The Sherman Theater

    On Saturday, July 30, the greatest 80s hair-metal band to not come out of the 80s took over the Sherman Theater. Steel Panther, the comedic hair-metal/glam-metal band came to Stroudsburg, PA to give fans a taste of what they can’t get anymore, unless they’re listening to classic-rock radio stations that have been playing the same songs for 30 years.

    Unlike bands like Motley Crue, Van Halen, Skid Row, etc. Steel Panther can give fans a live performance that’s absolutely spot on. Perhaps it’s because the band only got its start in the early 2000s or maybe they have some special potion that keeps their musical talents from slipping away.

    Steel Panther - Photo: Mark McGauley

    After releasing a live acoustic album called Live From Lexxi’s Mom’s Garage Steel Panther has been playing gigs in select cities. Between gigs the band has also been working on its official follow-up album to 2014’s All You Can Eat. While fans are anxiously waiting for new material, they get to watch Steel Panther do what they do best out on the road.

    Saturday’s set started off with “Eyes of a Panther,” which is off Steel Panther’s official debut album Feel the Steel. The debut album seemed to be focused on the most throughout the night. Over half the setlist came from that first album, but the crowd didn’t seem to care.

    Steel Panther - Photo: Mark McGauley

    As always, Steel Panther’s show wasn’t without the jokes, banter, and crowd interaction with the ladies. Even though some of the act may be repetitive for some fans, that didn’t stop them from laughing hysterically. For fans who aren’t familiar with Steel Panther, mix together a glam-metal band with Dr. Dirty and that’s what is created.

    Lead singer Michael Starr, at the age of 51, continues to exceed expectations for live performances. At his age, Starr continues to blow away fellow vocalists in his age group. Singers from other 80s bands should be getting on top of their game before Starr takes their job. Starr and fellow guitarist both played in the Van Halen cover band called The Atomic Punks, so if Van Halen ever needs a new singer, Starr should be getting a phone call.

    Steel Panther - Photo: Mark McGauley

    During Satchel’s guitar solo, he made his way up to the drum kit. From the kit, Satchel played some famous guitar riffs while also playing the bass drum. Watching Satchel play is just mesmerizing. The guy comes up with some bitchin’ riffs and can shred up and down the neck of the guitar with ease. Michael Starr and guitar master Satchel shouldn’t be getting all the credit though. Lexxi Foxx and Stix Zadinia do a kick-ass job on the bass and drum-kit.

    The only downfall of the night was that it seemed to end too fast. Only playing 15 songs including a guitar solo just doesn’t seem to feed the Steel Panther hunger. With more songs though, the band would probably have to cut out the comedic segments between songs and that’s a part of the experience.

    Setlist: Eyes of a Panther, Tomorrow Night, Fat Girl, Party Like Tomorrow Is the End of the World, Let Me Cum In, Asian Hooker, Turn Out the Lights, Guitar Solo, Ten Strikes You’re Out, Girl From Oklahoma, 17 Girls in a Row, Gloryhole, Community Property, Party All Day, Death to All but Metal

    [FinalTilesGallery id=’924′]

  • (Board) Walk Me Out, Dark Star Orchestra at Ford Amphitheatre Coney Island

    On Sunday July 31, Dark Star Orchestra tested the waters of the newly opened Ford Amphitheater at Coney Island Boardwalk. They got the crowd moving right away with a rocking “Passenger” as fans young and old exchanged high fives. As per usual, there were several setlist detectives in the audience trying to determine what classic show the band was recreating before our eyes and ears. I discovered an early Easter egg as only one drummer appeared on the stage, hinting at the fact that Mickey Hart was not present for this gig.

    dark star orchestra coneyLead guitarist Jeff Mattson did an exceptional job filling Jerry’s shoes for “Sugaree,” before Rob Barraco tackled Pigpen’s “Mr. Charlie.” The “Black Throated Wind” that followed had a particularly hot ending as Rob Eaton embodied the role of Bob Weir. Always searching for a Grateful Dead setlist motif, I instantly became fascinated with the gambling aspect of “Loser” that was presented in the fifth spot. At every DSO show, us setlist detectives are attempting to discover the recreation by playing the hand we are dealt by the band members, and we had no chance of losing this time. Another ace was drawn once Barraco jumped back on the lead vocals for “Next Time You See Me,” channeling Pigpen in what was sure to be an early 70’s performance. Lisa Mackey, normally filling in as Donna, covered the harmonica for the tune during her first appearance of the night. A standard “El Paso” gave way to another song referencing a card game, “Dire Wolf.”

    dark star orchestra coneyThe spirit of Pigpen returned for “Two Souls in Communion,” relaxing the audience before a spaced-out “Playing In The Band.” After the 15-minute-plus version, I had enough set list evidence to predict the band’s recreation. I knew it was something from Europe ’72 as classic Pigpen tunes were frequent, yet they jumped in the deep end for “Playin’.” With assistance from a quick Google search, I discovered that they were recreating the iconic final show of their European run, May 26, 1972 from London. The show would be Pigpen’s second to last performance with the band, and symbolically the next song after my setlist discovery was “He’s Gone.”

    dark star orchestra coneyA familiar “Cumberland Blues” and “Jack Straw” led to “Chinatown Shuffle,” which is the last tune Pigpen ever sang on stage. In fact, the four songs sang by Pigpen in the first set would follow him to his grave after that hallowed evening. My lyrical deck of cards theory returned with the “diamond-eye Jack” during “China> Rider.” On the eve of Jerry’s birthday, a wave of euphoria came over the crowd during the “Not Fade Away> Goin’ Down the Road Feeling Bad> Not Fade Away” sandwich that closed out the mesmerizing and particularly long first set.

    An extended “Truckin’” reminded the New York audience of the ways and means as the second set caught fire early. The band treated us to the night’s second sandwich with “The Other One > Morning Dew > The Other One.” It isn’t clear if Jerry is singing directly to Pigpen during one of his final nights, but this version is one of the best in Dead history and DSO did an excellent job recapturing the emotion from over 44 years ago. Not only was the “Dew” sang with such emotion, but the jam that ensued showcased bassist Skip Vangelas dropping some serious Phil-bombs to test the foundation of the newly built venue.

    dark star orchestra coney“Sing Me Back Home” gave us a moment to catch our breath before the “high-lo jack and the winner takes the hand” lyrics brought a smile to my face during “Me and My Uncle.” “Ramble On Rose” brought the casino-night motif to a close and presented the “aces back to back” before a high-energy two-pack of “Sugar Magnolia” and “Casey Jones” closed the second set. As the 11PM curfew rounded the corner, DSO remained on stage and quickly wished Captain Trips a happy birthday. A fellow setlist detective gave me a pat on the back as the May 1972 discovery was confirmed. Closing out the Sunday, the band gave us one more reason to enjoy the weekend with “One More Saturday Night.” Outside the venue, dozens of fans roamed the beach holding balloons with smiles on their faces (I can only assume for Mr. Garcia’s birthday). The first ever Grateful Dead recreation at the Ford Amphitheater at Coney Island was a massive success and I predict the energy to return during two nights of Phil & Friends in mid-September. Decades after that magical night on the other side of the Atlantic, Deadheads were once again treated to the peace, tranquility and curiosity of a beautiful experience, just like waves upon the sand.

  • Disturbed Turns up the Heat at Darien Lake

    It was a hot humid day this past Sunday at Darien Lake. In turn made some people harbor inside with the AC not to be seen until the temperature cools down and we can breathe easy again.  That didn’t stop rock fans from coming out and enjoying the top notch lineup that was about to implode the venue.

    Saint Asonia is a new name to the music scene, but the musicians in it are rather seasoned. Staind‘s Mike Mushok, Dark New Day‘s Corey Lowery and former Finger Eleven drummer Rich Beddoe help make up the group. With only one album out people had an idea of what to expect, though they threw a Three Days Grace song in the mix. I was highly impressed by this band and how tight they were. The stage presence was good but could use some work. Please don’t become a one trick pony. There is too much talent and years left for that. Though with the heat wave of 89 degrees we had, let’s dismiss this performance for lack of movement from some members.

    Alter Bridge, was formed from the ashes of Creed in 2004. Alter bridge came at you with tons of emotion from the moment they hit the stage. Myles Kennedy, whose voice, sounds radiantly clear despite moving continuously around from stage left to stage right. Adrenaline was running high at this point, and there was more to come. Mark Tremonti really knows how to schmooze the crowd with his killer smile and flawless guitar riffs. The rest of the set-list was a compilation of songs from of all their previous productions, but it was arranged in a manner that kept it agile and very engaging.

    Breaking Ben has been a heavy hitter in the scene for years. They have had their fair share of problems recently and have made somewhat of a comeback but seem to be slightly struggling. Not quite sure if the heat was getting to the bands that night but Breaking Ben vocally was not on their game. He didn’t quite hit the notes he typically does but we all have our off days. That didn’t stop the fans from loving every moment of the show. They sat and had a collection of their best songs ranging from all the catalogs. Fans sang along to ever y last one of them despite his diminished vocal ability.

    This band brings it each and every time they come to town, Disturbed has been dominating the rock scene for just short of 25 years; 22 years to be exact, only 20 of those years contained David. Disturbed brought extra heat with them that night with a pyrotechnics that could be felt from the back rows of the venue. David brought his deep heavy hitting vocals and was on point the entire night. He ranged from his older favorite tunes and even played a new song for the engaged crowd. He also did his rendition of “Sound of Silence” who was originally written by Simon and Garfunkel.  This seems to be his newest bit and people either love it or hate it; there is no in between. Regardless, his entire performance was one for the books and Buffalonians will always welcome him with open arms anytime he wants to come to Buffalo.

  • Foreigner Turns Heads at Turning Stone

    No Lou, no Mick … No Foreigner? NO WAY! Despite the fact that original Foreigner founding member and guitarist Mick Jones was not on stage last Tuesday, July 26, at the Turning Stone Event Center was not indicative of Foreigner’s inability to turn heads, wow the audience and put on a huge rock show at its sold out shows wherever it is on tour.

    The band performs all the classic and top Foreigner hits flawlessly, never missing a beat, a lick or even a second of doubt. The seasoned band, most who have been with this current version of Foreigner for the greater part of the last decade play the music as it was most likely heard in 1983. Close your eyes and you would swear this is the original Foreigner. For all intents and purposes, it really is Foreigner with Jones still performing when he is able. Jones, who has been hit or miss as of late due to speculated health issues was surely missed at the Turning Stone show, however the band which he cherry picked to become the new generation of Foreigner, picks up in his absence in superb form. Especially Bruce Watson, who is handling Jones amazing and timeless guitar work on all the Foreigner classics from “Hot Blooded” to “Feel’s Like the First Time,” “Dirty White Boy” and more.

    Foreigner, one of the world’s best selling bands of all time with worldwide sales exceeding 80 million records, formed in New York City in 1976 by veteran English musician Mick Jones and American vocalist Lou Gramm. The band’s debut album, Foreigner was released in 1977 and featured the mega-hits “Cold as Ice,” “Feel’s Like the First Time” and “Long, Long Way From Home.” This year marks the 40th anniversary of Foreigner and the band has currently been promoting the iconic success of the band with Foreigner40 merchandise from t-shirts to guitar picks and highlighting the milestone at every show. Jones has recently discussed, in a 2016 interview, a possible 40th anniversary reunion tour, featuring the Head Games era lineup. If a 40th Anniversary reunion tour becomes a reality and, “… hopefully feasible and possible to pull it off next year,” as Jones relates, It may include a line-up of original members including Lou Gramm, Ian McDonald, Al Greenwood, Dennis Elliot and Rick Wills.

    At just a little after 8:00 p.m. with the Turning Stone Casino Event Center totally blacked out, the pre-show recorded music stopped and gave way to Foreigner’s dramatic opening score as drummer Chris Frazier entered stage left and greeted the exuberant crowd with a wave of his sticks before sitting on his drum throne. At the same time, entering from stage right was Foreigner’s multi-talented keyboardist Michael Bluestein who also gave the crowd a well received greeting gesture before settling down behind his rig. As the opening score continued to build, the other members of Foreigner walked on stage including Jeff Pilson, Bruce Watson and Thom Gimbel. Then in an instant the house lights went up illuminating the band as lead singer Kelly Hansen ran out on stage and the band immediately broke into their first number, “Double Vision”. The large crowd at Turning Stone was now on their feet screaming and singing along and did not have time to catch their breath before Foreigner went right into their second song, “Head Games”. At 55 years of age, Hansen shows know signs of getting too old to rock as he has the stage energy and moves that keeps the fans engaged and entertained at the same time. Hansen performs and sings all the classic Foreigner songs effortlessly, all while running, jumping, leg kicks and mike stand twirling like a twenty something year old warped tour rocker. He shows know signs of letting up and seems to perform each show like it was his first.

    Foreigner continued throughout the night with Hansen engaging in the crowd to interact and engaged with the band and each other. Next on the set the multi-talented Thom Gimbel, who plays guitar, sax, flute, and backing vocals, moved in place behind a diamond plated piano case as Hanson reminded the crowd of this next song being heard “Maybe in their late twenties” and chuckled as he introduced one of the top hits of the 1977 album, “Cold As Ice.” As expected, as soon as Gimbel hit those unmistakable first notes of the hit song, the crowd at Turning Stone went absolutely wild. There was no letting up from the hit parade as Hansen talked briefly to the crowd telling them to grab their partner, lover or just find someone in the crowd to hold on to as he announced Foreigner’s 1981 mega-hit power ballad “Waiting for a Girl Like You” featuring the talented Bluestein on keys. Despite this being the digital cell phone era, there were actually a few old school lighters in the air for this one.

    Foreigner had the audience highly engaged and up on their feet for the entire set. Kelly Hansen urged the crowd to move up to the front of the stage where there was no barricade. It was elbow to elbow in front of the stage and Hansen, the energetic crowd pleaser made the fans feel a part of the show by high fiving them, running out into the crowd during “Head Games” interacting with fans as he circled the floor before jumping back up on stage. In fact, all band members were certainly into the performance and not lacking for energy. One highlight of the show was an acoustic version of “Say You Will”. Hansen shared this was the idea of bassist Jeff Pilson who arranged the song acoustically which ultimately led to their successful unplugged album Acoustique: The Classics Unplugged. Again, with much reverence for the Foreigner classics, Hansen announced the next song in their set, the mega 1977 hit that launched Foreigner into the big-time “Feels Like the First Time”. And again, as expected the crowd was enthralled in the moment, with most of them bodies deep in front of the stage waving and extending their hands in the air hoping to grab a high five or catch a guitar pick from one of the band members.

    The hits kept coming all night including “Urgent” from the 1981 number one album Foreigner 4, Then Bluestein and Frazier got the already pumped crowd even more riled up with an amazing keyboard/synth solo followed by a killer Chris Frazier drum solo. At times Frazier would take a drink from his bottled water then dump the rest on his floor tom and thrash it while the water lit by an underneath spot illuminated the splashing liquid. “Juke Box Hero” and “Long, Long Way from Home” followed.

    The kids backstage could probably barely contain their excitement and anticipation to join Foreigner onstage next to perform their number one and biggest hit to date, “I Want to Know What Love Is” from 1984’s Agent Provocateur album. One by one the students from the Vernon-Verona-Sherrill Central School Choir made its way to the riser between keyboardist, Bluestein and drummer, Frazier as the intro to the number one song began. Foreigner has been inviting local high school and singing groups onstage to accompany them with this song for the last several years and it never gets old. This gesture continues to remain a very noble and gracious act on the band’s part. It is humbling to witness and very entertaining.

    Foreigner completed its summer 2016 tour at the end of July. The band then departs for a European tour the first two weeks of August before returning to the states to finish up its regular show. A much anticipated acoustic tour begins in the fall of 2016 beginning in October running through the end of November 2016. Whether you’re an old fan or a newcomer to Foreigner, the band is timeless and the current line-up features hand picked top notch musicians that perform all the Foreigner hits with flawless sound, energy, and passion check out the upcoming tour dates, news and more at their website.

    Foreigner’s Current Line-up:
    Mick Jones – Founding Member, Guitarist
    Kelly Hansen – Lead Vocals
    Bruce Watson – Guitar
    Thom Gimbel – Guitar, Sax, Flute, Keys
    Jeff Pilson – Bass Guitar
    Michael Bluestein – Keys
    Chris Frazier – Drums

    Set List:
    1. Double Vision
    2. Head Games
    3. Cold As Ice
    4. Waiting for a Girl Like You
    5. Dirty White Boy
    6. Say You Will
    7. Feels Like The First Time
    8. Urgent
    9. Keyboard Solo
    10. Drum Solo
    11. Juke Box Hero
    12. Long Long Way From Home
    13. I Want to Know What Love Is (w/VVS School Choir)
    14. Hot Blooded

  • Slightly Stoopid Returns to Saranac With Red Eyes

    Nothing beats a hot summer day like great live music, friends, a beautiful city, and beer. Cold, fresh-brewed beer at that.  Utica, NY was certainly hoppin’ as Saranac Brewery hosted Slightly Stoopid, SOJA, and Zion I, The Grouch, & Eligh on July 22 in the outdoor courtyard.

    Nicole Carey- SOJA- Saranac Brewery- 7.22.16

    Zion I, The Grouch and Eligh kicked off the summer evening in the brewery district with their bright harmonies, feel-good rhythms, and conscious hip-hop lyrics. Zion I is swiftly attracting fans on this tour promoting his new LP due out in September, titled The Labyrinth.

    Humid air from the blistering sun didn’t seem to phase anyone in the audience as the cool, crisp ales flowed from the kegs and moistened the lips of the awaiting patrons. Following a brief refreshment break, SOJA danced onto the stage with instruments in hand and crushed a 45 minute set of their smile-inspiring original reggae-rock music, which included some dread swinging and tasty drum-line solos.

    Front man Jacob Hemphill continuously gave props to Utica for their unmatched energy, in between songs from the Virginia-based groups’ most recent Grammy-nominated album, Amid the Noise and Haste. Before exiting the stage, Hemphill again gave praise to the tour headliners for their generosity as well as the crowd and Saranac Brewery, wishing everyone to “Thanks and Have a great … everything!”

    Before Slightly Stoopid‘s set, Saranac’s own Fred Matt embraced the stage and took to the microphone to give a slurred thanks to all in attendance and took a traditional selfie, while holding up a fresh brew, stacked with a couple thousand excited fans behind him.

    Moments later, a rumbling Star Wars Imperial March pumped from the PA speakers grabbing the crowds attention, making way for another Return of the Red Eye Tour performance. The group kicked into gear with “Champion of the Charles,” as Miles Doughty yelled out “It feels good to be back, Utica!” while fist-pumping his chest. After a few songs, Doughty and Kyle McDonald switched up instruments allowing McDonald to sing a few tunes including “Officer” and “Just Thinking” with special guests The Grouch and Eligh, before beautifully singing “The Prophet.”

    Nicole Carey- Slightly Stoopid- Saranac Brewery- 7.22.16

    Taking turns singing and switching guitars seemed to be of second nature to McDonald and Doughty as they each continuously electrified the audience with energy and inspiration. “Too Little Too Late” provided some fast-paced dancing for fans with it’s up-beat Ska rhythms and horn-play. Doughty playfully asked “Where’s all the good Utica chronic” before hammering out “Rolling Stone” and “Ain’t Got a Lot of Money.” Hard work and extensive touring was surely paying off for the west-coast group as the audience cheered and sang along through a set ending “Anywhere I Go.”

    Returning for a solid 4-song encore, the group emerged amongst a dimly-lit stage to “Cantina Song,” further augmenting their semi Star Wars themed tour. While having much appreciation for the Grateful Dead, yet not being a “jam band,” Slightly Stoopid played a rather enjoyable take on “Franklin’s Tower,” sprinkled with some light piano work by Paul Wolstencroft. The group ended the night by staffing every inch of the stage with the help from SOJA on the Dennis Brown tune, “If This World Were Mine.”

    Set: Imperial March (Star Wars), Champion of the Charles, Til it Gets Wet, Somebody, Up On a Plane, Hold It Down, Officer, Just Thinking (w/s/g Grouch & Eligh), The Prophet, This Version, Prayer For You, No One Stops Us Now, Collie Man, Too Little Too Late, Del Roy → 2 AM, Serious Man, Closer To the Sun, Stones 1, Bandoz, Ain’t Got A Lot Of Money, Don’t Stop, Don’t Care, Anywhere I Go

    Encore: Cantina Song (Stare Wars), Franklin’s Tower, Train, Express Yourself, If This World (w/s/g SOJA)

    [FinalTilesGallery id=’907′]