Category: Rock

  • Party Tube Presents “A Very Burghy Christmas”

    Party Tube from Plattsburgh has a new holiday tune for this season, a fun and cynical look at the doom and gloom that Christmas brings to some in the North Country of NY. “A Very Burghy Christmas” was written by Kevin Lewis (guitar, vocals) alongside Sean Godreau (bass, percussion) and Justin Schultz  (guitar, percussion, vocals).

    Party Tube formed in 2014 on the shore of Lake Champlain and have quickly become a North Country mainstay. The group plans on hitting the studio to work on their debut album in early 2016. Download the track here.

  • Disturbed Premieres Video for Simon and Garfunkel cover

    Disturbed has released the third music video off their sixth studio album, Immortalized. The leviathan that is Disturbed has released their cover of the Simon & Garfunkel classic “The Sound of Silence.” Disturbed premiered the new music video on Yahoo. It’s the second music video Disturbed has released in less than three weeks.

    Disturbed’s arrangement puts a more powerful take on the classic original.

    Directed by Matt Mahurin, the video starts with what looks like a landfill for musical instruments. Broken piano keys on fire lead into a close up of frontman David Draiman as he starts to sing the first verse. Draiman does an amazing job as he tests his own vocal capabilities and takes himself out of his own comfort zone to sing the classic track.

    Immortalized is the band’s fifth consecutive studio album to debut at No. 1 on the Billboard charts. Metallica is the only other band in the rock/metal genre who can claim that achievement. Immortalized has already saw two No. 1 singles released from the album: in “The Vengeful One” and “The Light.”

    Disturbed will hit the road and tour for the first time in more than four years in 2016. The band will play its first show in 2016 at the Prairie Capitol Convention Center in Springfield, Illinois on Jan. 14, and close the first half of the 2016 calendar at the 10th anniversary one of biggest rock festivals of the year at Rock on the Range in Columbus, Ohio on May 20. Disturbed will also headline other majors rock festivals including Fort Rock and Welcome to Rockville in Florida and Carolina Rebellion in Charlotte.

  • Recap: Space Carnival and Lucid at The Hollow, December 4

    As the year begins to draw to a close, local and regional acts may stick closer to home, bringing out friends and fans to end of the year celebrations and final shows before a break around the holidays. December in Upstate New York in particular leads to a great number of bands playing club shows for one last hurrah before starting anew in January.

    Starting out this evening was Space Carnival, a four piece band from Oneonta. With a flowing vibe through their set and command of the audience’s energy, they wove in and out of originals and covers with smooth transitions and improvisation with a balanced approach. Opening with a flowing and spacey “2001”, the segue into original “Filth” made it tough to discern where “2001” began and “Filth” began, as the songs crossed over musically with finesse. Bassist Chris Meier is a next generation Jesse Miller (Lotus) even though he admits to not having drawn any influence from him; the high pluck of his bass marked the start of a transition into four-on-the-floor dance propulsion at multiple occurrances throughout the set

    “Uh Oh I Slipped My Disco” found guitarist Jeremy Kraus and keyboardist Cameron Fitch syncing up for a deep groove that transitioned smoothly into “Shakedown Street”, a choice cover on the 50th anniversary of the first ever Grateful Dead show. “Moonboots” had a feel of Ominous Seapods mixed with a dash of Disco Biscuits as they shifted seamlessly into progressive sections. “Entre the Giants” features a Talking Heads vibe, which aided in the build towards the Heads’ “Stay Hungry”, where Meier set the tone with assurance, Kraus dropped an “Inspector Gadget” tease, with various eruptions out of each shift, using the bursts of energy towards a strong build. With an IndieGoGo campaign for their first studio album, Space Carnival is an exciting live show from start to finish.

    Setlist: 2001 -> Filth, Uh Oh I Slipped My Disco > Shakedown Street > Moonboots, Entre the Giants > Stay Hungry > Regal Krad

    Kings of the North Country, Lucid, gave The Hollow crowd two musical cornucopia sets that covered all the bases of blues, rock, jam, soul and funk. “Bangers and Hash” kicked the night off with speedy soul and dips of reggae, followed by “San Pedro,” with Lowell Wurster’s vocals driven in step by the beat from the wooden blocks. Meadow Eliz, who has performed with Lucid on a few occasions, and is quite an accomplished artist, joined the group for a pair of songs, “Despots” and “Gemini Eye,” adding quite impressive vocals to familiar tunes.

    “Po Man’s Blues” kicked off Set 2 and things kept rocking with “Blessed and Cursed” and the fan favorite “Whisky Dreams.” A cover of the Clash’s “Clampdown” took a few by surprise, while “Dirt”, off their latest album of the same name balanced out the Brit Rock. Among the many highlights in this set was the stand out performance of “Silhouettes,” featuring Jamie Armstrong on saxaphone, a full rocker with strong keys. Bassist Chris Shacklett took to the mic for the penultimate song of the evening, the always enjoyable “Debra,” with Chris hitting every high note seemingly effortlessly. There was little left to ask for on this incredible evening of music from New York bands both new and old.

    Set 1: 4 Bangers and Hash, San Pedro, Miles Deep, Psychedelic Circus, Lucky Dice, Mind Trippin, Despots*, Gemini Eye* > Ancient Incantations, Ground on up, Whoa Mamma, On My Knees

    Set 2: Po Man’s Blues, Blessed and Cursed, Whiskey Dreams, Black Smoke, Clampdown (Clash Cover), Dirt, Came and Went > Silhouettes, Boats, Backwoods, ***Debra (Beck Cover), Crazy Fucked up World***
    * with Meadow Eliz

  • Scott Weiland Dead at 48

    The rock world is sad, shocked, heartbroken, but not entirely surprised by the news that Scott Weiland, former singer of Stone Temple Pilots and Velvet Revolver and most recently frontman for Scott Weiland and the Wildabouts, was found dead on the band’s tour bus in Minnesota.

    According to the announcement on his Facebook page, Weiland died in his sleep :

    Scott Weiland, best known as the lead singer for Stone Temple Pilots and Velvet Revolver, passed away in his sleep while…

    Posted by Scott Weiland on Thursday, December 3, 2015

    Jane’s Addiction and Red Hot Chili Peppers guitarist Dave Navarro first tweeted the news around midnight eastern time. Navarro has since deleted  his tweet.

    TMZ and radio station KNAC reported that the band was scheduled to play a 9 p.m. gig at the Medina Ballroom in Medina, Minnesota tonight but was canceled when Weiland was found unresponsive on the band’s tour bus by his manager.

    scott weiland dead
    Wildabouts guitarist Jeremy Brown died earlier this year at the age of 34

    Smoky Mountain News reporter Garret K. Woodward interviewed Weiland two weeks ago in one of the singer’s final interviews. He ominously opened his article:

    Catch him if you can. For the better part of the last 25 years, Scott Weiland has been a moving target within the music industry. Lightning struck twice for the singer, as a front man for both Stone Temple Pilots and Velvet Revolver, two of the most successful rock acts in the modern era. And yet, with success, comes a price.

    Apparently, the ultimate price came tonight. Cause of death has not been confirmed, but Weiland has had a long history of substance abuse problems.

    Weiland, whose deep vocals were often compared to those of Pearl Jam’s Eddie Vedder, rose to fame as the lead vocalist for the ’90s grunge band Stone Temple Pilots. Weiland formed the band with brothers Robert and Dean DeLeo. STP saw much success with Weiland at the helm, including radio hits like “Interstate Love Song,” “Big Empty” and “Vasoline.” STP’s debut album, Core, rose to No. 3 on the Billboard 200 chart and in 1994, their album Purple, reached No. 1.

    After a tumultuous departure from Stone Temple Pilots, he went on to front the supergroup Velvet Revolver, which included former Guns N’ Roses members Slash and Duff McKagan and former Cult and GnR drummer Matt Sorum. Weiland released two albums with the band.

    Weiland had long suffered from substance abuse issues. In 1995 Weiland was sentenced to probation after being arrested for buying crack cocaine. Weiland was also arrested in 2003 and 2007 for D.U.I. Weiland was also known to use heroin as well and checked into a rehabilitation center, but reports say that Weiland left the program early.

    The singer was diagnosed with bipolar disorder and was open about it in interviews, to the extent that it made him a better songwriter. He told Smoky Mountain News in an interview that ran on Nov. 18:

    I’m bi-polar and I have to take medication for that. Sometimes I fall into stark places, and I think I write better music when I’m in those places. And sometimes I write better music when I’m on a high, not a narcotic high, but an actual high, a bi-polar high.

    Weiland is survived by his wife, photographer Jamie Wachtel, whom he married in 2013, and two children: Noah, age 15, and Lucy, age 13. Both children were born to his second wife, model Mary Forsberg, whom he married in 2000. He was first married to Janina Castaneda in 1994. Their marriage ended in divorce in 2000.

  • Conversation With Mike Campese, Albany Guitar Virtuoso Performing at the Madison Theater

    Albany area-based guitarist Mike Campese has an incredible resume built off of a talent he has perfected from an early age. Guitar was his academic pursuit, one that has served him well and opened doors both in opportunity and experience. Of the several big acts he has opened for or worked with, the most familiar of the Christmas season is Trans Siberian Orchestra whom he recorded and toured with for a short time.

    This Saturday, Dec. 5, Campese is performing at The Madison Theater in Albany at 8:30 pm. With a lot to talk about, Campese chatted with NYSMusic about some of his influences and experiences and about what’s in store for this Saturday’s show.

    Steve Malinski: How did you get started on the professional musician track?

    Mike Campese: My brother played acoustic guitar and my dad had been a violinist but went into engineering. My early influences were Black Sabbath and the guitar-driven bands. It went from there. I took lessons as a kid and would hang out at the music store at the mall, see all the guitars hanging up. I’d always ask the guy what the price is and they’d be so expensive. He didn’t think I’d buy it but my mom came up to the mall and helped me out. My sister and her boyfriend had gotten me a bass but I didn’t want to play bass so I traded it in the next day. But yeah, I was really into Black Sabbath and they influenced me as a kid. I moved to Los Angeles for the Guitar Institute (GIT) at the Musicians Institute (MI). It was a great experience, great school. I was exposed to all kinds of music. My teacher was a jazz guitar player. Before I went there I had already known a lot of theory but it opened a lot of doors musically for me.

    SM: You mention Black Sabbath as an influence, so I see why you went for that guitar driven style. But you really have a playing style along the lines of Eric Johnson, Steve Vai, Buckethead, and so on. How’d you ultimately settle into that groove?

    MC: As you advance as a player… even though I love Black Sabbath, their stuff was easy. Catchy, but easy. I got more into – my brother was into Al Di Meola. I would listen to his stuff, and brought some of that to my teacher. Then Yngwie [Malmsteen] came around too. So they’re the ones who started it for me.  I started listening to more of the classical stuff. My dad and I were driving in the car to school one day and I said “Why don’t you put on the rock station?” He replied with “Oh, like classical stuff?” I told him I didn’t want to listen to classical stuff but he said I should. So I started listening to Mozart, Beethoven, Vivaldi. The shred stuff – Paul Gilbert was teaching at GIT and I was in his classes. Eric Johnson – I first heard him play at MI. I remember hearing “Cliffs of Dover” and our teacher had shown us how to play the riffs. I love Steve Vai’s Passion and Warfare.

    I’m glad I grew up in the time that I did because nowadays there are so many different genres to sort through. But yeah, I’ve always been a fast guitar player after my first year of playing. And now I’m better at composing and am more well-rounded than I was as a teenager. It does take a lot of maintenance playing every day – really have to keep up with it.

    SM: Can you talk about your experience working with Trans Siberian Orchestra?

    MC: I was part of the band in 2004/2005, around the time when Lost Christmas Eve was out. I got a call from them and auditioned. Paul O’Neill – I was down in the city and auditioned and they were really happy when I played. About a week later I got a call from their manager and he said they’d like to hire me for the band. It was really cool. I wasn’t in the band for a really long time, just a couple of years, and I hope to get back to them again sometime. It was a great experience traveling and playing the music, covering both the left and right guitar parts. It was really amazing experience, incredible band. Just being picked for that, I was amazed. It was a great accomplishment – a band like that, multi-platinum band. I still talk to them. We’re on good terms and I see the guys in the band all the time. A lot of guys in the band have their own groups so I support their bands. I play a trade show in California every year and always run into them there. So at some point – you never know with these bands – there are so many musicians they work with. There’s a full east coast and west coast touring band. So we’ll see.

    After that I put out a Christmas album of my own, The Meaning of Christmas. It’s similar to Trans Siberian Orchestra but its more guitar driven and there’s some acoustic and vocal work on it. So it was right after and I thought that maybe I should do my own Christmas stuff. So I’ve been promoting that recently since it’s Christmas season and it’s really the only chance I get the chance to do that. I like Christmas music but did change it up and wrote new sections of the pieces and did a few of my own original Christmas tunes. So it wasn’t like the same traditional tune but a re-written version to basically get it out of my system.

    SM: Aside from Trans Siberian Orchestra, you’ve gotten to play with or open for some pretty big names?

    MC: Yeah, a bunch. Joe Bonamassa. B-52’s were my first opening act. Spin Doctors –

    SM: Cruefest?

    MC: Yeah! My own band, my original band played. It was Mötley Crüe, Godsmack, Drowning Pool… That was an awesome show, a great experience playing at SPAC. The cool thing is that my stuff is different that all those guys. My stuff was exposed to people who don’t normally dig into that type of sound.

    I try to play music for the crowds. I have acoustic material too, so I mix it up at my shows. And this Saturday I’m going to be doing a little acoustic segment in the middle of the show. It’s going to be mostly an electric show though, with that in the middle. We’ll be playing a variety of stuff, things off the Christmas album and the others as well. So I’m looking forward to that. At the Madison Theater, being a movie theater, they’ve got a screen behind us. I was there recently and asked the sound guy and he said we could use the screen if we want. Se we’ve got some videos and backdrops that we’ll have behind us. I’m looking forward to it because people are coming to see us whereas at a bar people are just hanging out and we’d be more of just a background sound.

  • Catskill Chill to Move to Lake George

    Catskill Chill may soon become “Adirondack Chill” with plans to move the festival to Lake George.

    The Post-Star of Glens Falls reported today that Chill promoter Dave Marzollo met with the Warren County committee that allocates money raised through the county’s bed tax and told them, “We really think this is the perfect home for our festival.”

    catskill chill lake georgeThe festival is set to be held Sept. 30 to Oct. 2 at Charles Wood Park in Lake George, and will receive $15,000 for marketing from Warren County via the county’s occupancy tax. If it moves to Lake George, Marzollo told county officials that “Catskill” will be removed from the festival’s name.

    Marzollo told the county that he sold 5,000 tickets to this year’s Chill, the sixth annual edition, which was held at Camp Minglewood in Hancock. Marzollo didn’t want the festival to leave Camp Minglewood, but he announced last year that he had to move it for reasons beyond his control.

    This year’s Chill was headlined by moe. and included bands like Lotus, Zappa Plays Zappa, Lettuce, Twiddle and The Motet, among many others.

    https://youtu.be/jOMlLBDgUHE

  • So What?! Music Festival Lineup Announced

    The lineup for the So What?! Music Festival has been announced, and it includes Albany’s State Champs, New York City’s Bayside and Long Island’s Stray From The Path.

    so_what

    So What?! Music Festival (formerly South By So What?!), now in its ninth year, will take place Saturday and Sunday, March 19 and 20, at Quiktrip Park in Grand Prairie, Texas. The initial lineup for the 2016 festival was announced this week: New Found Glory and Underoath will headline the festival on Saturday and Sunday, respectively. State Champs and Bayside will play Saturday, while Stray From The Path will play Sunday. Other artists include Neck Deep, Real Friends, The Devil Wears Prada, Saosin and Beartooth.

    From the press release:

    Different from other music festivals, So What?! is a “festival made by fans for fans,” stated founder and promoter Mike Ziemer. Opening its doors in 2008, Ziemer and his company Third String Festivals had a vision to create an alternative music festival where fans could get away from the massively growing South by Southwest. The festival was designed for a more intimate ambiance for fans at a reasonable price. Located just a few hours shy of Austin, So What?! Music Festival delivers an array of musical acts including rock, metal, folk, dance, pop, pop-punk, and this year an all new acoustic stage (artists yet to be announced). Previous artists include Asking Alexandria, The Early November, Motion City Soundtrack, G-Eazy, Pierce The Veil, Cartel, Sleeping With Sirens, A Day To Remember, Taking Back Sunday, and more.

    Tickets for So What?! Music Festival are available now. Single-day passes can be purchased for $50. Two-day weekend passes are available for $75. VIP packages are also available, starting at $150.

    State Champs on Facebook
    State Champs on Twitter

    Bayside on Facebook
    Bayside on Twitter

    Stray From The Path on Facebook
    Stray From The Path on Twitter

  • Shinedown, Breaking Benjamin and Sevendust Show Rocks Alive and Well in Albany

    Rock fans filled up the Times Union Center on November 23 as Shinedown, Breaking Benjamin and Sevendust heated up the Albany area arena with three incredible live performances by three of today’s top rock acts. Albany’s rock family was out in full force to witness the star-studded, Hall of Fame caliber rock lineup, that not only consisted of some of the best musicians in the business, but also three of today’s top rock frontmen: Shinedown’s Brent Smith, Benjamin Burnley of Breaking Benjamin and Lajon Witherspoon of Sevendust.

    20151123-Sevendust-1

    For a Monday night, some would expect the crowd to be more laid back since it’s the start of most people’s work week, but that was not the case here as the fans in the arena were pumped and ready for a rock show. Even Upstate New York’s own Maria Brink from the band In This Moment, was in attendance as a fan with friends and family. Machine Head drummer Phil Demmel was also hanging out at the show.

    First to grace the stage for the night was Atlanta, Georgia natives Sevendust. One by one each band member took the stage as the bass vibrated the whole building. Frontman Lajon Witherspoon stood front and center and asked the crowd “How y’all doing tonight?” The crowd screamed and once again Witherspoon asked the question to even louder screams from the crowd. Witherspoon then asked the crowd “Do you know who we are?” Witherspoon then shouted “We are Sevendust, let me see everybody’s hands in the air.” As the band went into the second song of the night “Driven,” Witherspoon asked the crowd if they were ready.

    Before the band played the song “Not Today,” from the bands new album Kill the Flaw, the always emotional Witherspoon stopped for a minute to have a heartfelt talk with the fans. Witherspoon stated:

    It’s a pleasure for us to be here. To be in your town. We’re a band, we go by the name of Sevendust. A lot of times, I feel like I have to build a relationship, with those that don’t know who we are. I’m not afraid of that.  I like to say ah, you can love us, you can hate us, but you can’t fucking defeat us. With that being said, Were very proud to be out here with our brothers, from a band that goes by the name of Shinedown.

    Witherspoon went on to thank everyone who helped on the tour, and those who have taken care of them by helping take situations that don’t feel like home, and that these people made them feel at home.

    Witherspoon then asked the crowd, what do you guys know about Breaking Benjamin, to screams from the fans. Witherspoon then went on to say “Can you feel the energy? I said can you feel the energy, as fans yelled back. See now I feel like this relationship is starting to build.”

    Witherspoon then asked the crowd if they wanted to hear a new song, and told fans to put their hands in the air. As the band played the intro, Witherspoon told the fans that were sitting in seats to put their hands in the air. Witherspoon then added “You get to sit down when you go back to your house tonight. Are you having a good time right now? Albany make some fucking noise.”

    Witherspoon got all choked up when he gave an emotional speech about the recent tragedies in France before the bands song “Angels Son.” Witherspoon said:

    Have you ever heard of the song ‘Angels Son?’ Tonight I’m dedicating it, because of the terrible things that have gone on in our world that we live in. The last couple of weeks, I’m talking about what happened in Paris. And I can’t believe it touched so close to home cause we had a few people that we knew that died over there, and what I’m trying to say is how very lucky, and how very blessed we are to be in this building together, and to be safe. See to me war is when you have someone on the other side and you know he has a gun, we have a gun and there’s a certain means, we have to do a certain thing. I don’t believe its a war when you go into a beautiful building (pauses as he chokes up for a few seconds) and you blow up people who have no freakin’ chance. Does that make sense to you guys? So what I have to say is, lets stay together, lets stay strong and lets not let them crazy motherfuckers scare us. Cause it’s not suppose to be like this, it’s not suppose to be like this, so we dedicate Angel’s Son to all those beautiful people that we lost.

    Sevndust closed their set as Witherspoon introduced the last song for them of the night “Thank You,” by saying the song is a testimony to everything the band and he fans have been through together. He then added when it comes to fans of Sevendust, that he feels like they don’t have concerts, they have family reunions.

    Sevendust Setlist: Black, Driven, Not Today, Angel’s Son, Shine, Thank You

    Breaking Benjamin walked on the stage to the opening theme from the movie Star Wars, which frontman Ben Burnley is a big fan of. Burnley even sports the droid BB-8 from the upcoming Star Wars movie The Force Awakens. Breaking Benjamin then went from Star Wars to the first song in the setlist “So Cold.”

    Burnley introduced the song Unknown Soldier by saying:

    Right now I wanna take this time to send this next song out to every single man, and every single woman in this audience tonight that served this country. Your bravery, your courage, and your self-sacrifice, stand above all others in the world. It is because of those things, that America is the greatest country in the world. We are all indebted to you for your service. For without the service, of our soldiers and our veterans, we would not be up here playing rock & roll, you would not be out there listening to music, and we would not be having a concert tonight. Thank you or your sacrifices, thank you for the pain you have to endure in order for us to be here tonight. 

    Burnley then said to fans “Everyone of you, has a great heart, and you are thankful for the things that you have, you are thankful for the things that you have earned, you are thankful for the gifts that you are given. You have the things that you have, and you get the gifts that you get because of the service of our veterans and our soldiers.” This broke out a U.S.A chant from the crowd with help from Burnley.

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    Burnley decided to give his vocals a rest on the next song, and handed over the lead vocal duties to the fourth song in the set, “Sooner Or Later,” to guitarist Keith Wallen who sang the song as if was his own.

    Breaking Benjamin then went into a small medley of songs that kicked off the “Imperial March Theme” from Star Wars. Burnley, from the catwalk behind the drummer sported a red light saber and said to the crowd that there is a new Star Wars movie on the horizon and showed his loyalty to the Empire.

    In an amazing sight during the song “Give Me A Sign,” Burnley took a break to ask the crowd to pull out their cell phones and turn their flashes on. Burnley then went on to say “Alright, now were gonna do something. Were gonna turn off every light in this building, every single light on this stage, turn all of it off. Right now. Right at this moment. The only light that you see in this room, is the light that your shining yourself, and there is no other light than what you are shining right now. We are so grateful for that light. Without that light Albany, we would be in pitch black dark right now. Since you brought us into the light and out of the darkness, I want to sing this together as one. We’re gonna do this as one. And I wanna sing this so loud that we tear a hole in the roof. Can you do that Albany, New York?” Burnley and the fans then closed out the song together.

    Burnley once again, then gave away the lead vocal duties for a song, but this time to bassist Aaron Bruch. Bruch then sang the song “Believe,” from the bands second studio album We Are Not Alone.

    Burnley thanked the fans after the song “I Will Not Bow,” for their support. Burnley the told the fans that there is not a day that goes by, that he is not grateful to be up here on stage playing for you guys tonight. “You guys are so awesome. When you play for such an incredible audience, all of you fans in here, all of us up here, we’re nothing without you, we love you so much for that. Thank you so much.”

    Burnley then reminisced to fans about growing up and going to concerts.

    When I was young. I used to come to rock concerts just like this, and arenas just like this. I would stand here, I would stand there. When I went to go see my favorite bands, I would stare at this stage, and I would want to be up there so bad. I wanted to up there playing, or up there playing with my favorite band, you name it. I just wanted to be on this stage and it’s a dream come true to be on this stage. I want to thank you fans. Thank you for making all of our dreams come true.

    Burnley then asked if there was some rebels (children) out in the audience who want to stand on stage with Breaking Benjamin for one last song. Breaking Benjamin closed out their set with “The Diary Of Jane,” with a stage full of kids rocking along side them.

    Breaking Benjamin Setlist: So Cold, Angels Fall, Unknown Soldier, Sooner Or Later, Ashes Of Eden, Blow Me Away, Failure, Breathe, Medley (Imperial March, Schism, Smells Like Teen Spirit, Walk), Polyamorous, Give Me A Sign, Believe, I Will Not Bow, The Diary Of Jane

    The National Anthem started to play throughout the venue followed by Jay-Z’s “99 Problems.” Only thing left was for the black curtain with a huge Shinedown logo to drop.

    Shinedown came right out with authority. Looks like their pyro fit the fire code of the Times Union Center, as there were explosions, flames and sparklers throughout their set. Fans were ready for the bands high energy and Smith’s on stage theatrics to kick off.

    Shinedown started off with the first single from the new album Threat To Survival, “Cut the Cord.” After the curtain dropped frontman Brent Smith stood on the catwalk and sang the song elevated behind drummer Barry Kerch.

    20151123-Shinedown-7

    After the opening song “Cut the Cord,” frontman Brent Smith asked the screaming fans, what’s going on? Smith then asked , whats up? Smith then said to the crowd “It’s been far too long wouldn’t you agree? It’s such a pleasure to be here tonight. Thank you so much for showing up on this cold, cold Monday night.” After cheers from the audience Smith then asked if everyone  was in a good mood? Smith then asked the crowd if they had a wonderful week last week. After screams from the fans, Smith replied “Well we’re gonna start out with a phenomenal week, this week,” to more screams from fans.

    Before moving on to the next song “Fly From the Inside,” Smith asked the crowd to give themselves a round of applause after he told them that he was always amazed by the fans that come out to a show. Smith then turned to drummer Barry Kerch in his hypnotizing voice “Mr. Kerch, so you have the floor. So why don’t you set the tone for what’s about to happen this evening.”

    Smith told the crowd after the song “You see, you’re right about right here.” Smith held his hand flat out in front of him. Smith then added that where they need the crowd to be is right here, as Smith raised his hand and turned it into a thumbs up. Smith then added “Don’t worry, we’ll get you there.”

    Now if you never been to a Shinedown concert, this is the part where Smith makes the crowd into one big rock family. Smith said to the crowd “Ladies and gentlemen. Boys and girls. If this is you very first time ever seeing Shinedown raise your hands. Ok listen up, before we can go any further, we have to take care of something extremely important. So everybody in the building look to your left. Now look to your right. There’s a reason for this. See the person standing next to you right now. You may have never met them before tonight’s event. So we’re gonna change that. Everyone turn to you neighbor right now cause we want to see you shaking each other’s hands, giving each other high fives and telling everybody how nice it is to see them at the show.

    Smith then went on and started shaking hands with the security team in front of him, and the photographers that graced the photo pit below as fans all got acquainted with each other.

    Next song on the setlist, “If You Only Knew,” Smith told the fans that this song is for the ladies. Smith then said to the crowd “So guys, gentlemen, if your with your girl, grab her.” He jokingly added , ladies, if your with your girl, grab her, to laughter and cheers from fans. During the song Smith threw out a bunch of red roses to the ladies in the crowd.

    Smith had the arena shaking when he asked fans to jump in unison to the song “Enemies.” Before the song Smith asked, “Ladies and gentlemen, do you know how we jump at a rock shows? Smith then said that this was the fans moment to reach for the stars. Smith then stated:

    You see, there is already a ceiling on the building, but in Shinedown, we don’t believe I ceilings. They don’t exist to us. Smith then asked the fans to put their arms around each other and jump as one big family. So when I say go, we bounce as a family cause there is no such thing as a Shinedown fan. We don’t call them that. There is nothing in our world but Shinedown family, and that’s where you are tonight. That’s who is in front of you. So at this moment in time that person next to you, that’s your family.

    Before playing another new song from their new album, Smith now took the time to explain to the crowd about the bands new record and why they go in the direction musically that the band choses to go in for each album:

    So, I don’t know who wrote this down somewhere in history. Especially, the history of rock & roll, that you weren’t allowed to dance anytime like after the year 2000. Boggles my mind. On September 18 of this year, we released a record called Threat to Survival, which some of you might have. Thank you. Here’s the thing, we’re not hardwired to make the same record twice. We’ve never done it, never going too, cause that’s not growing. That’s not being artistic. When we write songs, we have to write about what we know.”

    Smith then asked for the house lights to be turned down. As the arena went black, Smith then said to the crowd “Just listen to my voice. And if you don’t mind, would you show us that there stars out there in Albany.”

    Smith went on to say “Here’s the thing. every lighter you got, every cell phone you own. Anything that shines. The whole place, and you gotta keep them up the whole time during the song and just follow us. Alright? Cause ladies and gentleman, it is officially time to dance.” Shinedown then played “State of my Head.”

    Even though fans sung word for word, with every song during Shinedown’s set, fans were most vocal throughout the song “Second Chance,” singing every word loud and clear along wit Smith.

    20151123-Shinedown-5

    Smith and guitarist Zach Myers, stayed on stage for the bands cover of “Simple Man” by Lynyrd Skynyrd. Smith and Myers kept looking at each other in amazement as the fans hit every note during the song. The way the fans sang the words “simple kind of man” back to Smith, who held the mic out over the crowd sent chills through Smith and Myers body.

    Shinedown closed out the show in style with the pyro set on all cylinders to final song of the night “The Sound of Madness.” Smith closed the show by thanking Sevendust and Breaking Benjamin and the fans. Smith then stated that Albany was the most vocal crowd on the tour.

    Class act Smith ended by saying “Thank you all so much for showing up. Thank you, thank you, thank you. Be good, be good to each other and God bless you all.”

    Smith then said his signature line “It’s never goodbye, It’s just til’ next time.” Smith told drummer Barry Kerch to lock it down and ended the show with four pyro blast as Kerch hit the drums I sync with the explosions.

    Shinedown Setlist: Cut the Cord, Fly From the Inside, If You Only Knew, Unity, The Crow & The Butterfly, Diamond Eyes, I’ll Follow You, Enemies, State Of My Head, Bully, How Did You Love, Second Chance, Simple Man, Sound of Madness

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  • Wednesdays in December at Funk n Waffles are NYS Music Nights

    It might get cold in Syracuse this December, but things are going to get hot at Funk n Waffles Downtown when NYS Music presents bands from around New York State, every Wednesday throughout December.

    Major Player with special guest The Nudes perform on December 9, while the folk-pop of Black Mountain Symphony brings guest Steve Scuteri on December 16. Just before Christmas, Albany’s Ampevene make their debut at Funk n Waffles, alongside Chris Eves. New Years Eve-Eve will be celebrated with the roots stylings of Grayak with Michelle Renee in support.

    Doors open at 7pm each night with music starting at 8pm. Enjoy a variety of bands that call New York State home every Wednesday night at Funk n Waffles (and some great food too!)

  • Eagles of Death Metal Discuss Tragedies; Singer Can’t Wait To Play Bataclan Again

    The Eagles of Death Metal have recently become worldwide household names, just not in a way anybody wishes to achieve stardom. Well, everyone knows who they are now because of the recent tragedies that occurred during their live show at the Bataclan Theatre in Paris.

    Eagles of Death Metal

    Formed in 1998 by Jesse Hughes and Joshua Homme, the Eagles of Death Metal were about an hour into their set at the Bataclan when chaos ensued. Homme was not present at the Paris show.

    Terrorist attacked several locations throughout Paris, France. That night saw 130 people die, with many more still critically wounded due to the senseless acts. In this interview, the Eagles of Death Metal talk about that night and the friends and fans they lost, including their own merch guy Nick Alexander, from this horrific event.

    Vice News founder Shane Smith sat down with the Eagles of Death Metal in their Los Angeles offices and talked about the tragedies that happened in Paris. This is the first time the band has spoke about the incident since that night on Friday, Nov. 13.

    This emotional interview shows that the band members are still horrified and shocked over the events. Below are some excerpts from that interview followed by the full interview.

    Smith asked the band how the tragedy started. Guitarist Eden Galindo responded:

    At first, I thought it was the PA cracking up, and then I realized real quick that it wasn’t. And I recognized what, what it was. That time Jesse ran, he ran towards me, and we went in the corner of the stage. We weren’t sure if they were targeting us, or what was going on, you know? Boot, who’s also on the crew, he ah, I guess saw, he saw the gunman like run out of, cartridge run out, and so he took it out to put another one in. And that is when he (Boot) was like let’s go. And then we (Hughes) got up and ran off the stage we (Hughes) went up the stairs, went in the dressing to find Tuesday (Hughes’ girlfriend) but she wasn’t there. He (Hughes) kept going up, and then he came running back down because he saw the gunman upstairs.

    Smith then asked Galindo how he got out of the building:

    After we come back downstairs, we go out the side exit door onto the street, onto this little street. The kids were, they saw us and they were helping and they were being so helpful and they were being so great and they were like come this way, come this way.

    Smith then asked bassist Matt McJunkins his experience through the ordeal:

    Yeah when the shooting started, threw down my bass, hid for a second, sort of behind the curtain, sort of behind the monitor desk, and immediately, you know, people started pouring through, there’s like a door, ah to get up to the stage. Stage access and people were coming, and Steve, our tour manager, he was there and, and he’s the first person I saw, and just.. the look on his face, of like, we both… had the same thought, he was like there’s, there’s no exit over here. And he was trying to tell people that. Ya know.

    Everyone’s running, well everyone is sort of going up into this room, or you know, just to escape the gunfire, you know, naturally, instinctively, from my perspective, I see the shooting, to see it, to see, you know, the pops go off, the lights flashing, sort of dive over, and then just have to make that decision whether do I really want to run across the stage, or do I wanna just go in this room , hope for the best. So  I went into the room with a bunch of people and there’s a bunch of people all helping each other to get up there, you know, holding on and just like lets ya know we’re in this. And as soon as we get there were a few people that have been shot, and were bleeding. People started, we started grabbing chairs to barricade the door. Ah there was like a mini fridge and (chuckles) someone had left a bottle of champagne in the room for like a post show thing. We had, that to use in case. (motions in a stabbing manner)

    This prompted Smith to ask if he intended to use the bottle as a weapon. McJunkins replied:

    Yeah, cause that’s it. That’s all we had. There was a woman in front of me, who, it was scary cause she was bleeding, you know she got shot right there here (points to thigh) on her upper thigh. And there was nothing to do, except, there was this guy, I don’t know, he was holding her and just keeping pressure on her and she had a friend, who was doing the same thing, and this guy was just trying to like, keep her comfortable, and like , I mean, her blood was running out on the ground. The gunfire got closer. It went on for… you know 10-15 minutes. It just didn’t stop. And then it would stop, and then there was a sence of relief, and then it would start-up again. And then there was an explosion, that just shook the whole room, probably the whole building, and a, of course we didn’t know what that was. so we didn’t know if some one was trying to bomb the place, or maybe trying to maybe blow up the whole venue. Or what.

    Smith then turned his attention to drummer Julian Dorio. Smith asked Dorio what he saw happen. Via tele-video, Dorio replied:

    I think what really shocked me at first was that we’re a loud rock band, you know? The power of the band on the stage through the PAs, is hard to trump and the initial shots were so powerful for me that, I immediately, I knew something was wrong. I kinda bailed off of my stool. Almost immediately, the gunpowder hit my nose. I turned, looked, sort of through my drum hardware, to the side of an amp, and that’s when the second round started. And I saw two guys out front, and that might just be the most awful thing ever, is them relentlessly shooting into the audience. That’s when I started crawling. I basically stayed almost on my chin. Crawling to the right side of the stage, behind the drum riser. Keeping all that gear in front of me. And once I got to the other side of the stage, Eden mentioned it earlier, and I think Boot and who else I saw the moment of opportunity to run, to that door. They ran in front of me, I saw them, I hopped up, and I ran right behind them.

    Smith now turned his attention to co-founder Jesse Hughes. Smith asked Hughes what happened to him during the event as he was looking for his girlfriend Tuesday:

    I ran up. I didn’t see her on side of the stage so I ran up to the dressing room. And just like he said, I threw the door open, she wasn’t in there. Then I opened up the hallway door and that’s when I saw…the a..shooter and um he turned on me and he brought his gun down and the barrel hit the a…door frame, and I was like oh f**k. And I turned around and I started, cause I could tell people were following me, you know, this was the situation where everyone was looking for the place to go you know. And a I realized that, and I was like no, no, no do not f*****g come this way. Do not. And we started heading back down and a, we got to that exit door and I still hadn’t seen Tuesday and Julian got out in front of me. Eden was like standing with me (turns to Eden) actually I think if you think about it, you were like what the f**k dude. It was almost like let’s move, let’s go, but I didn’t know what to do, but when Tuesday saw Julian and I heard her voice (deep breath) I knew she was cool and then Eden and I, Eden grabbed me I think and we headed out.

    In a separate interview conducted, Smith talked to founders Hughes and Homme. Smith asked where the band goes from here. Hughes stated:

    I pledge to every person, who loves rock & roll, enjoy me, I will never, I may be scared, and maybe I went through some bad s**t but I’m breathing. I get to talk to my son tonight. and a, I have a house that is paid for because rock & roll’s blessed me, and been very good to me, and I’ve been blessed with beautiful friends, I feel like I have a life of blessings and I’m not gonna walk around acting like it sucks. I wanna spend my life smiling with my friends and entertaining them. I cannot wait to get back to Paris. I cannot wait to play, I wanna come back. I want to be the first band to play in the Bataclan when it opens back up. Because I was there when it went silent for a minute, and our friends went there to see rock & roll and died. I wanna go back there and live.