Category: Rock

  • Interpol Announce 2015 Tour

    Interpol have announced a 2015 tour behind their latest album El Pintor. The album has garnered rave reviews from the music community and the band hit markets throughout the country as well as overseas in the fall of 2014.

    These dates also include make up dates for Boston and Montreal from the incredible snow storm that took place last November. Interpol will be hitting Prospect Park Bandshell in Brooklyn on  July 21 and then coming to Upstate Concert Hall in Clifton Park on July 29 to close out the tour. Tickets are on a pre-sale now through the band and go on public sale 10AM on Friday. All tour dates can be seen below.

    Interpol — 2015 Tour Dates

    Wed/Apr-8 – Tucson, AZ – Rialto Theatre

    Thu/Apr-9 – San Diego, CA – Humphreys

    Fri/Apr-10 – Indio, CA – Coachella

    Wed/Apr-15 – Las Vegas, NV – The Cosmopolitan

    Fri/Apr-17 – Indio, CA – Coachella

    Mon/Apr-20 – Reno, NV – Knitting Factory

    Tue/Apr-21 – San Francisco, CA – Warfield Theatre

    Thu/May-7 – Richmond, VA – The National

    Fri/May-8 – Raleigh,NC – The Ritz

    Sat/May-9 – Atlanta, GA – Shaky Knees Festival

    Mon/May-11 – St. Louis, MO – The Pageant

    Tue/May-12 – Indianapolis, IN – Egyptian Room

    Wed/May-13 – Detroit, MI – The Fillmore

    Fri/May-15 – Cincinnati, OH – Bogarts

    Sat/May-16 – Pittsburgh, PA – Stage AE

    Mon/Jul-20 – Portland, ME – State Theatre

    Tue/Jul-21 – Brooklyn, NY – Prospect Park Bandshell

    Thu/Jul-23 – Boston, MA – House of Blues

    Fri/Jul-24 – Boston, MA – House of Blues

    Sat/Jul-25 – Philadelphia, PA – Festival Pier @ Penn’s Landing

    Mon/Jul-27 – Norfolk, VA – The NorVa

    Tue/Jul-28 – Washington, DC – Echostage

    Wed/Jul-29 – Albany, NY – Upstate Concert Hall

    Fri/Jul-31 – Montreal, QB – Metropolis

  • Hearing Aide: Midriffs ‘Subtle Luxuries’

    This album is a great example of why a lot of the time it doesn’t make sense to try to pigeonhole a band into a certain genre. Punk, surf rock, grunge, garage rock, some psych rock sounds, all of it is found on Subtle Luxuries, the debut album from Boston band Midriffs. So, let’s just say, it rocks, in a really good way.

     Midriffs Subtle LuxuriesThe lo-fi recording quality on this record is exactly how it should be. Sometimes when an album sounds slightly less than perfect and polished, the rawness of the sound is what makes it feel genuine. It’s nice when a record has the vibe of not trying too hard, while still presenting great songs that are carried by a very real energy.

    They start off the record right, with “Taboo Tattoo”, an infectiously upbeat less than two and a half minute song with a punk attitude that grabs your attention and leaves you wanting more. However, before you can expect more of the same on the next track, they hit you with a walking bass line and surf rock guitar tone that make you quickly realize Midriffs have a lot to offer.

    Listening through the fourth track, “Green on the Grass”, and thinking back to how the album started, it’s impressive how much the sound evolved over the course of half of the album, while still maintaining enough of an overall feel that flows incredibly well. This track is dreamier, more melodic, but they still never lose their edge. If someone went into this album thinking they were just getting a run of the mill punk record, they’d likely be very surprised to find themselves happily drifting off into a world of atmospheric reverb at the song’s close. Of course, only to be snapped right back into more fast paced action when the next track “Wine Waiter” hits.

    Midriff shifts and flows through styles throughout the album, but never sticks to one for too long, making for a listen that is always interesting, and never boring or predictable. The guitar part that kicks in at the last minute of “Down By The River” takes you by surprise, with a “Oh, and they can play like that too!?” type of reaction. They then follow that with a purely instrumental surf rock track, always keeping the listener on their toes.

    It will be interesting to see where they take their music on future recordings. Perhaps they’ll take one of these sounds and go further down a more narrow, specialized road. But that would be unfortunate, as it is the blend of so many great sounds that make this album what it is. Keep the reverb, keep the raw punk energy, keep shredding, keep yelling, and stay a little dreamy, because damn, these songs sound like a good time. I’ve never seen Midriffs live, but I hope it’s as much fun as it sounds. I envision a dirty bar, with good friends, some head banging, some dancing, a lot of yelling along, and a lot of beer, some of which is being thrown about over an extremely happy, energy filled crowd. Who doesn’t want some of that?

    Subtle Luxuries can be listened to in full, and downloaded here.

    Key Tracks: Taboo Tattoo, Death Beach, Down By The River

  • Photo Gallery: That 1 Guy at Parish Public House

    That 1 Guy brought his unique sounds to Albany’s Parish Public House on a cold wintry Thursday night.

    The crowd wasn’t large, but everyone in attendance was dancing up a storm in front of him. With his own invented rig, dubbed The Magic Pipe, That 1 Guy wowed the crowd with quick moving hands up and down the metal pipes, strings, and other electronics on stage. There was also a bit of magic thrown in for laughs. The impressive two hour show was non-stop and should not be missed when he comes to your city.

  • Davenport Cabinet Releases Lyric Video, “Sorry for Me”

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    Davenport Cabinet, the Warwick, NY – based rock band, released a lyric video for “Sorry for Me,” a song off of their newest album, Damned Renegades, via YouTube on January 14th.

    The band features Coheed and Cambria guitarist Travis Stever on lead vocals and guitar, Tyler Close on co – lead vocals and guitar, Tom Farkas on bass, and Michael Hickey on drums. Damned Renegades is their fourth record. It can be purchased through the band, or on iTunes.

  • The Grateful Dead Announce ‘Fare Thee Well’ tour in Celebration of 50th Anniversary

    After much gossip and speculation, this morning, Deadheads everywhere received the confirmation they had been waiting for; The four core members of the Grateful Dead will reunite for their Fare Thee Well: Celebrating 50 years of the Grateful Dead tour. The event will take place for a three-night run at Chicago’s Soldier Field, July 3, 4 & 5. Appearing with the original four members each night will be, Trey Anastasio, Bruce Hornsby and Jeff Chimenti.

    The announcement came in a video by Trixie Garcia, founding member Jerry Garcia’s daughter. Phil Lesh, Bob Weir, Mickey Hart and Bill Kreutzmann will be celebrating the 50th anniversary of the Grateful Dead nearly twenty-years to the day, of the last Grateful Dead show, which also took place at Soldier Field. These concerts will mark the Grateful Dead members’ final performance together, fans are illuminated with joy over the opportunity to celebrate with the band.

    Tickets will be available through the traditional tickets by mail service on a first come first served basis, beginning on January 20. An online pre-sale through Dead Online Ticketing on Feb. 12, followed by a regular onsale via Ticketmaster Feb. 14. Detailed ticket info can be found at Dead50.net.

  • Hearing Aide: Turnstile ‘Nonstop Feeling’

    Until January 13th, hardcore band Turnstile had not ever released a full album — but since 2010 they have gained a following of 32,000 devoted Facebook fans, all enthused by their live performances and demos. Especially known in the underground Albany scene, their followers are almost cultish, rejoicing at the release of their debut: NonStop Feeling.

    turnstile live

    In many ways, the word, ‘feeling,’ does not pair well with ‘hardcore band.’ However, one listen to a song like “Love Lasso,” the penultimate song — an instrumental — and you’ll soon understand. The title Non Stop Feeling could quite easily could refer to the idea that Turnstile’s efforts, energy, and hardness are nonstop insane and the second track, “Drop,” proves this. Thus, the “nonstop” and “feeling” work very well together.

    It seems that there are few complaints one could have about this album. It should have been longer on one hand, but at the same time, its short, sweetness gives it a tasteful edge; like amazing sex: it lasts a certain amount of time, but it won’t leave your head for awhile.

    Turnstile is composed of five gentlemen from Ohio, Baltimore, and Washington, D.C. who share the uncanny ability to write a fully energetic album with deliberation, but carry immense emotional capacity at the same time. Their use of two guitars is especially impressive because it allows the band to carry an extra dimension of melody and a rounded out sound, while still being diligent with that nasty hardcore anger. Fans of Rage Against the Machine and Black Flag will enjoy songs such as “Addicted” and “Stress.” Even some of The Dillinger Escape Plan – like chaos echoes through the production of the album.

    So far, it might sound to the reader like just another melodic hardcore album, but Nonstop Feeling goes a lot further than that. The great thing about it is the dynamics therein. Few times will bands — especially in hardcore — experiment enough to find ways to make melodies, slow songs, and ambiance work the way Turnstile does. For this reason, Non Stop Feeling is already gearing up to be one of the most memorable, brave, fierce releases of this year and Turnstile just earned themselves a new fan.

    By the way, we definitely recommend going to see Turnstile at a show. Their New York dates are always famous. And whether you’re a hardcore junkie or you have never cared for the genre, these guys put on a show to be remembered.

    NonStop Feeling from Turnstile can be purchased on iTunes, through the band, and at retailers.

    Key tracks: “Love Lasso,” “Drop,” “Stress”

  • Hearing Aide: Stellar Young ‘Vessels’

    stellar

    Known as one of Albany’s most distinct rock acts, Stellar Young are back with a new effort, Vessels. With great tracks such as “Helen, I…” and “We Got Away,” one would be hard pressed to deny the musicianship and writing ability of Stellar Young. Vessels is not just a good album, though, it is a breath of fresh air (if you’ll pardon the cliche) on the modern rock scene. It’s one of those albums that you can close your eyes to and relax. It’s definitely on par with some of the legends of this generation and days before.

    They say every great band has an X – Factor. Stellar Young has five.

    It starts with Dave Parker. He’s not just a bass player. He’s a f*cking weapon. The man had his start in Kingston, about an hour outside Albany, recording the likes of Weerd Science (of Coheed and Cambria fame) and has gone as part of Stellar to Applehead Recordings in Woodstock, where the band worked with engineer Chris Bittner to make Vessels sound like a million bucks.

    All song compositions, including lyrics, are attributed to the entire band, but the broadcaster of those lyrics, John Glenn (not the astronaut) has the voice of a god; each lyric is sung with deep emotion and thought — allowing the listener to insert him or herself into the soundscape. And one live performance will have audiences convinced he is damn close to pitch perfect. On “Hitting Reset,” those high notes will leave you amazed. And his synth playing adds a new dimension to the music — one of ambiance and emotion.

    “Red Lights” shows off the perfect partnership between guitarists Kyle Hatch and Erik Flora. While a lot of bands choose simply to go with a single guitarist for their own reasons, the match of Flora and Hatch remains a gold team. The two guitarists have the ability to “weave” between one another, creating a slight chaos, but also a tasteful depth. Their dirty tones work well with Glenn’s voice — think something between The Killers and The Rolling Stones.

    Curt Mulick is no stranger to the drumset, either. He delivers a dynamic performance, often alternating styles for the broadest spectrum. One song that high lights his ability to do this would be “Nomad.” Not every performance is played in any traditional style, but Mulick is the driving force, the glue that kept this album together.

    Overall, Vessels, is simply an album very well done. Stellar Young is no longer some underdog and they definitely don’t fit into the profile of local band anymore. It’s quite the surprise

  • Spaceland Releases Live Video, ‘Stay’

    Spaceland, an Albany-based Indie rock band, have released a live video for “Stay,” taken from their debut album, Empty Worlds, on January 8th.

    spaceland

    The band consists of three brothers, Peter Bombard (lead vocals, guitar, and key), Ryan Bombard (bass and backing vocals), and Kris Bombard (drums), who wrote and recorded their debut album after a successful Kickstarter campaign to help them build a studio.

    Empty Worlds can be purchased directly from the band, streamed through their BandCamp page, or on iTunes.