Category: Rock

  • Breaking Benjamin Announce Acoustic Tour For Early 2016

    Breaking Benjamin will continue their relentless touring schedule since Ben Burnley re-formed the band with new members in 2014. Breaking Benjamin has already announced a spring headlining tour with Starset, and now have announced an unplugged acoustic tour to fill the void between the New Year and the start of their electric spring tour.

    breaking benjamin acousticWhen Breaking Benjamin returned in 2014, the band set out on a small, intimate acoustic tour to get the feel of playing their songs live again. Read NYS Music’s coverage of the band’s amazing Clifton Park performance.

    New York City fans can catch the unplugged version of Breaking Benjamin on Feb. 4 at Irving Plaza. The tour will cover 18 different cities across the United States before the band plugs back in.

    Breaking Benjamin’s fifth studio album, Dark Before Dawn, debuted at No. 1 on the Billboard rock chart. This marked the band’s first album to ever debut in that spot.

    Starset, who has been recently touring with Breaking Benjamin in 2015, will continue to do so in 2016, opening shows for the acoustic and spring tours.

    Unplugged Touring Cycle:

    01-17-2016 – House of Blues – Houston, TX *
    01-18-2016 – House of Blues – Dallas, TX *
    01-20-2016 – Aztec Theater – San Antonio, TX *
    01-22-2016 – House of Blues – New Orleans, LA *
    01-23-2016 – Druid City Music Hall – Tuscaloosa, AL *
    01-24-2016 – Ryman Auditorium – Nashville, TN *
    01-25-2016 – The Fillmore – Charlotte, NC *
    01-27-2016 – The Ritz – Raleigh, NC *
    01-29-2016 – The Fillmore – Philadelphia, PA *
    01-30-2016 – The Dome at Oakdale – Wallingford, CT *
    01-31-2016 – Wellmont Theater – Montclair, NJ *
    02-01-2016 – State Theatre – Portland, ME *
    02-04-2016 – Irving Plaza – New York, NY *
    02-05-2016 – House of Blues – Cleveland, OH *
    02-06-2016 – Eagles Ballroom – Milwaukee, WI
    02-08-2016 – St. Andrews Hall – Detroit, MI *
    02-09-2016 – Orbit Room – Grand Rapids, MI *
    02-10-2016 – Mercury Ballroom – Louisville, KY *
    * with Starset

  • Birthday Bash at Starland Ballroom was a hit with Life Of Agony and Walls Of JerichoWalls Of JerichoBirthday Bash at Starland Ballroom was a hit with Life Of Agony and Walls Of Jericho

    On Sunday December 6, Life Of Agony frontwoman Mina Caputo celebrated her birthday playing their last US show of 2015 and boy did they make it memorable.  The show was held at Sayreville, New Jersey’s Starland Ballroom, and this was my first visit to the venue.  Let me start off by saying how awesome that venue is.  The stage is big, can be seen from just about anywhere, with a nice open floor with bars in every corner of the building.  Great sound, great service and I would go back in a heartbeat.

    Detroit hardcore outfit Walls Of Jericho opened the show with a small but stellar set.  Like the headliners, this band has not been touring a whole lot and have been playing select shows so it was a real treat to have been able to see them.  “Fuck The American Dream” was definitely the highlight of their set.

    I was very giddy to be seeing Life Of Agony again.  I was fortunate enough to have seen them a few months back at the East Coast Tsunami Fest, so I already had a grasp on what to expect.  But this time through, there was more to celebrate and even better, Life Of Agony played a longer set.  The band played just about everything off their trademark debut album River Runs Red and select songs off the rest of their catalog.

    They kicked off their set with “Bad Seed” and right into “River  Runs Red” and the crowd erupted.  One thing that makes this band so special is the way they utilize and share the stage with one another.  Guitarist Joey Z. and Bassist Alan Robert were constantly moving, with singer Mina anchoring the stage and using her golden vocals behind the mic.   Its fascinating watching Mina on stage because of someone who is so physically small have the lung power to belt those songs out the way they’re meant to be heard out is really a sight to behold.  And of course Sal Abruscato is a stud behind the drum kit.  Everything sounded loud, clean and crystal clear.  No feedback. Nothing overpowering.

    Other highlights of the set included “Other Side Of The River” and “Respect” to me was the most fun to hear live, but later the band took a moment to help a fan have his moment.  Just after performing “Lost At 22,”  this fan was invited on stage to propose to his girlfriend (which takes LOTS of guts).  Another special moment was Joey Z got the crowd to sing happy birthday to Mina which was lots of fun.  But the most special moment of the night, Mina and Joey Z performed a very heartfelt tribute to Scott Weiland by performing an acoustic cover of Stone Temple Pilots “Plush.”  Anyone familiar with that version of that song will tell you that they did that song JUSTICE.

    The rest of the band came out and finished with a few more songs off River Runs Red and closed with “Underground” to put a stamp on what was the most memorable concert experience I have had the pleasure of covering in quite some time.

    From what I gather, Life Of Agony is gearing up to a brief European tour in January, and no other shows have been announced as of yet.  Obviously if we hear about it, NYS Music will let fans know, but the point is, this show was special moment, so if we are lucky enough to get more shows from Life Of Agony here on the east coast, you need to go see them.

  • Hearing Aide: lespecial “Omnisquid”

    Boston-based death-funk trio lespecial released their first, full-length studio album titled Omnisquid on November 20. It invites listeners to follow on a sonic voyage of nautical proportions. lespecial is Luke Bemand (bass, vocals, synth) Rory Dolan (drums, percussion, sampler) and Jonathan Grusauskas (guitar, vocals, sampler, synth).

    The album tells a story of extra-terrestrial beings commandeering the minds of giant squids which rise from the ocean to wreak havoc and destruction upon the populace. This storyline plays out through a heavy soundscape with, at times, playful, nautical inspired riffs and beats that make the listener feel like they’re in an underwater dancehall. lespecial has created a world with this album and it’s oceanic inspirations are evident.

    The first track on the album, “Fruit Wolf Dance,” opens with a haunting, aquatic groove building into a driving onslaught of the trio’s instrumental talents. This driving force has moments of respite allowing for each instrument to shine yet remain cohesive. Halfway through, the track takes a turn showcasing their electronic sample proficiency with bubble-like pops and the live-trap drumming lespecial has become known for. The live-trap and sample sounds coalesce into the heavier tone found earlier in the song making for a seamless display of the genre bending this band is capable of. Bemand has stated previously that this album is a return to their musical roots, showcasing “a heavier vibe throughout.”

    The second number, “Squid Rising,” introduces the listener to the story of the giant squids with noticeable seafaring compositions and Bemand’s thick basslines amidst the recordings of news reports of the squid’s destruction. Following up the tale’s intro is the title track, “Omnisquid,” a frenetic serenade of layered guitar riffs and polyrhythmic drumming. “Optimus Prime Slot” features some industrial-heavy drum programming by fellow Boston-based music-maker, Rob Uslan aka Supersillyus, and make for an excellent juxtapose to Grusauskas’ pinching guitar riffs and eerie vocals.

    “Sugaboi” is a jamtronica laden track, again displaying the bands diverse and ample capability of playing different styles which they seem to be poking fun at with the overlay of a recording stating “see there’s some question about my identity/ let me put it to ya this way/ I’m not sure who I am.” Possibly answering that question is the following, “Leaps Evil,” where Dolan’s drumming keeps an excellent, relentless pace amongst Grusauskas’ soaring vocals and Bemand’s standout bass riffs. “Ships in the Night” feels like a reprieve from the repetitive build and crash that previous tracks include, giving way to the album’s first pre-release single, “New Fish.” Sliding bass and a wonky guitar vibe swell to a powerful, double-bass filled barrage fading out unrelenting. Like “Leaps Evil,” “Pressed for Time” conveys lespecial’s distinct command of differentiating time signatures and penchant for high-pitched vocal harmonies.

    Closing out the journey is the track “Absolutely Stunning,” recounting a fisherman’s tale of what he may or may not have seen. There’s a very cinematic, “end-of-times” vibe to this track with the addition of a cello arrangement by Julian Lenz. The cello amplifies another build and release to the heaviness that lespecial has been touting the whole album.  Whilst weaving a tale of cephalopods taken over by aliens, Omnisquid most definitely exemplifies a return to form of contrasting time signatures and dark, heavy grooves. If you’re in need of a cinematic auditory experience, lespecial’s first full length has it.

    All songs on the album were written and performed by lespecial and all tracks recorded and mixed by Andrew Greacen at More Sound Recording Studio in Syracuse, NY except “Ships in the Night,” recorded and mixed at the Music Cellar in Millerton NY, and the Morrison Gallery in Kent, CT. All of the tracks were mastered by Jocko at More Sound Recording Studio in Syracuse, NY.

    Omnisquid is available for direct download at lespecial.bandcamp.com/album/omnisquid and also on iTunes, Spotify, Amazon Music and CD Baby.

  • Steve Perry Releasing First Album in 22 Years

    Rumors have been circulating for years about former Journey frontman Steve Perry’s return to music, especially after several surprise guest appearances with veteran alt-rockers Eels last year. Steve Perry has finally broken his silence, with a call Friday to L.A. classic rock station KSWD. In the interview, Perry reveals that he has been in the studio since March and hopes to have a new album completed for early 2016.

    steve perryThe first public performance in 19 years from one of classic rock’s signature voices was captured in St. Paul, Minnesota and posted to YouTube by an Eels fan. To date, the video has received over 2 million views. Check it out here:

    While talk of a Perry reunion with his former bandmates in Journey is premature, in light of last year’s appearances with Eels, current Journey vocalist Arnel Pineda raised eyebrows last year tweeting the following:

    With Perry’s confirmation of new material, fans waiting since his last solo outing, 1994’s For the Love of Strange Medicine, now have something to look forward to for 2016. These fans may have the blossoming friendship between Perry and Eels frontman E (AKA: Mark Oliver Everett) to thank for the reclusive vocalist’s return.

    Perry and E are not only occasional stage mates, they have developed a true friendship over the years after being introduced by a mutual friend. E tells the story in a Stereogum interview from May 2014.

    Journey, meanwhile, recently announced a summer shed tour with The Doobie Brothers. Syracuse’s Lakeside Amphitheater, as well as Saratoga and Darien Lake, are New York dates for this package tour.

  • Drummer Corky Gainsford to Depart Otherwise Due to Personality Conflicts and Creative Differences

    Otherwise drummer Corky Gainsford stated that he will part ways with the band in a video he posted on his Facebook page.

    Gainsford cited creative differences and personality conflicts as some of the reasons for stepping down from the band after five years. Gainsford’s last show with Otherwise will be Dec. 26 in the band’s hometown of Las Vegas at the Hard Rock Hotel.

    Corky GainsfordGuitarist Andrew Pugh will also depart and wrap up with the band on Dec. 26.

    Some excerpts from Gainsford’s video has been transcribed below:

    Whats up everyone? This is Corky Gainsford here. There’s no real easy way to say this so I’m just gonna come out and say it. After five years in Otherwise, it is time for me to move on to the next opportunity in my music career. I don’t know what that next adventure might be; I just know that this is no longer the right place for me anymore. Simply put, artistic differences and personality conflicts in the band have prevented us from being productive creatively, and for the betterment of everybody involved, it’s simply time for us to go our separate ways.

    My time in Otherwise has been such a great, crazy whirlwind of an experience. I’ve had so many roles with the band — everything from drummer to songwriter, producer, engineer, tour manager, business manager, merch manager, fix the broken RV or find us a van to get to the next gig on time manager and I’m sure a few other things I’ve forgotten, but really it’s been a great and truly rewarding experience to live out a dream that I worked my entire life towards. So thank you to everyone who has supported us along the way.

    I’m gonna continue making music. I will be always making music. It is something that is in my blood, in my bones, in my DNA, and I will never stop making music.

    Gainsford also stated in the video that he plans to still show his other artistic side as he will continue to create art on drumheads and cymbals and any other canvas that presents itself. Gainsford went on to say the popularity of his artwork is a blessing and that it’s an outlet that he loves to show that creative side of him.

    Gainsford closed out the video by thanking everyone who supported him throughout his career. Gainsford also wished Otherwise nothing but the best moving forward while they work on their third album.

    Gainford’s and Pugh’s departure makes the Patrick brothers (Adrian and Ryan) the only two remaining original members left in the band. About a year ago, bassist Vassilios Metropoulos left the band and was replaced by Tony “The Beast” Carboney.

    BAND ANNOUNCEMENT:”After 5 years with OTHERWISE, it’s time for me to pursue other opportunities in my music career.”Please see the video for all the details.Thank you, Corky G*

    Posted by Corky Gainsford on Friday, December 11, 2015

  • Blinded By The Price: New York Questions Springsteen Ticket Reselling

    Every music fan has endured the online ticketing rush; when the clock strikes on-sale time, it’s a frustrating game of repeatedly hitting refresh, chancing each click until that next one successfully  unfreezes the screen to show items in your cart. But in truth, most concertgoers stick it out to avoid being forced to pay for high-priced resale tickets, or missing out on the show entirely.

    While the secondary market has improved with the creation of fan-based campaigns and startups on a mission to embrace the face value, professional ticket brokering is still finding a way to flood the resale market. And New Jersey’s blue-jean boss Bruce Springsteen is the latest artist to fall victim (again) in the never-ending battle against ticket scalping.

    1492739_10152124321910250_1112158285_o

    Tickets for Springsteen‘s 2016 tour will be released at 10 a.m. today through Ticketmaster and Live Nation, but the New York Times reported Tuesday that hundreds of seats were already listed by resellers online with single-ticket prices beginning at $5,000.

    Thankfully, these eyebrow-raising listings led New York Attorney General Eric Schneiderman to send the involved sites letters that questioned the act of false advertising under state general business law, since sellers could not yet have the tickets in possession.

    The NYT also said that the sites in question — StubHub, TicketNetwork, Vivid Seats — either remained confident in their refund policy for invalid tickets or removed listings for concerts in New York until the public on-sale date. Schneiderman’s office called the removal of listings a victory for consumers and pledged to continue to work on the issue.

    Springsteen and the E Street Band are set to tour the country, making stops for two nights in New York City (Jan. 24 and 27), Albany (Feb. 8), Buffalo (Feb. 25) and Rochester (Feb. 27). Springsteen is touring in support of the box-set release of “The Ties That Bind: The River Collection,” and this run is a nod to the Boss’ career-making 1980 “The River” tour.

  • See All Them Witches at the Bug Jar On Saturday

    Amidst a seemingly non-stop tour, Nashville 4-piece psych rockers All Them Witches make a stop at Rochester’s Bug Jar on Saturday night. The band is touring in support of Dying Surfer Meets His Maker, released somewhat appropriately the day before Halloween, and it’s scary good. Dig this video they released for “Dirt Preachers” that looks something from a far dark corner of the Adventure Time universe. Then come dig them live on Saturday night.

    All Them Witches Bug JarIt’s a full bill of quality rock jams, with Rochester’s own King Buffalo getting the night started at 9pm, followed by New Madrid out of Athens, GA. As if that weren’t enough to sate your heavy riff fix, DJ Professor will be spinning more stoner rock before, after and in between sets.

    It’s all going down this Saturday, December 12 at the Bug Jar. Tickets are available now at their site for $10, with prices increasing at the door to $12 for the over crowd and $14 for the younger set.

  • 2016 Carolina Rebellion Announced, Expands To Three Days

    With more and more American rock festivals being announced left and right, this week also saw the announcement of Carolina Rebellion 2016.

    For the first time ever, Carolina Rebellion expands to three days starting on May 6, 7 and 8 at Rock City Campgrounds at Charlotte Motor Speedway in Concord, North Carolina.

    All the bands are listed below.
    [one_fourth]DISTURBED
    SCORPIONS
    ROB ZOMBIE
    ZZ TOP
    FIVE FINGER DEATH PUNCH
    SHINEDOWN
    DEFTONES
    LYNYRD SKYNYRD
    A DAY TO REMEMBER
    3 DOORS DOWN
    ALICE COOPER
    BRING ME THE HORIZON
    CYPRESS HILL
    PENNYWISE
    LAMB OF GOD
    MEGADETH
    GHOST
    SIXX: A.M.
    ANTHRAX
    COLLECTIVE SOUL[/one_fourth]
    [one_fourth]CLUTCH
    THE SWORD
    THE STRUTS
    ASKING ALEXANDRIA
    YELAWOLF
    BABYMETAL
    POP EVIL
    BULLET FOR MY VALENTINE
    P.O.D.
    SEVENDUST
    HELLYEAH
    BETWEEN THE BURIED AND ME
    PARKWAY DRIVE
    BLACK STONE CHERRY
    SAINT ASONIA
    TRIVIUM
    ESCAPE THE FATE
    AUGUST BURNS RED
    TURBOWOLF[/one_fourth]
    [one_fourth]ENTER SHIKARI
    SICK PUPPIES
    FILTER
    CANDLEBOX
    TYLER BRYANT & THE SHAKEDOWN
    NEW YEARS DAY
    ARANDA
    THOUSAND FOOT KRUTCH
    RED SUN RISING
    TEXAS HIPPIE COALITION
    HANDS LIKE HOUSES
    CODE ORANGE
    FAILURE ANTHEM
    AVATAR
    LACEY STURM
    THE GLORIOUS SONS
    FROM ASHES TO NEW
    WILSON
    I PREVAIL[/one_fourth]
    [one_fourth_last]MONSTER TRUCK
    AUDIOTOPSY
    WILD THRONE[/one_fourth_last]
    The individual day lineups can be seen in the poster below.
    carolinarebellion2016poster_638
    Tickets go on sale this Friday, and can be purchased here.
  • Ex-Wife and Children of Scott Weiland Pen Open Letter Asking Not to ‘Glorify This Tragedy’

    Former Stone Temple Pilots and Velvet Revolver vocalist Scott Weiland was found dead on his tour bus in Bloomington, Minnesota the night of Dec. 3. Subsequent investigation revealed small amounts of cocaine in the room where he was found and elsewhere on the bus.

    Weiland’s second wife, Mary Forsberg Weiland, the mother of their two children, Noah and Lucy, wrote an open letter that was printed in Rolling Stone this week. In it, she pleads with readers not to glorify Weiland’s death.

    scott weiland

    In her letter, she describes Weiland’s absence in their children’s lives, blaming the drug use and celebrity lifestyle. Her final plea: “Skip the depressing T-shirt with 1967-2015 on it – use the money to take a kid to a ballgame or out for ice cream.”

    She writes:

    December 3rd, 2015 is not the day Scott Weiland died. It is the official day the public will use to mourn him, and it was the last day he could be propped up in front of a microphone for the financial benefit or enjoyment of others. The outpouring of condolences and prayers offered to our children, Noah and Lucy, has been overwhelming, appreciated and even comforting. But the truth is, like so many other kids, they lost their father years ago. What they truly lost on December 3rd was hope.

    We don’t want to downplay Scott’s amazing talent, presence or his ability to light up any stage with brilliant electricity. So many people have been gracious enough to praise his gift. The music is here to stay. But at some point, someone needs to step up and point out that yes, this will happen again – because as a society we almost encourage it. We read awful show reviews, watch videos of artists falling down, unable to recall their lyrics streaming on a teleprompter just a few feet away. And then we click “add to cart” because what actually belongs in a hospital is now considered art.

    Many of these artists have children. Children with tears in their eyes, experiencing panic because their cries go unheard. You might ask, “How were we to know? We read that he loved spending time with his children and that he’d been drug-free for years!” In reality, what you didn’t want to acknowledge was a paranoid man who couldn’t remember his own lyrics and who was only photographed with his children a handful of times in 15 years of fatherhood. I’ve always wanted to share more than anyone was comfortable with. When writing a book years ago, it pained me to sometimes gloss over so much grief and struggle, but I did what I thought was best for Noah and Lucy. I knew they would one day see and feel everything that I’d been trying to shield them from, and that they’d eventually be brave enough to say, “That mess was our father. We loved him, but a deep-rooted mix of love and disappointment made up the majority of our relationship with him.”

    Even after Scott and I split up, I spent countless hours trying to calm his paranoid fits, pushing him into the shower and filling him with coffee, just so that I could drop him into the audience at Noah’s talent show, or Lucy’s musical. Those short encounters were my attempts at giving the kids a feeling of normalcy with their dad. But anything longer would often turn into something scary and uncomfortable for them. Spending so many years immersed in Scott’s multiple illnesses led to my own depression; at one point, I was misdiagnosed as bipolar. I feared the same would happen to the children. There were times that Child Protective Services did not allow him to to be alone with them.

    When Scott did move on to another relationship, I hoped it would inspire him to grow. I had often encouraged him to date a “normal” girl, a woman who was also a mother, someone who had the energy that I no longer had to love him. Instead, when he remarried, the children were replaced. They were not invited to his wedding; child support checks often never arrived. Our once sweet Catholic boy refused to watch the kids participate in Christmas Eve plays because he was now an atheist. They have never set foot into his house, and they can’t remember the last time they saw him on a Father’s Day. I don’t share this with you to cast judgment, I do so because you most likely know at least one child in the same shoes. If you do, please acknowledge them and their experience. Offer to accompany them to the father-daughter dance, or teach them to throw a football. Even the bravest girl or boy will refrain from asking for something like that; they may be ashamed, or not want to inconvenience you. Just offer – or even insist if you have to.

    This is the final step in our long goodbye to Scott. Even though I felt we had no other choice, maybe we never should have let him go. Or maybe these last few years of separation were his parting gift to us – the only way he could think to soften what he knew would one day crush us deep into our souls. Over the last few years, I could hear his sadness and confusion when he’d call me late into the night, often crying about his inability to separate himself from negative people and bad choices. I won’t say he can rest now, or that he’s in a better place. He belongs with his children barbecuing in the backyard and waiting for a Notre Dame game to come on. We are angry and sad about this loss, but we are most devastated that he chose to give up.

    Noah and Lucy never sought perfection from their dad. They just kept hoping for a little effort. If you’re a parent not giving your best effort, all anyone asks is that you try just a little harder and don’t give up. Progress, not perfection, is what your children are praying for. Our hope for Scott has died, but there is still hope for others. Let’s choose to make this the first time we don’t glorify this tragedy with talk of rock and roll and the demons that, by the way, don’t have to come with it. Skip the depressing T-shirt with 1967-2015 on it – use the money to take a kid to a ballgame or out for ice cream.

  • Whole Lotta Love for Elise Testone in Providence

    Elise Testone brought her All Star Tribute to Led Zeppelin to The Spot Underground in Providence, Rhode Island on Friday, Dec. 4. Rhode Island band Sgt. Baker and the Clones opened for her, and Breakfast for the Boys from New Paltz closed out the night.elise testone

    The Spot Underground, now in its third location in Providence, features two stages. Sgt. Baker and the Clones took the stage in the smaller room around 9:20 p.m. Their sound is ’90s grunge meets rockabilly and country. The band consists of three guitarists, two on acoustic; a bassist; and a drummer. The crowd was still filing in throughout their set. They opened with “Stick Fishin’,” which features quotes from The Beatles’ “Cry Baby Cry” outro. This was followed up by a cover of Robert Cray‘s “Phone Booth,” which brought some energy to the crowd as folks started dancing. A country influence could be heard in the slower “Flesh Puppets.” They also played a few more covers, including Mars Volta’s “The Widow” and Cold War Kids’ “We Used to Vacation.” The latter featured additional vocals from local singer/songwriter Nate Cozzolino. They closed out their set with a raunchy cover of “I Will Survive,” played in a similar vein to Cake’s version with some altered lyrics. The lead guitarist played a really nice solo before the band finished the song to end their set. The highlight of the set was “Pigs,” which featured some fun animal sounds from Baker to start. While a bit rough around the edges, the set was enjoyable for all the smiling faces in the room.

    Testone’s set was delayed a bit. To keep the fans happy, Cozzolino, who is also the venue’s cook, played a short set with Mike Baker, aka Sgt. Baker, on djembe. His set started with a cover of Sublime’s “Badfish.” He then played through a handful of originals to a small crowd eager to hear Elise Testone and her tribute to Led Zeppelin.

    Elise Testone and her all-star tribute to Led Zeppelin took the main stage around 11 p.m. The band consisted of Todd Stoops (RAQ) on keyboards and backup vocals, Michelangelo Carubba (Turkuaz) on drums, Danny Mayer (Alan Evans Trio) on guitar, and Jed Lingat (Timothy Bloom) on bass. Testone, of course, handled the lead vocals. They opened their set with “Black Dog.” It took a little bit for the crowd to really get into it, but when the opening notes to “When the Levee Breaks” were played everyone was pulled in. The set ran through 19 of Led Zeppelin’s more notable songs. “Trampled Under Foot” featured a short, but fun keyboard solo from Stoops. “No Quarter,” one of the highlights of the night, saw an unexpected piano solo, one of the few moments the band took some creative license with the music. This was followed by two of the other highlights of the night, “Kashmir” and “Nobody’s Fault by Mine,” which featured excellent keyboard and guitar solos. “Fool in the Rain,” while a bit rough, was one of the crowd favorites of the night. The entire venue was dancing along. “Heartbreaker” was played without the expected segue into “Living Loving Maid.” Carubba played a solid solo in “Moby Dick,” and his perfect keeping of the beat held the band together throughout the night.

    The set ended with “Since I’ve Been Loving You,” an odd choice given slower tempo. They came back out to encore with “Rock and Roll.” The one other highlight of the night was “Over the Hills and Far Away,” which featured some nice interplay between the guitar and keyboards during a short jam. The crowd was quite pleased with the two hour set. The band was tight and well-rehearsed. Testone’s vocals, while not completely appropriate as a Robert Plant replacement, handled the songs as though they were written for her. If any criticism is to be made, it’s that they simply covered the songs as Led Zeppelin would have played them. With a band of such talented musicians, it would be nice to see them use some creativity in the future, making the songs more their own and fitting them better to Testone’s voice.

    Breakfast for the Boys played a late night set in the smaller room. Their female-led soul closed out the night as the crowd slowly dwindled. Their sound can be compared to that of Lake Street Dive.

    All in all, it was a great night of music in Providence. The Spot’s new location isn’t the most ideal, though the larger room has great sound, which might be better than their previous locations. If you have the chance to see Elise Testone doing any type of show, don’t hesitate. Her voice is fabulous and quite adaptable to many different genres and styles of music.

    Elise Testone will be playing with her All-Star Band on Thursday, Dec. 17 at The Hollow Bar in Albany at 9 p.m. Brian LaPoint and the Joints are the supporting act. Tickets are currently available.