Category: Features

  • Tipper and Quixotic at Red Rocks Ampitheatre

    Who would’ve thought. It would take the arrival a Brit with a blood sacrifice to dispel a month-long blanket of gunmetal grey skies, daily rainfall, and dispiriting gloom that settled into Colorado’s front range. The thought may seem a bit paradoxical considering England is a country so often associated with bad weather. But he is no ordinary bloke and May 16, 2015, was no ordinary night.

    Tipper

    Dave Tipper, the bloke to which I refer, is the pioneer/ wizard of electronic music from London that led the way on for a one night extravaganza at Red Rocks Amphitheatre that included transcendental artists, aerial and fire performers, and a brand new stage sound system.

    For the record, the islands that comprise Great Britain only averages 46th in yearly rainfall- well behind the U.S. ranking of 25th in the world. And Tipper reported on Twitter that he felt compelled to leave a drop of his blood on the Red Rocks stage the night before in order “to appease the rain gods.” So, it turns out that the unlikely Englishman and his blood sacrifice was just what was needed to part the roiling cloud billows like actor Charlton Heston parted Red Sea.

    Tipper Red Rocks

    From the outset, Tipper determined to make the evening different from other electronic shows. Departing from more typical stage set-ups, Tipper and fellow Brit producer, Ott did not place themselves center stage. He explained before the show that he felt the night’s attention shouldn’t be focused on the DJs or their egos. He felt that crowd’s focus should solely be directed towards the music and the surrealistic map projection art. Both Tipper and Ott placed themselves on the far ends of the stage and remained unlit throughout the night. There were no lasers or visual projections on the crowd or the stone amphitheater.

    It set the tone for a “no-frills” approach to the evening, but the performances weren’t short on spectacle. Tipper’s first down tempo set was accompanied by a giant center stage screen of fractal map projections created by Jonathan Singer. Acclaimed artists Alex Grey and his wife Allison painted on stage through the first set. For the first time ever, Tipper employed the use of a massive new face-melting sound system called Funktion One. Following his first set, Quixotic, a music/artist collective that combines aerial performance, fire dancing, and live music chewed up the scenery with jaw-dropping athleticism and ethereal melodies. The sold-out crowd lept to life with a DJ set from Ott and Tipper’s up tempo set. The big screen visuals pulsed with a flurry of morphing images by Colorado artist, Android Jones.

    With a single drop of blood, a collection transcendental art, cutting-edge electronic sound and a sold-out show became a beautiful mix of music, motion, and mountains. Some might even say it was magic.

  • Summer Camp Music Festival 2015 Recap

    Day 1: Arrival to Chillicothe, just north of Peoria, IL, took 16 hours from Albany, and while the drive may seem daunting, it wasn’t that tough of a trip. Back in the 1990s and early 2000s, if you wanted to go to a music festival or travel to see a band, you had to drive out of your comfort zone for the experience. What has become common place, seeing festivals within an hour or two of where you live, used to be far from reality. This may sound like a ‘back in my day’ mantra, but making this drive brings back the allure of the destination driving the journey, something that has become less frequent with the rise of music festivals and cost of travel. Read more

    Day 2: Friday at Summer Camp was a day to reconfigure, reassess and prepare for the onslaught of music that was ripe for the choosing. Now that your on site presence was established and something resembling a campsite had been formed among friends and neighbors. The weather was pristine: sunny skies, a passing cloud, a little dusty but it definitely felt like summer had arrived. Read more

    Day 3:  It is now Sunday morning and to recap what went down on Saturday at Summer Camp, here’s a play-by-play morning until late night.

    10am: wake up after three hours of sleep and sunrise kickball. Feel refreshed, not exhausted. Breakfast of banana, yogurt, life cereal and yerba mate and I am ready to roll.

    11am: Head to the church (media area) and get writing my review of Friday. Read more

    Day 4: The final day of Summer Camp featured some of the largest acts on the lineup and two regular contributors to the festival: Rain and wind. Even with the beautiful weather the past few days a little rain was expected, if not needed. A strong storm cell blew through around 1pm, causing minor delays in the music while cooling down the festival grounds and erasing the dust that had been ever present during the weekend. Strong winds tested the strength of tents and EZ-Ups, with gusts barely ceasing until fans began to load out on Monday. After three days of near-perfect weather, it was a refreshing change of pace. Read more 

  • Monster Energy Presents: Rock Allegiance Festival

    The “World’s Loudest Month” just wrapped up with Rockfest in Kansas City, Missouri – but rock fans have more to look forward to later this year. Yesterday the Monster Energy Rock Allegiance festival lineup was announced for Saturday, Oct. 10 at PPL Park in Chester, PA.

    The lineup consists of some of rock’s biggest names including Rob Zombie and Korn. With Rock Allegiance only being a one-day festival, fans don’t have to wait all weekend to catch their favorite bands; they get to see all of them in one day. Also making appearances at Rock Allegiance are Godsmack and Five Finger Death Punch, who were both present for many festivals throughout May.

    20130517-KORN

    Five Finger Death Punch is bringing Papa Roach, In This Moment and From Ashes To New along with them since they will be hitting the road together this fall. If that wasn’t enough, fans can get ready for sets from Bring Me The Horizon, Atreyu, and Hollywood Undead. Those who went to Rock On The Range were treated to a special guest which turned out to be the newly formed Saint Asonia, featuring Adam Gontier, formally of Three Days Grace and Mike Mushok of Staind. Saint Asonia will be playing at Rock Allegiance as well.

    There’s not going to be much time for those who like to party outside the venue before the show because there are many more awesome bands who play earlier in the day. Some of those bands are Pop Evil, Nothing More, Butcher Babies, Art Of Dying, Glorious Sons, and Temperance Movement. The earliest acts of the day will consist of sets from the Charm City Devils, Devour The Day, Unlocking The Truth, Dorothy and more.

    20131125-PopEvil2-Westcott-05

    If ending the night with sets from Korn and Rob Zombie wasn’t enough, there’s even an after party with Steel Panther! Best of all, tickets go on sale June 2nd at special early bird pricing! Floor tickets will start at $39.50 and will progressively rise to $79.50. Stadium Seat tickets start at $34.50 and go to $44.50 until the day of the show. There are also a limited number of VIP and Stadium 4 Pack deals. For those traveling from out-of-town, there are limited hotel packages offered to help save a couple bucks. To top off a killer lineup, festival goers won’t have to rely on lame stadium food and drinks — Rock Allegiance is bringing its fans an assortment of specialty craft beers and “Gourmet Man Food.” For more information on Rock Allegiance, check out the website.

  • Boston Calling 2015 has Something for Everyone

    Bryan-Lasky-Boston-Calling-9

    When you look around at Boston Calling 2015, the wide variety of attendees that the festival attracts is apparent. And that’s because this spring’s lineup had something for everyone.

    The festival featured crowd-pleasing heavy hitting headliners, including ‘90s alternative king Beck, indie favorites My Morning Jacket and avant-garde rockers the Pixies.

    The lineup also included female vocalists like Tove Lo and Halsey that drew crowds of young women singing along, dance tunes from Marina and the Diamonds, hip hop from ILoveMakonnen and Run the Jewels, country and folk-twinged artists the Lone Bellow and Jason Isbell, newcomers like the Ballroom Thieves and Krill, rockin’ indie from Gerard Way and TV on the Radio, and laid-back riffs and island drums with Ben Harper and the Innocent Criminals.

    And if comedy and celebrity is a universal uniter, comedian Jack Black’s band Tenacious D brought the crowd together to sing along to well-known tunes like “Tribute Song” and “Fuck Her Gently.”

    The three-day festival is held at City Hall Plaza, right in the heart of downtown Boston, each spring and fall. This spring, two stages stood adjacent to one another and alternated acts, with no overlapping music so attendees didn’t have to miss a beat. Vendors shoved free sunglasses and coozies in the hands of every passerby, local food stands served up delicious eats and Sam Adams beer flowed from the beer gardens throughout the festival grounds.

    Beck headlined the three-artist Friday night show, drawing what was possibly the largest crowd of the whole weekend. He played songs from throughout his career but focused in on tunes from his 2005 album “Guero,” including “Black Tambourine,” “Girl,” “Go It Alone,” “Que Onda Guero” and “Hell Yes.” This made for a more upbeat show than if he had featured more from his most recent album, “Morning Phase,” which won this year’s Grammy for Album of the Year.

    Bright, geometric animations splayed across the giant backdrop as Beck, donning the dark, wide-brimmed hat that has become iconic to him, sang, danced and played instruments along with his bandmates, giving the crowd everything they wanted. The set ended with two crowd-pleasers: the disco ballad “Debra” — the lyrics of which propose a three-way with the subject of the song and her sister, whose name may or may not be Debra — and one of Beck’s biggest hits, “Where It’s At.”

    Run the Jewels amped the crowd up with an afternoon set Saturday, frequently getting them jumping along to their hip hop beats. Killer Mike told the audience that he had just gotten shoulder surgery; his arm was in a sling but he still flapped it like a little chicken wing as he ambled around the stage spitting rhymes, smiling his huge, infectious smile. And his partner El-P did plenty of running around the stage for both of them.

    Swedish grunge-pop singer Tove Lo caused a stir later in the afternoon when she briefly bared her boobs to the audience.

    St. Vincent brought on the evening with a characteristically eccentric performance. She and a similarly dressed guitar player tiny-stepped around the stage in a synchronized pattern, making jerky, robotic hand and hip movements in between playing heavily distorted tones.

    Once the sun went down, Ben Harper and the Innocent Criminals played a fun, chilled-out set with lots of hand drumming. Then My Morning Jacket took over for the evening, conjuring up much of their critically acclaimed new album, “The Waterfall,” plus old favorites like “Circuital” and “Wordless Chorus.”

    On Sunday, Halsey pranced around the stage making blunt remarks about cigarettes and her nipples to the pleasure of the mostly female front-row crowd. Her husky voice crooned what seemed like two types of songs: those about women fighting to assert their power with both men and the proverbial “the man,” and turbulent hookups.

    Messy-haired Vance Joy thrilled the crowd with his smooth, romantic acoustic guitar and ukulele sounds, then Brooklyn-based indie band TV on the Radio rocked an enthusiastic audience with high-energy set. Lead singer Tunde Adebimpe poured his heart into his vocals as he slid around the stage, and the rest of the band kept the post-punk tunes going.

    Then Tenacious D stole the show. Jack Black and Kyle Glass, accompanied by a guitar player, a bass player and a drummer, marched out on stage to epic adventure music then proceeded to rock. Black and Glass employed plenty of shtick, acting out scenes from their movie, “The Pick of Destiny,” and Black even had a roadie change his T-shirt three times.

    The Pixies closed out the festival with a set that proved why Jack Black said there wouldn’t have been a Radiohead or a Nirvana without the Pixies trailblazing their way through the late ‘80s to practically create indie and alternative rock. The band, which originated right in Boston, broke up in 1993 then reunited in 2004 and has been playing ever since, though bassist/vocalist Kim Deal is no longer with the band. They entertained the crowd with an extended set that sampled from throughout their five-album discography.

    Also on Sunday, organizers announced the stacked lineup for September’s edition of Boston Calling with a video played on the screens flanking both stages. It will be headlined by the Avett Brothers, alt-J, Alabama Shakes, Hozier, Of Monsters and Men, Chvrches and Ben Howard.

    Here’s the full lineup:

    bostoncallingfall

    This fall’s festival will be held Sept. 25-27, and tickets are on sale now.

  • Turning Stone Does Country Music Fans a Solid by Keeping it Country

    For several years now, right in the heart of Central NY we have had one gem of a venue, that has continuously brought country music fans the latest and greatest music directly from Nashville. Proudly displayed on the walls within The Turning Stone Casino & Resort you’ll find show posters. Signed by each artist that have performed over the course of the almost twenty-two years since their opening in July 1993.

    It’s a good thing they keep expanding as they would run out of wall space. Some of country music’s most decorated stars have graced the stages at The Showroom and The Event Center. Audiences have enjoyed the likes of Dolly Parton, Kenny Rogers, Loretta Lynn, Clint Black, Alan Jackson, Wynonna, Trace Adkins, Brantley Gilbert, Justin Moore, Darius Rucker, Love and Theft, Gloriana, Scotty McCreery, Eli Young Band, and I can go on and on here.

    Constantly bringing audiences their favorites from both today and yesterday, The Turning Stone certainly has kept country music fans entertained.

    The first show I ever saw at The Event Center, would be the legendary Martina McBride. This sold out show was the perfect introduction for me to this venue as Martina McBride performed two full hour sets of award-winning music. Featuring some of the greatest country classics from her recently released Timeless album — later to be certified as Gold and Platinum.

    Ms. McBride’s performance took me back to my youth in Tennessee, as she sang country standards of Hanks Williams, Loretta Lynn, Tammy Wynette, and Johnny Cash to name a few. After a quick costume change, back on stage she came belting out her own hit after hit. This show and Ms. McBride made a lasting impression on me that evening.

    Eli Young Band - Turning Stone Showroom
    Eli Young Band – Turning Stone Showroom

    Fast forward to today, as a music photojournalist I absolutely love covering shows at this venue and still feel that excitement, the same feeling that came over me as I watched Martina McBride mesmerize her audience. The amazing lighting & sound staff, and the top-notch lineup this venue constantly brings to the country music fan base here in Central N.Y. is very much appreciated.

    These shows continue to sell out and the big acts continue to frequent this centrally located venue. In my opinion, I believe their ongoing success can be attributed to the fact that they continually listen to their audiences and bring to them the acts they wish to see. Turning Stone also provides these acts with top-notch technology to give their audiences the best performances possible.

    Tin Rooster - Turning Stone Casino Exit 33
    Tin Rooster – Turning Stone Casino Exit 33

    For those just looking for a place to relax, have some down home country barbecue for dinner, and hear some of your favorite local country musicians on the weekends. The Turning Stone once again listened to their patrons. In 2013 they added their Exit 33 Venues which includes the Tin Rooster, an establishment focusing on everything down home country. With a shiny bedazzled rhinestone clad saddle hanging from the center of the dance floor like a disco ball, locals have had the chance to chow down on down home country cooking, enjoy libations at the full bar areas, while working it off afterwards line dancing and shaking what their momma gave them country-style.

    Tin Rooster - Exit 33
    Tin Rooster – Exit 33

    The Tin Rooster, along with the other venues within Exit 33 provide a constantly packed venue for the local acts. Showcasing their music each weekend to an eager audience. On occasion you can even see some major national acts for little to nothing on the Tin Rooster stage.

    In fact, this past New Year’s Eve, the Tin Rooster treated their patrons for a night to remember. Ringing in the New Year with local favorites The Beadle Brothers. They kicked off the night and primed the already eager audience while they counted down the clock, waiting for the new year to arrive.

    To round out the eventful evening, national act and crowd favorites, Love & Theft took the stage. As Love & Theft performed, they rang in the New Year in country-style. Patrons celebrating the holiday and donning proper New Year’s Eve attire, goofy glasses on their “Angel Eyes”.

    This is just one of the treats we continue to get from our country music venue sources at the Turning Stone.

    Nashville may logistically be about 13 hours away. However for central New Yorkers, one of country music’s largest fan bases — it’s just a hop, skip, promenade, do-si-do, and two-step down the road and off of the thruway on Exit 33.

    For more information on weekly acts, please take a moment to visit the webpage for Exit 33’s Tin Rooster, where you’ll find the latest acts, menus, and information on how you can book your own parties.

  • Oak Mountain Announces Bluegrass Fest Lineup

    The Oak Mountain Bluegrass and Arts Festival is back for its third year, and it will be headlined by Utica-based Americana/folk group The Old Main.

    Also appearing will be Nick and Braids — banjo and fiddle player Nick Piccininni and mandolinist Jason Barady of Floodwood. The Deer Run Drifters, a bluegrass group from Virginia that features two sets of brothers, will also make an appearance, as will Swampcandy, a unique band from Maryland that features a singer/guitarist and a dude who plays upright bass while also using his feet to work a kick drum — creating a bluesy sound with a Louisiana swamp kind of feel.

    [youtube http://www.youtube.com/watch?v=_nqoo7QkLgs]

    The festival takes place on Aug. 8 at Oak Mountain, a picturesque ski slope in Speculator that transforms in the summer to a great place for both music festivals and mountain biking. It is located at 141 Novosel Way in Speculator.

    Here’s how organizers describe this great festival:

    “This is Pure. Fun. and you don’t want to miss it! Join us for a celebration of music and arts in the mountains of the Adirondacks! Great food, great beer, lift rides and fun for the whole family!”

    Gates open at 12:30 p.m. and music starts at 1:30.

    • 1:30-3:30: Swampcandy
    • 4-6: The Deer Run Drifters
    • 6:30-8:30 Nick and Braids
    • 9-11: The Old Main

    They’re still looking for vendors. Those interested should email crystal@oakmountainski.com for details.

    Tickets are $20 with camping or $15 for the full day. Kids 12 and younger are free with a ticketed adult. Buy your ticket now.

    For more information, check out the Facebook event page.

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  • The ‘New’ New Deal at The German House in Rochester

    Toronto trio The New Deal played to a packed German House in Rochester on May 28. With energetic local group Ocular Panther as the opener.

    With clear influence from Dopapod and The Disco Biscuits, Ocular Panther brings good funk into driving livetronica that is not too heavy, and not too light. Colin Jones pulls double duty on keys and guitar, pairing well with guitarist Mike Pantano. A strong opener for the night, they’re a must see as they play New York State this fall.

    While The New Deal continues to play fantastic livetronica shows, tonight and even their recent set at Summer Camp felt a little short of potential. With the addition of drummer Joel Stouffer joining bassist Dan Kurtz and founding member Jamie Shields. Stouffer keeps a strong beat, while Shields’ keys are tight as always, explorative and focused. All the while Kurtz’s bass drives the speed of the song. They let the crowd do their thing on the dance floor but didn’t engage them beyond buildups. Overall the nearly two-hour set was solid but felt dialed back from previous years.

  • Jeff Austin Band at City Winery ‘Y’all weren’t invited to any BBQ’s?’

    There are few musical stylings that can be considered more American than bluegrass, so seeing Jeff Austin on Memorial Day was the perfect fit. The meticulously set dining room at City Winery set the perfect ambiance for this intimate show.

    Austin, playing to the light crowd quickly quipped “I guess y’all weren’t invited to any Barbecue’s today?” — breaking the ice on what is sometimes an uncomfortable situation for artist and fan alike.

    Accompanied by legendary Danny Barnes (banjo), Eric Thorin (bass) and Ross Martin (guitar). Austin and Barnes alternated taking the lead on tunes and both brought their own special level of intensity.

    Barnes reeled listeners in with his bluegrass roots, and voice. Eventually succumbing to Austin, who was taking us on a perfectly drawn ride aboard his deep and heavy mandolin play.

    Despite both bluegrass legends throwing it down the highlight of this show was Thorin’s stellar upright bass play. The deep grooves he was laying down were reverberating throughout the room and rattling the wine glasses. The show came to a climax with a cover of the Chuck Berry penned “Promised Land” made popular by The Grateful Dead.

    While Austin was enamored by the cabs driving by in the heart of the big city he was also distracted by the cardboard cut-out across the street, which he believed was haunting him throughout the show. Jeff Austin made it a point to recognize each band member and giving them all time to shine — playing Barnes and Martin originals to bring the set to a close. If you weren’t invited to a Barbecue, a healthy dose of Memorial Day bluegrass does not play second fiddle.

  • Hearing Aide: Coal Chamber ‘Rivals’

    After being away for over a decade plus, Coal Chamber has rediscovered their furious chemistry and unleashed Rivals, released by Napalm Records and produced by Mark Lewis who has worked wonders with bands like Trivium and DevilDriver. This album delivers and lives up to the hype that was brought forth, however, does it enhance Coal Chamber’s legacy even further?

    It starts off with a fast stylish track “I.O.U. Nothing” which appropriately opens with screeching guitars from Meegs with a fast nu metal beat from Mikey Cox, and Dez Farara’s brutal vocals hasn’t aged one bit. The second track “Bad Blood Between Us” has a slower tempo but everything gets dark and haunting with “Light In The Shadows” something you would expect from vintage Coal Chamber. I saw an interview with Dez Fafara a few weeks back where he stated that this album isn’t a “throwback album” but honestly to me, it is. I’m not saying it sounds like the previous three albums, but it certainly sounds like classic Coal Chamber and everything you would expect from this band, however, they tastefully made this album for 2015 because it is more mature sounding.

    The track “Suffer In Silence” is a real behemoth track. Ministry’s Al Jourgensen makes a guest appearance on this track to make this one a real stand out. Another real stand out track is “Another Nail In The Coffin” because it’s a heavy and erratic. It speeds up, it slows down, it breaks down and Fafara’s vocal tracks are arranged all over the place. Kudos to producer Mark Lewis for being tactical on mixing this track. After the title track and single “Rivals,” the track “Wait” is a fun and catchy song with a real nice groove to it.

    Towards the end of the record “Fade Away (Karma Never Forgets)” is really catchy then it ends hard and fast with “Empty Handed” thus marking an album that is candidate for one of the best albums of 2015. This album proves Coal Chamber is back with a vengeance, picks up where they left off and has us all wanting more. I would highly recommend picking this one up and catch Coal Chamber play these songs live.

    Purchase Rivals here.

    Key Tracks: “I.O.U. Nothing,” “Suffer In Silence,” “Another Nail In The Coffin”

  • Forever Young, Wild, and StrangeCreek

    The 13th annual Strange Creek thrown by Wormtown Trading Co.,was one for the books.  The weekend was like a fruit filled parfait layered with wild and wonderful people, beautiful works of art, dusty roads, lots of sunshine and of course music to inspire the span of ages that attend StrangeCreek. Majority of people steadily streamed in all day Friday. EZ ups popped up, strangers became neighbors and people all became pieces of the StrangeCreek woods.

    Friday included notable performances by Banooba and Sister Sparrow and the Dirty Birds. Sister Sparrow played down bluesy tunes such as “Boom Boom,” “Too Much Ain’t No Good” and a Doors cover of “Roadhouse Blues” with a sit in by Patchen Montgomery of Strangefolk.

    StrangeCreekThe crescent moon had been visible in the sky all day long and as the sun went down during a familiar Shakedown set the magic was undeniable. The wonderful Zach Deputy cleaned up the Main Stage that Friday night with his one of a kind style of comedic RnB. Unfortunately, a flip flop of set times between Pigeons Playing Ping Pong and Primate Fiasco lead to a lot of people missing Pigeons set.

    It feels like a blessing that year after year everyone gets to keep reuniting on the banks of the river at Camp Keewanee. Its refreshing that some of the proceeds of the festival go back to Keewanee. It is uplifting to see the amount that members of Massachusetts music community gives back to one another.

    On Saturday at high noon, The Kind Buds gave a beautiful acoustic set performance at the main stage. It did not take long in the day for a mystery to surface. Who in the world is Cuty Phazed? This unknown act began to spark some questions among festival goers. It soon became clear that no one actually knew who Cuty Phazed was. But because it was Strangecreek naturally, Sheriff Zach Deputy was hot on our radars and after some good detective work it became apparent that Cuty Phazed was Zach Deputy with the letters rearranged. This mid day acoustic set at Vernville stage was better than the night before. His setlist included “Chicken Pot Pie,” “Bikers in Diapers” and a cover of “Gold Digger” by Ray Charles.

    StrangeCreek

    A stroll over to the main stage after Cuty Phazed lead me to my first rendezvous with Vermont native band the Gang of Thieves. Michael Reit shred the lead melody of a Led Zeppelin son. They were generating a huge sound. It was hardcore to hear Violinist, Michael Reit shred the lead the melody of a Led Zeppelin song.  At 4:20 Max Creek played their first set of the day on the Vernville stage in honor of their 44 years playing together. The whole day set was a tribute too all songs that came out in 1971 such as “Playing in the Band,” “Brown Sugar” and “Riders on the Storm.” Then later a second set on main stage that when combined with the day set total six hours of music. Saturday night continued to be amazing with William Thompson Funk Experiment. They got everyone very comfortable and loose and grooving by intertwining the art of funk with the art of poetry. One of the best acts of the StrangeCreek weekend.

    The 50 year anniversary of the beloved Grateful Dead has lead to more tribute shows than usual. The Dead set on Sunday featured a “Jack Straw,” the second of the weekend, a “Ripple” and a long and beautifully jammed out “Terrapin Station.”  Following The Dead Set was Consider the Source, a festival favorite, they packed the main stage at 6 p.m. with almost everyone at the festival.  Their setlist included “I’ll Fight for the Imp,” “Put another rock in that bag PT. 1, IV” and VI and You Go Squish Now. CTS is a hard act to follow. Smushed in between the end of Source and Ryan Montbleau a band called Llama Lasagne imposed a jovial spectacle on the river worm stage. The stage held over 12 people, it is no wonder they call themselves a party ensemble.

    The sun set around us as the Ryan Montbleau and Friends set took flight. They treaded lightly into a cover of “Take a Walk on the Wild Side” to open. conveniently enough, the band slid into the tune “Dead Set” which was well played and the feeling of love became contagious as the setlist featured a bunch of songs about women and love such as “Honeymoon Eyes” and “Back in Love again”. If we weren’t already standing it would have been a standing ovation.

    A successful music festival can be weighted by all the musicians who jammed so lovely that their music finds its way into your future repertoire. The bands that made a lasting impression this year include William Thompson Funk Experiment, Mother Ton, Jeremiah Hazed and Banooba. A special thank you needs to be given to everyone who went into making this StrangeCreek, the strangest and most magical to date. That includes the late working vendors, the FireWormz, the volunteers, year after year,the owners and staff, as well as, the musicians and of course the Massachusetts community.