Category: Western NY

  • Fitz and the Tantrums Electrify at Water Street Music Hall

    Fitz And The Tantrums brought loads of emotion and punch to Rochester’s Water Street Music Hall on Sept. 2.  Opening with “Get Away” the fans knew immediately that they were in for a high-energy show. Together, the voices of lead vocalist Michael Fitzpatrick and backup vocalist Noelle Scaggs created an undeniable heat that fired through the crowd.

    © Kelli Marsh - Fitz And The Tantrums
    Photo © Kelli Marsh

    Fan favorites “Out of My League” and “Don’t Gotta Work It Out” had the audience singing every word across the floor and balcony. Fitzpatrick and Scaggs have an electric connection that buzzed through the air at Water Street.  They kept the poppy pace going and the fans bumping from start to the encore finish.  The catchy hits, “Moneygrabber” and “The Walker” closed out an enthusiastic performance.

    © Kelli Marsh - Fitz And The Tantrums
    Photo © Kelli Marsh

    Setlist: Fitz and the Tantrums Water Street

    Setlist:  Get Away, Don’t Gotta Work It Out, Break The Walls, Breakin’ the Chains of Love, Keeping Our Eyes Out, Spark, Sweet Dreams, Out of My League, Fools Gold, 6am, Tell Me What Ya Here For, L.O.V

    Encore: Moneygrabber, The Walker

  • The New Mastersounds and Orgone Meet in the Middle

    One band from Leeds, England and the other from Los Angeles.

    Meeting in Buffalo last Wednesday, Orgone and The New Mastersounds packed The Tralf for a soulful throwback with a good helping of funk thrown in for good measure. With one making the far trip east across the U.S. and the other coming west across the pond, Buffalo was treated to a perfect pairing of solid musicianship all on one stage.

    New MasterSounds-0098
    Frontwoman Adryon De Leon

    Orgone kicked things off, and while they may have opened the show, this is FAR from your typical opening act. The band came onstage Wednesday night and laid it right out for the Queen City, jumping into a tight melody that rode along the rhythm and combined to pull at people’s feet and sway their hips. The band blends funk and soul in a very classic, yet powerful way, emitting a surplus of energy that immediately powered the crowd. The Wednesday night audience was sparse at the release of the first note, but had the floor covered by the time the song wrapped up.

    Singer Adryon De Leon joined the band onstage after the start, gracefully stepping up to deliver her powerful voice. She didn’t let the crowd have it right out of the gate, opting to ease in with a soulful, yet jazzy hook. Her full capabilities were quickly realized by the city’s funky fans. The diva commanded the stage with her presence and elevated the already incredible musicians who backed her.

    The band was able to walk around the venue before the show started without many noticing, but that is sure to change after the performance they put on. The sitters were soon standers and standers quickly became dancers. Their sound was the catalyst to a shift in energy in the room. Other music websites must not have caught an Orgone show yet, because this band is without a doubt worthy of a mention when talking about the Top 10 Current Funk Acts if you’ve seen them live.

    The enthusiastic crowd that filled the place on Wednesday let the band know how they were feeling during any lull in the action, screaming and encouraging the band to keep it up. Orgone’s throwback sound was refreshing and deeply intoxicating. The way the instruments played off of De Leon’s voice left many with eyes closed, fully embracing the sound. In retrospect, the West Coasters damn near stole the show.

    De Leon sat out for a few songs, allowing the rest of the talented group to share in some of the spotlight. All around, this is a special mix of people, from guitarist Sergio Rios to percussionist Chuck Prada who ripped a solo all his own earlier in the night. As De Leon stepped back out though, her quickly developed fan group cheered her back on. Her multifaceted approach was showcased through her ability to groove through low-end melodies and belt out highs that sent the crowd reeling.

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    Keyboardist Dan Hastie

    Before finishing their set, guitarist Sergio Rios said, “That’s what it feels like to love.” Surely it was a setup though as the blistering solo he saved for the final song completely blindsided the crowd. He just let us have it, throwing everything he had through the six strings of his guitar. With how powerful of a set overall, and especially in closing, this band put on, it wouldn’t surprise me if Orgone packed the same room on their own next time they come back.

    New MasterSounds-0259The New Mastersounds were up next and did not have an easy act to follow. Guitarist Eddie Roberts’ suave and dapper attitude was quickly exuded though as he setup, letting everyone know that they were up for the challenge.

    Kicking the night off, the band immediately showed the crowd their stripped down and organic approach, while simultaneously filling the room and proving the old adage of “less is more” to be true. With little to no introduction, the band went from the first song into “Dusty Groove”, leaving only a rhythmic reset in-between. This may have been the first date of their U.S. tour, and also the first time they had played together in over two months, but the crowd would have been oblivious if the band hadn’t told them. The four-piece from across the pond settled in rather quickly with no visible rust.

    Drummer Simon Allen and bassist Pete Shand were tightly synced from the start, becoming even more intertwined as the show wore on. Their direction provided a moving treadmill that the other two members had to jump on with their melodies. While the lengthy break might be a detriment to some bands, The New Mastersounds seemed to be actually using the reunion to their advantage with an excitement you could feel through their music.

    In true testament to how rhythmically tight this band is, Eddie Roberts played a tambourine with his foot as he started the opening line of “Morning Fly” through his ’65 Gibson hollow body guitar. As Eddie ripped through jazz scales, Simon built the beat while the remaining members would join for support. The undeniable swell captivated the whole room and pushed everyone to dance harder into the night. It was as though the band just picked up their musical conversation right where they left off. And just like a renewed friendship has those exciting moments, so too did this night with the entire band sharing smiles with the crowd when they would particularly nail a segment.

    New MasterSounds-0254

    As individuals and collectively as a band, their simplistic approach utilized spacing as tension that fought an incessant rhythm. By laying back, the band drew your ear in and allowed the music to breath before taking off again. As they launched into the opening track “Old Man Noises” from their latest album Therapy, the band brought an unmatched ferocity to whatever song they damn well chose. Organist Joe Tatton threw his heavy Hammond overtones out into space while Eddie took that same foot he used for the tambourine and turned it loose on his wah pedal, creating a tremelo effect on an incredible rendition of that song’s solo.

    Many people were caught deeply entrenched in the music throughout the night. The positive and soul-quenching material was absorbed by everyone who happened to venture out and written across their faces even after it came to a close. It may have been a trip for both bands, but the crowd was thankful for the night of music and everything the bands put forth on stage. As for the battle of who had the better set, well, it would be a tie in this writer’s eyes, but you can decide for yourself…

    Thanks to our friends at WNYmedia Network, we have audio of both band’s full sets:

    [soundcloud url=”https://api.soundcloud.com/tracks/166163605″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

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     All Photos by Thomas Sgroi

  • First Listen: Ocupanther ‘III e III’

    datastretch is happy to share the first listen of Ocupanther’s new single “III e III”. Ocupanther hails from Rochester and first came onto the scene in 2011. Three of the four members of this quartet played together for years as regional touring band Pia Mater.

    A change in direction for that band and the addition of long time friend and shred wizard Mike Pantano birthed Ocupanther. Data Stretching will mark the third studio release for the band after 2012’s Troncoso and 2013’s Progressor. Keep an eye on for a full review of the new release and enjoy “III e III” while you wait.

    Upcoming Ocupanther dates:

    Sept 13th – Night Lights Music Festival – Sherman, NY

    September 26th – Temple Bar & Grill – CD Release Celebration – Rochester, NY

    Oct 2nd – Tralf Music Hall w/ Giant Panda Guerilla Dub Squad – Buffalo, NY

    Oct 7th – Montage Music Hall- w/ New Mastersounds – Rochester, NY

    Oct 18th – Westcott Theater w/ Electron – Syracuse, NY

    Nov 1st – Lovin’ Cup’s Hallo-Palooza – Henrietta, NY

    Nov 21st – Flour City Station – Rochester, NY

  • Leading up to Night Lights: An Interview with Michelangelo Carubba of Turkuaz

    Anyone who lives in the Upstate region knows that summer is not something to be wished away. The short season of nice weather is always packed full of barbecues, weddings, family get-togethers, and weekends enjoying the outdoors. That being said, if there was one reason to look past the shorts and tank tops this year to hoodies and jeans, it would be Night Lights Music Festival. The festival is held in Sherman, NY (directions here) and has continued to get better with each proceeding year. The team who puts it together always does a great job, but this year they have set the bar quite high for western New York festivals with an incredible lineup that had most ready to smell the pumpkin spice back in the spring when the bands were announced.

    Michelangelo Carubba TurkuazSome of whom you will see include such acts as Snarky Puppy, Dopapod, Consider the Source, Turkuaz, The Mike Dillon Band, Jimkata, Big Mean Sound Machine, The Manhattan Project, and Aqueous. If that lineup in and of itself isn’t reason enough to come out, there are also a whole host of great up and coming local acts that you’ll want to see. Speaking of locals, one of the headliners, Turkuaz, has a tie back to the area that most don’t know about.

    Drummer Michelangelo Carubba of Turkuaz is actually a Buffalo native who grew up in the area and still has family who lives there. I was able to catch up with the man who keeps each member of the funk army marching to the same beat. Below, we talk about his hometown roots in Buffalo, his band, and Dave Brandwein’s trip to SkyNet, among other things.

    You’ve lived on both ends of New York State now and have experienced many cities on tour. What are your top three favorite places and why?
    This country is so vast and varied. I’ve toured 49 of 50 states (still waiting on that call to go to Alaska). New Orleans has always been one of my favorites. There’s something in the DNA of that town. It vibes harder than most cities. The food, the music, the people, everything. It’s great. Denver has been really good to us. The fact that you can buy herb with a credit card is pretty mind-blowing. But my favorite place is New York City. There’s nothing like it on earth. There’s everything for everyone and it’s always ready to go. It can be peaceful if you want, or it can rage harder than anywhere else. You can live at an ever-changing pace and it’s always right there with you. And I’m a native New York, East Coaster, and you just can’t get better Italian food than in New York.

    How did you end up in NYC with Turkuaz after growing up in Buffalo?
    I moved to Boston in 2006 when I was 21, after touring for 3 years in various bands. I moved there to attend Berklee College of Music. There, I met a lot of the people I still make music with today. When everyone was graduating, almost my entire crew was making the move to NY, en masse, so it was the logical next step. If you’re going to make a run for it with a band, New York is the place to do it.

    Who are some of your biggest influences and why?
    Muhammad Ali. He was the first hip hop poet. He could knock a man out like no one’s business. And he knew it. Queens of the Stone Age, musically, have been fueling me for the last ten months. I saw them at Barclay’s Center in Brooklyn, and I’ve never been rocked so hard. Great songwriting, and an aesthetic that’s dripping with sex and pain. I love them. Snarky Puppy has been inspiring me as well. I won’t try to articulate why. Go and listen.

    Tell your fans something they might not know about you or the band.
    We’re insane.How did Jaguar start and what’s the current state of that band? Will you guys eventually record an album and tour?
    Alan Evans’ PlayonBrother and Turkuaz were on the road together for six weeks. I had known Danny Mayer and Beau Sasser for a long time. Beau had always been a mentor when we lived together in Boston. I think the band was actually born out of a few rounds of whiskey shots. Musicians are always looking for outlets, or ways to say what you want to say. We all thought it would be great to play together. Jaguar hits are all improvised at this point. We all have pretty open ears, and we’re all close friends, and that translates into the music. Everyone is very busy at the moment with main projects, but Jaguar is looking to hit again in the fall in the Northeast. I’m sure an album and touring will happen at some point.

    How did Turkuaz grow to include so many musicians? Was that by design?
    Unintentionally, yes. The bands sound was created by Dave Brandwein and Taylor Shell, our guitarist and bassist. They were making demos together in the Berklee days, and someone passed a demo off to Berklee’s record label, Heavy Rotation Records. The label asked Dave and Taylor to perform at the record release show at the Berklee Performance Center for 1,000 people. The demos were so musically dense, that to recreate the sound live, they needed to call eight or nine people. And it always stayed like that. It works.

    The band has springboarded pretty quickly in terms of popularity. What do you think that is attributed to?
    A relentless touring schedule over the last two and a half years has had a lot to do with our growth. We’re very lucky. People are coming out to shows and having a blast. We are too. When you’re in front of that many people, day in and day out, all over the US, you hope that something sticks in people’s minds. Our music and vibe seem to be sticking. We also just have fun. I think people read that. I think they realize that we’re up there giving our all every night because we want others to be happy.

    How is Dave Brandwein’s hand? Has he made a full recovery from the injury?
    We sent Dave off to SkyNet and he now has a fully bionic set up from the elbow down. It’s indestructible and it’s always set to rock.

    What influences do you bring to the table outside of funk?
    This is a hard question to answer. It would be a waste to say, “well I like rock and jazz and blues, etc.” The influences I bring, to make the music that I’m playing come alive, are things like my love for boxing, stand-up comedy, faith, sex, cinema, and animals. The playing is gonna be there, I can play these tunes with a blindfold on and one arm tied up. What makes it happen, what really gets me and the band and the crowd off, is when we bring real life into the music. How ever I’m feeling, I’m putting that into the music. Life is my influence.

    What are some of your favorite things about the city of Buffalo?
    The people. They’re kind, empathetic, and real. The food. I mean, come on. I just love what Buffalo means to me. I have such a connection to the city. I was born and raised there. My father owns Carubba Collision, and anyone that’s a Bills, Sabres, Bandits, or Bisons fan recognizes that name. “The Carubba Collision of the Game” has been a great part of Buffalo sports for the last 35 years. When I think of Buffalo, I think of the times spent at the Aud, at First Niagara Center, or at the baseball field, (whatever it’s called now). Buffalo will always hold a very special place in my heart.

    Alan Evans is another big drummer from Buffalo and it seems, on social media, that he has become a friend. What experiences has he shared with you as an up and coming drummer?
    Al has become a close friend. Al is a great musician. Not just a drummer, but a guitarist, bassist, singer, and producer. We share a similar sense of humor, and a similar understanding of things. Al is a true Buffalonian, and I think I am too. I feel like we subconsciously relate to each other along that plane. He’s taught me about humility, hard work, and ambition. Al’s kind, generous, loyal, and most of all, real. There’s a lot of people on his level that are fake. Al is not fake. Al is the shit.

    Who are some of the bands you still haven’t played with, but would like to?
    Well, Snarky Puppy for sure. I’m going to kick that off the bucket list on September 13th, at Night Lights Music Festival. That’s going to be incredible. I get to play a show, walk off stage, and watch one of my favorite bands in the world play right after. You can’t ask for much more than that.

    What is up next for Turkuaz?
    Finishing up festival season now, with the exception of a few late in the year (Bear Creek Festival in November in FL). For September, we’re locking ourselves away for the month and recording our next album. We have a few shows during the month that we’re thrilled about. On the 19th we’re direct support for Bootsy Collins in Baltimore. That is a dream come true. He wrote the book on a lot of what we’re trying to do, so to get to share it with him and a huge audience, is amazing. Aside from that, we’re touring. We’re always touring. It never ends. And we love it.

    Are you a Bills and Sabres fan? What do you think about the state of both teams?
    I love all Buffalo sports, like I said earlier, but the Sabres are the closest to my heart. Growing up, a lot of the old Buffalo Sabres were around my house and at family parties. John Tucker and Paul Cyr (throwback) used to come and cut their Christmas trees down on my families land. John Tucker gave me my first Labatt Blue when I was five years old. Rob Ray taught me how to swear when I was seven. I remember watching Dominic Hasek play horrible golf, yell in his native tongue, and throw golf clubs. The Sabres organization will always be very close to me. As for the state of the team, I think the entire city, and everything and everyone involved, is on the rise. Companies are investing in Buffalo. Neighborhoods are being revitalized. Restaurants, shops, homes. Everything is coming back. I think the Sabres and the Bills are headed in the same direction. I think by 2020, Buffalo is going to have a new identity. It’s not going to be “that places where it snows”. Its going to be a Championship city where people go for music, food, and living life. I love Buffalo.

    If the lineup somehow doesn’t convince you, there’s also this little side element that not a lot of people realize, even with it being in the festival name: THE LIGHTS! Night Lights Music Festival is one part music festival and one part light display. This isn’t just stage lighting though as the Night Lights HQ sets up an enormous and truly stunning display throughout the woods. I can leave this description brief as words simply don’t do it justice. Check out the pictures from Arthur Kogutowski below and we hope to see you dancing under the lights next weekend.

    If you’re now looking for tickets to Night Lights Music Festival, you can grab them here. They’re $75 presale and include camping and parking.

  • Tedeschi Trucks Band Rolls Into Rochester on September 25

    Rochester, NY will be the landing spot for the celebratory roots and blues explorations of the Tedeschi Trucks Band on Sept. 25. The eleven piece group combines Derek Trucks world-renowned guitar prowess as well as his wife Susan Tedeschi’s gritty vocals and equally potent guitar talents. Poly rhythmic undercurrents, golden horn exclamations and soulful renditions of classic covers and original compositions are on the docket for the evenings musical proceedings. The band will visit Rochester in support of their recent release, 2013’s Made Up Mind. 

    Tedeschi Trucks Band rochesterThe concert will feature the band’s diverse blend of swampy blues, jazz, funk and raga neatly decorated with the virtuosic slide guitar of bandleader and instrumentalist extraordinaire Derek Trucks. Unable to be categorized by genre, the Tedeschi Trucks band is music for the body and mind, developed by some of the finest musicians in the world, each member a shining star illuminating a detailed musical landscape.

    Tickets for the 7:30 performance are available through Ticketmaster for $39.00-89.00 or by contacting the Rochester Auditorium Theatre.

  • Dark Star Orchestra Played to a Packed Crowd at Rochester’s Party in the Park

    One of the most notable events from the Party in the Park lineup was Dark Star Orchestra’s event, which featured a random set-list, not a specific recreation of an authentic Grateful Dead show as they are famously known for. The set-list featured gems like “Loose Lucy” and “west L.A. Fadeaway” in the first set while the second set had highlights, “Foolish Heart” and encore “Dear Prudence”. Despite they did not choose a set-list from a show, the energy was still there and family was all around.

    Summer has come and gone and the Autumn time is coming soon, when we look back to those hot summer nights, many in Rochester will surely think back to the superb Party in the Park concert series we enjoyed this year. The location had been brought back to the original spot at the Martin Luther King Jr. Memorial Park at Manhattan Square, and Rochestarians couldn’t have been happier about the re-location and the hot line-up.

    Setlist – Dark Star Orchestra Party in the Park

    Set One: Greatest Story Ever Told ; Quinn The Eskimo (The Mighty Quinn) ; It’s All Over Now ; Loose Lucy ; Lazy Lightning > Supplication ; West L.A. Fadeaway ; Big River > Mystery Train ; On The Road Again ; Let It Rock

    Set Two: Feel Like A Stranger ; Foolish Heart > Lost Sailor > Saint Of Circumstance > Unbroken Chain > drums > space > Fire On The Mountain > Hey Jude > China Doll > Johnny B. Goode

    Encore: The Shape I’m In > Dear Prudence

  • Hearing Aide: Neuroceptor ‘Reuptake’

    Neuroceptor, a four-piece electronica fusion group from Rochester has just released their first EP as a band, Reuptake. The group released the album on August 30 while playing the Purple Pig Music Festival in Naples, NY. Reuptake features six tracks that blend organic sounds with electronic beats.

    According to keys player Mike Lopresti, who also wrote and produced the album, “most of the tracks are inspired by some piece of nature or culture…the whole concept of Neuroceptor is blending electronica with these organic and natural inspirations.” With tracks like “Estuary Path”, “Roads of Spain”, and “Giant Earth Shattering”, Neuroceptor’s fascination between natural and synthetic dualities surfaces in both song titles and composition.

    neuroceptor reuptakeThe opening track, “Anura” is named after the Greek term for the genus classification of “toad.” The tune has an underwater feel, setting a fluid tone for the EP. Beginning with fast, snappy drumming and a tight bass line, the addition of melodic keys shore up the full sound. As the track progresses, a plethora of croaking sounds, produced with analog synthesizers, create an out-of-this-worldly amphibious effect. The electronica track, nearly seven minutes in length, gets intense in the middle, but returns to the melody for a gradual comedown as it closes.

    The aquatic vibe carriers over to the second track, “Ganges of Heaven”. Led by the guitar, this tune follows a more linear rock path than “Anura”. Third up, “Roads of Spain” introduces the band’s versatile side with a mix of reggae samples and ambient synth sounds. One could easily imagine blasting this jam at a summer beach party.

    “Estuary Path” showcases Lopresti’s production skills. Both eerie and ambient at once, the song has the most personality of any on the album. It commences with the flowing theme introduced in the first couple songs. A few minutes in, however, sharper, more menacing synthetic sounds are incorporated. The track progresses through a Daft Punk-esque section before closing with strange samples playing over the dance party version of The X-Files theme song. As a whole, the nearly nine-minute long song is a captivating journey with distinct sections.

    While Neuroceptor’s first self-titled EP was recorded solely by Lopresti, he recruited a band for a live show and they’re featured on the new album. “Reuptake is supposed to highlight us as a band,” Lopresti stated. “Giant Earth”, the fifth track, starts a bit slowly, but picks up with some funk in the middle and concludes with the most deeply layered and fullest sound on the EP. The finale, “Collective”, returns to reggae for an easy-listening ending to the album.

    Overall, the six tracks on Neuroceptor’s Reuptake blend electronic and instrumental sounds to create a well-balanced, smoothly flowing album. Each song is both easy to listen and dance to, while there are certain nuanced points that may require a couple listens to fully appreciate. You can listen to more of Neuroceptor here, and they will next be playing live on September 20.

    Key Tracks: Anura, Estuary Path, Giant Earth Shattering

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  • The Nth Power Makes Debut in Buffalo on Chillgrimage to Hancock

    10462784_498814903584071_2315225169758555355_nJust over a year ago, five musical soul mates came together to form The Nth Power and have seamlessly risen to the top, carrying the power of love and transcending the senses in the most purely uplifting manner. The supergroup of sorts is comprised of keyboardist and singer, Nigel Hall, whose raw emotion and passion is one of the many driving forces within their music. Drummer/vocalist Nikki Glaspie, who recently parted ways with the NOLA funk outfit Dumpstaphunk, truly believes in what The Nth Power is doing and made the band her primary focus with the decision. Rounding out the group is Nick Cassarino on guitar and vocals, Nate Edgar who holds down the low-end on bass, and percussionist Weedie Braimah. The band may be less than two years in the works, but have an immense amount of experience with members playing with such acts as Lettuce, Beyonce, John Brown’s Body, Warren Haynes Band, Toubab Krewe, and the aforementioned, Dumpstaphunk.

    Taking on the soulful side of funk, the group embraces a mutual love and respect for music’s power and utilizes the tool to take people on a roller coaster ride of emotions, hitting them right where it counts. Their live show has been described as more than just music and, as the band rolls into town next Friday, Buffalo is ready to embrace the band’s love with open arms.

    The Nth Power is set to play Catskill Chill Music Festival the following night in Hancock, NY with a late night set start time of 1:15am. For those in the western N.Y. region, this is a great opportunity to check these guys out if you’re unable to make the fest. Being that this is the band’s first time to the Queen City, they’re hoping to see a good turnout and mutual love for their overall mission. If you have ever checked out their Twitter page, you will see a lot of hashtags that say #thenthpowerlovesyou, and it’s through their music that it’s expressed. On the flip side, I can say to them that #buffalovesyouback and the excitement and anticipation for the show is washing over the city with less than a week left.

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    Photo by Joshua Brasted

    Opening the night will be Jamestown’s smackdab. The funk band not only draws influence from the headliner, but was extremely excited to be announced as the opening act. The five-piece is fronted by singer Jon-Marc Johnson and also includes Matt Baxter on guitar, Mark Cooper on keys, Ryan Ecklund on bass, and Daniel Witherspoon on drums.

    Tickets are only $10 in advance and can be purchased here. They can also be purchased at the door for $12.

    If you’re still on the fence, check out a video of The Nth Power below. Being that this is their first show in Buffalo, the band is sure to dig deep and put on a great performance for all who show up to The Tralf next Friday.

    https://www.youtube.com/watch?v=Y0-WQ7zCsBY

  • The New Mastersounds Kick Off Tour in Buffalo Next Week

    Eddie Roberts of The New Mastersounds
    Eddie Roberts of The New Mastersounds

    Over the years, music has become more accessible than it’s ever been. With internet radio sites, 160GB iPods, satellite radio, YouTube, and every other outlet, the amount of choices out there are near limitless. Listening to music in your headphones and in the car are one thing though, while actually experiencing the collective force of a live show is far different. Even with how accessible music is, shows are still something that unfortunately can’t be everywhere, all the time. We’ve yet to figure out the whole geographical boundary thing, outside of live streaming, which is ultimately a better-than-nothing alternative. The further a band is from you, the lower the chance you will see them. It’s still just as dead simple as that. Thankfully for one band, that is all about to change. This Fall, The New Mastersounds, a band whose roots in Leeds, England has limited their Stateside exposure, are making their rounds with a first-time stop in MANY Upstate cities with three nights in Brooklyn (9/11-9/13) and closing Catskill Chill (9/7), the band will be making first time trips to Buffalo (9/3), Rochester (10/7), Saratoga Springs (11/8), and Syracuse (11/9).

    The New Mastersounds are riding on the heels of their latest album Therapywhich was released back in March. While they will surely play a few off of the album, the depth of their catalog should bring out some longstanding favorites and a few surprises. The show in Buffalo will be the tour kickoff and is being held at one of Buffalo’s best venues in The Tralf. On the same stage where Lettuce played earlier in the year, the British funksters will bring their jazz-spiked flavor out for all to hear, and finally see. The anticipation around the city for fans is getting stirred into a frenzy with less than a week before the show. The band is known for their blending of old school tone and approach with pure energy. Their music’s simple mission is the passing of kinetic energy, whether through dance, foot tapping, or a neck-jarring head nod. There’s just no way to shake that.

    With the Catskill Chill Music Festival looming, the Wednesday night show is the perfect setup for anyone who is looking to get a sneak peek of what they’ll be in for down in Hancock. What you won’t find at The Chill though, and coming to Buffalo for only their fourth show, is West Coast-natives Orgone. The band calls Portland, Oregon home and, again, with the geographical divide, the band has not made it over on this side of the country as much as fans would like. With the funk scene thankfully growing stronger in every city, this band can now make a worthwhile trip to help spread their word.

    The combination that was put together by ECE Presents for this show is worthy of an applause. And while we’ll get the jazz side of funk from The New Mastersounds, Orgone plays on the soul side of funk’s fence. Regardless of style, both bands have been around a while and surely will not disappoint the expected packed house at The Tralf.

    The New Mastersounds

    Grab your tickets now to these shows throughout New York State:

    |  Buffalo  |  Hancock (Catskill Chill)  |  Brooklyn (9/11, 9/12, 9/13 Early, 9/13 Late)  |

    |  Rochester  |  Saratoga Springs  |  Syracuse  |

  • Zac Brown Band Serves Up Much More than Chicken Fried

    While most people may know the Zac Brown Band as those country guys that sing about fried chicken and a cold beer on a Friday night, I can assure you there is a whole lot more on this band’s menu. Upstate New York fans in Darien Center and Saratoga Springs had the opportunity to hear country, rock, blues, bluegrass, metal, and island music in the same evening. Six different bands didn’t play, just one. Well, two if you count the spectacular opener, Sturgill Simpson, who is in a category all to himself.

    Sturgill Simpson started the evening off with no introduction and no high-production stage setup. It was just Sturgill, his band, and their immense talent. That alone was enough to fill the stage. While he may have sung a cheating song in pure old country fashion to start the evening, die-hard country fans were met with great music and some non-traditional country topics as the set progressed. Simpson looked like he walked off the set of Welcome Back Kotter, wearing a non-country uniform consisting of a 3/4 sleeve baseball jersey, think 1970′s. In fact, everything about him screamed the ’70s – his attire, his musical style, and even his haircut. It was reminiscent of listening to AM radio in my mom’s kitchen – tapping my feet while eating my Farina Cream of Wheat and grabbing my bagged lunch before running off to school. However, with lyrics like “There’s a gateway in our mind that leads somewhere out there beyond this plane, Where reptile aliens made of light cut you open and pull out all your pain” and “Every morning when I rise I look in the mirror and despise, The sight of everything and all that I’ve become.” This is definitely not my mama’s country music. Perhaps more like listening to a modern-day metaphysical outlaw – a splendid mix of Kris or Willie’s ability to write and Merle or Waylon’s soulful badassery that spews out in the music. Sturgill didn’t speak a whole lot on stage, but when he did, he commented that “this (SPAC) is a really cool venue, man” and that Upstate “is a really beautiful place.” A nice realization to others that New York is much more than skyscrapers and taxi cabs.

    The Zac Brown Band could possibly be country music’s best live band. Their music pulls you in, though after hearing it, you might choose to jump right in on your own. It was no surprise that the eight-piece band brought a huge sound, featuring three guitars (Zac plays along while singing with his rich, melodic tones), fiddle, bass, keys, drums and additional percussion. The multi-part harmonies supplied by the rest of the band gave emphasis to choruses, as if the 17,000 in attendance singing along to every song weren’t enough.

    Upbeat fiddlin’, sweet guitar pickin’, twangy singin’ all went together to make some soulful, redneck rock. From that to Mediterranean feel, island music, the band seemed to do it all. It didn’t matter what type of tune ZBB played, the crowd stayed on their feet and danced the summer night away. The first set included a brief intermission while the stage crew switched over to the acoustic set. During that time, the entire band didn’t leave the stage. Instead, they shot, flung, slingshot and tossed about a hundred t-shirts into the eager crowd.

    The acoustic portion included six of the band members playing various stringed instruments, including Clay Cook on mandolin and John Driskell Hopkins on the uke. The harmonies were out of this world and throughout SPAC, couples embraced and swayed side to side as the lyrics plead “don’t give up on me”. The acoustic set also included James Taylor’s “Fire and Rain” and Billy Joel’s “Piano Man”, but someone forgot to include the piano. Before the set ended, he brought a young boy to the stage, and after a brief introduction, nonchalantly added, “Derek, let me introduce you to your new friend” and handed him a signed guitar.

    The second set started with a storm, hail and lightning on a shim covering the entire front of the stage. As the music started up, lights began to shine on the musicians behind the shim. “Let it rain, let it pour” being sung as the shim rose, yet the storm continued behind the band. During the brief ten-minute set break, Zac found the time to change into a top hat and dressed all in black. Shortly into the set, an unexpected cover of Metallica’s “Enter Sandman” had Hopkins wailing out the lead vocals. The country crowd let their hair down and put their horns up high as they sang as loud and proud as they did for Zac’s owns songs. Toward the end of the second set, Zac Brown Band busted out Marshall Tucker’s iconic “Can’t You See”.

    During “Colder Weather”, Zac spent the whole song shaking hands and offering up fist bumps to the front couple rows in the pit. A sincere smile came across his face as he gazed up over the appreciating audience. You could see the reciprocated appreciation in his eyes.

    The first song of the encore, “Day of the Dead”, had the entire band in glow-in-the-dark skeleton outfits. The four-song encore also included Charlie Daniel’s “Devil Went Down to Georgia”, and it took until the last song of the show for fans to hear “Chicken Fried”. It may have been the most popular dish on the menu, but the variation throughout the evening couldn’t help but make you feel both full and satisfied.