Capital Region, consider this your “Courtesy Call.” Get ready to throw up your “Rawkfist” Upstate N.Y. Thousand Foot Krutch is bringing their fall “Born This Way” tour to the Capital Region. The tour was named after the lead single off their brand new eighth studio album OXYGEN : INHALE. Supporting acts for the 19-date tour will be We As Human, Righteous Vendetta, and in select cities, Like A Storm.
TFK was formed in Canada in 1995. The band started seeing success in 2002 with the current lineup of Trevor McNaven, Joel Bruyere and Steve Augustine. Country megastar Carrie Underwood is a huge fan and performed the song “Let the Sparks Fly” live on stage with the boys at Winter Jam in Tulsa, Oklahoma. TFK has toured with many big names in rock music such as Breaking Benjamin, Skillet, Red and Chevelle.
The band’s sound is a fusion of Christian Rock meets Rap Metal, mixing melodic and high energy songs with slick verses and very catchy choruses and hooks.
TFK with Carrie Underwood
Ready to “Strike Back” and help support the tour is Memphis, Tennessee’s We As Human. The band has been touring relentlessly all year and it looks like they are not ready to stop yet. The band has recently toured with Black Stone Cherry and were part of Rock On The Range, K-Rockathon, Rocklahoma and were also on last years Carnival Of Madness.
Righteous Vendetta will bring “The Fire Inside” every venue on the tour. After Vendetta’s song “This Pain” was played on Sirius/XM Octane, the Wyoming natives have hit a lot of rock music fans radars and have also appeared on numerous tours. They’re an awesome up and coming rock band.
Clifton Park you better “Move” and get your tickets before everything “Falls Apart“. TFK will make their rare appearance in the area on Wednesday Oct. 22 at Upstate Concert Hall. Doors open at 7pm and show starts at 8pm. Advanced tickets are $17 and $20 day of show. You can purchase tickets at all Ticketmaster locations, the club box office 371-0012 and Northern Lights Smoke Shop.
Rochester will also see the tour on Tuesday Oct. 21 at The California Brew Haus. Tickets for this show can be purchased through ticketfly for $20. The event is 18 and older.
Dopapod axe-man Rob Compa motions towards the left side of Rochester’s Water Street Music Hall’s floor -“Right there! As a kid, I stood right there and watched Umphrey’s McGee play.”
Rob’s hometown enthusiasm (Rob is from East Rochester) would carry through a blistering two set/multiple encore night that even Light/Sound man extraordinaire Luke Stratton proclaimed on Twitter as “Best show of the tour so far!” – and that dude sees every show. 2014 has been a rocket ship year for Dopapod – filled with top festival spots and packed shows – and their performance on a warm Fall night in ROC-city showed abundant proof why.
Before the aforementioned Dopa-storm occurred, two other excellent performances would foreplay the crowd nicely. Stereo Nest – a one man looping experience project by multi-instrumentalist Collin Jones (also of Ocupanther and Haewa) – played an energetic set of organic jamtronica fusion as the floor filled up and got the people moving. Think Keller Williams gone EDM. Only a few shows deep into existence, Stereo Nest is proving to be a force to track.
After a fast 15 minute changeover NYC’s Consider the Source came out and immediately laid into an extended middle eastern infused spooky-as-hell jam that perfectly complemented October’s arrival. Everyone stared, transfixed by the bands mind numbing instrumentation. Silence made an odd and welcome entrance throughout the crowd if only for a few fleeting minutes: People – in the rarest of occasions at a modern musical show – actually shut up and listened to the band. CTS is mental music at its absolute peak which can bring the listeners to the frayed edges of sanity. Much like an unexpected hostel tryst with a sexy debonair stranger – they might not always be exactly sure what’s going on, but they know they like it and they want it to keep going. Highlights of the set included a mash-up of “Miserlou” (popularly known as “that Pulp Fiction Song”) and the Beach boys “God Only Knows” along with a blazing outro jam replete with Star Wars teases. An apropos ending for three gentleman who have obviously attained Jedi powers.
Set-break ensued while people happily refilled their beers and rested their limbs for the last time that night. Water Street had gone a long time without the fizzy stuff due to an ownership change and it was great to throw back some brews yet again at one of Rochester’s most historic of venues. Dopapod came out with the 2009 song “Roid Rage” – a song that starts off jazzy and unassuming before barreling into the fusion/prog/rock hodgepodge typical of ‘Pods genre-wildcard style. Dopapod is one of those crossover bands that should give those fans that are music lovers but have a natural disdain for bands labeled as “jam” a reason to consider. This band is no Phish, no Dead – this band is a culmination of influences across the spectrum. Imagine if all your favorite bands played at once and you get a sense of what ‘pod is all about. As the set continued the band visited several tracks off their upcoming release Never Odd or Even – “Psycho Nature” “Hey Zeus” and perhaps one of the most epic songs ever – “FABA”. “FABA” – an instrumental which no one seems to want to reveal what the acronym stands for – typically exceeds the ten minute mark and is a dictionary level study in the science of musical contrast. Filled with more goose bump inducing air guitar raging peaks then the Alps, this song grabs the mind heart and soul and does not let go. As if that wasn’t enough, the set ended with an exclamation mark – an absolutely mm/ rendition of Black Sabbath’s “War Pigs” with all three members of Consider the Source joining the fun on stage.
At this point – being 12:30 AM on a weekday – sadly this reporter had to head to bed. The band continued with a full second set filled with some of the most revered songs according to the bands fan club – Dopafam – with enthusiastic reports on excellent versions of “Nuggy Jawson” “Onionhead” and “French Bowling” as well as a rare “Carolina” second encore that ended after 2 AM. When the ‘pod hits the area again, that next day is getting taken off.
Dopapod Set List
Set 1:Roid Rage, Trapper Keeper, Psycho Nature, Hey Zeus!, FABA, Grow, Vol. 3 #86, War Pigs* Set 2: Nuggy Jawson, Priorities->Off the Cuff->Priorities, Onionhead, French Bowling Encore: Nerds, Carolina
* Black Sabbath, w/With Gabe, John, and Jeff from CTS[FinalTilesGallery id=’26’]
Every rocker/ninja’s favorite band, Kung Fu, kicks off its fall tour this weekend and Upstate New York gets two of the first three shows.
The Fu will provide musical therapy to Baltimore, whose Orioles just fell a step short of the World Series, on Thursday night. Friday, Kung Fu brings their high-octane funk fusion to Syracuse’s Westcott Theater before wrapping up the weekend at The Hollow in Albany on Saturday.
Like every great funk outfit, the band has a bassist, Chris DeAngelis, who will send vibrations through your bones and shake up your soul. Each show gets more than slightly Stoop-ed as Todd Stoops handles the keys and Robert Somerville will be center stage crushing the tenor sax. Adrian Tramontano is absurdly relentless on the drums and Tim Palmieri, who just added a newborn ninja to his family last week, rounds out the band on guitar.
If you’re not following Kung Fu on Facebook yet, you’re missing out. Earlier this week, the band offered free tickets and 10% commission to volunteers for manning its merch booth all weekend. Wednesday, Stoops took to the social media site to give away free tickets to anyone who asked — no contest or duties involved.
For more information or to check out Kung Fu’s new album, Tsar Bomba, visit the band’s website.
Tickets to Syracuse’s show can be purchased here. Click here to purchase Albany tickets.
And in case you can’t catch them this weekend in Syracuse or Albany, the band is heading to Western New York later in the tour for a stop in Buffalo on Nov. 13. Click here for tickets to their show at The Waiting Room.
Cut Chemist, founder of Jurassic 5 and helped to form the Grammy winning Ozomatli, with his 7″ size record partner Josh “DJ Shadow” Davis have added dates to their current “Renegades of Rhythm” tour. This “vinyl-only” tour honoring Afrika Bambaataa’s influence on hip-hop’s beginnings is spreading to new markets through November in the U.S. and Canada. The big news is the DJs are using Bambaataa’a actual vinyl collection for this tour.
Their performances are garnering critical acclaim, especially the two sold-out tour openers at Irving Plaza in NYC with Bambaataa in the audience while they spun beats from his legendary vinyl collection. Rolling Stone recently gave high praise for the turntablists, saying “Deep into their September 4th set at New York’s Irving Plaza, as DJ Shadow bent over his spread of turntables, cueing the next sequence of beats, his partner in spin, Cut Chemist, gingerly lifted a piece of 12-inch vinyl from one of his decks and held it aloft, like a round, black equivalent of the Ten Commandments. He had, in fact, just played a religious object.”
The list of new dates is expansive and includes stops at The Town Ballroom, Buffalo on 11/11 and The Westcott Theater in Syracuse on 11/10. Check the deets and beats at their websites, DJ Shadow and Cut Chemist. There is a ton of info available on each, both historical and the story of Bambaataa’s influence to them both as it’s being told through this tour.
Nov. 6 – Pawtucket, R.I. – The Met
Nov. 8 – Montreal, Quebec – Corona
Nov. 10 – Syracuse, N.Y. – The Westcott Theater
Nov. 11 – Buffalo, N.Y. – Town Ballroom
Nov. 14 – Pittsburgh, Pa. – Mr. Smalls Theatre
Nov. 15 – Charlottesville, Va. – Jefferson Theater
Nov. 17 – Athens, Ga. – Georgia Theatre
Nov. 20 – Winnipeg, Manitoba – Garrick Centre
Nov. 21 – Saskatoon, Saskatchewan – O’Brien’s Event Centre
Nov. 22 – Edmonton, Alberta – Encore at WEM
Nov. 23 – Calgary, Alberta – Flames Central
Nov. 25 – Oakland, Calif. – The Fox
Every October, there seems to be quite the buzz in Western New York over a few things, whether it’s the onslaught of changing colors with the trees, the Oktoberfest themed weekends or the pumpkin picking for the families there seems to be always something to do. One big event that seems to also get people out and about is the many different types of Automotive sales events that seem to dominate the radio and television channels. So how does one decide who to visit? I’m not sure there really is a correct answer but one local dealership has seemed to really taken the month of October and really made it their own.
Paddock Chevrolet, nestled in the tiny Buffalo suburb of Kenmore, coined the tagline ” A world-class dealership with small town values” and has been around for over 77 years in the same location. So how does Paddock Chevrolet make October different then its competition? They have branded themselves and the month with an annual sales event called ROCKTOBER. The event which started out as a sales event that produced the catchphrase “Rocking deals on Rocking Wheels” will be amping up this year with some really incredible stuff. The month will obviously be a perfect time to check out some of the deals but there will be some fun stuff happening at the same time making it a lot more fun to come to the dealership.
The showrooms will be a lot more lively with live music on Saturdays featuring some local music talent. A perfect place for not only an up and coming artist to get their name out there and a place where local solo artist Tim Britt will be able to increase his already growing audience. Britt will be appearing on Saturday October 25. Britt has opened for Dave Matthews Band’s Boyd Tinsley (violin) and guitar virtuoso Tim Reynolds. Tim Britt is an incredible artist and a must see for anyone in the area. There will also be food trucks on site for Saturday’s in October and who doesn’t love a perfect excuse to get some great eats from local food trucks? Giveaways will be going on all month as well with three signed guitars being giving away, signed by Dave Matthews, Keith Urban and local hometown hero and Goo Goo Dolls frontman Johnny Rzeznik. There will also be a grand prize giveaway for a trip for two to Las Vegas for a 2 night 3 day stay at Planet Hollywood and orchestra seats at the Rock of Ages show. You also may want to checkout Paddock Chevrolet on Facebook because they are also giving away two signed microphones, signed by Michael Buble and James Taylor. Rockband and Guitarhero will be in the showrooms as well to keep you busy while you wait or keeping your kids entertained while your going through the sales buying experience.
This event is starting to become the destination for buying a new vehicle. The biggest thing people hate to do seems to be buying a vehicle so why not go somewhere that is making it fun again to head down to the dealership with the whole family. Grab something to eat from the local food trucks, check out some local music, maybe win a cool guitar or trip and perhaps drive home in a great new vehicle for you and your family.
When Jeff Tweedy took to the storied stage of Buffalo’s iconic Town Ballroom this past Wednesday it was clear that he had nothing to prove. The alt country, alt rock, alt convention pioneer had once again cut a detour into the sonic highway he’s been paving for the better part of the last three decades. This time with his newly formed band , Tweedy, and a repertoire of fresh yet strangely familiar songs that left the audience craving Uncle Tupelo, longing for Loose Fur, begging for Wilco yet somehow completely immersed in the journey at hand.
Tweedy consists of Jeff on guitar and lead vocals, long-time friend/collaborator and down-right dynamite musician – Darin Gray on bass, the fabulous Jim Elkington on guitar, and the multitalented, multi-instrumentalist Liam Cunningham. Oh, and who better to round off the new lineup than Tweedy’s 18-year old son Spencer on drums? He has grown up quite a bit since his appearance behind a kit in Sam Jones’ 2002 I Am Trying to Break Your Heart – A Film About Wilco. Stands to reason, Spencer was 6 at the time. He has come a long way since then, and so has dad.
Tweedy took the stage armed with new material from their recently released 20-track, 74 minute debut album Sukierae – an album whose title is fittingly the nickname of Jeff’s wife & Spencer’s mother, Suzie Miller. The band kicked things off with a viciously beautiful 14-song set of masterfully developed songs that somehow felt Jeff Tweedy influenced, yet altogether Tweedy the band. Highlights of that set included the melodic, “Summer Noon”, the heart-wrenching yet charming, “Nobody Dies Anymore” and the drum-forward ever-shifting, “Diamond Light Pt. 1”. The band remained focused throughout the first set, with very little of the slightly awkward, yet adorable banter that Jeff has been known to strike up with his audiences over the years.
Then the gloves came off…
Turning to his son and offering a hug, Jeff suggested the band take a break and the lighting crew dim the stage. It was time in the program for Jeff to dig into his immense catalog and perform some choice numbers on his own. Just he and those beautiful acoustic guitars that he plays so effortlessly. The crowd sang along softly and mostly in key in their very best Jeff Tweedy voice – “I am an American aquarium drinker, I assassin down the avenue”. For the next hour, Jeff delighted all in attendance with songs of familiarity from his time with Uncle Tupelo, Loose Fur and Wilco. Classics like “Jesus, etc.”, “Hummingbird”, “I’m the Man Who Loves You” and “A Shot in the Arm” were included in the 12 song set. All interlaced with the type of crowd interaction that has become an irreplaceable aspect of the Live Jeff Tweedy Experience. “Free Bird” was requested prompting Jeff to explain his elaborate plan to form a coalition to rid the World of those who shout “Free Bird” at any live performance. Whistling solos were met with large applause which led to…more whistling solos.
When the band re-emerged, Jeff had everyone in the audience right where he always does, wrapped tightly around his finger. “Thank you Buffalo, you are hands down the best audience we’ve had on this tour” yelled Jeff. “We’re off to Michigan tomorrow and well, we don’t want to leave. We could play this room every night.” The 5-song encore featured yet another new melodic Tweedy song, “Please Don’t Let Me Be So Understood”, covers of Mavis Staples’ “Only the Lord Knows” and Doug Sahm’s “Give back the Key to My Heart”, “California Stars” from Jeff’s Mermaid Avenue Project and “Acuff-Rose” from the Uncle Tupelo vault.
It was a beautiful journey through Jeff Tweedy’s personal history and musical history. Blended perfectly for a stellar performance in a legendary place.
Setlist: Nobody Dies Anymore, Flowering, Summer Noon, World Away, New Moon, Pigeons, Desert Bell, Why Why Why?, High As Hello, Fake Fur Coat, Diamond Light Pt. 1, Hazel, Love Like a Wire (Diane Izzo cover), Low Key
Solo: I Am Trying To Break Your Heart, One Wing, Reservations, New Madrid (Uncle Tupelo), Please Tell My Brother, Hummingbird, The Ruling Class, Passenger Side, Jesus, Etc., Misunderstood, I’m the Man Who Loves You, A Shot in the Arm
Encore: Please Don’t Let Me Be So Understood, Only The Lord Knows (Mavis Staples cover), Give Back The Key To My Heart (Doug Sahm cover), California Stars, Acuff-Rose
All is quiet in the rural community of Newstead, but this past summer, the rural, Western New York community served as a battleground in what has become a war on noise, with laws against sound in need.
The fight against noise pollution has been all the rage in 2014. In January, the USA Today published a story stating noise as the leading quality of life complaint in, of all places, New York City. The fight has even hit Bourbon Street, where New Orleans’ city council is addressing whether or not to strengthen its own noise ordinances.
Located 25 miles northeast of Buffalo, Newstead boasts a population of approximately 8,500 people. Some of which reside in the trailer park community of Quarry Hill Estates, who last November spoke to the town board to complain of noise levels coming from a neighboring venue. The then-proposed law was subsequently nicknamed “Braun’s Law” named after Braun’s Concert Cove.
Braun’s Bar & Grill boasts an “outdoor” venue that includes a spacious canopy built in part to limit noise from disturbing neighboring property owners. (Photo Credit: Braun’s Bar & Grill/Facebook)
Braun’s Concert Cove was established in 2012 to compliment the bar and grill owned by Ray Braun. The footprint of the property is located on Main Street, approximately 2600 feet from Quarry Hill Estates. It has two predominate structures; one of which is the bar and grill, the other is the “cove” that resembles something similar to an airplane hangar. One local music reviewer described how the structure dwarfed a mid-week concert audience of 500 people.
From this stage, several hard rock acts have played to crowds numbering in the thousands. Ted Nugent, Yngwie Malmsteen, Pop Evil, Sebastian Bach, Jackyl – have all recently performed. On September 6, Winger played Braun’s last concert. It was a contract already negotiated before Braun’s Law passed.
Braun’s Law had nearly passed back in April, but one abstention from council member, Marybeth Whiting prevented a majority vote. At the time, Whiting said she wanted to research the subject further. In July, when the Town Board advertised it would bring the subject back for a vote, an online firestorm erupted. This time, all the weight was placed on Whiting’s vote. With just a few days before the board meeting, Braun quickly took to Facebook, posting Whiting’s picture and phone numbers at the town office, including her personal cell phone number and email address.
HERE SHE IS!!!,” read the post on the Brauns Bar & Grill Facebook page, “the council woman who is voting YES to the ‘Brauns law’ as they call it, to put us out of concert business. … Email her, call her, call her office. LET HER KNOW!!! ASK HER WHY?”
Before passing into law, Whiting addressed the attention she received from her opposition. She cited the names of neighboring communities with noise laws – Clarence, Lancaster and Townawanda. She also named cities outside of New York, with continued reputations for hosting live music, despite the presence of noise laws – Red Rocks, New Orleans and Austin.
“This isn’t rocket science,” said Whiting, from her seat on the board. “The town of Newstead isn’t any different from any of these communities. Whether it’s loud noise or residents in place – more often than not there is a noise ordinance in place. It is an effort for everyone to coexist, not to close any one business down.”
“It would be wrong to conclude that my vote counts any more than anyone else’s on this board. However, Mr. Braun has chosen to single me out in very vile, demeaning and derogatory ways. In doing so, Mr. Braun has shown this entire community the type of person he really is. Life is full of choices. I could have chosen to respond in kind, but I did not.”
The thread of comments referenced in this article was promptly deleted from the Braun’s Concert Cove Facebook page within the days following the town board meeting.
“I attended the town board meeting that was held awhile back on this matter,” said Newstead resident Deborah Loke, who brought along a decibel meter. The amplified voices within the Town Hall on that evening peaked at 99.1 decibels, she said.
“At the time I brought up the Basket Factory Restaurant in Middleport that was shut down by their town board. The business was very renown, but due to the short-sightedness of their town passing an extremely low noise ordinance, it was the straw that broke the camel’s back and it was shut down a short time later.”
Here in Upstate New York, we’ve covered news regarding Frost Ridge Campgrounds in Le Roy, where town officials are combating against campground owners hosting outdoor concerts. In the college town of Amherst, lawmakers recently disallowed the use of loud speakers from 11 p.m. until 7 a.m., affecting fast food drive-thrus. And, in July, the Town of Newstead included a noise ordinance into its own law books – outlawing noises louder than 80 decibels after 9 p.m., and 65 decibels after 11 p.m.
In favorable atmospheric conditions, a sound registering at 110-decibels can be heard from a distance of 12 miles away. The sound of an electric shaver registers at approximately 80 decibels.
“She probably is a good lady,” stated Braun, of Whiting. “But making a bad decision that we need more answers to is what I want. I did not build this massive place on approval of town to have six regulars come in for a beer and sandwich in the afternoon. How will that pay for this place? No tax credits here. No funding here either. … No one knows the behind the scenes we have done to make this happen, nor will many care, but I’m not going down without answers or a fight.
Someone needs to pay me my money back if this is how it can [come to be] and can be pushed out of a town that approved it.”
The comparison the town board attempted to draw between Newstead and Austin was to argue how communities, large and small, face similar challenges, establish noise ordinances, and still support live music.
But, the Texas city goes beyond establishing decibel thresholds.
“Austin’s approach to sound is more than enforcement,” said Don Pitts, Manager of the Music & Entertainment Division of The City of Austin’s Economic Development Department. “What we’ve learned over the past five years is that you can’t solely depend on enforcement.
The Music Office conducts an investigation for each amplified sound application and we prepare a report recommending approval or denial of the application and any appropriate conditions and restrictions. We base our report on the following criteria below. We also use cut off times and days of weeks among other things to mitigate the impact to nearby residents.”
The entertainment division first assesses whether or not a venue is suitable for providing outdoor music. The office considers several factors, including local topography and proximity to residential and commercial property.
The governing body that administers over a city of nearly 900,000 people is apparently conscious of how surround buildings can serve as a buffer as well, as they also look into building design, the construction of the stage and orientation of speakers. As the Live Music Capital of the World, Austin has a stake in nurturing the local music scene. Pitts explained that a joint effort between his office and local venue owners created a program to assist business owners prepare an acceptable environment for all to enjoy.
“The Music Venue Assistance Program (MVAP) is an innovative program based on the Music Division’s music venue case study work with Cedar Street Courtyard and Black Heart Bar, and launched in 2013 with Council support,” said Pitts. “MVAP assists qualified venues to acquire sound mitigation technologies through a low-interest emergency personal loan program, and also provides them with best practices expertise for deploying those technologies with maximum efficacy.
This program has already proved to be a win-win solution for neighborhoods and venues alike, creating high-quality listening experiences for music patrons, while simultaneously providing significant reduction of sound bleed in residential areas.”
Drawing comparisons between Newstead and Austin leaves much for speculation. Both sides of the argument state that Braun’s Concert Cove was cooperating with the suggestions from the town board, which one could compare to Austin’s MVAP program. However, it remains to uncertain as to whether or not Braun’s would even pass Austin’s initial review process due to how closely it stands to an existing residential area. Nonetheless, it is clear Newstead did not follow Austin’s lead, despite its own comparisons.
As the changing of leaves usher summer away in New York’s Upstate, the fallout from Braun’s Law continues into the winter months. Councilmember Whiting resigned from her post on August 5. Her letter to her compatriots stated she no longer wanted to be a politician.
Braun immediately invoked words of litigation before the board placed the law into effect. However, as of the drafting of this article, he has not filed a lawsuit.
Buffalo’s Aqueous, one of New York’s fastest growing bands, has announced an October 21 release date for their 3rd studio effort Cycles. Featuring eight road tested originals and two brand new instrumentals, the album exemplifies a leap forward in songwriting and focus for the four-piece groove rock outfit.
Fans can now pre-order the album on the band’s merch page and stream the first track – “20/20”, which, like most Aqueous tunes, seamlessly mixes multiple influences into one coherent composition. Aqueous will play a three show Upstate New York run to celebrate the release along with North Carolina’s The Mantras. Catch the mini-tour Oct 23 in Ithaca NY at The Dock, Oct 24 at The Montage in Rochester, and a hometown show Oct 25 at Buffalo’s Iron Works.
“This is the most invested we’ve been in a studio effort so far; it feels really cohesive, and we were truly afforded the opportunity to spend the time elaborating on ideas and being thorough in our execution of them,” explained guitarist Mike Gantzer. “We all feel a true sense of accomplishment and excitement for our fans to hear this; it contains some of the most intense and thematic compositions in our catalog, and generally speaking feels like a profound step for us.”
Guitarist/keyboardist David Loss adds his own thoughts on the recording process – “I couldn’t be happier with the way this album came together. Everyone gave their best performances and I think it really shows. It was great to work with Justin Rose and Richie English again at GCR Audio in Buffalo as well as finally getting a chance to work with Jocko at More Sound. This was an all around great experience!”
Cycles was crowd funded via a successful Kickstarter campaign which fans helped exceed a $7000 goal by over $2000. Go grab yourself a pre-order and check out the full track listing below.
Cycles Track Listing
1. Dawn [1:00]
2. Kitty Chaser (Explosions) [9:39]
3. 20/20 [5:02]
4. The Median [6:41]
5. Skyway [8:47]
6. Complex Pt. I [8:11]
7. Wandering [1:56]
8. Complex Pt. II [9:04]
9. King for a Day [7:45]
10. Staring into the Sun [15:02]
Retired? Definitely not. Fans in Rochester lined up around the block on a beautiful, early autumn evening in Rochester to catch the eponymous demigods and kings of metal Judas Priest kick off their world tour. The band had previously announced their retirement in 2011, but thankfully decided that the metal must live on. Despite multiple lineup changes over the years, most of the band’s core remained intact with head screamer Rob Halford, guitarist Glenn Tipton, founding member Ian Hill, and long-time drummer Scott Travis. Joining them to replace the departed K.K. Downing would be Richie Faulkner formerly of the Lauren Harris band.
Kicking things off, reportedly (repeatedly on stage by Steel Panther themselves) for a $50 paycheck, was Los Angeles, California’s Steel Panther. Well known for reviving the once stagnant metal scene on the historical Sunset Strip, Panther’s show falls somewhere between Motley Crue and your mom’s worst freaking nightmares. Featuring songs like “Asian Hooker” “Gold Diggin’ Ho” and “17 Girls in a Row,” the band had the audience simultaneously head-banging and laughing their asses off for their hour set. Don’t worry guys, we were laughing WITH you, not at you.
As set break ensued, the black-clad masses rushed to grab a smoke or a cold Labatt’s while the time of the legends entrance drew near. A mishmash of an audience with as many gray maned old timers and grizzled bikers as excited youngsters. A giant Priest banner shrouded the stage as fans surged – and in many cases stumbled – towards the front. The house music suddenly blared the Black Sabbath metal anthem “War Pigs” as palpable excitement ignited throughout the throngs of attendees. The curtain dropped and the true kings of metal broke directly into the last and first songs respectively from their brand new 2014 release Redeemer of Souls – “Battle Cry” and “Dragonaut”. With such a rich history of 40+ years of albums, it’s refreshing and a sign of huge cojones to see Priest engaging the crowd with brand new material right off the bat and throughout the night.
After some brief and apropos banter from Mr. Halford, the band continued with two tracks from the bands impressive catalog – 1982’s “Devil’s Child” and 1976’s “Victim of Changes” – before continuing to showcase their new material with “Halls of Valhalla”. One more new song would make an appearance – title track “Redeemer of Souls” – before the band finished out the set with a grand m/etal finale of hits. ’84s “Jawbreaker” had the crowd in a signing, headbanging frenzy and everyone’s favorite “Breaking the Law” only amped the energy up to new levels. Naturally, no Priest show is complete without a Harley revving across the stage and this one would be no exception with Rob revving his bike fittingly to the tune of “Hell Bent for Leather”.
As the clock approached midnight, the band came out for a quick encore and bid the well satiated crowd adieu. Forty (plus) years of metal and this band shows no signs of decay. We can only pray (to the devil) for 40 more. Sad you missed the fun? Our ROCtober article has all the big shows coming to town, so get off your couch and go see some live music!
Steel Panther Setlist
Pussy Whipped, Party Like Tomorrow is the End of the World, Asian Hooker, Tiger Woods, Gold Diggin’ Ho, Girl From Oklahoma, Community Property, Eyes of a Panther, 17 Girls in a Row, Gloryhole, Death to all but Metal, Party all Day
Judas Priest Setlist
Battle Cry * > Dragonaut, Metal Gods, Devil’s Child, Victim of Changes, Halls of Valhalla, Love Bites, march of the Damned, Turbo Lover, Redeemer of Souls, Beyond the Realms, Jawbreaker, Breaking the Law, Hell Bent for Leather
Encore: You’ve Got Another Thing Coming, Living after Midnight
Thursday Sept. 25 brought the Grammy Award winning Tedeschi Trucks Band to Upstate NY during a break in the middle of their New York City Beacon Theatre run. The group performed at the Auditorium Theatre, radiating their unique blend of roots, blues and soul-stirring musical heat. Their extended set touched on all aspects of their stage show and featured well-known studio cuts from the band’s catalog as well as a few surprising covers for their hardcore Rochester contingent. Eliciting memories of past rock legends and influences, the multifaceted Tedeschi Trucks Band mirrors roots revival masters Delaney and Bonnie and subscribes to their aesthetic which includes disseminating a unique brand of traditional, Americana and funky blues music.
After a booming and raucous set by opening band, Playonbrother, the Tedeschi Trucks band followed with an inspired set despite militant security and a seated crowd. Eventually, as the show continued the energy could no longer be contained as the band stirred the assembled throng into musical hysteria through their funky and virtuosic performance. While the focus is often and rightfully so on Derek Trucks spiritual channeling of melody through his trusty Gibson SG, every musician in the eleven member coalition is given equal time to bask in the alluring glow of the spot light. Whether it is the double barrel drum duo firing off rim shots in a percussion battle, Kofi Burbridge blowing a breezy flute line, Mike Mattison singing a sweet soul lyric, the horn section punctuating a great jam, or Susan Tedeschi stinging with a series of clean tone blues licks, it’s all hands on deck with this group.
The concert opened with the simmering groove of Traffic’s’ “Who Knows What Tomorrow May Bring” each member adding color to the fat bounce laid down like shag carpeting by bassist Tim Lefebvre. Similar to every song that is added to their increasingly large repertoire the Tedeschi Trucks band grabbed the song in a firm embrace made it their own.
The concert continued flashing by like a series of Super 8 images, each moment building on and in most cases surpassing the last, instantly logged in the recesses of the attendees spun heads. “Made Up Mind” the title track from the bands 2013 LP whipped the crowd into a hand raising gospel review, with Trucks innate ability to reconfigure melodic ideas into dazzling guitar dissemination’s fully on display. Then, the following breakout of blues standard “Loan Me a Dime” instantly caused an assembled gasp from the audience, especially those familiar with what Duane Allman did with the song via Boz Skaggs. First Tedeschi and then her husband tastefully poured liquid string bends and sustains all over the shifty track, bringing the seated to their feet and concluding the song with a standing ovation.
“Idle Wind” concluded the first segment of music fittingly in a rolling maelstrom of sound. After disposing of the groovy verse segment that features Susan vocalizing like granulated sugar, sweet with a yummy grit, the song slipped into a beautiful place. The horns and guitars started to intertwine and it is this illustrated relationship that soon developed into a teeth clenching jam that squeezed the handlebars for dear life tightly. Soon the excursion fell softly into an avalanche of drums neatly tying itself up with a “set closing” reprise.
Breaking into different segments the band returns for an acoustic set of music. A seated Trucks five-fingered some woody acoustic slide on the traditional “Keep Your Lamps Trimmed and Burning” as well as name dropping the Allman’s with a stripped down “Done Somebody Wrong”. Susan Tedeschi’s reading of Bob Dylan’s “Don’t Think Twice It’s Alright” was special and featured Tedeschi wringing every drip of emotion from Dylan’s timeless melody. This brief respite from the electric proceedings is a testament to the diversity and multiple talents of the group.
The second half of the performance began with crowd favorite, “Midnight in Harlem” ushered in on a Allman-esque space drift that coalesced into the songs blue rotating groove. The husband and wife duo sang together in glorious voice, each represented by their respective instruments. There is no looking back when the group seizes the moment and blazes their way first through Derek and the Domino’s classic “Keep On Growing” then the hard-hitting Bobby Bland blues, “I Pity the Fool” before closing with an extended and definitive “Bound For Glory”.
The band’s own “Bound for Glory” contained jamming that bordered on the edge of fusion magic. A plethora of horn exclamations, sexy slide and honky keyboards lifted the song to dizzying and illicit heights. The central section of the song lost its structure, going so far out you wonder how they are going to land. The band so deftly balances the tight rope between accessible songs and twisted improvisational passages that their appeal is one of celebration and cross genre pollination. The group not only represents a sepia toned lonesome train whistle of the blues past, but a Technicolor supersonic rocket ship into the musical future. “Bound for Glory” encapsulates all of these elements and fittingly closes the show.
A gentle and original version of James Taylor’s, “Fire and Rain” closed the evening and sent a hungry crowd home stuffed, unable to imbibe another musical bite. The greatest thing about this evening’s performance is the realization that the band will be back and they will continue to improve and grow their catalog of music. Tedeschi Trucks band delivers the goods on a nightly basis, it’s a shame there can not be more nights like this one.