Category: Features

  • The Art of Singing: Garfunkel at the Bardavon

    Art Garfunkel, the eccentric singer from Queens, has found his voice after suddenly losing it in 2008. On Oct. 24, Garfunkel read poetry, told stories and, of course, sang to an admiring crowd at Poughkeepsie’s Bardavon Opera House.  A true master of singing, Art has reacquired his talent and is proud to share his voice with fans once again.

    garfunkel bardavonThe legendary performer was joined by Nashville native Tab Laven on the acoustic guitar for a long set of music. The room was held in reverence as Art sang Simon and Garfunkel classics “Parsley, Sage, Rosemary and Thyme,” “Scarborough Fair” and “Homeward Bound.” The evening included much more than Garfunkel reproducing hits, though. He painted a picture of singing to a sold out Royal Albert Hall, recalling fans leaning over five tiers to cheer him on.  Garfunkel described the tragedy of losing his voice and the challenges imposed by finding it again with a national audience listening. He joked about whether he or Paul Simon would speak at the other’s funeral, leading into a goosebumps-inducing “Sound of Silence.”

    Dressed in dark jeans, a white button-up shirt, and black vest, tufts of Art’s signature curly hair still sprouted from the sides of his head. While most of the proud anti-war singer’s hair may be gone, his vocal acuity is breathtaking once again. After taking a couple of songs to get primed, Garfunkel’s unmistakable voice carried beautifully during “Perfect Moment.” He later stated his top five favorite singers, then sang a hit from one of them—Randy Newman’s “Real Emotional Girl.”

    bardavon

    Garfunkel also read prose poetry including pieces dedicated to Jack Nicholson and his son Beau. He read another poem to a nine-year old version of himself: “Life is a fabulous mystery. You must be kind to people and remember that singing brings joy.” From 8:10-9:40 Friday night, he brought that joy, massaging souls with the melodic caress of his voice. The evening concluded with a version of “Bridge Over Troubled Water” that launched the audience onto its feet, whistling and catcalling to the adoring singer.

    It is hard to imagine a singer as soothing and comfortably familiar as Art Garfunkel.  His voice is a national treasure that was on full display in Poughkeepsie Friday night.  If you get the chance, do not pass up the opportunity to catch this living legend.

  • Jacob Fred Jazz Odyssey Dazzles Denver

    The Jacob Fred Jazz Odyssey made a stop at the base of the Rockies in Denver, CO on October 14. We were honored to have them for two nights and four sets at Dazzle Jazz, the venue of their last live release Millions: Live in Denver.

    Jacob Fred Jazz Odyssey DenverIt was a seated show at Dazzle jazz except for the eccentric JFJO fanatics grooving in the corner. The audience watched intently and quietly which was refreshing. The band opened with a song off their new album, Worker, titled “Bounce”. This was our first taste of Brian Haas’ wild yet refined playing on a beautiful baby grand piano featuring melodica solos. We were treated to many premiers of songs off of Worker such as “New Bird”, a heavy but dreamy song featuring the unique guitar stylings of Chris Combs.

    My favorite song on the night and also a new song was “Let Yourself Out”, which really showcased the trio’s chemistry and versatility. This was one of the few songs Combs played the lap steel on and it was beautifully placed. They soared so energetically through much more new material with a few old classics from the Jacob Fred Jazz Odyssey lineage of players and improvisational music. They really proved that their are the perfect trio, allowing the guitarist and keys player appropriate leads while somehow managing to improvise in a jazz style through what seemed to be quite emotional songs.

    The band made themselves available at the merchandise table at the end of the show chatting with fans, old and new alike with the promise of returning to a beloved city of theirs. We were able to meet with them and hear a couple first hand stories about the making of Worker which was really special.

  • Turkuaz and Jimkata Ready with Tricks for a Halloween in Buffalo

    night lights 2014-0350The leaves are changing, the temperatures are just starting to fall, and if the color of the foliage is any indicator, Halloween is upon us. As any music fan will tell you, the holiday seems to bring out the weird in bands as antics around the industry are aplenty.  This year, Halloween in Buffalo is shaping up nicely with no snow (always a plus here) and two incredible bands coming to town to share a bill at Waiting Room downtown, Turkuaz and Jimkata.

    Kicking the night off is none other than Turkuaz, the funk army who call New York City home. The nine-piece band was last in the area for Night Lights Music Festival back in September and they tore the place up with their catchy melodies and powerful sound. The band has a Buffalo tie-in as their drummer Michelangelo Carubba is a fellow graduate of St. Joe’s High School and grew up in the area. Turkuaz also just wrapped up recording a new album that is due out sometime next year which has fans excited for new material. I got a chance to catch up with the band at Night Lights for an interview and they hinted at what types of shenanigans they might be pulling for the show this week. Check out the video by our friends at Buffalo.fm

    Co-headlining the night will be Ithaca’s Jimkata who bring an indie spin to electronic rock. The band is a favorite all over Upstate New York and should draw a solid crowd on Friday. The band was also at Night Lights and their headlining set there was one of the favorites from the weekend. Their latest album, Feel in Light, came out earlier this year and the band is currently touring throughout the fall season in support of it. Upon reaching out to Evan Friedell, the lead singer of the band, in regards to what to expect, the frontman didn’t tip his hand, but he did mention that they always plan surprises and try to make the Halloween show something special.

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    Between these two heavy hitters and all of the antics we’re sure to see, there’s only one thing you have to make sure you grab for an incredible Halloween night and it’s right here.

  • Cabinet Carves Through Rochester

    Bluegrass has been taking on different personas these last few years and a genre that encompasses all that is bluegrass has grown to include the old-timey tunes of Bill Monroe and Del McCoury to the jamgrass of YMSB and Greensky Bluegrass, Cabinet‘s show on October 10 in Rochester at Montage Music Hall proved to fans that they are fully capable of existing in both suits. Cabinet has their roots planted in the old-timey music of the past while existing in the present and fans of the bluegrass genre are pumped to have this band in the mix.

    “I was determined to carve out a music of my own, I didn’t want to copy anybody” – Bill Monroe

    Cabinet Montage Music Hall Rochester (9)

    The night began with a solid jam with high energy, Todd Kopec played his soul out on the fiddle with style and ease. In fact the entire set seemed to have a strong jamgrass tone to it; the dance floor was full of fans whom enjoyed the slight change in pace from previous Rochester appearances. “Oxygen” was strong, the energy was not that of their DelFest appearance but a much jammier session with moments of instrumental ecstasy from each band member. Also notable was the energy that came from mandolin player, JP Biondo on “Doors” was unmatchable and resonated throughout the venue with fans singing out loud to the inspiring lyrics of a song that represents the paths we take in life and how we view our place in this universe.

    Cabinet Montage Music Hall Rochester (15)

    Without a doubt this show was one of the best Rochester has seen from Cabinet. The band continues to climb higher and higher on the pecking order of bluegrass bands. Cabinet’s last New York appearance on this tour will be at the Highline Ballroom in NYC Oct. 30 for a two-night Halloween event, Night of the Living Dead, featuring the Infamous String Dusters featuring Keller Williams and special guests Cabinet; whom will be showcasing the music of the Grateful Dead for this special event. The show is sold out at this time, please contact the venue for further information on tickets.

    Cabinet shows no sign of slowing down anytime soon, their continuous touring, their depth of talent and their excellent stage presence are carving a path through the bluegrass genre, and rightfully so by the caliber of this show. Expect to see more and more of this band as time goes forward.

  • After 20 Years, At The Gates is back with ‘At War With Reality’

    It’s hard for some bands to take an extended break and make their comeback with the same fire and passion they had the first time around. They’re fighting against the naysayers who claim they’re just making a quick buck off the name and legacy of the band and the pressure of a fan base salivating for new songs. Enter At The Gates.

    Their new record, At War With Reality is the first studio album in 20 years for the Gothenburg metallers. And talk about pressure? They’re known as the chief innovators of an entire sub-genre of metal music. Having inspired an entire generation of bands from Unearth to Lamb of God and pretty much every other early 2000’s metalcore outfit. Their riffs have been long heralded as the defining sound of the Swedish melodic death metal scene. So when a band with this kind of pedigree decides to get back in the studio after a couple of decades away, all eyes are on them.

    At The GatesThe band picks up where they left off. Not succumbing to the modern trends of metal, At The Gates’ At War With Reality is true Swedish melodic death metal. The big catchy riffs are front and center. It’s almost as if they’ve sent notice to all the students of their sound, letting them now class is back in session. The masters of their genre are back doing what they do best.

    Now there comes a downside with that. Unfortunately as good as they are at their craft, the record does sound a bit outdated to modern ears. If you didn’t grow up with this sound, younger fans might just pass them off. And if they’re unfamiliar with their work they might claim they’re ripping off the very bands they inspired. And unfortunately perhaps time has passed them by. You have to give them a ton of credit for making their kind of record but I couldn’t help myself from being bored half way through listening to it. Sure the musicianship is fantastic and some of the riffs stick out more than others but there’s this layer of ‘sameness’ to it all. Songs just kind of blend in to one another and I had to check my music player more than once to see if I was listening to the same song still or not.

    It’s a shame because these guys were once kings of the metal scene. And I know a lot of die-hard fans will eat this record up and proclaim it album of the year but it just isn’t doing it for me anymore. I listened to so much of this kind of music that maybe I burned myself out on it. I can’t say it’s a bad record at all. And it’s not as if the time I spent listening to it for review purposes will be the last time I hear these songs, I just can’t give it the universal acclaim that everyone else is giving it right now. Some songs like “Upon Pillars of Dust” and the title track bring the ferocity you expect but they’re surrounded by so much filler that even standout tracks don’t really standout much.

    The production is top-notch and everyone is on point technically. Vocalist Thomas Lindberg sounds as good as ever. He has that harsh scream that radiates anger but also has a clarity about him. No pig squeals or death gurgling noises here. The record comes off very much as a guitar player record as most Swedish metal does. These guys worship at the altar of the riff and it shows. Guitar players everywhere will have a ton of fun picking apart these songs as they have with the band’s entire back catalog.

    At The Gates are fully back in the fold of the metal roster after spending the years following their reunion as a touring only band with this release. Fans will be pleased with what they hear. The band doesn’t take any weird twists or turns or rely on any gimmicks. This is their sound and that’s it. But At War With Reality is unfortunately at war with blandness. If you love the Swedish sound you will love this. If more modern melodic death metal like Black Dahlia Murder is your speed, approach with caution but for all you know, you might fall in love with a new favorite.

    Key Tracks: Upon Pillars of Dust, At War With Reality

    At The Gates will be touring the United States next spring as part of the Decibel Magazine Tour with Converge. You can purchase At War With Reality here.

  • TU Center to get $13.1M Upgrade

    Albany’s Times Union Center (TUCenter) is set to undergo a major renovation after a plan was announced by Albany County Executive Dan McCoy today that would potentially bring national sporting events back to the area, as reported by The Times Union.

    TUCenterSynthesis Architects proposal would take away the open-air terraces in the entrance area facing South Pearl Street and enclose them to create a gathering space for concertgoers, sports fans and area workers during the winter.

    McCoy said in a statement, “This is going to be a transformative project that will change the face of the Times Union Center and will perfectly complement the new Civic Center, which will be an integral part of revitalization downtown.”

    Much of the reason for the renovation plans stems from the shift in the Albany Convention Center to the area behind the Times Union Center, and the need for more space to attract, in particular, NCAA basketball events. Included in the renovations are LED screens that would face out onto South Pearl Street, streaming images of events inside the arena, potentially.

    Enclosing the TUCenter atrium could potentially change the environment before and after events at the Times Union Center, giving fans a reason to mingle in the venue’s open space, rather than hustling inside to avoid the elements and unwelcoming nature of the staircase-laden entrance way, as it stands now.

  • Electron ends Fall Tour at Syracuse’s Westcott Theater

    I still maintain Syracuse is a weird city, but they got one hell of a show at the Westcott on Saturday October 18. For fans of live-tronic music, this was the show to catch. The bill featured three bands (all instrumental) leading up to Electron, making for an impressive five hours of music. The night opened with Ocupanther, who got fans moving with their intricate but danceable compositions, featuring smooth rhythm sections and weaving guitar/synth parts on top. Ocupanther is always a treat because they are unique—not just progressive scales, not just untz beats—but truly original sounds put together in an organic, funky way. Up next was Horizon Wireless, who laid down smooth beats that were subtle but sexy and often trance inducing. Horizon has a warm sound that just makes you feel good, relying more on the groove than huge peaks or changes. This was almost a direct contrast with Solaris, who took the stage next and threw down heavy beats that really brought the energy back up a notch as the room began to fill in. Ithaca’s Solaris is a one-two punch, first they get you in the zone with beats that are predominantly electronic and then they mix in moments of sheer rock and roll dirtiness. By the end of the set everyone was moving and ready to go.

    Photo by: Andy Hill at Catskill Chill 2014 - Electron
    Photo by: Andy Hill at Catskill Chill 2014 – Electron

    Electron, to put it bluntly, is essentially a Disco Biscuits cover band that plays Biscuits’ songs better than the Biscuits. This is not at all a bad thing, or meant to discredit the original incarnation(s) of Bisco—they are the ones who did it first after all, and they have a chemistry that cannot be replicated—but rather to highlight the similarities and areas of improvement. This crossover is no secret; the night’s set list featured mainly Bisco songs, all of which were tight and on-point. Throughout the tour Electron also covered a different band each night, including The Beatles, The Grateful Dead and Pink Floyd. Friday’s two-set show added Radiohead to that list, with solid covers of “Karma Police” and “National Anthem,” before ending the night with Pink Floyd’s Brain Damage into Eclipse for an encore.

    The set opened with the classic, “Floodlights” and moved into another time-tested favorite, “M.E.M.P.H.I.S.” which had fans new and old singing along. Brownie held it down on the bass [as he does] showing a revitalized energy I had not seen since years previous. There is no doubt that Brownie drives the band, both with his relentless bobble-head and groove-heavy lines with sneaky bombs – his excitement was contagious. Lotus drummer, Mike Greenfield, was also a true joy to watch and blends perfectly with Brownie and the Electron formula. The argument of Sammy Vs. Allen actually kind of finds resolution in the middle with Mike Greenfield; he has the intensity and (almost) technical precision of Allen, with the feel and taste of Sammy. Personally, I never took a side on the drummer comparisons because I liked both for different reasons. That said, Greenfield is the ipso facto peace-maker that would ultimately satisfy both sides of the debate. On the keys, Magner seemed a little more subdued than his role with Bisco, but still served as the essential binding factor. All of Magner’s parts were, though not extravagant, especially important. He really only let it rip a couple of times, mainly towards the end of the second set with “Shelby Rose” but quite frankly, I think I prefer it that way. The real standout of the night for me, however, was Tom Hamilton on guitar. I had heard Hamilton play in recordings of Brothers Past, American Babies and with Marco, but had never seen him live. Simply put, he won me over. I came into the show not knowing much about Hamilton and left a Hamilton fan. Each guitar line was clean and tasteful, but when he decided to rip it, his chops really shone through. Even in songs where his parts were simpler, Hamilton has a calm sort of confidence that is super entertaining to watch and appears to inspire the band to consistently play to the top of their ability. All in all, this show was spot-on musically; a real treat for Biscuits fans, and the band’s chemistry was a pleasure to watch.

    Syracuse’s show marked the end of Electron’s mini-tour, but Brownstein and Magner will be back with Conspirator, another side project which is more heavily improvisation and jam based, on November 20.

    Set 1: Floodlights, MEMPHIS, Kamaole, Humu ending, Grass is Green end, Plan B, Karma Police*, Plan B
    Set 2: National Anthem*, Little Lai, Humuhumu, Kamaole ending, Shelby Rose, the City, Shelby Rose
    Encore: Brain Damage, Eclipse

  • Hulaween is here, Freaks forge south to Florida for Halloween Weekend Festivities! Oct 31-Nov 2

    In the Northeast the festival scene has wound down. With the harvest festivals come and gone, concerts have moved indoors and pumpkin is in everything. However, a different breed of festival goer and live music freak is gearing up for one of the most anticipated Halloween festivals of the year, Hulaween!

    This Halloween weekend marks the sophomore return of Hulaween. With headliner, The String Cheese Incident, playing three sets over the weekend they are joined by Big Gigantic, Thievery Corporation, EOTO, Beats Antique, the New Deal, Joe Russo’s Almost Dead, Conspirator and many more! There is even a Thursday night pre party with Electron and Particle!! See the schedule here.

    Adjacent to the Black River, Spirit of the Suwanee music park in Live Oak, Florida hosts many festivals a year. A magical place it boasts a riverfront beach, canoe rentals, rope swing/cliff jumping, lots of places to put hammocks, as well as cabin rental upgrades. Though sometimes chilly at night in the northern Florida region this time of year, campfires are allowed in the primitive campsites so making lasting memories around the fire is common.

    In addition to music, there is a psychedelic Burning Man inspired art installation curated by art director Andy Carroll planned on the festival grounds. Costumes are encouraged and will be judged in a contest for those inclined to dress up! Hulaween is sure to be quite the spectacle!

  • Neil Young’s ‘Storytone’ Hits on November 4

    Neil Young’s latest release Storytone (Reprise Records), his thirty-fifth, is scheduled for release early next month. He’s sending it in two drastically different forms: one, his traditional acoustic, the other with full orchestration or an elaborate big band, some even with a choir. Both will be available as a two-disc deluxe edition. While Neil is known to radically head off in an unpredictable direction, this might hold a few surprises for his most ardent fans.

    Photo Credit: Pegi Young
    Photo Credit: Pegi Young

    Topically it’s all Neil, hard-hitting environmental stances mixed with real-life experiences, channeled in “Who’s Gonna Stand Up”, “I’m Glad I Found You” and “When I Watch You Sleeping”. Either way, there are another ten new Neil tunes here that follow-up his earlier lo-fi offering in 2014, A Letter Home, which he produced with Jack White.

    Track List:
    1. Plastic Flowers
    2. Who’s Gonna Stand Up?
    3. I Want To Drive My Car
    4. Glimmer
    5. Say Hello To Chicago
    6. Tumbleweed
    7. Like You Used To Do
    8. I’m Glad I Found You
    9. When I Watch You Sleeping
    10. All Those Dreams

    Storytone is available to stream in its entirety on NPR ahead of its release on November 4th. A vinyl format will come December 16th. Pre-sales are available at the usual outlets and Neil’s website. Much like the mahogany laminated sound board from a Story & Clark ‘Storytone’ piano, Neil seems guaranteed against manufacturer defects for fifty years.

  • Phish Announces LivePhish+ an all Inclusive Subscription Service

    LPBIGGERFollowing the lead of the always innovating Umphrey’s McGee – who announced a similar service earlier this year – Phish today revealed a new upgrade for their LivePhish app called LivePhish+. Fans will be able to sign up for a free ten-day trial which they can continue for $9.99 a month or $99.99 for a full year. Subscribers will get unlimited access to the entire LivePhish catalog including archived shows, new shows, studio albums and side projects.

    Along with the subscription offering the app has gotten several upgrades such as playlist creation, gap-less playback and the ability to rewind and fast forward tracks. Phans can sign up now at plus.livephish.com. Those that do not wish to sign up will still be able to stream their own collection the same as before along with the app upgrades.