The jam band Umphrey’s McGee took the stage at the Broome County Forum on Wednesday, October 29. The GA show left the lower orchestra packed and an intimate environment for the dedicated fans that traveled and locals that indulged in the convenience. These fans know they’re always in for a new treat, with Umph constantly changing with the tide and adapting to the crowd.
Amidst it’s fall touring of the Midwest and East Coast promoting the new album Similar Skin, the rarely hosting Forum had it in their cards to land a class act. Guitarist/vocalist Brendan Bayliss, guitarist/vocalist Jake Cinninger, keyboardist/pianist/vocalist Joel Cummins, drummer/vocalist Kris Myers, bassist Ryan Stasik, and percussionist Andy Farag, together form a Voltron-like beast as formidable as any other jam creation. They made sure to suit up for the Forum, providing plenty of their classics, spreading they’re new album exposure across the tour.
Starting with “Jekyll & Hyde > Robot World”, Umph played a transforming “Walletsworth”, “Rocker Pt. 2”, “Anchor Drops”, a “Get in the Van” that explored thrashing to a paradise breeze and everywhere in-between, followed by a stanky legged “Smell the Mitten”, and clear fan favorite, a sixteen minute “Plunger” to wrap up the first set.
The second set opened with “Search For”, followed by a “Much Obliged” that featured a “50 Ways to Leave Your Lover” (Paul Simon) jam. “Yoga Pants” then fooled me into thinking we we’re getting an “In the Kitchen”, instead it sounds like a song among the stars, where I’m sure we can agree “Yoga Pants” came from anyway. A nearly seventeen minute beastly “Hurt Bird Bath” would be a journey as the jam buildt and transitioned from one moment to the next. The next part of the journey was the win; it was Mario taking out Bowser back on NES, a “2×2 > Final Word > 2×2” that single-handedly stormed the castle, rescued the princess, earned her eternal love, and Hulk Hogan’ed off her chastity belt. In celebration, a Steely Dan cover of “Reelin in the Years” brought everyone on the same page of joy and nostalgia. An 11 minute “Conduit” would close out the second set.
“WE WANT THE UMPH, GOTTA HAVE THAT UMPH!” – the familiar chant wasn’t heard on this evening, but the interactive band would never let its loyals down. They came out with a soul food serving of Waylon Jennings “Good Ol’ Boys”, and a send off a moving “Wife Soup” for dessert.
Umphrey’s not only fails to disappoint, they’re still getting better. With a huge following across the country selling out theaters and headlining festivals, if you haven’t walked out of a venue with an “Umph Love” sticker lately, get off life support and get out there.
Umphrey’s McGee at The Broome County Forum Setlist via All Things Umphrey’s: Set 1: Jekyll & Hyde > Robot World > Walletsworth, Rocker Part 2, Anchor Drops > Get In The Van, Comma Later > Smell the Mitten, Plunger Set 2: Search 4, Much Obliged[1] > Yoga Pants > Hurt Bird Bath[2], 2×2 > Final Word > 2×2, Reelin’ in the Years, Conduit Encore: Good Ol’ Boys, Wife Soup
[1] with 50 Ways to Leave Your Lover (Paul Simon) jam
[2] with Domino Theory teases
The Doobie Brothers Southbound features some of country music’s legendary performers such as Vince Gill, Toby Keith, Brad Paisley, Blake Shelton, and Sara Evans, with some of today’s most talented newcomers, such as The Zac Brown Band, Hunter Hayes, Chris Young, Casey James, Tyler Farr, Jerrod Niemann, Sudano Ramirex of Johnnyswim, and Charlie Worsham. Without even hearing one note on the album, I was anxious to see what I had in store with this who’s who of guest appearances.
When I heard that The Doobie Brothers were making a greatest hits album and invited some of today’s most talented country singers to accompany them, I was over the moon thrilled. I immediately flashed back on one of my favorite albums, Common Thread, from 1993, where country music greats came together to record some of The Eagles most loved tunes of the 70’s. There is just something about the rock of the 70’s and today’s country music that blends the two perfectly into a classic sound.
The album starts out with “Black Water” (with Zac Brown Band); this has to be one of my favorite all time Doobie Brothers tunes. I can think of no other country group I would love to accompany them today on the song. Always thought Zac’s voice was reincarnated from the 70’s rock era, a James Taylor sound for sure. The Zac Brown Band’s southern laidback sound combines perfectly together with the bluesy groove of the music and lyrics to deliver an over the top remix that possibly is better than the original. “Black Water”, originally the B-side of the release of ”Another Park, Another Sunday”, was written and performed by Patrick Simmons, who once again nails the tune confirming any doubt that B-sides were most definitely worth the listen.
Tom Johnson’s tune, “Listen to the Music”, features Blake Shelton accompanying on lyrics and Hunter Hayes on guitar. This song, one of the first big hits of The Doobie Brothers career, remains a staple as an encore song at all of their live shows. Originally written as a tribute to peace at a time of influx in the world, the idea of all those in power were to take a moment to just come together and listen to the music, a universal language, perhaps peace could be attained; it sounds like a message that still holds true today. With Blake Shelton’s strong lyrics accompanying Tom Johnson on vocals, the duo deliver a one-two punch that sends the message as the newcomer Hunter Hayes shreds the guitar like the pro he is. This rockabilly sound sends a message still today that no matter what generation hears it or performs it, the message is timeless and the concept of a universal language of peace is attainable if we could all just find a common ground in music.
The next track on the new album, “What a Fool Believes”, is a Grammy Award winning hit of the Doobie Brothers and happens to be one of the only non-disco number one hits of 1979. Written by Kenny Loggins and Michael McDonald, this commercial hit was an example of how The Doobie Brothers were able to maintain their own unique sound while accomplishing commercial success during a time where rock and roll was not in the forefront on commercial radio. With Sara Evans accompanying Michael McDonald on “What a Fool Believes”, this track is yet another perfect pairing of musicians showcasing and blending together their voices in perfect unison.
For country music lovers, Toby Keith is the epitome of a regular guy that pulls no punches. His in your face, this is what I am, and this is what I represent personality is the perfect pairing for The Doobie Brothers on “Long Train Runnin”. It could be the harmony, the rocking guitar, the awesome harmonica, or the upbeat melody, but this song, like Toby, pulls no punches and delivers the perfect example of timeless classic rock and the perfect combination of country music today and how rock and roll of the 70’s has influenced so many country artists today.
Chris Young, one of today’s up-and-coming country artists, who won the competition ‘Nashville’, is tearing up the charts with hits and as he accompanies The Doobie Brothers on “China Grove”, it’s evident why he is one of today’s country greats. As he sings together with The Doobie Brothers, I can barely tell where they end and he begins as they seamlessly harmonize on this 1973 hit. I must point here that on this song especially, it is a shining example of how absolutely talented The Doobie Brothers are in their songwriting and instrumental composition. On this number, it is as though each instrument is a feature instrument, however together they are a harmony. There are moments that the bass is strong and the underlying bass and percussion take center stage. Then there are parts where you hear keyboards foremost in the spotlight. When you think you can’t get any better, they break out in a guitar solo. I love this song as it’s upbeat and catchy, but I truly appreciate this song as its composition is epic.
The next track, written and performed with Love & Theft, “Take It To the Streets”, was another example of great pairing. Michael has a very distinctive voice, and the vocal accompaniment by Eric & Stephen was spot on, together with some outstanding guitar accompaniment.
For those of you unfamiliar with Casey James, he is the very talented country musician best known from American Idol’s ninth season. On “Jesus is Just Alright”, The Doobie Brothers version of the Arthur Reid Reynolds song, Casey’s amazing guitar abilities are emphasized. At one point in time, Casey was unsure of his ability to be able to play guitar again. Suffering major damage after a crippling motorcycle accident, Casey’s recovery is nothing short of a miracle. I find it refreshing as I realized how The Doobie Brothers were able to embrace their faith during a time where faith was questioned by many in the 70’s, and fitting this song was for Casey’s accompaniment.
Another Tom Johnson song, this time he is joined by one of Country’s biggest stars, Brad Paisley on “Rocking Down the Highway”. is a feel good song written by Tom in the early Doobie Brothers days and just up Brad’s alley, as it features not only his amazing vocals, but also his talents on the guitar.
“Take Me In Your Arms”, finds The Doobie Brothers joined by newcomer Tyler Farr. With his raspy voice, the soulful sound of this R&B tune mixes perfectly with Tyler’s style of rock and delivered with heartfelt emotions that mixes country and rock to make the trifecta of musical composition.
Joined by Jerrod Niemann on “South City Midnight Lady” and released on their third album The Captain and Me in 1973, this beautiful ballad is unique to the style of The Doobie Brothers, being melodic and slower paced than other hit songs. However when it comes to love ballads, Jerrod Niemann is your man to deliver, and deliver they all did.
For those of you not familiar yet with Johnnyswim, you will be in for a treat as Amanda Sudano Ramirex of Johnnys sings on their mega hit “You Belong to Me”. And if that wasn’t enough, let’s just throw in a touch of Vince Gill’s guitar, who is one of the best musicians in Nashville, to really tear it up like no other can. Super sexy was this rendition of the song as Sudano accompanies Michael McDonald in this duet.
Another newcomer is Charlie Worsham. He’s one of those country performers that takes his musical ability and goes right out in the audience with his banjo/ganjo/guitar and makes you part of the song. This is no different as he plays on “Nobody”, a perfect song for Charlie, and to close out this outstanding album.
The Doobie Brothers
As I wrap up listening to this remarkable collaborative effort, I feel as though I am experiencing one of the greatest times in country music as we see those rock stars of the 70’s, 80’s, and 90’s becoming part of a new country experience. With a basis in blues, jazz, rock, and bluegrass, this Southern rock style that was once indicative of the 1970’s is now becoming the trend in today’s country music. You see many of these rock and country collaborations on CMT’s Crossroads. Their ability to pair the perfect rock group and country musician to cross perform songs of each other is truly one of my favorites. It’s the marriage of the best of both worlds into one spectacular sound. As most genres, it evolves, taking on new characteristics of other influences. But one thing holds true. Music is a common language to those on both sides of the microphone. Tune in November 5 as The Doobie Brothers perform live at this years CMA Awards together with some of todays biggest country artists around.
Key Tracks: Black Water, Long Train Running, You Belong To Me
Syracuse local folk/rock/soul singer-songwriter Michelle Renee is excited to announce the live, full-band debut of her forthcoming album, Reflections, on Friday, November 7 at The Lost Horizon. This event will be the only opportunity to experience Reflections with all of the musicians who appear on the album, serving as a special sneak-peak in Michelle Renee’s farewell performance before moving to the West Coast. The event will also feature a host of local folk, rock, soul, and reggae acts, all led by female vocalists. Heartstrings beware: you may be tugged at.
Early Bird will kick things off at 8PM with their magical two-and-three-part harmonies, followed by a one-time only, full-band debut of Reflections. Joining Michelle for her performance will be Aaron Walters on guitar and piano, Sam Roux on bass, Gavin George on drums, Brendan Gosson on violin, and Riley Mahan on back-up vocals. Riley will also be taking center stage to show off her incredible pipes before Root SHOCK’s soulful vocals, good vibes, and Reggae beats have us all dancing the night away.
Best known for her tremendously unique voice, Michelle Renee’s expressive lyrics are intensified by her distinct vibrato, colored by a low, rich timbre and transcendent soprano overtones. With the production support of Aaron Walters; dynamic piano, bass, electric guitar, violin and drum arrangements now augment Michelle’s originally acoustic renditions, purposefully echoing a mixture of genres to tie into the overarching theme of the album, ‘We Reverberate.’
Michelle Renee
According to Michelle, “I am most interested in music that juxtaposes a danceable beat with thought-provoking lyrics to draw attention to larger societal questions of morality and personal power. Behind every song is a story. Rather than adhere to a specific genre, musical accompaniments were composed to enhance each story and bring listeners into that world.”
In addition to Michelle’s refreshingly authentic vocals, listeners will be greeted with abstract drum grooves, heart-wrenching piano ballads, and driving rhythms; threaded together to create a mosaic of sound unified in its call for a higher consciousness.
Born and raised in Baldwinsville/Syracuse, Michelle’s love for music has brought her to venues including Sterling Stage Music Festival, and to various bars and restaurants around CNY, where she often performs solo on acoustic guitar.
Early Bird
Early Bird is a progressive/folk/indiepop trio that finds inspiration from a wide variety of musical styles such as jazz, rock, funk, American traditional, Irish traditional and classical music. The band features robust, emotionally powerful lyrics written by lead vocalist Katherine O’Leary and vocalist/pianist Sheralyn Wellman, along with a strong harmonic and rhythmic backbone from guitarist/vocalist/percussionist Aaron Walters. The incorporation of intricate musical elements within an accessible sound is ever-present in Early Bird’s music.
Early Bird’s magic lies within the strength of the carefully constructed two and three-part harmonies each member creates, while still maintaining their own unique vocal presence. Its member’s commitment to sharing their sound has brought Early Bird to Ithaca, Syracuse and Binghamton, among other locations throughout New York.
Root SHOCK
Central New York’s finest roots rock-reggae/soul party starters, Root SHOCK, formed in winter of 2012 with veteran musicians whose love of reggae music flows deep. This group seamlessly blends roots Reggae, dancehall, heavy drum and bass, and soulful vocals into positive dance music that makes you want to move. Root SHOCK’s groovy sound has become a staple of the Syracuse downtown bar and coffee-house scene (Al’s Wine and Whiskey Lounge, Funk ‘n Waffles) and cultural events throughout the city (Westcott Theater, Westcott Cultural Fair). Lister be advised: powerhouse frontwoman Jessica Brown is a wolf (or fox?) in sheep’s clothing her sweet and humble stage presence is contrasted sharply by her raw, riveting, fiery sound that is sure to get you out of your seat.
With so many talented female vocalists under one roof, this will surely be a night to remember!
Michelle Renee’s Reflections Debut Party,
with Special Guests Riley Mahan, Early Bird, and Root Shock
Friday, November 7th, 2014
Doors: 7:00PM / Show 8:00PM
The Lost Horizon
Syracuse, NY
Tickets: $10
This event is all ages.
Nineties industrial metal band Static-X’s front man, Wayne Static recently passed away in his sleep suddenly at the age of 48. Despite many reports to the contrary, a direct representative of the Static family yesterday said, that the death was not drug related and that Wayne and his wife have been drug free since 2009. Despite that, a specific cause of death has not yet been reported.
Static-X thrashed its way onto the scene in 1994 with the fan favorite Wisconsin Death Trip and has maintained an underground popularity since. Static-X took a three-year hiatus from 2009-2012 while Wayne worked on his solo effort Pighammer. In 2012 he restarted the band with all new members. In 2013 they hung it up for good and with Wayne’s passing any future reformation seems highly unlikely. sends our condolences to his family, friends and fans.
If you attended a concert or music festival this summer, chances are you most likely saw the HeadCount tent set up with volunteerrs eager to happily hand out information on the importance of voting. Turns out they were doing more than just giving you a chance to win an autographed poster or VIP tickets. HeadCount is a non-partisan organization that uses the power of music to register voters and promote participation in democracy. Today over 300 musicians, comics and actors have all partnered with HeadCount to urge fans to get-out-the-vote (GOTV) on Election Day.
The hundreds of entertainers who will flood social media with tweets and posts encouraging fans to make their voice heard include such stars as Stephen Colbert, Dave Matthews, Linkin Park, Sarah Silverman, Fergie, George Lopez, Jason Mraz, T.I., Lewis Black, Chaka Chan, Weird Al Yankovic, Ms. Lauryn Hill, all the living members of The Grateful Dead, Andy Richkter and Conan O’Brian. The diverse group of people continues with each averaging over one million social media followers, totaling more than 350 million followers altogether making it the largest Election Day social media push ever.
Each entertainer’s tweet, photo and post will include a link to headcount.org/govote where votes can easily find general election information such as polling place finder, ID requirement and what’s on each ballot. Through the timeless effort and setting up voter registration drives at 705 live music events, HeadCount registered over 25,000 voters for this election. “The incumbent Congress is the least popular in history, so we can’t leave it to the candidates alone to inspire people,” said Marc Brownstein, HeadCount’s co-founder and bass player for The Disco Biscuits. “We’re trying to get the message across that being dissatisfied is a bad reason not to vote – it’s the exact reason why participation is so important.”
We are taught the struggles of those who fought for our right to vote, how fortunate we are for the opportunity to have our voices heard and that every vote matters. It’s easy to feel discouraged in the world of politics but music has always proved to be a comforting and powerful tool. Our favorite musicians are looking to us to come together and rage the poll booth.Today’s the day to prove how strong we are and that we want change for a better tomorrow. Go get your vote on! Check out HeadCount on Facebook,Twitter #GoVote and Instagram.
Furthur fans who visited the band’s website this morning were met with a message from the band –
To our loyal Furthur fans and members of the Furthur community at furthur.net, we’d like to thank you for a terrific ride. We’ll be closing up shop at furthur.net, and heading onward. Thanks for making the Furthur community a great place to hang out, and for coming out to the shows. We’ll all be keeping very busy over the foreseeable future, and it’s time to let Furthur take a bow. We enjoyed the ride more than we can possibly express. You can keep tabs on Phil’s activities at www.terrapincrossroads.net, Bob’s activities at www.bobweir.net and all Grateful Dead news at www.dead.net ”
It looks like the band that was the most recent and arguably its most successful incarnation of remaining Grateful Dead members has decided to call it a day and will be shutting down the website with no intentions of playing again. This news comes in the wake of the cancelled tour dates for Bob Weir and a recent collection of highly successful runs with Phil and Friends appearances at the Capitol Theatre in Portchester.
Since their start in 2009 when remaining Grateful Dead members, Bob Weir and Phil Lesh formed the band with the original lineup also including – John Kadlecik, Jeff Chimenti, Jay Lane and Joe Russo; they have enjoyed massively successful tours and headlined the cream of the crop festivals like All Good and Gathering of the Vibes; all well retaining the Grateful Dead scene that had been slowly dissipating after Jerry’s death in 1995. The band was named for the famous touring bus used by Ken Kesey in the ’60s. While Furthur played a large portion of the Grateful Dead catalogue, they did also put their own spin on things by covering songs from bands like the Beatles and Pink Floyd.
As sad as we are to see this band take its final bow, many feel blessed to have had the opportunity to see Weir and Lesh come together with new members to re-create the music of the Dead. They will be missed.
As a journalist you do your best to maintain a level of objectivity when dealing with anyone you cover for a story. You want to bring a story that is not only factual, but without a spin in one direction so that the reader can come to their own conclusions. However sometimes you just can’t help yourself when you meet them in person. This is what happened with me after speaking with Eric Paslay, and seeing him perform at Toby Keith’s I Love This Bar & Grill in Syracuse, September 20, 2014. I was totally impressed by this young man.
This would be the second time covering the musician for an event (Taste of Country Music Festival) and I was looking forward to both the performance and our scheduled phone interview. Many times these interviews happen to be right before a show, or in between sound checks. With such a busy schedule, when I received the call around 10am, it was a nice surprise.
Eric Paslay – Toby Keith’s Syracuse
Kathy Stockbridge: Hi, is this Eric? How are you? Thank you so much for agreeing to do this interview with NYS Music.com.
Eric Paslay: Good Morning.
KS: Well Good Morning to you as well! You’re up early!! I didn’t expect you to be up so early.
EP: Oh yeah, we get up early. I would rather be awake for life.
KS: Welcome to NYS Music and again thank you for agreeing to do this interview for our readers. You’ve been on quite a whirlwind of a tour this year…talk to me a little about the highlights of the tour and some of your favorite moments.
EP: I think this has been the busiest touring year of my life, and it’s been cool. We go from town to town and see the same hearts and souls in each town but with a little bit of different backdrop which is kinda cool. I like getting off the bus and trying to wander around town if there is one. A lot the fairs and festivals that we play though there is not a lot around it other than the fair. Still, I try to walk around there if I can. I think the coolest thing though is this year is the first year I’ve had a hit as an artist, which I’ve been working towards my whole career, and I’m glad people are singing along to songs that I have written and now to songs that I’ve recorded myself.
KS: That’s awesome…I often wondered if you have the opportunity to get off the bus and get out there to meet the people and take advantage of places you are visiting. It’s nice to know you are able to take advantage of that and getting to know the areas you are touring as well. I actually covered your show at The Taste of Country Festival which was a scream…it was my first country festival I’ve been too…was totally off the wall, with more than 40,000 people.
EP: Yeah..that was a cool show!
KS: ..and was a lot of fun. Was that the first time you had been up this way to Central NY?
EP: No I’ve been up there before…That was my first time at The Taste of Country, but I have been touring around the country for about four years now, but I’m getting to play the big shows now.
KS: Well you did a great job..I really enjoyed your set.
EP: Thanks.
KS: And I’m looking forward to seeing you this Saturday at Toby Keith’s, and I do believe I’ll get to see you again in November when you visit my local area at the Utica Aud with Dierks Bentley and his Riser Tour.
EP: That will be a good tour!
KS: You have a huge country music fan base here in this area….do you see similarities with people in the different communities you come to, or differences as you travel around?
EP: You know, what I’ve learned is around the US people are taught to listen to you differently. Some people are there for the party, and they still love you being there…it doesn’t matter if your George Straight on the stage.. they’re not really watching you or listening to much..they are, but they aren’t. Then there’s other parts of the country where they’re just as quiet as can be with their arms crossed staring at you. You not quite sure what they are thinking, but they are soaking it up and loving it. I think that’s the coolest thing..sometimes a lot of new artists on the road think “wow, that crowd hated us”, then they go to the meet and greet line and see what they really thought. As the fans tell you that was the best show ever, they don’t even know how to react. It’s also really cool to go out there and start understanding your listeners. Not everyone listens the same way…that’s what makes us as unique which is a pretty cool thing. And it’s not a bummer when people go all nuts also!
KS: Do you feed off the audience when that happens?
EP: Oh absolutely, I don’t think a football player isn’t going to run as fast as he can and hit as hard as he can with an empty stadium.
KS: Absolutely!
EP: It’s nice when the crowd is cheering for you.
KS: I personally love your writing style. You mentioned once in another interview that you try to leave some hope in all songs even the sad ones. Is writing cathartic to you? Do you write to tell a message, or get feelings out, or what is your writing process?
EP: You know, a lot of times I try to have messages like you will get through this, and it’s okay to feel this way, and also let’s just rock it tonight. I tend not to write selfishly. Music is a very influential thing, and I hope I get to stick around and influence people for good for a while.
KS: I predict you will. You have written a lot of songs that have been recorded by others. Talk to me a little about your inspirations, and do they play a part in your writing style and your performance?
EP: I tended to just listen to music that I dug, and if it sounded good,I turned it up. Somehow God blessed me with the ability to write songs. To be able to walk in a room with nothing and not even an idea, as I write so much, you walk in and start playing a melody and you know within a few hours a songs written. The cool thing about a song is you never know where it’s going to end up. I’ve learned through a lot of my other songs being recorded, that some times it’s not up to us how a song gets heard, and especially how a song gets famous. It can be frustrating if you try to make sense of it all. Other than you swing the bat and sometimes people see the home run go over the fence, and sometimes you’re in the stadium alone. And that’s alright. You just keep swinging the bat, and maybe people will be around when you hit the home run.
KS: Well you are originally from Texas, the Austin area, which is hugely known as a musical mecca. Have you had an opportunity to perform in and around Austin?
EP: Yeah, its wild. I wrote a song for the Eli Young Band called “Even If It Breaks Your Heart”, and the second verse is “downtown is where I used wander, old enough to get there, but too young to get inside”. That was kinda me and Austin, Texas. I was 20 years old walking up and down 6th Street trying to get gigs for me and my band. But, I couldn’t even get in to see the club owner because I wasn’t old enough to get in. But we did play some shows around there. I moved up to Nashville when I was 20 years old though, so I wasn’t a big part of the scene at all. I was still trying to figure out who I was musically at that time as well.
KS: Now you had the opportunity to play at the Opry..talk to me a little about that, what was that like?
EP: It’s amazing! I kinda lucked out the very first time I got to play the Opry was actually when it was at the Ryman Auditorium. There’s actually two or three months where they have the Grand Ole Opry back at the Ryman Auditorium every year-round the holidays. I got to play then, and maybe 5 or 6 times now since then. I’m actually playing again Tuesday night. They are having a St. Jude show for raising money and awareness. A my distant cousin, Brad Paisley, is going to be there. I’ll actually get to talk to him on Tuesday.
KS: That is so awesome!
EP: I remember I was standing next to Ricky Skaggs the first time I played the Opry, and I was about to walk on and he said, “Are you nervous?” I was like “Yeah man! I’m about to walk onto the Opry stage,and you’re Ricky Skaggs”. It was a cool thing. Darryl Worley was also playing that night, and I told him “Ricky kept asking if I was nervous, yeah I’m nervous”. The cool thing is, I still get nervous…but in a good way, kinda. When you’re out on the stage a lot, that kinda wears away and that’s a good thing. So you’re having fun and not too shaky in front of people. I think when you play so many stages and then you come back to the Opry, you think about everyone I’ve ever looked up to has played here including rock artists and pop artists. On the Ryman stage, especially where the Grand Ole Opry started. Darryl said, “Man, if you’re not nervous on the Opry stage, your heart’s not in the right place.” So I try to make sure I’m a little nervous when I walk out on the Opry stage.
KS: I’m going to switch gears here for a second. I learned a long time ago as I was doing some research for my first article on you that you are a graduate from Middle Tennessee State University (MTSU). I actually grew up until 5th grade in Murfreesboro, TN where MTSU is. One day I’ll get back down there. I remember it being a very community oriented school.
EP: Its built up a lot.
KS: Has it really? I’m sure it has!! Talk to me a little about your choice of schooling and MTSU and what brought you to choose MTSU, being from Texas.
EP: I wanted to be up near Nashville and they had a Recording Music Program and Record Industry Program. I ended up doing a Music Business degree just so I could know what the business is about. I wasn’t sure if I was going to be able to work on the creative side of it. I was hoping that would work out, and I’m glad it has. So I chose MTSU because they had the Business Music Degree…
KS: Do you think getting your degree in music has helped to pave your path to where you are today, giving you more of an understanding of the ins and outs of the music business?
EP: When you know the basis of a business, and show up and talk to a professional you’ll actually learn something. As opposed to just going “You’re a music publisher? How many books do you all sell?” No..they don’t sell songs, they license songs and they don’t deal with books at all. Which happens a lot. You have an intern come in or someone wanting an internship to get to hang around it,and they are asking how many songs you sell. That’s the first thing you don’t say to a publisher. They don’t sell songs…they always own them. And it’s just learning little inside things like that about the business on the label side or the management side or any side of it. When someone’s wanting to go into (the business)when you show up you know the very simple parts of their business. That way you can talk about deeper things,and they might open up to teach you things that not everybody knows to help you in your career and just the understanding of how crazy the business can be.
KS: I give you a lot of credit learning the business from the bottom up, worked hard, and as I talk to you I know you will have a long career. Any future goals or projects we can look forward to? And future collaborations?
EP: I’ve had some pretty cool collaborations this past year from Dionne Warwick, Kenny Rogers, Amy Grant, and Sheryl Crow. I don’t know where I’ll go from there, but I’m always willing to collaborate and write and even sing with someone. We’re not done with this album, but we are looking towards the making of the next sophomore album. I am just kinda going through and rediscovering songs I wrote a long time ago. So, I’m doing that, and writing a lot still. Just looking forward to making the next album, and having at least a couple more singles come off this album.
KS: We’re looking forward to that too! I do something I call a social speed round to let my readers know a little bit about the performers outside of the regular questions. Are you willing to play along? It’s painless..I promise!!
EP: Sure.
KS: Okay..you’re on the road..you see this and make your tour bus pull off every time.
EP: Antique store. Well, not every time…there’s a lot of them.
KS: Fill in the blank…On the tour, my band mates think I’m a _________.
EP: Um…I don’t know what they think of me….haha…Good Guy!! They think I’m a good guy!
KS: Sport of choice?
EP: Baseball
KS: Team?
EP: Texas Rangers.
KS: What’s on your iPod right now?
EP: Actually I have the new U2 album. I’ve just been kinda playing that seeing it’s about.
KS: You’re on your time off, you can’t wait to do this.
EP: Projects. I like handy man projects.
KS: You just got home…you can’t wait to see or do this.
EP: See my girlfriend.
KS: Thank you so much Eric, I can’t wait to see you this Saturday and again in November when you come here to the Utica area.
EP: Thank you for doing what you do.
As I hung up the phone from the interview I couldn’t believe what a down to earth, intelligent, normal guy he was. This young man was wise beyond his years. It’s one thing to have talent, a dream, and ambition. But Eric had something else that is critical in the success of any and every career. He had the understanding that you must know your business and market to succeed. By going to school to learn this business, by being willing to listen, and by being willing to work hard, he’s made a name in the business in a positive way that will give him opportunities beyond many others.
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After speaking to Eric, and learning so much more about him, I was super pumped to see him perform live. Arriving early to the show, I was given a meet and greet pass to meet Eric in person, and now the anticipation began to boil over. That was such a treat as I was not expecting that.
First to the stage was local band, Hoot’n Anges, who rocked the crowd and warmed them up with a list of original music and covers of some of todays biggest hits. The three-piece band certainly had the sound of a full band with vocals being covered by husband and wife team of Angela and Lucas Marino and fiddle player Gregory Mach.
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They were really good, and I was enjoying shooting photos of the opening act. A little too much though. I unfortunately was so wrapped up in taking photos, that by the time I realized it, I had missed the meet and greet. Seriously!! Who does that? I must be the only person in the world to get so caught up in taking photos, that I miss a meet and greet with an a one of today’s country music stars! Sorry Eric, wasn’t intentional. For my readers that don’t know me, yes, I am a blonde and I’m easily distracted. Hopefully I’ll have another opportunity one day, and I promise to not miss that one.
Eric took the stage immediately after the opening act completed, and what a performance he gave the packed house. Singing songs he’s written over the years, and covering covers as though they were his own, he owned the crowd the minute he took the stage. His current hit and ballad “She Don’t Love You”, co written with Jennifer Wayne, granddaughter to John Wayne, has to be one of the most beautiful songs I’ve heard in a long time. Originally meant for George Straight, I am glad he kept it as his own as I feel that it was meant for him to sing. He delivers it with such emotion that you don’t hear the song, you feel the song. The crowd concurred. As he sang his song’s “Song About A Girl”, “Barefoot Blue Jean Night”, “Angel Eyes”, and “Even If It Breaks Your Heart”, the crowd joined in and sang along word for word. I absolutely loved his covers too. His choices of “Ain’t No Sunshine” by Bill Withers, and “Free Fallin” by Tom Petty were spot on and showcased his musical skills. If there’s one thing I can categorize about Eric’s singing, he sings with his soul. He’s not just on stage delivering words, he’s delivering an emotion alongside the words. This ultimately translates to a connection with the audience that not every artist can achieve. There’s nothing fake about this young man. He truly loves what he does, and he truly loves sharing it with us, his fans.
As I left the show and reflected back on my conversation with him and watching him perform for the audience, I felt that he’s a so much more than just a performer. He’s got the know how to work within this industry his entire life, he has the talent to achieve whatever he sets his mind to, and he’s got the heart to appreciate those nerves each time he goes out on the Opry stage. My favorite thing about Eric though, besides the fact that he graduated from MTSU in Murfreesboro, TN where I grew up, or the analogies to sports throughout his interview, was that he “wanted to be awake for life”!!!
[youtube http://www.youtube.com/watch?v=5QJW4JB5IeI] Setlist: Like A Song> Here Comes Love > Never Really Wanted > Barefoot Blue Jean Night> All or Nothing> She Don’t Love You> Angel Eyes> Fish Don’t Bite> Ain’t No Sunshine> Good With Wine> Free Fallin> Even If It Breaks Your Heart> Less Than Whole> Keep On Fallin’> Friday Night
According to the band’s website, Echo of Miles will be a 3-CD collection of demos, covers, B-sides, instrumentals, and unreleased tracks chosen by lead guitarist Kim Thayil. “Storm” opens up with a catchy riff from Thayil before he delves into heavier shredding. Matt Cameron throws in an assault of tight drum fills while Ben Shepherd lays the bass line.
Chris Cornell‘s voice, one of the most recognizable in the grunge world, is also featured on the newly dropped track produced by Jack Endino. One of seven previously unreleased songs to be featured on the new set of discs, Soundgarden recorded “Storm” this past May in Seattle. The first album of the set—Originals—includes “Storm,” fellow new track “Kristi” and 16 other Soundgarden jams. Covers, the second disc, also will have 2 new tracks while disc three, Rarities, features 5 previously unreleased jams out of 15 instrumentals, remixes and demos.
Click here to purchase the prerelease of Echo of Miles. More information can be found on Soundgarden’s website.
Primus & the Chocolate Factory with the Fungi Ensemble sold out Albany’s Palace Theatre on October 24. With a radically unique style, Primus is difficult to define, however, their signature sound earned them a great deal of popularity in the 1990s.
Opening the first set on a bare, black stage, the three piece band treated the mostly-Gen-X crowd to seven songs. Six of those songs were released in the 1990s, including the popular “My Name is Mud” and “Wynona’s Big Brown Beaver.” Les Claypool, the band’s bassist and lead singer, explained that they had received some feedback on social media that fans were ‘sick of’ Primus performing “Jerry was a Race Car Driver” repeatedly at shows. The Albany crowd was clearly not among the complainers; they were disappointed. They recovered though, as many of them came to see the second set.
In stark contrast to the stage from the first set, the second engaged fans with brilliant color, funky costume, and stage characters. This performance featured the band’s reinterpretation of the soundtrack from the 1971 film Willy Wonka and the Chocolate Factory. Psychedelic video rolled scenes from the film behind the performers, and even the sound and light technicians, set up as usual in the auditorium, dressed in the red Oopma Loompa uniform. The classy nature of the Palace was a perfect venue for this performance; it added a rich drama to the show that might be lacking from those held in less grand locations.
Performing all 14 compositions in order, Primus’s distinctive sound heightened the dark, scary elements of the music, emphasizing some of the more ominous parts of the film. Claypool put down his bass guitar for many of the songs, relying instead on the resonance of the classical bass. The band also welcomed a cellist and percussionist to the stage, which added to the quality of the sound.
Primis finished the performance with another couple songs from the 1991 album, Sailing the Seas of Cheese.Primus & the Chocolate Factory with the Fungi Ensemble tour dates run through January and are updated at primusville.com.
Last weekend Phil Lesh and Friends played their first of a five weekend residency at the storied Capitol Theatre, starting with a Halloween show. Highlights included spooky takes on “Death Don’t Have No Mercy,” “Sympathy for the Devil” and both versions of “Dark Star” with “Fire on the Mountain” sandwiched in between. An encore of Warren Zevon’s “Werewolves of London” ended the night, like the song did for The Grateful Dead in 1990 and 1991. The next night saw the band tackle “He’s Gone” which included an extended jam,”Mason’s Children” and a great encore of the run of “Help on the Way>Slipknot>Franklin’s Tower”. The two night run consisted of members John Kadlecik, Dan Lebowitz, Rob Barraco, Joe Russo, and Scott Law, while Nels Cline joined in on night two.
This coming weekend Phil will be joined by Eric Krasno, Joe Russo, and Chris Robinson Brotherhood featuring Chris Robinson, Neal Casal, and Adam MacDougall. This line up is surely to take the music towards a more psychedelic sound. The 2005 tour with Chris Robinson has been said to be one of the stronger line ups in the Friends history. Eric Krasno most famously played with Lesh and Russo in Central Park at an unannounced show almost exactly one year ago. The set last about a half-hour and consisted of primarily jazz-style improvisation. The theatre should be buzzing with feelings of the mid 60’s as soon as the band takes the stage on Friday November 7. Tickets are still availabe, but are limited in supply.
This five week residency is of course part of the deal that Lesh maybe with Peter Shapiro, owner of Relix, Brooklyn Bowl, and The Capitol Theatre. Although it looks like Phil won’t be performing 30 shows at The Capitol Theatre like first thought, he will be getting close after he closes the year out with help from Joe Russo’s Almost Dead. The PhilRAD shows take place on December 30 and 31 and are already sold out. At age 74 Phil Lesh definitely won’t be doing this for much longer, so if you have the chance to buy a ticket, take the ride and see the bassist when you get the chance.
The Doobie Brothers Southbound features some of country music’s legendary performers such as Vince Gill, Toby Keith, Brad Paisley, Blake Shelton, and Sara Evans, with some of today’s most talented newcomers, such as The Zac Brown Band, Hunter Hayes, Chris Young, Casey James, Tyler Farr,
The hundreds of entertainers who will flood social media with tweets and posts encouraging fans to make their voice heard include such stars as Stephen Colbert, Dave Matthews, Linkin Park, Sarah Silverman, Fergie, George Lopez, Jason Mraz, T.I., Lewis Black, Chaka Chan, Weird Al Yankovic, Ms. Lauryn Hill, all the living members of The Grateful Dead, Andy Richkter and Conan O’Brian. The diverse group of people continues with each averaging over one million social media followers, totaling more than 350 million followers altogether making it the largest Election Day social media push ever.
Since their start in 2009 when remaining Grateful Dead members, Bob Weir and Phil Lesh formed the band with the original lineup also including – John Kadlecik, Jeff Chimenti, Jay Lane and Joe Russo; they have enjoyed massively successful tours and headlined the cream of the crop festivals like All Good and Gathering of the Vibes; all well retaining the Grateful Dead scene that had been slowly dissipating after Jerry’s death in 1995. The band was named for the famous touring bus used by Ken Kesey in the ’60s. While Furthur played a large portion of the Grateful Dead catalogue, they did also put their own spin on things by covering songs from bands like the Beatles and Pink Floyd.
Opening the first set on a bare, black stage, the three piece band treated the mostly-Gen-X crowd to seven songs. Six of those songs were released in the 1990s, including the popular “My Name is Mud” and “Wynona’s Big Brown Beaver.” Les Claypool, the band’s bassist and lead singer, explained that they had received some feedback on social media that fans were ‘sick of’ Primus performing “Jerry was a Race Car Driver” repeatedly at shows. The Albany crowd was clearly not among the complainers; they were disappointed. They recovered though, as many of them came to see the second set.
Performing all 14 compositions in order, Primus’s distinctive sound heightened the dark, scary elements of the music, emphasizing some of the more ominous parts of the film. Claypool put down his bass guitar for many of the songs, relying instead on the resonance of the classical bass. The band also welcomed a cellist and percussionist to the stage, which added to the quality of the sound.
