Category: Capital Region

  • Ten Tips for Camp Bisco That You Will Thank Us For Later

    This will be my fifth year attending Camp Bisco in Mariaville at the Indian Lookout Country Club. As a Camp Bisco veteran, I have a few tips and suggestions that I wish someone would’ve told me before my first Camp. Following these guidelines can only help make your festival experience run smoothly and make fora successful weekend.

    1. Use a marker for your camp site. This is something I’ve always put number one on my list. As the festival has grown, the grounds have become a maze, making it difficult to find your friends and campsite. Use whatever is easiest to transport. In the past I have seen everything from flags to balloons and “rage sticks” to identify where you are in the labyrinth of easy ups and tents; whatever it takes to make sure you don’t end up sleeping in another person’s tent. If you choose to bring a balloon, make sure you bring ample string or rope and tie it tightly. I’ve seen all too many fallen balloon-soldiers to the weak ribbons of festival land.

    2. DON’T bring glass. Just don’t do it. If you look at the Camp Bisco website  you will see this clearly indicated under numerous times in the “What Not To Bring” portion of the site. Your car is going to get searched and there is nothing that holds up a line like a couple glass jars or bottle, whether full of beer, salsa or other things. You’ll end up having to throw out your stuff and you’ll probably make a lot of people mad. This is your warning.

    3. Always buy warm beer. A rookie mistake at a festival is buying a 30 pack of ice cold beer thinking that it won’t become skunk after day one. At a festival, ice is a privilege, not a right, so if you have things you need to keep cold, you have to wake up early to get to the general store and pick up a bag or two. With the thousands of people attending Camp Bisco, there is no way that you can plan on keeping ice forever on site for your crew, especially in the warm July heat when you’re gonna need it. Don’t pack things that you know need to stay constantly iced, because chances are you’ll run into a time where you’re going to have to wait for the festival to restock their ice supply. It isn’t fun having a cooler of food that’s gone bad, that’s for sure.

    4. Stay hydrated. Another rookie mistake I’ve seen year after year is the first year festival goers putting back beers in the 100 degree weather waiting in line to get in. Yeah, it’s nice to have a beer after a long commute but you have a long day and a long weekend ahead of you. The amount of people that collapse from not properly staying hydrated in the heat is outrageous. No matter where you go within the festival grounds, keep water on deck. You certainly don’t want your festival experience to be ruined by waking up in the EMT tent due to dehydration.  Bring TOO MUCH water; it’s better to be safe than sorry. The pump water is completely kosher for a quick rinse down in the morning, but bring your own water to drink. Water is a huge necessity at a festival, don’t make the mistake of not bringing enough. Last year between two people, we went through a case and a half of water. Given, it was peaking 98 degrees during the day, but with all the dancing and sweating you’ll be doing, you’re going to need a ton of H20.

    5. Map out what music you want to see prior to getting to the festival. Chances are there will be a million things going on at once that you want to experience and enjoy, so make sure you have a clear path cut out to ensure that you get the best of your festival experience. Also, do not lose your schedule. By day two everyone and their mother is going to try and borrow your schedule because they lost their own. Make sure you keep your schedule somewhere safe so that you’re not missing out on the awesome acts throughout the weekend. And make sure you see something new! Camp Bisco has introduced me to some of my favorite bands and DJs that I would not have heard otherwise. Venture out, follow the crowds and jump from stage to stage. You will not regret it.

    6. Pack appropriate clothing; It seems like a given, but sometimes you need to be reminded. I’ve seen past Biscos that have rained the entire time and I was definitely happy to have a pair of rain boots, umbrella and rain coat on deck. You can never be sure what the weather will bring when you’re camping outside vulnerable to mother nature’s wrath. In the same breath, bring sunscreen! I have also seen a Bisco where it has been 100 degrees every day with nothing but beaming, hot sun (i.e., last year). I made this mistake my first year and have always made sure I bring ample sunscreen every year since. There is nothing worse than being brutally burned for an entire weekend of sun, dancing and music. Also, don’t bring an expensive pair of shoes that you value. Regardless of the weather, somewhere there will be mud. If there wasn’t, it wouldn’t be a festival. I’ve seen people go barefoot the entire weekend and it just isn’t a good idea. You never know what lies in the depths of a muddy field that you really don’t want in or around your bare feet.

    7. Bring a solar powered charger. You’ll be happy when you’re not standing in line at a charging station or killing the battery on your car. There is little to no cellphone service at Indian Lookout so you’re phone will die almost immediately. Honestly, the best advice I could give you in regards to your expensive smart phone is lock it up. You won’t have service, it’ll constantly be dead and you’ll probably end up breaking, losing or dropping it in a port-o-potty; just lock it up and forget about it. Sounds unbelievable, but I promise you’ll survive.

    8. Get some sleep. As tempting as it is to pull all nighters for an entire weekend, your body will hate you come Sunday morning when it’s time to make that commute back to wherever you live. Even if it’s only a couple hours a night, make sure you sleep. This could be difficult due the constant thumping bass from your neighbors and the mandatory Five a.m. drum circles, so bring ear plugs, maybe a sleep mask and catch some shut eye. I have never been happier at a Camp Bisco than when I am fully rested and ready to keep moving.

    9. Wet wipes are God’s way of saying “You don’t need a shower to smell clean(ish)”. The shower lines at Camp can get pretty long. The best way to ensure a shower is to go at night, but then you’re risking missing an epic set on main stage. Wet wipes are cheap, easy and will keep you relatively clean. At least clean enough to not be that smelly guy in the crowd.

    10. Lastly, have fun! A day at Camp Bisco can feel like a week in real-time. Take things slow, don’t get overwhelmed and enjoy your time at one of the fastest growing, greatest electronic music festivals in the world.

  • Don’t miss Assembly of Dust at Putnam Den, Saturday June 22nd

    Folk-rockers Assembly of Dust make a trip to the Capital Region with a visit to the Putnam Den on Saturday, June 22nd, bringing with them an extensive catalog that pulls upon the sounds of The Band, Traffic and Neil Young to form their unique blend of folk, rock and improvisation.

    assembly of dust putnam The early 1970’s are reflected in their music, tailored to their own stylings and a powerful show is the result. With melodies that hook you in, Reid’s poetic lyrics and a profound depth of musicianship, USA Today has said that Assembly of Dust has what it takes to “dazzle the Alt-Country universe.” Assembly of Dust recently released their new album Sun Shot, which is available for free download at Aodust.com.

    Assembly of Dust features Reid Genauer on guitar and vocals, Adam Terrell on lead guitar, John Leccesse on bass and recent additions to the band Jason Crosby on piano and violin and Dave Diamond on drums.

    This show is 18+ and tickets are $10 advance or $12 at the door. You can pick up tickets to Assembly of Dust through Putnam Den. Doors open at 8 pm and the show gets started at 9:30 with very special guest Capital Zen.

  • Get Ready to Get Funky This Friday with George Porter Jr. at Red Square

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    Legendary bassist, George Porter Jr will be getting down and funky this Friday June 21st at Red Square in Albany with his band, the Runnin’ Pardners, presented by Guthrie Bell Productions . The New Orleans band is admired for their fusion of funk, rock and R&B with the members consisting of Porter on bass, Brint Anderson on guitar, Michael Lemmler playing keyboards, Khris Royal on saxophone and Terrence Houston on drums. George Porter Jr. is best known for being a founding member of The Meters with Art Neville, Leo Nocentelli and Joseph Zigaboo Modeliste.

    The Meters formed in 1965 only to break up in 1977 but reunited in 1989 and recently have been nominated for the Rock and Roll Hall of Fame. The Meters music has been celebrated as one of the hardest grooving bands in the business, delivering a high energy performance with heart and funky soul. Their music has been covered by such bands as The Red Hot Chili Peppers and The Grateful Dead, plus sampled by hip hop artists like The Beastie Boys and Run-D.M.C. When the Meters are not touring together, George Porter Jr. and Art Neville tour with their side project band known as the Funky Meters. George Porter Jr.’s music career has spanned over four decades and has worked with renowned artists such as Paul McCartney, Jimmy Buffett, David Byrne, Patti LaBelle, Warren Haynes, John Scofield, and Steve Kimock.

    mclovins

    The McLovins, Connecticut’s top Jam Band, made famous from a YouTube cover of Phish’s “Youn Enjoy Myself”, are set to open the show. Their improvisational rock has led them all over the Northeast, making every concert goer a lifelong fan. Both the McLovins and George Porter Jr. are set to play this year’s Gathering of the Vibes as well as the Catskill Chill, making Red Square an ideal spot for a more intimate performance.

    Doors open at 8 with tickets available online for an early purchase of only $17 but will be $20 day of the show.

  • Mind was D’Melted thanks to Club D’Elf and Marco Benevento at Red Square

    One of the best ways to cool down after a disgustingly humid Saturday is with cold drinks at Albany’s Red Square, and on June 1st, it was even cooler with Boston’s Club D’Elf and the infamous Marco Benevento. Club D’Elf is notorious for having a jazz –infused, progressive rock, Moroccan sound which was enough to sell me on seeing their show for the first time while Marco Benevento is no stranger to me or Red Square.

    The evening got off with a mellow and slow start with “Bass Beatbox”, gentle bells, easy beats from Dean Johnston and echoing riffs with each musician getting a feel for the crowd and space.  I lingered in the back of the crowd to take in the sound of the music clashing beautifully together. I could hear Marco pounding on his keys while Club D’Elf sent out waves of creepy Middle Eastern flair. I was pulled closer to the stage by the hypnotizing electric guitar riffs in “13/Gijro” and strong rhythm of the drum set plus ever growing bongos in “Hegue”.

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    Being closer to the action gave me a deeper appreciation for the artists who kept a constant exchange of smiles between themselves and the audience, plus a better look at instruments, some of which I have never seen before. Danny Blume takes credit for playing the biggest guitar I have ever seen and shredded the life out of it. While Mike Rivard handled the skinniest stand-up bass, switching back and forth to an electric blue guitar, giving the music a heavy dub/reggae sound. Benevento played what must have been every note on his piano and keyboard, all with great fire and recklessness throughout the night. “I Wish I Was in Heaven” and “Sidi Rabi” as the encore, brought out intense vocals from Brahim Fribgane and exotic sounds from his stringed Lutar.

    The sound of the evening could be summed up as a “Bob Marley meets crooked Arabian Nights meets downtown Jazz club” mixture. With everyone playing together, it was true Frankenstein of a band, complete with bizarre instruments and monstrous songs that left me with confused, delighted terror and amazement.

    The show is available for a free listen and/or free download, thanks to Ed Guidry. Remember to tip your tapers folks and to catch Club D’Elf at the Disc Jam music festival and The Lizard Lounge in MA on July 12th and 26th. Marco Benevento can be seen at Equifunk festival on August 17th Upstate New York.

    Setlist: Bass Beatbox, 13/Gojiro, Hegue, As Above, Mogador, Zeed Al Maal, I Wish I Was in Heaven Sitting Down, Instar,

    Encore: Sidi Rabi

  • Album Review: Bryan Howell’s ‘Lightning Through My Soul’

    Bryan Howell’s ‘Lightning Through My Soul’ begins with a straight- ahead rock track, “Why Oh Why”, complete with hand claps and some sweet backup vocals. There’s a cool ending breakdown with a tasteful guitar solo and some accented full band hits. The album segues into “Dry My Tears”, a feel-good anthem. The atmospheric guitar tone goes over nicely with the bouncy chorus backup vocals.

    Lightning Through My SoulThe album continues with “East Coast Girls”, an upbeat summertime rock track. The vocal lines match the guitar strumming pattern and really play off of each other. There’s also some auxiliary percussion to get you moving towards the end. Finally, “Cold Little Heartbreaker” begins with a melancholy acoustic section that boasts perfectly timed delay on the vocals. The triumphant rock guitar comes in, followed by the floor tom driven rock beat. Howell’s vocals really project on this track, his confidence very evident.

    Overall, this album offers up all of the awesome traits of a summertime rock album. From sweet guitar tones, chords and patterns to happy, sing-a-long choruses, this album does everything it should.

    Pick up the album through Bandcamp and check out Bryan’s Facebook page and his website.

  • Top 10 Artists You Don’t Want to Miss at Camp Bisco

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    With Camp Bisco almost a month away, it’s time to start mapping out your schedule and narrowing down what artists you want to see the most. I’ve compiled a list of my top ten need to see artists, which was no easy task with Bisco’s extensive lineup spanning everything from hip-hop, dub step, electronic, house, jam, indie and so much more.

    1. The Disco Biscuits- I mean, seriously. These guys have made such a serious name for themselves in the music scene that they are now being compared to the likes of Phish and The Grateful Dead. This festival was their baby and watching it grow has been a crazy experience. They started off playing on one small main stage for a few thousand people and now step out onto dual stages with 20 thousand or more people cheering their names. That’s gotta count for something. Plus they’re all amazingly talented musicians. Whether you’re a “biscuits kid” or not you have to be able to see how unbelievably brilliant each member of the band is when they pick up their instruments. They play the most sets, so chances are you wont be able to miss them, but while you do see a few of their sets, appreciate how far they’ve come and how far they’ve brought this festival because without them it would never have existed.

    The Disco Biscuits on Twitter and Facebook

    2. Squarepusher. If you haven’t heard of this guy, I really wouldn’t be too surprised. I have been trying to catch Squarepusher, or Tom Jenkinson, for years but with his rare sitings in the U.S I have yet so see a live set. Squarepusher is an artist from the UK who focuses primarily around drum and bass, acid house and jazz. He uses live instrumental playing as well as digital processing to make some seriously mind blowing beats. He has releases such a vast array of music that it is difficult to pinpoint once particular style he likes to follow, but trust me you won’t want to miss this legend.

    Squarepusher on Facebook 

    3. Sound Tribe Sector 9. Of course, a Camp Bisco favorite. I have been a huge fan of STS9 since 2002 when I was a pretty young kid. Their music stays consistently amazing and their live performances are nothing short of spectacular. STS9 is an instrumental band with a strong focus on electronic, hip hop, drum and bass and funk. Whether these guys end up as a late night set or an evening set it is bound to be an amazing time. If you’ve never seen them before, you’ll be in for a serious treat.

    STS9 on Twitter and Facebook

    4.Toro Y Moi– I’m not even really sure how to describe this guy. I discovered him about a year ago and fell in love instantaneously. He is described as indie-pop, “chill-wave,” synth-pop and electronic. I really don’t even know how to describe him other than saying he is amazing and if you miss his set you are making a serious mistake. There are not many artists out there similar to Toro Y Moi so I suggest you give him a listen before Bisco rolls around just for your own aural pleasure.

    Toro Y Moi on Twitter and Facebook

    5. Boombox. Although I’ve seen Boombox a pretty significant amount of times I think I have still yet to see them on stage at a festival. Their style is unlike most bands I’ve seen in that they pull inspiration from all facets of the music community. They are a steady mix of psychedelic, funk, rock and blues. At each show I’ve seen, they drive each set with the energy of the crowd so it will be interesting to see them in front of a crowd as huge as Bisco.

    Boombox on Twitter and Facebook 

    6.Paper Diamond. Paper Diamond has been around for a while, just not under that particular alias. Alex Botwin started as the bassist for Pnuma Trio, and if you’ve heard the Pnuma Trio you know that he’s a very talented musician. Paper Diamond is Botwin’s solo DJ career, as he also takes on electronic production. Paper Diamond is another feel good DJ that will make you move. Definitely don’t miss his set this Camp.

    Paper Diamond on Twitter and Facebook

    7.Animal Collective. Over the past five or so years Animal Collective has grown rapidly in popularity and become a household name in the music scene. They are considered “experimental-psychedelic” and encapsulate a slew of different styles and genres within each song. You will without a doubt dance from start to finish when Animal Collective takes stage.

    Animal Collective on Twitter and Facebook

    8. Gigamesh. You’ve probably heard Gigamesh’s remix of Foster the People’s single “Pumped up Kicks,” or perhaps his work on Mike Posner’s “Cooler Than Me,” so you know what he’s capable of. His talent as a producer and a DJ is unparalleled. His music derives from a mix of influences, but will not fail to keep you dancing. Make sure you save your energy for this set, because you’ll need it.

    Gigamesh on Twitter and Facebook

    9. Lotus. I know, I’m clearly showing biases towards the band I’ve seen a million times, but in the same breath they have yet to let me down. Lotus is another band who has gained serious popularity over the past few years and made their own mark on the music and festival scene. Similar to Sound Tribe, Lotus is an electronic jam band who incorporate many sounds and genres within each song. Their music can be fast and hard or slow and melodic. That spectrum is what makes bands like Lotus such an awesome live act to see.

    Lotus on Twitter and Facebook

    10. Com Truise. Com truise started as a drum and bass DJ and slowly shifted into a more 80’s, chill-wave sound. His music is completely different than anything else in the music scene. I don’t even think there is an artist I could compare him to wholeheartedly, which is why he made the top ten list. An artist with that unique of a sound does not go unnoticed, even within a lineup as insane as Camp Bisco’s. It is artists like this that make Camp Bisco have such a wide variety of sounds and genres that grace their stages throughout the festival.

    Com Truise on Twitter and Facebook

    Honorable mentions:

    The Manhattan ProjectTwiddleBreak ScienceZoogma,

    Also, In an effort to help rebuild the community that was impacted by the wake of the tornadoes MCP Presents is putting out a National call to all of its supporters and fans, who converge upon the region each July. A page to collect donations has been set up through rally.org, where people can show their support and make online donations. Fans are asked to visit www.rally.org/supportschenectadycounty – cb12 or through the festival site at www.campbisco.net.

  • TAUK New Album “Homunculus” Forges New Path in the Jam World

    I had never heard of TAUK nor had I heard their music prior to giving the new album Homunculus a listen. I was pleasantly surprised and pleased that I had the opportunity to discover a new band with such a unique sound. Immediately from the first song, “Dead Signal”, I knew that these boys were not just your average garage band playing around with instruments. It is evident that each individual is a musician, and a talented one at that. The entire album is filled with psychedelic-jazz guitar riffs and trancey loops that keep their sound light and organic with a very subtle electronic undertone. The album is instrumental front to back, but even without vocals each individual song is so complex and layered that the void is easily filled.

    Homunculus TAUKA personal favorite was track number five, “The Chemist.” The blend of man and machine is at a perfect split in this song. The guitar is hard and heavy and rips through the electronic loops elevating each intricate note. Just when you think the song ends it comes back even harder than before. “The Chemist” is followed by a much more laid back song, “Dirty Mouth.” I was blown away by the highs and lows that they created within this five minute song. They take what could have been a relatively simple jam and add subtleties that create a whole other world within the music. “Curtain Call” starts off with heavy drum influence and veers off into very slow, melodic guitar. Parts of the song broke away with organ and keys which created a very unique sound. Another personal favorite was “When in Doubt.” The song starts off very melancholy and slow but is picked up by the drums and keys. For a relatively slow tempo song “When in Doubt” is very hard-hitting. The entire album was nothing short of phenomenal these boys certainly did not disappoint a first time listener.

    Editor Pete Mason had the chance to sit down with the guys of TAUK at this years Summer Camp Music Festival. When asked to explain the meaning behind their new album’s name, they said Homunculous has multiple meanings, varying in sound and not restricted; this can be taken within many interpretations, among them ‘the mind within the mind’ and ‘an inherent force.’

    TAUK has been throughout Upstate recently, playing with Aqueous in Buffalo, as well as in Ithaca and New Paltz. They also played this year’s snoe.down Festival which they spoke very highly of for themselves and the audience. They were happy to get a longer set which allowed them to experiment freely and immerse themselves within each song as opposed to compacting their songs and jams within a stricter set time. Their brand of psychedelic improv gives them the space they need to completely redirect their jams in any direction without constriction.

    If you like jam, funk, electronic, rock, fusion or pretty much music in general you will enjoy Homonculus. You can catch TAUK at Floyd Fest, July 25th in Floyd, Virginia and Maz Fest August 1-4 in Roscoe, NY.

    Key Tracks: Dirty Mouth, The Chemist, When in Doubt

    Download the album here

    Track listing:
    1. Dead Signal
    2. Afro-Tonic
    3. Hello Narwhal
    4. The Spot
    5. The Chemist
    6. Dirty Mouth
    7. Curtain Call
    8. Carpentino’s Rebirth
    9. When in Doubt
    10. In The Basement of the Alamo

  • Jim Weider’s ‘Project Percolator’ at The Egg, May 18th

    Straying from the norm, an instrumental performance of jazz, blues and hard rock might be difficult to pull off successfully if your name wasn’t Jim Weider, but for a man with a resume longer than some of us have been alive, he has the know-how and talent to accomplish such a feat.  The intimate Swyer Theater at The Egg in Albany housed the axe-wielding artist and his all-star cast in a mid-spring fling.  Weider presented songs uniquely fashioned by way of a lifetime of influences and study culminating into two sets of musical conversation. Project Percolator is the brainchild of Jim Weider’s imagination and artistry.

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    He created a band that breaks common musical expectations – especially since he is widely known for his tenure with The Band.  The core of the group includes: Rodney Holmes (Santana) on drums, Avi Bortnick (John Scofield) on rhythm guitar and Steve Lucas (Bruce Cockburn) on bass.  Together the four stretch out, noodle, pound and thump to a point where they aren’t just playing a show, they are experiencing it right along with the crowd.

    The first set began with the foursome showcasing their skill level; it only took halfway through one song before the crowd was completely absorbed in the music.  Holmes introduced “Squirrels in Paris,” on drums, but he quickly handed the song over to Weider and his Telecaster guitar.  His fingers glided along the fingerboard where ultimately he landed on the high notes, hitting the sweet spot that screams rock and roll fun.  Indeed, this was a heavy rock song complete with multiple and smooth change-ups rounding out in conclusion the way it began – on drums.  Weider, et al. used their instruments to capture the essence of story telling among old pals full of personality, inviting the captivated audience to listen to their banter.

    And just like each song molded and changed with twists and turns, the set took a turn too; Weider welcomed long-time friend and colleague, Garth Hudson to the stage.  If these guys were characters in a book, then Hudson was the playful imp bringing that same quirkiness to Project Percolator that he had in The Band.  Continuing with the conversation, Weider stepped aside humbly and joyously listened as his buddy told another story.  Hudson’s beard was as white as the keys on the board in front of him. A wide-brimmed hat mostly hid him, but even still, his jolly soul shined.  And he brought the comedy utilizing his instrument as a tool for his humor.  Hudson did his own thing for a little while, playing as if he were sitting in his own living room.  The group expectedly joined together for a reggae rendition of “The Weight.”  They veered into a groove that changed the direction of the conversation.  Each one took a turn and a crescendo swerved the song into yet another dimension until there was an abrupt stop, then the jam concluded with the last few bars of the same familiar song.  Surely there is not any arrangement of this song quite like Weider’s presentation.  Project Percolator moved through Dylan’s, “Just Like a Woman,” and then to another Band song, “Rag Mama Rag.”  The quintet told a familiar tale, but dazzled the crowd, offering up a new point of view, a convincing new perspective on a batch of old songs.  It’s as though we’re watching the guys reminisce of the good old days – and what fun those days must have been!

    After a short intermission, the core four reentered ready to tickle our fancies once again.  A Weider original, “Pulse” opened set two – a set that contained similar elements of structured instrumentals leaving room for weaving and stretching.  Hudson then once again joined Project Percolator.  Quietly and respectfully, the band watched and listened, as they too became the riveted audience, as Hudson took his opportunity to solo and the freedom moved him through a multitude of familiar, traditional folk tunes.  Part reunion and part nostalgia, it was fitting Weider dedicated “Caledonia Mission” (The Band) to his former band mates that have passed.  Weider closed out the set with “Man Cry,” in a song that winds down a path leaving no stone unturned.  One by one each member stepped off stage, leaving the musical discoveries up to those that remained.

    In spite of Project Percolator’s rock and roll appearance, there was something rather sweet and humbling; this is not an in-your-face-I-play-the-guitar rock fest.  Rather, it was a no frills invitation into the lives of people who simply love their craft.  The instruments spoke for themselves as their masters allowed the creativity to flow, sharing their point of view so that we might understand more of the story.  Jim Weider ‘shreds’ a new light.

  • Bound for Great Music: Dan Johnson and the Expert Sidemen Album Release Party

    Last Thursday night was filled with string picking, bow strumming and warm bluegrass music at Valentine’s in Albany in celebration of Dan Johnson and the Expert Sidemen second album, Bound for Abiquiu release party. The hosts were joined by their friends, The Grassroots Rebels and Driftwood, two Upstate New York bands that combine Americana and bluegrass with plenty of attitude and flair. With Memorial Day weekend upon us, the show was a great way to relax with simple songs and prepare for the sunny days ahead.

    Driftwood

    I have a good amount of friends that hail from Binghamton, who are obsessed with Driftwood and now I can understand why. The four piece stringed band took the stage and wasted no time by starting a musical ruckus. Claire Byrne is a furious fiddle player, who shakes the ground with heart as she played all night with the biggest smile I’ve ever seen.  “Ooh keep it down for the banjo solo” yelled guitarist, Dan Forsyth, hushing the crowd and cranking up the banjo picking by Joe Kollar. The band has fantastic chemistry as there is constant communication on stage with words and instruments, everyone holding their own but still blending perfectly together. It isn’t until a few songs in that the crowd finally hears vocals and they were worth the wait. Driftwood has impeccable harmonies that give their melodies and lyrics a more heartfelt joy. The tunes had attention grabbing, sharp ends with steady, heart racing crescendos. Joey Arcuri brought out the bow on his standup bass giving the songs a new sound with darky, heavy notes.  As the set went on, Driftwood gave respects to Dan Johnson by repeatedly dedicating multiple songs to him as well as the venue.  Kollar joked that it was their best Albany crowd ever, considering they haven’t played the area in over a year and Claire added, “I like Valentine’s and Dan Johnson.”  My favorite song of the night was “Brother” which had a slight Celtic sound, complete with light, airy, long bow strokes.  Driftwood are touring all over the East Coast this summer and are most excited for a new album in the works, set to drop in this fall. Be sure to catch them at such festivals as Taste of Syracuse, The Great Blue Heron and Grassroots.

    DanJohnson&ExpertSidemen

    Dan Johnson and the Expert Sidemen gently opened their CD release party with their newest hit “Bound for Abiquiu,” and the venue was mesmerized. Johnson’s voice is mature and soothing, with a country twang that made the show feel like a warm summer night. “Garden Below” had some of my favorite lyrics of the night such as, “Sometimes I feel like an ocean looking for a river that I can’t find.” Brian Elsenbeck demonstrated his musical skills by alternating between the accordion and the banjo all night with great enthusiasm, and as Dan puts it, he is nicknamed “The Wizard of Accordion Mountain.”  Roger Noyes, on the pedal steel guitar, kept the crowd lingering on every easy going note with a laid back, southern vibe. Fans got a treat when Claire Byrne of Driftwood joined the boys on stage for their classic hit, “Baton Rouge,” adding an angelic vocal twist. One of my favorite moments of the night was during the song, “Dancing Fool,” a new romantic tune with guitar strumming so sweet it caused a few couples to slow dance around the venue.  Dan Johnson’s lyrics break your heart one moment and build you up with loving hope the next, a classic bluegrass rollercoaster. The former Albany local who now calls Vermont home, anticipates more visits to Upstate New York to share his newest album at such festivals as Rhythm on the Ridge on June 8th and Bellstock 20 on July 18th.

    Setlist: Bound for Abiquiu, Come on in My Kitchen, Adam and the Snake Oil Salesman, The Garden Below, My Three Friends, Baton Rouge*, Dancing Fool, Out of the Shade, Off on the Tide, Utica Blues, Another Good Thing is Come and Gone, Someone New, Sid Purple

    *with Claire Byrne of Driftwood

    Pick up Dan’s new album and great merch at his Bandcamp!

  • ‘No Pepper’ a Documentary on Albany’s Historic Music Venue, Valentine’s, needs Kickstarter Support!

    Valentine’s Music Hall and Beer Joint is one of the most well known venues in Albany, hosting hundreds of bands throughout its history and leaving many memories behind after the shows are over. Now, a Kickstarter has been created to fund a Documentary on the classic venue. Titled No Pepper, after the sign at the bottom of the first floor stage, the movie will examine the history of the venue, the bands who played there and the significance it holds for live music fans in Albany.

    Valentine'sCreated by TG Branfalt Jr, he explains his reasoning behind the venue, “The story of Valentine’s has never been told and I think it’s time to tell it. If you’re an East Coast musician you have either heard of, or played at Valentine’s. If you’re a fan of underground or local music you have heard of or been to Valentine’s. As club after club closes it’s important to keep a record of the ones that played a role in shaping the city – no other club helped shape the musicians of Albany like V-Tines. Valentine’s is an incredible venue for budding musicians, run by awesome people. And places for musicians to play in Albany are dying.”

    no pepper valentinesSumming it up as honestly as he can, “Valentine’s is important to Albany’s culture.” Indeed it is.

    Keep in mind that the spread of a certain hospital complex and urban renewal are quickly threatening the location, so it is of the utmost importance to document the venue and its history before too long.

    You can stay in touch with the project through their Facebook page, and take a look at Valentine’s with  Amy Fischer’s profile in of the fabled venue, including a chat with Howard Glassman, the proprietor of the establishment. 

    no pepper valentinesThe Kickstarter is only open until June 19th, so act soon! If you pledge just $25, you’ll get the soundtrack and DVD of the completed documentary.

    Support live music in Albany, but right now, do what you can to support Valentine’s and their Kickstarter for No Pepper.