Category: Show Reviews

  • Acoustic Magic: Ed McCain’s Trio

    Mohawk Valley Community College’s Rome campus was the perfect venue to showcase the Ed McCain Acoustic Trio and the sold out crowd was treated to an amazing performance.  Ed McCain, best known for his songs, “I’ll Be” and “I Could Not Ask For More”, played these crowd favorites along with many more that spanned his 20+ year career.  Joined on stage by Craig Shields on saxophone and wind instruments and Larry Chaney on lead guitar, the three performed seamlessly together.

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    Many times you see acts that sound awesome from the studio and their live show doesn’t live up to the hype. Not in this case with Ed McCain.  The live show sounded as good if not better than the recorded versions.  Ed’s strong voice and personal presence wins over the crowd immediately, and his personal narration of songs and their road to the studio makes the song more meaningful as though it was now a personal story for the listener.  When Ed shared stories of how the songs came about, the subjects they covered, or the people he introduced to you through the songs there was no way you could hear the song again and not reflect back on the story.

    Never again will I be able to hear Marvin Gay’s “What’s Going On” without thinking of RJ’s Barbecue and the story Ed told of this amazing man and his friendship.  Nor will I ever not think sax players have it going on since hearing the story behind the song “One Thing Left” and how no matter how charismatic Ed was that evening, it was Craig that had the pretty girls attention.  Then there was the song “Sign on the Door” that came about after Ed lent an ear to someone sitting next to him one night at the bar.  Songs are written by artists for a variety of reasons.  Sometimes they are to celebrate, sometimes to heal, but no matter how they came to be, we tend to apply to our personal lives.  It’s this gift of story telling that makes Ed McCain an amazing writer, performer, and entertainer.

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    It was a pleasure sitting down and talking to Ed about music, life in Greenville, and his passions for every day life.  This passion that comes across in his music, as well as his genuine love of family, music, and surroundings are what makes his music so personal and loved by many.

  • Completely Unchained – Completely Off the Hook

    Completely Unchained, one of the most well known and loved Van Halen tribute bands once again returned to the Central New York region to rock the house at the Turning Stone Showroom.  If looking to travel back to the 1980’s during the height of hair bands and rock and roll, all one had to do is close their eyes and they were be transported right back in time to a Van Halen concert as they played songs like “Jump”, “Hot For Teacher”, and “You Really Got Me Going” to name just a few.

    Completely Unchained - Turning Stone 2013
    Completely Unchained – Turning Stone 2013

    Talented musicians Eugene Henriksen on lead vocals, Johnny Roggio on guitar, Mason Swearingen on bass, and George Pagonis on drums have perfected not only the sound of Van Halen, but the look and energy that fans have loved for decades.  These accomplished musicians are true performers and a must see for tribute bands fans.

  • Peekskill Brings Holiday Cheer with NRBQ

    The recently reopened Paramount Hudson Valley in Peekskill, known before 2013 as Paramount Center for the Arts, played host to a double bill of blues and rock that no music lover could say no to. Billed as a “Holiday Hoedown,” the evening was headlined by NRBQ with the Nighthawks opening.

    NRBQThe night began with an hour-long set by Washington, D.C. natives The Nighthawks. The set was carried largely by the roaring vocals and harmonica of Mark Wenner. Their set list was laden with fast-paced rockin’ blues with the right amount of soulful blues led with the vocals of drummer Mark Stutso, a recent 2010 addition to the band’s lineup.

    NRBQ’s set had something for everyone, with an eclectic mix of blues, rock, pop, and rockabilly spanning their entire career since 1967. Accompanied by a sax and trombone, the band took the stage fit for the season with their rendition of “Frosty the Snowman” followed by a cover of David Rose’s “The Stripper.” Not too long after taking the stage, audience members were dancing in the isles to “Paris.”  NRBQ is well known for not adhering to a strict or necessarily consistent set list between shows. This spontaneity on stage made for a truly genuine performance connected to the audience. Not to mention the energy and enthusiasm of founding member Terry Adams on keys, which kept the crowd engaged for the entire performance.

    The audience was treated to a somewhat unusual encore to wrap up the evening. Where one may expect the band to return to the stage with one or two of their hits, NRBQ instead took to the stage wheeling out a road case set atop with a number of hand bells. Donned in the finest attire fit for Jimmy Fallon’s “Twelve Days of Christmas Sweaters” segment, the band had the audience laughing in good humor as they did a 4-part medley of holiday tunes on the bells.

    NRBQ has been through a few changes over their 45+ year career with changes in the band’s lineup in the last 10 years and a few hiatus periods. Their performance at the Paramount has proven that the group has withstood the test of time and still a notable act to catch for all generations.

  • Magical Connection – John Sebastian at the Cafe Veritas

    John Sebastian performed solo acoustic at the Cafe Veritas in Rochester on December 7th was not only a musical cross-section of Sebastian’s hall of fame career, but an intimate investigation of the roots of the music that has influenced generations. The softly lit room was accented by candles and featured as its centerpiece a slightly elevated wooden stage and large colorful peace symbol.

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    The sold out crowd welcomed Sebastian who appeared, dressed in black with acoustic guitar and bright flashing smile. After gently chiding an audience member who was preparing to take pictures, Sebastian made it clear he wanted the crowds undivided and complete attention. The show traced Sebastian’s beginnings as  a Greenwich Village folk musician, gazed as his numerous gold records as a member of the Lovin Spoonful, and examined his love of jug band and blues music.

    To start the show, Sebastian began to pick the bluesy opening to Mississippi John Hurt’s ‘I’m Satisfied’. Sebastian’s voice still reveals glimpses of his younger throat that once contained honey, but now has a pinch of gravel and a slight blues man’s rasp. Through out the evening Sebastian would frame the songs with extended dialogues expressing the genesis of his songwriting, his Lovin Spoonful  band mates, influences and family. The following chunky slice of finger picked blues called ‘Don’t Stop’ prefaced a trio of Lovin Spoonful tracks who many in the crowd were highly anticipating.  Sebastian paused prior to these numbers and spoke nostalgically about his love for Motown and how it influenced his development as an artist. During this discussion Sebastian started to strum the classic Motown hit ‘Heatwave’ slowly speeding the riff up, eventually morphing it into the introduction of the Spoonful’s own ‘Do You Believe In Magic?. An amazing glimpse into the genesis of one of the 1960’s most enduring songs, and a prime example of the concert’s’ enjoyable ‘show and tell’ makeup.

    ‘You Didn’t Have To Be So Nice’, and a definitive version of ‘Younger Girl’ followed, musically warming up the crowd who watched in rapt amazement. Sebastian encouraged a singalong atmosphere, and smiled often, singing directly to the crowd like an old time Greenwich folkie. His perfect guitar strikes emitting golden notes, clear as a winter night, expressed immaculately by the acoustics of the room. Sebastian switched between two hollow bodied acoustic/electric guitars throughout the evening, both instruments delivering clarity and tone, his voice, slightly weary from the years, but full of expressiveness and rich personality.

    After the excitement created by the mini Spoonful set, John quieted things down, first speaking of his children and wife lovingly, then performing a version of ‘Strings of Your Heart’ as fragile as a bird’s egg. Keeping with the theme Sebastian then, in beautifully tender fashion delivered an instrumental lullaby he used to put his boys to sleep with. Intricate and weightless, Sebastian eyes were closed tight, lost in the music, picking the crystalline melody, an absolute high point of the evening.

    Sebastian then leaned on his guitar and proceeded to tell a humorous anecdote about his going out of style at least ‘four or five times’ over his career, and that one of the times he went back in style was with ‘Welcome Back’. A jubilant singalong followed with Sebastian crooning the popular theme song he wrote for the historic television comedy. Highly enjoyable, and truly a piece of ‘good time music’ as the  Spoonful’s credo used to be, the crowd responded with tremendous applause.

    Another solid track off of Sebastian and Grisman’s 2007 album Satisfied came next with ‘Passing Fantasy’, before moving into another developed dialog where Sebastian explained in greater detail his relationship with Mississippi John Hurt. Sebastian then displayed a few finger picking techniques ‘borrowed’ from Hurt using the examples to slide seamlessly into a stomping version of ‘Lovin You’, the opening song from 1968’s Hums of the Lovin Spoonful. The show reached a grand peak and a pair of Lovin Spoonful numbers followed quickly and definitively closed the 75 minute set. ‘Did You Ever Have To Make Up Your Mind?’ and  ‘Daydream’, perhaps the most beloved song in the Spoonful catalog, closed the show to a complete standing ovation. Sebastian a true entertainer, playing to the crowd, interacting with them on musical and conversational levels left the stage to boisterous applause.

    But luckily for us in the crowd, Sebastian had one final surprise in store, reappearing with only a harmonica in hand to stand solo at the microphone. Sebastian, who’s father was a famous classically trained harmonica player, instilled in him a love and respect for the instrument. Sebastian stated that in his home, ‘the harmonica was not a toy’, so for those of us in the crowd that were hoping for a bit of harp playing, we were in for a treat. Sebastian plowed trough an extended harp journey that wailed and wined with the breath of rock and roll and blues, displaying all the tricks of this virtuosic player. The performance could have concluded only one way, and Sebastian hit it perfectly with  an awe inspiring display.

    John Sebastian created a musical atmosphere at the Cafe Veritas that encouraged attentiveness, revealed musical secrets, and encouraged audience interaction. The performance hearkened back to the early coffee house performances of the 1960’s in content as well as attentiveness by the performer. It’s refreshing to witness an artist so at ease with his legacy, and concentrated on delivering the goods to his audience even after all of these years.

  • Best of 2013 – Part 1, Best Shows around NYS

    2013 has been a great year. We have expanded our staff and coverage to bring more bands and live acts to the attention of fans and readers, and are looking forward to 2014 with great anticipation as we focus on the music coming out of all corners of New York State. Music festivals and incredible tours pepper the Upstate New York music calendar, giving broad musical choices for the 8 million New Yorkers who call Upstate their home.

    Our staff writers and photographers were asked to look back at the full year of music in Upstate New York and beyond, and weigh in with their best of 2013. We looked at 10 categories – Best Upstate Show, Best Show, Best Upstate Album, Best Album, Best Upstate Festival, Best Festival, Best Upstate Venue, Best Venue, Best Band on the Rise and Jam of the Year –  and came up with the best music we have seen and heard this year. We’ll bring you two categories each day this week

    Here’s part 1 of 5, looking at the Best Shows of 2013

    Best Upstate Show

    Top Picks

    Phish at SPAC, 7/5

    best shows of 2013Pearl Jam at First Niagara Center, Buffalo 10/2

    best shows of 2013 pearl jamPhish at Glens Falls Civic Center, 10/23

    best shows of 2013 phishRest of the Best

    Turkuaz, The Westcott Theater, Syracuse 2/28

    BB King, The Massry Center, Albany 4/14

    Ian McLagan Solo, Lovin Cup, Rochester 6/23

    Phish, SPAC 7/7

    John Brown’s Body, Grassroots Festival, Ithaca 7/20

    Railroad Earth & Yonder Mountain String Band, Saranac Brewery 8/3

    Woodstock Sessions with Alan Evans Trio 8/24

    Allman Brother’s Band with Steve Winwood, SPAC 8/28

    Aqueous with Lotus, Buffalo Place Rocks the Harbor 8/29

    Jimkata, Marris Amphitheatre, Oriskany Falls 8/31

    Michael Franti, Upstate Concert Hall, Clifton Park 9/16

    FarmAid, SPAC 9/21

    Start Making Sense, The Hollow, Albany 9/27

    Bad Cello, The Cult of the Crying Moon and The Bird Calls, WERW Launch Party, Syracuse 9/28

    Pretty Lights Live in Albany, 10/31

    Chicago and the Utica Symphony Orchestra, The Stanley Center, Utica 10/5

    Rubblebucket, The Westcott Theater 11/20

    Best Show Overall

    Top Pick

    Phish at Boardwalk Hall, Atlantic City 11/1

    best shows of 2013 phish

    Rest of the Best

    Tenacious D, House of Blues, Boston 3/4

    Huey Lewis, Tarrytown Music Hall, Tarrytown 5/11

    The Yeah Yeah Yeahs, Great Googa Mooga Festival, Brooklyn 5/17

    Yonder Mountain String Band, Cumberland, MD 5/26

    Dirty Projectors, Lincoln Hall, Chicago 6/13

    The Rolling Stones, TD Garden, Boston 6/14

    Warren Haynes & The Boston Pops, Jerry Garcia Symphonic Celebration, Lenox, MA 6/22

    Tipper, Burning Man, Black Rock Desert, NV, late August

    Sound Tribe Sector 9, Bank of America Pavilion, Boston 8/31

    Elvis Costello and The Roots, Brooklyn Bowl, Brooklyn 9/16

    STS9, Landmark Theater, Syracuse 9/21

    Turkuaz, Brooklyn Bowl, Brooklyn 9/25

    The Disco Biscuits, City Bisco, Philadelphia, PA 9/28

    Steely Dan, Beacon Theater, NYC 10/5

    Nine Inch Nails, Prudential Center, Newark, NJ 10/15

    Phish, DCU Center, Worcester, MA 10/26

    Bernhoft, The Troubadour, Los Angeles, CA 11/1

    Phish, Boardwalk Hall, Atlantic City, NJ 11/2

    Dark Star Orchestra, Higher Ground, South Burlington, VT 11/19

    Railroad Earth and Peter Rowan, Sherman Theater, Strousberg, PA 11/30

    Did we miss a show this year that you thought was great? Sound off in the comments!

  • CNY Gets Early Christmas Gift – Trace Adkins’ ‘The King’s Gift’ Tour

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    Central New York was recently honored to kick off their holiday season with a very special guest, Trace Adkins, who is currently touring and promoting his new Christmas album ,The King’s Gift. The Stanley Center for the Performing Arts was honored to be on the list of venues he is visiting during this tour.

    Trace, best known as an award winning country performer and the winner of the All Star Celebrity Apprentice, surprised fan club members and special guests with a special pre-performance and question and answer session.  With his wit and down to earth mannerisms, he answered questions, shared stories of his family and spoke of his projects and past events as though he was just like ordinary folk.  However, once the show began, it was apparent just how much of a superstar this man was and how respected and loved he is by his fellow bandmates and audiences all over the world.

    The setting for the show looked as though it was straight out of a  Currier and Ives Christmas card. Trace entered bearing gifts and throughout the night shared not only his musical renditions of popular Christmas tunes, but also the history behind each tune.  The Celtic flavor of the night added a special uniqueness to the music appreciated by the audience, and his rendition of “We Three Ships” with the Celtic intro by Andrea Zohn was one of the most impressive renditions of the tune ever sung.  Traveling with some of the most talented musicians, audiences are also being treated to an introduction of up and coming musician Lily Costner whose angelic voice together with Trace’s bass blends so beautifully on numbers such as “Silent Night”.

    With a night filled with music, humor, and nostalgia, Central New York thanked Trace Adkins and for making a stop at The Stanley and kicking off the Christmas season.

  • Marco Benevento and WOLF! Keep Albany Warm at Red Square

    Marco Benevento last partied at Albany’s Red Square months ago on the first day of June. An exciting Saturday night at Red Square started off with the garage-rockabilly stylings of WOLF! Scott Metzger treated the crowd to his raw guitar work throughout the set, while Taylor Floreth kept the steady beat going underneath him. Dave Dreiwitz played bass with them for the second time ever and fit right in with them. Scott joked between songs with the crowd and it seemed as if the hour was over before it started. Hopefully Scott will bring the band back around to the Capital Region soon for a longer performance.

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    With the cold weather quickly settling into Upstate, Benevento had the Capital District already excited for 2014 as he promised to announce the month of his fall residency at Red Square. Marco Benevento blasted off with “The Real Morning Party” a youthful tune with Nintendo charm that geared the crowd up for play time. The trio went on into a blur of covers throughout the night such as The Bangles “Walk Like an Egyptian” and “Jump into the Fire” by Harry Nillson. Benevento donned the big tiger mask for one of his newest songs from the album, Tiger Face, “Limbs of a Pine”, getting a big roar from the audience and bowing to bassist Dave Dreiwtiz. Andy Borger hit hard the petals with Benevento raising his mug in approval with a catchy verse leading the crowd to a repetitive “HEY/WOO” cheer.  The crowd was rowdy all evening, but really took it to an extreme during the song, with a few people walking on stage and dancing.

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    Benevento and Dreiwtiz exchanged smiles during “RISD” as they played with upbeat and innocent lightheartedness. “Escape Horse” brought about a dark, dangerous side to the night as Benevento hit every note on his keybords with tremendous madness and Borger pounded deep beats. The band took a moment to thank the fans and asked for their vote on which month in 2014 their residency at Red Square should be. October got the loudest cheers and  Marco proclaimed, “As long as we have the ladies with red clown noses, we’ll be here next October, celebrating the release of a new album at that time!” The night ended with the group singalong of “Rainy Day Women #12 and #35” by Bob Dylan and the curveball of Britney Spears “Toxic.” It’ll be seem like a long year until Marco Benevento returns to Albany in October, hopefully he’ll return for another season starter. Until then, Benevento will be ending the year at The Capitol Theatre on Dec 27th with Joe Russo’s Almost Dead and a post-Phish Show at the Highline Ballroom on Dec 30th and he will be sitting in with The Midnight Ramble Band for a special New Year’s Eve Ramble at Levon Helm Studios in Woodstock, NY.

  • Formula 5 and TAUK – On the Rise at The Hollow

    Two of the most up and coming improvisational bands combined forces for a funky Friday night throw down at The Hollow in Albany. Despite the threat of a possible snow storm, dedicated fans made the journey downtown to celebrate the end of the work week with drinks and great music. Tauk, the four piece space funk band from Brooklyn, has been heavily touring across the East Coast this year and was happy to return to the Capital District. Formula 5 is no stranger to the area as they supply fresh local jams to the masses on a steady rotation. Tauk and Formula 5 are two bands to watch for in the New Year ahead.

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    Tauk quickly filled the dance floor as their electronic-infused rock sound moved through the room. Their slow and monstrous buildups leave plenty to the musical imagination. Guitarist Matt Jalbert and Bassist Charlie Dolan hit high altitude chord elevations that keep the audience on the tip of their dancing toes. Isaac Teel is a multi-tasking, beat-making machine as he uses a tambourine with his left hand, drums with his right hand and holds his left drum stick in his mouth. Keyboardist A.C. Carter adds soulful organ notes before dipping into groovy techno melodies. The quartet ended their set with a killer mash-up of Led Zepplin’s “Immigrant Song”, Kool & The Gang’s “Jungle Boogie” and “Bulls on Parade” by Rage against the Machine which they have named, “Immigrant Boogie Parade.” Tauk will hit the road in January with Karl Denson’s Tiny Universe after they throw down at a Phish after-party with Fikus at DROM on Dec 28th. Their newest album, Homunculus is available for free download here.

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    Formula 5 had something for everyone as they have performed diverse covers and unique original songs. The band started with a solid cover of Elton John’s “Grey Seal” before erupting into their party starter anthem “Excalibur.” Greg Bell of Guthrie Bell Productions took a moment to raffle off free tickets for all his shows in 2014 proving that live music is the best gift for anyone. Formula 5 is growing to be a band where as they grow, you listen for the teases, songs within songs, and “songception” moments. Fans were thrilled as they recognized Was (Not Was)’s “Walk the Dinosaur” and Phish’s “The Moma Dance” during the funky “Pedro.” The boys have been working on a new album which hopefully will drop in the spring, the sooner the better for everyone.

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    Formula 5 Setlist: Grey Seal*, Excalibur, Catch Me -> The Ride -> Ticket Giveaway@ -> The Ride, Epiphany -> 3 Ring Circus, Rising Tide, Pedro% -> Jungle Love#, Earthbound, Music Never Stopped, Hot Box
    E: Goin’ Down^
    * Elton John cover
    @ Greg Bell raffled off tickets while the band played a background breakdown of “The Ride”
    % “Walk the Dinosaur” (Was Not Was) teases, “Moma Dance” (Phish) teases
    # Steve Miller Band

  • Los Lobos Throws 40-Year Anniversary Fiesta in Albany

    Celebrating their 40-year anniversary, Los Lobos brought their highly recognizable blend of Tex-Mex Rock-n-Roll to Albany at the  Hart Theater inside The Egg at the Empire State Plaza. Over 500 fans joined the seemingly ageless Los Lobos in what turned out to be one fine fiesta.

    Los Lobos AlbanyThe first set consisted mostly of tunes from the Los Lobos early years. “Ay Te Dejo En San Antonio” from the EP …and a Time to Dance, “Will the Wolf Survive?” from How Will the Wolf Survive? and “Set Me Free (Rosa Lee)” off By the Light of the Moon were all hits for the band in between 1983-1987. Other highlights included “Little Things” and “Burn it Down”, which featured David Hidalgo performing a blistering accordion solo. Set one finished up with a more recent dance tune titled “Tin Can Trust”.

    Set two featured songs from the 90’s, including crowd favorite “Kiko & The Lavender Moon”. Other notables were “Don’t Worry Baby” and “Pigfoot Shuffle”. Probably the most memorable tune of the evening was a fantastic version Neil Young’s “Cinnamon Girl” played during the encore. Hidalgo’s crisp and unique voice added a pleasant twist to an already timeless classic.

    For those that didn’t get a chance to see Los Lobos this time around or for those who simply didn’t get enough, Hidalgo and vocalist/guitarists Cesar Rosas will both return to Albany to take part in the Experience Hendrix Tour scheduled at the Palace Theater in Albany on March 28. The pair have performed on the tour since 2010.

    Set 1: Got to Let You Know, How Much Can I Do?, Ay Te Dejo En San Antonio, Will the Wolf Survive?, Set Me Free (Rosa Lee), Little Things, Burn It Down, Chuco’s Cumbia, Tin Can Trust

    Set 2: Dream in Blue, Forty Thousand Headmen>Maricela, Manny’s Bones, That Train Don’t Stop Here, Tears of God, Pigfoot Shuffle, Kiko & The Lavender Moon, Volver, Volver, Don’t Worry Baby, Mas Y Mas

    Encore: I Got Loaded, Cinnamon Girl (Neil Young cover)

  • John Medeski Treats The Massry Center to a Stunning Solo Performance

    There are musicians that people see clearly pour their heart and soul into a performance. John Medeski did just that on December 7th at The Massry Center at The College of Saint Rose. His just over two hour set was mesmerizing and made you forget you were in a recital hall; it seemed far more like a small jazz club instead. Medeski solo could barely be contained in his playing, frequently standing up and tapping both his feet along with what he was playing. Seeing a musician have that much fun playing for an audience is intoxicating.

    john medeski soloThe music itself is not your typical, run of the mill jazz either. Instead, his early training in the classics bleeds through as he moves through classically swung eights and transitions cleanly into a haunting straight melody. Ever the modernist, the sweetness of the melodies never lasted long; it usually fell into discordant breaks while he plucked from within the Steinway to add to his, and its, already stunning sound. The evening opened with ‘Where’s Sly?’ blended with ‘Otis’ and had plenty of improvisation for all. With those two songs alone, Medeski played for nearly 45 minutes straight with only a handful of breaks through the entire two hours.

    It was an amazing, intimate evening with a skilled musician and performer. Those who were there received a real treat.

    Review by Lauren Byrnes