Category: Metal/Hard Rock/Punk

  • WHERE THE OCEAN MEETS THE SKY calls it quits

    WHERE THE OCEAN MEETS THE SKY calls it quits

    There was sad news announced yesterday in the world of underground metal. The New Jersey based phenomenon, Where the Ocean Meets The sky, has decided to part ways as a band. In a post made on Facebook, the band made the following announcement:

    “In case you missed it yesterday. With a heavy heart I must say that this band has broken up. I started this band with Marc 5 years ago and I never dreamed it would take me this far. We’ve toured through 2 countries and 27 states. Met countless amazing people and had the best fans in the world. You guys made our dreams come true. Thank you so much for your support. We will be having one or two final shows that we will be announcing shortly. Also, below you will see a link to the final song we recorded. It’s unmixed/unmastered, but enjoy it. We love you all. We never would have amounted to anything if it wasn’t for all of you. Goodbye my friends.”

    The final song that WHERE THE OCEAN MEETS THE SKY recorded together was Beggars and Kings. Even in it’s raw unfinished studio state, this is a great representation of the power that the band brought to the table.

    To hear the track, check out this link: http://soundcloud.com/imblakemartin/beggars-and-kings

    -Erik Jensen

  • Featured Band: The Harteck

    Featured Band: The Harteck

    Hooray for somewhat new bands that kick ass out of the gate. That is the story that is becoming a reality in the southern tier city of The HarteckElmira. In a short period of just about six months, The Harteck has achieved success that few of their peers have seen in such a minimal amount of time.

    The journey started back in June of this year. An impromptu jam session between friends would ultimately lead to the creation of The Harteck. These friends, who were already established in many different bands of varying genres, agreed that they had something aggressively diverse to give the scene. After a few tweaks here and there, the band is completely ready to roll now.

    On January 14th, the band will release their debut EP, 490, on Irrelephant Records. Upon the album’s release, the band will set it’s sights on touring the Northeast. With management company, The Truth By Blood Agency handling the booking chores, there is no telling where the band will end up over the next year.

    Check out this great hardcore/metal band online!

    Jeremy Stanton- Vocals
    Nick Bollock- Guitar
    Josh Wolcott- Guitar
    Tim Mucci- Drums
    Brad Moore – Bass

    http://www.reverbnation.com/theharteck

    -Erik Jensen

  • RISE TO REMAIN announce debut release and as well as their first U.S. tour

    RISE TO REMAIN has teamed up with Revolver Magazine to launch all four of the band’s music videos in the US.  The four videos will appear on RevolverMag.com with the first video for “The Serpent” up now. The music video for “The Serpent” can be seen here.  The three other videos for “Nothing Left”, “Power Through Fear” and “This Day Is Mine” will be launching on January 3rd, January 10th and January 17th, leading up to the release of RISE TO REMAIN’s debut album, City of Vultures on January 24th

    City of Vultures , the Century Media Records debut delivers twelve electrifying tracks with the US edition including two additional bonus tracks, as well as all of the band’s videos as an exclusive download.  In support of the release, RISE TO REMAIN will be coming overseas for their first ever US tour.  Heading out with MACHINE HEAD, DARKEST HOUR and label-mates SUICIDE SILENCE, the tour lasts for a little over a month beginning on January 15th and wrapping up on February 18th.  A full list of dates can be seen below.

    Tour Dates with MACHINE HEAD, DARKEST HOUR, SUICIDE SILENCE
    1/15/2012 – Denver, CO @ Summit Music Hall
    1/17/2012 – Sauget, IL @ Pop’s
    1/19/2012 – St. Paul, MN @ Station 4
    1/20/2012 – Milwaukee, WI @ The Rave Ballroom Grounds
    1/21/2012 – Royal Oaks, MI @ Royal Oak Music Theatre
    1/22/2012 – Chicago, IL @ House of Blues
    1/24/2012 – Columbus, OH @ Newport Music Hall
    1/26/2012 – Portland, ME @ The State Theatre
    1/27/2012 – Montreal, QC, Canada @ Metropolis
    1/28/2012 – Toronto, ON, Canada @ Sound Academy
    1/29/2012 – Buffalo, NY @ Town Ballroom
    1/31/2012 – Pittsburgh, PA @ Stage AE -Indoor Stage
    2/1/2012 – Baltimore, MD @ Rams Head Live!
    2/2/2012 – Philadelphia, PA @ The Trocadero
    2/3/2012 – New York, NY @ Best Buy Theater
    2/4/2012 – Worcester, WA @ The Palladium
    2/6/2012 – Norfolk, VA @ The NorVa
    2/7/2012 – Charlotte, NC @ The Fillmore Charlotte
    2/8/2012 – Atlanta, GA @ The Masquerade
    2/10/2012 – New Orleans, LA @ House of Blues
    2/11/2012 – Houston, TX @ House of Blues
    2/12/2012 – San Antonio, TX @ Backstage Live
    2/13/2012 – Dallas, TX @ House of Blues
    2/16/2012 – Tucson, AZ @ Rialto Theatre
    2/17/2012 – Los Angeles, CA @ The Avalon
    2/18/2012 – San Francisco, CA @ The Warfield

    -Erik Jensen

  • Doug Rice, Stephanie Tupper of ARMED WITH VALOR discuss creation of band, time off to

    Doug Rice, Stephanie Tupper of ARMED WITH VALOR discuss creation of band, time off to

    Based out of Syracuse, Armed With Valor has seen a great amount of success in the short year that they have been performing together. As individual musicians, they are workhorse veterans that have been involved within the regional music game for years. The buzz in Upstate about this band is picking up on a daily basis. Fans of bands like In This Moment, Arch Enemy, and Walls of Jericho, will find much joy in what Armed with Valor is bringing to the table. I had a chance recently to talk to vocalist Stephanie Tupper and bassist, Doug Rice about the early origins of the band, and the promise of things to come.

    Erik:  It has been a quick moving first year for the band, and things have gone extremely well for you. How did the band come together out of the ashes of your previous bands?

    Doug – Well, it was last fall (2010) that the band I was in with Fred and Brad (Torment the Vein) started winding down. Our singer/2nd guitarist announced that he was leaving and we were basically finishing off the shows we had for the remainder of the year. By the time we got down to our last few shows, the three of us had pretty much decided that we were NOT going to continue on with that band.

    Stephanie -My band (Amelia Is Dead) was going through something similar in that right around the time TTV called it quits, we basically lost our rhythm section. We played our last show in January with fill-ins, but then things just kind of started to fizzle out afterwards. I guess that was a few weeks into February.

    Doug – By March, Armed with Valor had gotten a few songs together and had started discussing what we were going to do for a singer. A few days later, we had started hearing rumblings that Amelia had broken up, so I called Stephanie up immediately. Our bands had played a few shows together in the past  so we already had a bit of a working relationship. I basically just told her that we were doing something COMPLETELY different from our old band and wanted her to come check it out. Likewise, she also wanted to try something different from her previous project, so… we sent her a recording of one of the songs. She showed up 2 weeks later with some ideas and by the end of practice, that was that. Offered her to join right then and there and Armed with Valor was born. Spent a few months writing and hashing shit out and by July, we were just dying to get out and do it. Been going pretty much balls out ever since.

    Erik:  Response to your EP has been really impressive in Upstate NY forums. Tell me about the recording process, and what you set out to achieve when entering the studio.

    Doug : The CD idea more or less came just from the fact that we didn’t want to be out and about for long without a GOOD recording. That being said, we were also totally broke. I mean, we had all just gotten out of two serious regional bands at the time and without doing shows, we just didn’t have a lot of dough for the process. Luckily, my friend Matt Corey and I had been discussing doing some recording for a long time previous. I basically negotiated with him to see what he could do for us, discussed it with everyone and decided to do a 3 song demo/EP.

    Stephanie – We all decided on 3 songs not just because of the money situation, but more to the point, we REALLY only had about 4 songs that we felt great about. We basically just took the 3 that best went together and went with those. Ironically, the three we used turned out to be our “lightest” songs. It wasn’t totally by design, it just kind of happened. Regardless, we had already been recording and re-recording stuff for months in Fred’s basement as we were writing, so we had already kind of been doing pre-production all that time. It was a pretty simple process. Matt was awesome to work with. Just went in and got it done. Tracked the three songs in three days.

    Doug – Yeah, we think it turned out great. We talked with Matt a lot about what we wanted to do with it and how we wanted it to sound and he just nailed it. For a three song demo, we couldn’t be happier… especially considering that we hadn’t even played our first show at the time.

    Erik: You are spreading out rather quickly within the scene. Tell me about the bands that have you played with, and the brotherhood you have formed with many of them? What impresses you most about the scene?

    Doug – Yeah, we’ve tried to get back out and into a lot of the areas our old bands used to play frequently. We’ve tried to reconnect with some of the bands we used to play with in those previous projects.  Oddly in just the short time we were away, some of those bands didn’t even exist anymore… or they don’t quite jive with what THIS band is doing now. That being said, we haven’t had any problem making new friends.

    Stephanie – Probably what impresses me most about the scene is it’s diversity. I mean, a lot of the bands do SIMILAR styles, but most of them find a way to make it their own somehow. That and the pure caliber of a lot of the bands out there is super high. There are some absolutely amazing young bands out in the area that play way above their years. On the other hand, you’ve got some real veterans out there that continually raise the bar and set an example.

    Doug – We have had the good fortune to play with some awesome bands already in our short time out.  As I said, some of our friends we’ve been able to get hooked back up with are going strong. Nine Round, is one of those veteran type bands that really brings it. Cry to the Blind, is getting ready to release a new record and they’re sounding great. Then you’ve got, Neon Guillotine, out of Cortland. Young from both the band and individual standpoint, but immensely talented. Divot, a three piece out of Elmira, is really great. Razed in Hell, is extremely young, but one of the most promising bands in the area, I think. Bruce Campbell, Made in China, Walking With Titans… the list goes on and on.

    Erik:  I understand that you are taking some time off in January and February, what do you have in the works during that time frame?

    Stephanie – Uh, not too much. LOL. I think the most important thing is writing. Basically, since we got to the point where we started doing shows, we just haven’t found the time to be as focused in our writing process and making new music. We’re REALLY picky so it’s not easy.

    Doug – Some bands can shit out a song in one sitting. I wish we could do that. I suppose on the positive side of it though, we’re really able to come up with stuff that sticks, I think. I mean, sometimes we catch ourselves and are like, “Are we overthinking this?”, but most of the time if we’re all digging it by the end we’d like to think that others will too.

    Stephanie – Yeah, so writing and really just taking a little break. We’ve been going nonstop since July, so a recharging of the batteries doesn’t hurt either. We want to be even better when we come back out by the end of February.

    [youtube http://www.youtube.com/watch?v=5U_ggxeiPxc&w=420&h=315]

    Check out Armed with Valor-
    Facebook: http://www.facebook.com/armedwithvalor

    -Erik Jensen

  • Featured Band: Burn Everything

    Featured Band: Burn Everything

    Rochester’s Burn Everything was formed in the spring of 2007 from the ashes of the band Fallguy. Conisisting of Matt Dalberth handling vocal duties, Damian Marinaccio and Charlie Street On Guitars, Mike Gifaldi as bassist and drummer Tony Castronova, Burn Everything released a 5 song Self-Titled release in August of 2008. Mathy, heavy, and guitar driven, it both stands on its own and shows great potential for the next release all at the same time.

    That next release came along in July of 2011 with Last Run Through The Ruins, a 6 song work that feels much more like potential fulfilled. I hate to use a word already in overuse, misuse and overall abuse but from the first runs in Ghost Of the Waves, this effort strikes me as progressive. Sudden tempo changes throughout feel not at all disjointed, which would be far easier to pull off than this effortless sounding, yet extremely astutely played collection of songs. The vocals buck the trend of cookie monster with laryngitis and a dildo filled rectum that most bands in this field resort to. Matt Dalberth’s delivery conveys competent urgency. The lyrical content is dark, well written and vague. Filled with post apocalyptic images of monsters, carnage and death. Just as it should be. Almost every mathy band out there gets compared to Dillinger Escape Plan. This is one of the few bands that deserves the comparison.

    Both the Self-titled and Last Run Through The Ruins are available for free download on bandcamp. See the link below to grab them!

    For more on Burn Everything:

    http://www.facebook.com/#!/burneverythingnow

    http://burneverything.bandcamp.com/album/last-run-through-the-ruins

    – Brian Lawrence

  • RESTLESS STREETS to headline show at Valentines, Albany, New York- Last show before they head out to record

    RESTLESS STREETS to headline show at Valentines, Albany, New York- Last show before they head out to record

    As obsessed with Restless Streets as we are? Well we have some fantastic news for you Albany. Restless Streets has been set to headline an amazing line up on January 11th, 2012 at Valentines. Playing alongside them will be Our Longest Hours, Tradewinds, Decades and I Am The Anchor. This will be Restless Streets’ last show before they leave to record, more reason to be hyped as anticipation of this bands next release is huge .  Show starts at 6:30, and doors are 16+, well priced for $8 in advance, $10 at the door. Tickets are available through all locals. Excellent last minute Christmas gift for sure!

    restless streets valentines Event link: http://www.facebook.com/events/128840593898278/

    [youtube http://www.youtube.com/watch?v=nj2Jvb5_CiM&w=560&h=315]
    You can check out more on the bands listed above here-
    Restless Streets: http://www.facebook.com/RESTLESSSTREETS
    Decades: http://www.facebook.com/DecadesNY
    I Am The Anchor: http://www.facebook.com/iamtheanchor518
    Tradewinds: http://www.facebook.com/tradewindsmusic
    Our Longest Hours: http://www.facebook.com/profile.php?id=100002201032101

    -Christine Palmer

  • GWAR “RETURN OF THE WORLD MAGGOT” EUROPEAN TOUR CANCELLED

    The European leg of GWAR’s “Return of the World Maggot” tour, scheduled to kick off in January 2012 has been cancelled after several promoters pulled the plug on shows, citing poor ticket sales.

    GWAR spokesman Dave Brockie commented on the tour’s cancellation:

    “Several of the promoters were alarmed by the low ticket sales, and they decided to start pulling the plug on shows. It got to the point where we had lost so many shows that we simply could not afford to do the tour.”

    Brockie continued:

    “We are super disappointed that this happened, and we apologize to all of our European fans for cancelling the tour. We did everything we could possibly do to save it, but it just didn’t work out. The tickets are fully refundable so make sure you get your money back!”

    In other GWAR related news, Oderus and Balsac were recently “hired” by MTV’s Next Movie to review the new Steven Spielberg’s new epic, “War Horse”. Are your Mutant Overlords the next Siskel and Ebert???

    -Erik Jensen

  • AUSTRIAN DEATH MACHINE releases Jingle All The Way, available for purchase

    AUSTRIAN DEATH MACHINE releases Jingle All The Way, available for purchase

    “The one and only Austrian Death Machine spent some time in the studio recently, mostly to lift weights, but also to record a few new songs. The songs are based on the ultimate holiday movie, Jingle All the Way, which stars Ahhnold, of course! The songs are a regaling tale of the pursuit of a one “Turbo Man” doll, sung by Tim Lambesis and Ahhnold.

    The digital version of Jingle All the Way will be available for download wherever downloads are sold and the limited 7″ vinyl singleAUSTRIAN DEATH MACHINE can be ordered now. This piece of vinyl will be the perfect stocking-stuffer for the most brutal of friends and family. Ahhnold only asks that the vinyl not be gifted to “puny wimps” or “girly men”.”(Metalblade)

    Guitar solo on “I’m Not A Pervert” by Jason Suecof and Eyal Levi
    Guitar solo on “It’s Turbo Time” and “Who Told You You Could Eat My Cookies?” by Mark MacDonald
    Rhythm guitars redone by James “JP” Gericke
    Drums redone by Jerad Buckwalter
    Vocals by Tim Lambesis
    Ahhnold by Josh Robert Thompson (It’s Turbo Time) and Chad Ackerman (I’m Not A Pervert)
    Tracked and mixed at Lambesis Studios in San Diego, CA
    Mastered by Alan Douches at West Westside Music

    Now that all of that is done with, these songs can make you laugh your balls or side smile off at the same time as you slam yourself through a wall. This stuff kicks it hard and fast. “I’m Not A Pervert” is more than worthy of creating a circle of death anywhere. Ahhnold is all over the place and the music sounds like an imminent assault is gathering along the borders. “It’s Turbo Time” rips your facial skin off. Plain and simple. Love the old school speed metal drums on this, kind of reminded me of old Anthrax on an energy shot. “Who Told You You Could Eat My Cookies” is just brutal metal. Hints of Slipknot filled my ears and then sped up to rapid-fire attacks of riffs and solo’s that make most guitar players just smile and shake their head. Check this bad ass music out. NOW!

    – Dave Garlow

    source:

    http://www.metalblade.com/english/artists/austriandeathmachine/releases.php

  • BJ Carter, Michele Sestito of THE UNTOLD LIES discuss beginings, influences

    BJ Carter, Michele Sestito of THE UNTOLD LIES discuss beginings, influences

    The Untold Lies is based out of the fertile metal playground that is the Finger Lakes region. BJ Carter(guitar) and Michele Sestito(vocals) are veterans of the Upstate New York metal scene. BJ was instrumental in the late 90’s and early 00’s in bands such as 40 oz. Failure and Torment The Vain. Michele has been in several projects as well and is the daughter of Dave Sestito, the inventor of DLS Effects. Over the course of the last year, the band has grown into a unit that is ready to conquer the regional and national music scene at large. I caught up with BJ and Michele last week to talk about the evolution of the band.

    Erik: I know that both of you come from a diverse musical background? Tell me about your beginnings in musical education through the bands you were in to this point?

    Michele: I started off playing guitar for a band at the age of 13. It was an alternative rock band and it helped really develop a certain style of music I wanted to perform. I also have always been an acoustic writer and singer so I like to combine the heavy feel with beautiful music. Through the years, I have learned what sounds best with my vocals.

    BJ: I also started playing guitar at 13. My first band was a cover band doing everything from Guns n’ Roses and Motley Crue to Alice in Chains and Pearl Jam as well as Metallica and Megadeth. Shortly after that band broke up I started writing more groove oriented metal riffs in my room. This lead to me being in bands like 40oz. and Torment the Vein. After taking a 5 year break, I wanted to start writing again and started getting back to my roots, but with a modern feel.

    Erik: Michele, How is it growing up with someone who was very important in the evolutionary process of helping create the rock band? More importantly, how did that effect the goals you have set for yourself in the music industry in general?

    Michele: It made it a lot easier. I grew up always wanting to be a musician like my father, starting at the age of 2 banging on my little piano. It really came natural to write and perform and having the great support and wisdom of a talented musician, helped me a lot. It really made me realistic and devoted to accomplishing something that people will hopefully understand and relate too.

    Erik: BJ, like many musicians, the road to where you are going, compared to where you have been…can be a real carousel of ups and downs? How did the band come together originally, and what process did you go through in putting together what would become The Untold Lies?

    BJ: It started off as Glenn Paddock and I jamming in his apt just coming up with riffs and a few vocals. We jammed with various singers and drummers but it took a year to complete the current line-up and get people that were all on the same page musically. Ultimately you have to all be happy with the music you are making. If one person feels they are compromising their beliefs then they become unhappy and it makes everyone unhappy. The lineup we have now is diverse in styles but we blend together better than any band I have ever been in.

    Erik: You can hear a ton of influences in what you are doing. As far as the development of the sound you were looking to create, are there any preconceived ideas of what you were looking to achieve? Also, I read someone’s comment on your live show the other day. They called the band, “Evanescence with balls!“ What do you make of this good hearted comment!

    Michele: Really, we as a band developed our style together, and we all have ideas which make our sound as a whole. I think if you listen to the album you will hear many different influences from one song to the next. And I love the fact that we are being compared to such a great band! We will continue to put forth our all in live shows to entertain and hopefully make great impressions.

    BJ: I remember when I sat down to start writing I told myself I wanted to have the rawness and honesty of Guns n Roses, Appetite For Destruction. I figured if I aimed at that album and it came out even 1/4 as good, we were doing a good job. That is the album that made me pick up a guitar in the first place. It is also what me pick it up again 5 years after not playing at all. Being compared to Evanescence is definitely flattering to us especially since we are just starting out.

    Erik: The songs you have recorded thus far that I have heard are quite mature. I am a big fan of “Undevoted.” What can we expect from the band as far as studio output in the near future?

    Michele: THE UNTOLD LIES are at a creative peak and the album is almost done. I can promise some more great songs to come!

    BJ: I agree. Every new song we say “This is the best one.” We are on a roll creatively and we are going to keep writing and hope to have the album out by late winter.

    Erik: There are alot of bands making noise in the Upstate Metal music scene? Being veterans of this scene, what makes this area so special for the both of you? There is a camaraderie that can not be matched anywhere on the East Coast?

    Michele: It’s my home. I love the people in the scene and there is such great undiscovered talent here. People just need to see! I started as a baby in this city and now I am an adult and still find so much love and support. It’s moving.

    BJ: The upstate fans have always been rabid fans. They make you want to put in the extra effort live and in the studio. I got my start in high school playing places like The Rum Runner, Cooley’s and The Lost Horizon. Then after High School, making the Penny Arcade a second home it seems. I couldn’t wait to get back out and play live again. It was like part of me was dead for the last 5 years as I sat stagnant with no avenue to just let it all out.

    For more information on THE UNTOLD LIES-
    Facebook: http://www.facebook.com/TheUntoldLies11

    -Erik Jensen

  • OPETH’s “Heritage” is a Gift

    OPETH’s “Heritage” is a Gift

    Do you want to buy a last minute Christmas gift that will challenge your near and dear fan of Metal music? No, I am not talking about Lulu, that incredibly awful piece of art rock garbage starring Metallica with Lou Reed. I am going to suggest an album by a metal band that has taken a chance that most in the genre would not dare take. Quite simply, I am recommending that you pick up a copy of  Opeth’s newest record, Heritage, for your beloved metal fan.

    Gone are the screams and howls of front man Mikael Akerfeldt. As matter of fact, a lot has been jettisoned and re-tooled here. Although the band still has quick brilliant outbursts of maximum crunchiness, the metal is gone for the most part. Ultimately, what the band has achieved, is taking what they have become famous for and dropping the loudness right out of the equation. Strangely enough, the result is one that works to perfection. Fans of Opeth’s rich metal driven back catalog, are having all kinds of reactions to this new album. Three camps of thinking are creeping up here: 1) Close mindedness to the new direction (a minority group at this point) 2) Unbelievable praise on the highest of levels for musical bravery and 3) People who did not dig it initially, who now understand that this is the band’s ultimate masterwork (the majority) In any case, it is a departure that is welcome and shows the band’s passion to create the best possible record that they can.

    Now after getting all of the objectionable questions out of the way, it is easy to speak freely about what makes the record so timeless. It is beautifully dark, progressive, sprawling, and loud when it needs to be. The songwriting is a touch more reminiscent of the band’s overall influences. After listening to a song like The Devil’s Orchard, all I could think about was the King Crimson record, Red. It has that kind of vibe. In fact, that vibe is felt on a majority of this record. The use of Mellotron and Hammond based piano, helps paint a dark eerie landscape that accentuates the stop and start approach of attack. Also of note is the way in which the band has conceptually pieced together Heritage. It is obvious that this record was intended to be listened to in it’s entirety.

    It’s a slightly old school idea but when we put out a record there are no ‘key songs.’ It’s the album that matters,” states Akerfeldt. “We’ll never have a ‘hit single.’ By no means would I want one song to be more important than another. We always put out an album and I personally enjoy listening to entire records. That is the kind of art that I like. I like bands with strong albums as opposed to just a couple of strong songs.”

    There is a bottom line to this: give it a chance if you have heard it is not good. Other than Mastodon’s newest release, The Hunter, I can not think of an album that is anywhere near as good as this in 2011. Buy it as a gift, and watch your recipient try to figure out what is going on. It may take a couple of listens to let it fully absorb, but if that feeling of worth resonates…you will not hear the end of it!

    -Erik Jensen