Category: Metal/Hard Rock/Punk

  • Remembering DIMEBAG DARRELL

    Remembering Dimebag. “A 25-year-old man stormed the stage at a heavy-metal rock concert Wednesday night, shooting and killing Pantera founder and Damageplan guitarist “Dimebag” Darrell Abbott and three others before a police officer shot and killed him, Columbus police said. On Thursday, police identified the suspect as Nathan Gale of nearby Marysville.” (CNN.com-Dec. 10, 2004)

    Everyone was shocked. Dimebag Darrell was dead. Now seven years later we remember him once again. I remember him for changing the sound of heavy metal guitar; that deep, heavy riff that punched out your very soul from the inside out. He had feel and style that was missing from metal. Some of his music had the distinct southern rock flavor, a product of his father, Jerry Abbott’s influence as a country & western musician and producer. To hear what I mean just take a listen to “Drag the Waters” just a bit closer.

    He could set the frets afire, you all know that. But Darrell did it when it counted, not because he could. He knew how to impact a song and where to do it. Even in video, who doesn’t think his hand creeping out of the smoke in “This Love” was the coolest move during a solo, maybe by anyone. Dimebag could do it all on a guitar. Take that same solo and you hear how he made each note have a voice, make it sing instead of just blaring away at warp factor 12. That should be a lesson to all guitarists. Speed is nice, but if you get that guitar to make love to the listener, you will be a guitar God.

    This writer can’t think of anyone since that has changed the sound of a genre like that since. There were a few before him, but not since, not like Dimebag changed it with Pantera. He was virtuoso and showman, he knew what to do onstage. His ever-present, happy and I just pranked you grin is missed. And his laugh….Cheech and Chong must have been proud.

    So, raise a glass to Dimebag Darrell Abbott today. Rest In Peace Dimebag, the world misses you.

    -David Garlow

  • Around The World and Back “Big Beat” is intoxicating and magnetically hypnotic

    Around The World and Back “Big Beat” is intoxicating and magnetically hypnotic

    Every now and then, I am sent a CD that is highly recommended by my peers. In many cases, I have to truly dig in to find the greatness that I am being alerted to. 75% of the time, expectations fall short! With that being said,  I was given the CD, “Big Beat,” by Around The World and Back. This album is one that had me floored. The unprecedented songwriting abilities of this Albany, NY, band are poignant in screaming aloud, “Sign us, we are the real deal.”

    “Big Beat,” is the kind of record that many national acts aim to make, but fall flat on their face. The band succeeds in an effortless vision to take influences that are stapled to their sleeve, and turn them into something that is highly refreshing and reminiscent. In other statements about the band’s sound, reviewers have contrasted the guitar ambience of ATWAB to that of early U2. While this is absolutely true and impossible to refute, I hear sounds of grandiosity that easily point to other bands that could be of great influence. Pearl Jam, Coldplay, and most notably My Morning Jacket could easily be some of those who are admired here.

    The guitar sound on this record is incendiary in it’s approach. On tracks such as Slave and Underneath The Sun, the axe work of Bryan Shortell and Marco Testa is intoxicating and magnetically hypnotic. Equally as impressive is the vocal prowess of this band. Once again, the duties of singing are handled by both Shortell and Testa. The melodic and harmonic intricacies that the band are shooting for, are head and shoulders among some of their friends in the musical community. Other great tracks that are worth multiple listens immediately, include Old Man, Rehab, and Words In My Head.

    Simply stated, it is impossible for me to believe that this band is not receiving regular airplay on national radio. It is only a matter of time before they are given the opportunity to soar on the national level. Around The World and Back is a highly sophisticated song writing machine that is in the Waiting Room of bands needing the big break. I am not happy that they are waiting for that break! I have a feeling many of you will feel the same way after your first listen.

    Track Listing:

    Old Man
    Alone
    Slave
    Underneath The Sun
    Lie To Your Mother
    Words In My Head
    Overexpose
    Eighteen
    Rehab
    Long Verse

    For more information on Around The World and Back visit them on Facebook: http://www.facebook.com/AroundtheWorldandBack

    -Erik Jensen

  • Mastodon’s “The Hunter” is refined; spectacular.

    Mastodon’s “The Hunter” is refined; spectacular.

    Gotta give love to the Rochester boys gone big time! Brann Dailor and Bill Kelliher were in one of the finest bands in the history of the Upstate metal music scene, Lethargy. In the 90’s, that band along with their peers in Big Hair, Bughouse, Hate Machine, and Cheese, created quite a stir in Upstate and beyond. Most of these bands were prog-like in nature, heavy in sound, and as creative as anything being punched out on the national music scene. It is to no one’s surprise that someone would have to blow up on the national scene in this talented group of artists. Bill and Brann’s time in Lethargy ended in 1999. This was followed by relocation to Atlanta, and Mastodon was born! The rest is history as this sludgy prog rock juggernaut has been recognized as one of the best of it’s time. The accolades include a grammy nomination for Colony of Birchmen off their ridiculously sick album, Blood Mountain.

    Fast forward to 2011! After the release of their four previous albums which had a flair for jammed out progressions and conceptualized themes, the band decided to focus their attention on a different plan of attack. Gone are the 13 minute epics that would jam out into the galaxy. As a matter of fact, nothing here goes over the 6 minute mark. It does not mean the band has lost it’s knack for intensely complicated and intense arrangement, it is just in a smaller package. It is not so much a new direction as it is a refining of the song writing process in general. Obviously being a skeptic as I am, I was afraid that this album would not be able to stand up to the best in their catalog. Silly me! This album has helped me refine my approach on passing judgement on something before it is even heard.

    The tracks here are killer. Black Tongue starts off this album with a bang, and is followed by the melodic chorus of Curl of The Burl, which may just be the best rock track of the year, period! Other great tracks include Blasteroid, Spectrelight, and the The Hunter!

    If you feel like the gruff edges have been shined off the sound of Mastodon, you are quite correct. The unusual grouping of Mike Elizondo with this band has resulted in a focus on overall musicianship and song structuring. For those not familiar with Elizondo, he has produced an awful lot of hip hop acts including Eminem and 50 Cent. You will get none of that here though! You get less sludge and more melodic blasts of heaviness. A quite spectacular result overall.

    At the end of this year, you will see this album on many critic’s top 10 lists. Quite simply, it is that good!

    Mastadon The Hunter Track listing:

    Black Tongue
    Curl Of The Burl
    Blasteroid
    Stargasm
    Octopus Has No Friends
    All The Heavy Lifting
    The Hunter
    Dry BoneValley
    Thickening
    Creature Lives
    Spectrelight
    Bedazzled Fingernails
    The Sparrow

    This album is available on Itunes, as well as through the bands website.

    -Erik Jensen

  • Coroner Confirms GWAR Guitarist Cory Smoot Cause of Death

    Coroner Confirms GWAR Guitarist Cory Smoot Cause of Death

    “The Smoot family and Slave Pit Inc. released a statement regarding the official cause of death of guitarist Cory Smoot. Cory had played the character of Flattus Maximus for over ten years, and was discovered dead on the band’s tour bus on Nov. 3rd of this year. He was 34.

    Stated North Dakota coroner William Masselo, MD:

    “We have finalized the autopsy report and death certificate. I have determined that Cory died from a coronary artery thrombosis brought about by his pre-existing coronary artery disease.”

    The band, which will continue as a four-piece until the current tour schedule is complete, has officially retired the character of Flattus Maximus, and has announced no plans regarding a new GWAR-tarist.

    Metal Blade and GWAR have since set-up the Smoot Family Foundation to raise funds for Cory’s wife, Jaime, and their unborn child. Donations can be made: http://www.metalblade.com/smootfamilyfund/ Also, at The Canal Club in Richmond, Va. on January 7th there will be a record release show (featuring Mensrea, Cannabis Corpse, DBX and more) for Cory’s solo record, “When Worlds Collide”, which he had completed working on just prior to his death. The album will be released early next year, with all proceeds going to the Smoot Family Fund.”

  • A Super Gnarly Christmas: Volume II sure to get your nog flowing

    A Super Gnarly Christmas: Volume II sure to get your nog flowing

    Like supporting local artists in Upstate NY? Dig Christmas music with a twist? Need a stocking stuffer for someone who does? Here ya go.

    “A Super Gnarly Christmas: Volume Two” was slated to hit local shelves on Black Friday. Offering 22 tracks by 22 artists. Alongside  6 commercials by Arison Cain, Rob LaVine, and Adam Hunt, which make up the “DemonDS” tracks. All of which are from the Upstate area, the comp seeks to give area listeners a wide variety of holiday inspired original music, as well as a handful of cleverly re-imagined cover tunes.

    Though you may want to give it a serious listen for content before playing it at grandma’s house.

    As Corey Putney (the idea guy behind Super Gnarly’s resurrection) puts it “The album is dirty, fun, festive, offensive, and beautiful. It’s a blend of each and every genre in a way that just makes sense, and I hope that everyone enjoys listening to it as much as all of us had making it.”

    In keeping with the holiday spirit, one can always expect a wide variety of Christmas music compilations to flood the market, agonizingly hoping to move each and every unit prior to Christmas eve so remaining copies don’t go into the local $1 bin at the gas station on the 26th.

    That being said, instead of dropping cash on yet another copy of “Grandma Got Run Over By A Reindeer” while secretly saying to yourself “Bitch shoulda ducked,” check out some local up and comers instead.

    The idea of a band whose name is Bruce Campbell, covering Latin Xmas classic “Feliz Navidad,” makes this listen practically mandatory. Load up the Boomstick and grab a copy while you can.

    Track listing:

    DEMONDS “GHOSTS ON FILM (INTRODUCTION)”
    BRUCE CAMPBELL “FELIZ NAVIDAD”
    LEO LEMAY “ALL I WANT FOR CHRISTMAS IS YOU”
    [YOURNAMEHERE] “BLUE CHRISTMAS”
    LANDSLIDE VICTORY “DECK THE HALLS”
    APACHE CHIEF “AN UPSTATE CHRISTMAS”
    DEMONDS “THE LAND OF MISFIT SEXTOYS”
    SHAWN VANBROCKLIN “SANTA BABY”
    WOOF NASTY “CAROL OF THE BELLS”
    AARON ADAIR “HAPPY CHRISTMAS (WAR IS OVER)
    BABY BLUE BIRD ”BABY, IT’S COLD OUTSIDE”
    COREY PUTNEY “BABY PLEASE COME HOME”
    DEMONDS “WOMP & CIRCUMSTANCE”
    JESSE TAYLOR “I WON’T BE HOME FOR CHRISTMAS”
    ADAM MCANULTY “YOU & ME”
    DAMIEN MORROW “HAVE YOURSELF A MERRY LITTLE CHRISTMAS”
    SETH EGGLESTON “YULE SHOOT YOUR EYE OUT”
    FOLDING HOMES “HOLIDAZE”
    DEMONDS “BLACK MASS APPEAL”
    AFTER THE AVALANCHE “LAST CHRISTMAS”
    MATTY C BEATS “O HOLY NIGHT”
    DREW B CROHNS “AULD LANG SYNE”
    PRANCER & THE VIXENS “RUDOLPH THE RED NOSED REINDEER”
    DEEP REST “WHEN CHRISTMAS COMES YOU’LL DO CHRISTMAS THINGS WITH CHRISTIANS AND YOUR COUSIN CHRISTIAN”
    DEMONDS “THE REASON FOR THE SEASON”
    JAZZTIME STARLIGHT CHRISTMAS ORCHESTRA ENSEMBLE “EVERYBODY SHAKE YOUR HANDS (IT’S TIME FOR CHRISTMAS)”
    DUSTIN NICHOLSON “TWAS THE NIGHT BEFORE CHRISTMAS”
    DEMONDS “STREET NAMES (EPILOGUE)”

    For more information, and to keep up to date on release news visit: http://www.facebook.com/pages/A-Super-Gnarly-Christmas-Volume-Two

    -Greg Allis

  • Rob Traynor of Black Water Rising discusses song structure; originality

    Rob Traynor of Black Water Rising discusses song structure; originality

    rob-traynor-of-black-water-rising-discusses-song-structure-originalityBlack Water Rising hails from Long Island, N.Y. and from the moment this writer came across them back around 2007ish, I was hooked. The power driven drums and bass punch you square in the chest from the first note. The guitars have enough balls to grab you by the neck and slam your senses into submission as the vocals of Rob Traynor, more power and no frills, complete the assault. They have you thrusting your fist in the air and banging your head along with the songs and never let you go. Their ‘Bio’ on Facebook simply says it best;

    “BLACK WATER RISING is a collection of soul baring, angst ridden, riff heavy material that is proudly anchored in the foundations of traditional Hard Rock song writing. Giant guitar driven monster riffs served up on a bed of crushing grooves with soaring melodic vocals and big hooks. Basically, NO FRILLS RIFF ROCK! Lyrically the message is socially and politically driven by the dark times we live in. With darkness seemingly growing by the day, BLACK WATER RISING is a name that fits this band like a glove. The philosophy of BWR is simple, they are not looking to reinvent the wheel; they just want to give it a much needed alignment in these musically stale times.”

    Vocalist/Guitarist Rob Traynor generously took some time to speak with me about who they are, where they have been, and where they are going. Enjoy.

    David – Let’s go from the beginning, when and where did the band begin?

    Rob – The band has been around now for about 4 years. Around 2005 I sat down and wrote a bunch of songs that would later become the BWR debut album. I had turned Mike my drummer on to the songs demos, he liked what he heard and we headed into the recording studio to rerecord the songs with real drums. We decided to form a band. After we completed about 5 songs we were introduced to Johnny as we were looking for another guitarist. Johnny introduced Oddie who filled out the band on bass. The chemistry was there, we jelled as a band and the rest is history. After finishing the album we set out to release the album and entertained some record deal offers but none seemed worth being involved with so we decided to do things on our own. We are all from previous bands that had record deals. Johnny was in Stereomud, Mike was in Boilerroom, and I was in Dust to Dust, so we had been down that road before with record deals so we were a little hesitant to get involved with anything that didn’t seem worth it. We started a Myspace page and released a few songs one of which was picked up by Octane on Sirius Satellite Radio here in the states, called “Brother Go On,” the song did rather well and ended up staying in rotation for over two years! A buzz started building on the band, we started making a lot of fans and we got the album out through SONY RED distribution here in the states.  We did a little touring around the Northeast and Midwest here in the states eventually, interest came in from Europe to get the album out there, so that’s when Metalville Records came into the picture and here we are today.

    David – Black Water Rising, how did the name come to be?

    Rob – I was listening to a Clutch song called “In the wake of the swollen goat,” and heard the line “Black water’s rising and it ain’t gonna stop.” I said to myself that would make a cool band name, and it fits the vibe of the band so I ran with it. Black water is a geological event that occurs when there is an earthquake and muck and mud on a swamp or lake floor is dispersed into the water above and turns it black and murky. Or you could just imagine a broken public toilet if that is what you fancy. Just another struggling black band.

    David – What is the bands recorded history and where can they get it?

    Rob – Our debut CD is in most record stores worth a shit. If it ain’t there, demand it. Everywhere online, iTunes, Amazon, etc.

    David – How does your writing process work? Do you have a certain philosophy?

    Rob – I write a riff which may lead to a melody, which then leads to the creation of other parts that eventually comprise a basic song structure on which other melodies are written. From this the vibe directs my lyrical approach. Most of my songs really write themselves, they build themselves. The pieces fall into place. Lyrically I write what’s on my mind. Political and sociological themes seem to make up the majority of my lyrics because it is these two categories which affect all of our lives on a daily basis. Through my music I have a voice to express my thoughts. I write from a lower middle class, blue collar, working mans point of view. Caught in the daily struggle, and just trying to get by. You may agree or disagree with what I have to say, and that is totally cool, but I speak my mind. I believe my music and message is empowering and positive with substance. I have something to say. Anyone can write about being a wanna be millionaire gangster, panties and parties, or how your Mommy or Daddy didn’t give you your allowance this week. That’s not my world, save that shit for the Lady Ga Ga’s, Kanye West’s and Justin Diaper’s, I don’t write about that shit nor do I have the desire to. As for what song lyrics mean the most to me, I mean what I say and I say what I mean. Not much to it, I just make it rhyme and I feel them all.

    David – I had a band say, the song comes first, originality second. I wasn’t sure how to take that. What are your thoughts?

    Rob – I agree. Write a good song; don’t worry about sounding “different.” I get off on a great song that moves me, not whether a band sounds unique.

    David – What is in the works now? Any new video plans? Are you guys working on a new album yet?

    Rob – Just finished a video for “No Halos” from the debut album and we are wrapping up a new album for a 2012 release. Very excited about the new album, and i cannot wait to turn folks on to it.

    David – Who have you played with and toured with, and what’s in the future?

    Rob – Lots of great bands, I couldn’t mention them all. We toured with Kings X that tour sticks out, shows went over great. We are working on some tours for the New Year.

    David – I see so many bands giving the store away for free these days online. I also never see these bands getting signed. What advice would you give to someone taking that road and trying to get signed?

    Rob – Just keep pushing your stuff out there, if it is any good it will get recognized by fans and industry. Sharks smell blood, so if you are starting to create a buzz they will come.  Deals aren’t what they once were and most are awful.

    David – What does Black Water Rising use to get your sound, gear head question?

    Rob – I think the sound really comes from the music style and vocals. Our gear is really your standard LP’s into Marshalls, Jazz bass into SVT, and Ludwig drums. Rock band 101.

    Nothing fancy, just tried and true.

    David – Thanks for the time and I look forward to hearing more from you guys, hands down one of my favorite bands.

    Rob – Thank you brother!

    You can find Black Water Rising on-

    Facebook: http://www.facebook.com/pages/Black-Water-Rising/14816181590?sk=app_2405167945

    Myspace:  http://www.myspace.com/blackwaterrising

    Website: http://blackwaterrising.com/

    -David Garlow

  • Jason Acevedo of NINE ROUND discusses lyrical composition, band dynamics

    Jason Acevedo of NINE ROUND discusses lyrical composition, band dynamics

    Jason Acevedo of NINEROUND

    An Inner View with Jason Acevedo of Nine Round

    Jason Acevedo is the lead singer and lyricist for the highly talented Seneca Falls juggernaut, Nine Round. The band featuring Acevedo, guitarist John Farley, bassist Steve Sarratori, and Tommy D’Eredita, have been firing on all cylinders since the winter of 2009. Unlike many of the band’s musical peers struggling to get themselves on a high profile bill, Nine Round has been involved with a substantial amount of shows featuring national acts. The spirit of hard work is what earned the band opportunities such as opening K-Rockathon, and sharing a bill with Hatebreed among others. The seeds for success were planted long ago in bands such as One, Diamond Tyr, Bully, Saint Chaos, and Muggsy’s Boneyard. These aforementioned bands represent just a sample of the work that the members of Nine Round have been involved with in the past.

    The sky is the limit for this band, and with good reason. Quite simply, their no holds barred intensity is refreshing and needed within the Upstate metal scene. I caught up with Jason to talk about all things Nine Round!

    Erik: I knew that you were playing with Muggsy’s at the same time that the core of this band came together? How did you get involved with the project initially?

    Jason:  Actually, that band was pretty much all done.  Steve starting playing with Nine Round.  He played me a few songs that they were working on and I really liked them.  He sent the message, I went to some practices and wrote some lyrics to some songs.  From there I waited until they decided to give me a shot. The rest is history.

    Erik:  From the get-go, this band was playing an unprecedented amount of shows with National acts. How did it feel to start off this quickly, and what were some of your favorite moments?

    Jason:  Starting off like that was amazing. It really pulled us together as a band, personally and musically.  We have had some great moments for sure. One that strikes me is standing on the stage at K-Rockathon 15 and seeing all of those people. It was truly like a dream. Then getting respect from some of the other “bigger” bands solidified the day. Honestly though, the best moments for me are just being up there and playing and doing something that I love. That’s good for me.

    Erik: You are surrounded by some great talent man, how does it feel to share the stage with this group of Upstate music veterans? This is the supergroup of upstate NY metal! You do know this, right?

    Jason:  It really feels great playing with these guys. I watched Steve and Johnny play in bands for years and always respected their talents.  Tommy and I were only a couple years apart in school so I have gotten to watch him grow over the years also.  For it to all come full circle like this is fucking awesome to say the least! They are great musicians and great friends. We all learn from each other every time out there.

    Erik: When you guys went into the studio to record your debut, you went in with an arsenal of great tunes. Lyrically, you take the game to the next level. Where do you get your inspiration. You write glorious songs of oppression, and I want to know what makes you tick.

    Jason:  Thanks for the kind words man! I feel that the better I connect with the lyrics, the better I will perform it live. The songs are all part of me in one way or another, whether its through personal experience or something I have seen.  People often look to music for explanation or ways to vent strong feelings. If my lyrics make you happy, good. If they make you want to rip someone’s fuckin’ head off, EVEN BETTER!!!

    Erik:  Being that you were in the armed forces, a song like, “Soldier,” is intriguing to me! The song makes a very big statement. How you feel about your time in the service, and the fold that lead to this song being created?

    Jason:   My time in the service was really confusing.  I love my country and would die for it, but sometimes its really hard not to ask yourself, “what is going on here?” That song kind of pulls back and forth between fighting for your country and feeling insignificant to the people that don’t understand war.  There is a sickness in America where people feel entitled to everything.  They don’t understand what it’s like in other places.  Hunger, suffering, disease, etc.  I’m not trying to preach but the bottom line is: appreciate what you have and appreciate the people that put their asses on the line for you to have it!  So, I wanted to write a song from my perspective as a soldier and give an honest outlook of how I felt going through it.

    Erik:  Obviously, when Marullo left, you took some time off to re-tool what you were doing. How has this whole process been? What happened with that guy?

    Jason:  We did take some time off and it was needed and well deserved in my opinion. Just to get our heads back in the game! It’s always fun when you get in the creative mode and start writing the next chapter of your band.  This is when you appreciate the artists you work with the most. For us, it always comes down to repetition. This winter we will be writing a ton of new material so keep your eyes open for some new Nine Round!!! As far as Eric goes, let’s just say it didn’t work out. I feel that it’s best to leave situations as such, internal.  It would be unfair for me to give his perspective or the perspective of this band. What I can do is speak for myself.  Eric was part of alot of great times for this band.  He is a talented dude and I wish him the best of luck.

    Erik:  I understand that you are working on some new material. What is going on with the recording process right now?

    Jason:  Right now we are just throwing a ton of ideas around.  We don’t want to rush our music.  When we feel comfortable that we have a great set of songs, we will be back in the studio.  There is a possibility of knocking a few out this winter just to get the ball rollin’

    Erik:  I know you have this huge Christmas show coming up…a hometown affair! How does it feel to do these hometown shows? They have become the talk of the town every time they take place.

    Jason:  Hometown shows are always great. The obvious factor is that there are lots of people. It’s also sweet to have a room full of your friends and family. The personal connection is comforting and inspires me to kill it.

    Erik:  There is a great amount of respect among peers in the Upstate Metal community. Who are some of your favorite bands to play with, and do you have a wishlist of sorts?

    Jason:  Honestly, there are alot of great bands out there in New York State. I have respect for every band we play with and I will leave it at that man. We will play with anyone willing to have us, anytime!

    -Erik Jensen

  • Red Jumpsuit Apparatus invades SUNY Canton; talks latest release, and determination

    Red Jumpsuit Apparatus invades SUNY Canton; talks latest release, and determination

    Red Jumpsuit Apparatus

    “How could you possibly want to stay in the same place forever?!” vocalist Ronnie Winter says securely about the progression of his career. “No band ever recreates their first album. It’s just not possible.”  Drummer Kris Comeaux assertively adds. Ascertaining resurrection, Red Jumpsuit Apparatus has exceeded all circumspection in the release of “Am I the Enemy”.   Reconnecting with their melodic roots and driven sentiments, I found myself falling in love all over again with a band that had all but perished.  Mesmerized I worked my way through the track listing; I found an array of genres displaying this bands adaptability and loyalty to their vision.

    Restfully sitting adjacent to me I found myself encompassed by the definition of musicianship. “There are people who don’t like me, and they don’t like my band, because I’m not afraid to tell people exactly how it is…” Ron appreciatively speaks “That’s how everybody I know is.  But that is not how everybody else in the industry is. I’m not out to make friends, I’m out to make great music, and communicate with people who can be honest with themselves. “. And that is exactly the passion and drive you can expect to receive from this band within albums and live performances.

    Swimming in an industry plagued with repetition and deception, Red Jumpsuit put their foot straight through the floor in making their position known and clear they are here for the long run. “When you’re home you want to be on the road, and when you’re on the road you just want to be home. I need to wake up and reach out every day. This is it. It’s your calling and you can’t ignore it.” Kris, adamant in his conviction speaks.  Destined and fortuitous you cannot help but absorb the atmosphere and energy surrounding you in the presence of this band.  Freeing themselves from the major label confines Red Jumpsuit Apparatus has a liberated disposition and the weaponry of creativity at hand.  Musically unable to be defined by one specific message; “I write about anything and everything…write it exactly how you feel it” Ron states about being the primary song writer of the band.  When asked if the coming and going of members had an effect on the sound he replies; “The way you hear the (new members play) it changes the way you write.”

    Shifting positions, I brought forth the question of cause. Having gained massive notoriety for their song “Face Down”, which was about the tumultuous childhood both Ronnie and Randy endured, this band set out on a mission to be more than musicians. Ron looks down at his To Write Love on Her Arms shirt proudly. “…we never really stopped; just the first time got a lot of press. We get emails every day from people who reach out to us daily”. Taking the time to read and respond to as many fans as possible, Red Jumpsuit never lost sight of what was truly important to them. Renewed with a sense of determination and self-worth this band breathes into the atmosphere, I situated myself on stage left, ready to experience what has to become Red Jumpsuit Apparatus. Screaming, adoring, bright eyed fans lined the gymnasium. Delivering a powerful performance of a mixture of their three releases, you will not be disappointed. Red Jumpsuit Apparatus is primed to remain a fixture in this industry.  You can purchase their latest release “Am I The Enemy” through Itunes, and you can check out the bands facebook at: www.facebook.com/redjumpsuitapparatus