NYS Music 2024

Tag: Phish

  • Phish Shine Over 4 Days at Mondegreen Festival

    Phish has kicked off their eleventh festival, Mondegreen, at The Woodlands in Dover, Delaware, welcoming 40,000 fans for a 4-day musical and visual odyssey. The modern day music festival landscape has evolved from Phish being the progenitor of the 90s festival resurgence, the one with the most success despite only a single band on the lineup, to a landscape where festivals are failing, canceling, being too big, or underattended, and generally going the away after two decades of success. Yet here we are with Phish keeping their success with fests going even as bigger and “better” ones continue to fall by the wayside.

    In a concert bowl full of art installations with surprises around each corner and tucked into the woods surrounding the fans, Phish fans find themselves in a real life choose your own adventure book, where every turn and decision leads to even more action and escapades.

    Likewise, Phish onstage rose to the occasion, opening the festival with a mondegreen of a song, ‘The Moma Dance’ (the moment ends), dropping a first set that was highlighted by a 19-minute “Wolfman’s Brother” and a 30-minute combined 1-2 punch of a closer with “A Wave of Hope” and “Sand.”

    Set 2 opened with the true Phish debut (sans Billy Strings on vocals) of “What’s Going Through Your Mind” that clocked in at a surprising 25 minutes. Energetic versions of “Chalkdust Torture” and “Light” followed, with both jams eclipsed by a mid-set highlight in “Prince Caspian” that featured healthy teases of “Sneakin’ Sally Through the Alley” from Mike Gordon with Talking Heads’ “Crosseyed and Painless” later providing a continued burst of energy. A brief “Lonely Trip” was the only respite this set, as a 15-minute “Everything’s Right” closed the set.

    A triple encore of the all too infrequent “Saw It Again” had added lyrics referencing the festival, with “Possum” and “Slave to the Traffic Light” closing night 1 on a high note.

    photo by Derek Java
    photo by Derek Java

    Setlist via phish.net

    Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/15/24

    Set 1: The Moma Dance, Back on the Train, Wolfman’s Brother, Funky Bitch, Roggae, NICU, A Wave of Hope, Sand

    Set 2: What’s Going Through Your Mind -> Chalk Dust Torture -> Light > Prince Caspian, Crosseyed and Painless, Lonely Trip, Everything’s Right

    Encore: Saw It Again > Possum, Slave to the Traffic Light

    Night two of Phish’s Mondegreen Festival is now in the books with the band delivering two sets of nearly seamless originals and a brilliant “not-so-secret” third set of musical improvisation that ran the gamut from ambient to explosive psychedelia. 

    photo by Derek Java

    The show began almost promptly at 7 pm this evening with an old school opener in the harmony-laden “Bouncing Around The Room.” This was followed by a “Kill Devil Falls” that set the tone for the rest of the night with an exploratory, groove-intensive jam that technically left the song unfinished. Instead of rounding it back into form, Phish threw out their signature take on Frank Zappa’s “Peaches En Regalia,” the only cover song played all night. “Free” then built on the momentum with an ebullient, free flowing jam before a perfectly placed “Divided Sky” with the sun slowly beginning to  set helped create a brilliant aural landscape. The “Tube” that followed elicited another thick jam that had some certifiable meat to it before “Mountains In The Mist” served as a suitable first set “breather” song. “Reba” brought with it all the feels and emotion with a super blissed out jam that further cemented the already immaculate first set vibes. Bypassing the traditional “whistling” ending, Phish instead rounded off the first set with a fun “Twist” > “Character Zero” closing musical salvo. 

    photo by Derek Java

    The second set kicked off with another monstrous “My Friend, My Friend,” a song the band has really stretched out and added some extensive jams to as of late. The traditional “Myfe” ending was skipped over on this one as well with the music instead flowing right into “No Men In No Men’s Land,” a song that typically features some heavy exploratory improvisation on the band end and tonight’s performance was no exception. From here, it was a non-stop runaway train of high end musical improvisation as the band shuffled seamlessly through segues into “Ruby Waves” and “Pillow Jets.” Keyboardist Page McConnell then dove in the sample bin for “Your Pet Cat,” spicing up another intense jam with sounds of cats screeching and screaming, giving a real back alley brawl feel to this rarely played instrumental number. WIthout ever fully stopping, Phish then circled back with ease to revisit both “Ruby Waves” and “No Men” while throwing a hearty “Story Of the Ghost “ right in between them.  A flawless “Fluffhead” then closed out the set in grandiose fashion, featuring some amazing drumming and light hearted singing from Jon Fishman.

    photo by Derek Java
    photo by Derek Java

    Prior to the encore, Trey Anastasio facetiously mentioned to “one guy in a white shirt” that there may be a secret set tonight and it may not be wise to head right back to the campground after the show. First, however, was an appearance from “Harry Hood” and its typical powerful, blissful jam before a thunderous and feedback-heavy “First Tube” with Anastasio going full guitar god mode ended things….for now. With many taking heed to Trey’s suggestion and sticking around, a sheer screen descended in front of the stage, turning it into a veritable movie screen. Phish then proceeded to pull a “reverse Sphere,” with the band playing behind the screen as it proceeded to show a series of brilliant images that seemed to grow more intense and vivid as the 50-minute set went on. It was a legitimate question to wonder if the music was dictating the images or the other way around. Either way, it made for one of the more legendary secret sets in the band’s rich festival history as Phish touched on everything from the ambient to thrash metal and seemingly everything in between, dazzling the audience and capping off a special second night at Mondegreen.

    Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/16/24

    Set 1: Bouncing Around the Room, Kill Devil Falls > Peaches en Regalia, Free, Divided Sky, Tube, Mountains in the Mist, Reba, Twist > Character Zero

    Set 2: My Friend, My Friend > No Men In No Man’s Land > Ruby Waves > Pillow Jets -> Your Pet Cat -> Ruby Waves > Ghost -> No Men In No Man’s Land > Fluffhead

    Encore: Harry Hood > First Tube

    Set 3: Woodlands Jam

    photo by Filip Zalewski

    The third day of Mondegreen was as hot as any of the previous two, with little in terms of shade or escape from the heat. Phish fans pushed through – we do train for this – and rallied to be inside and take in the art installations, food offerings and stand up comedy that took place in the hours before the music began. 

    Opening the afternoon with “Mike’s Song” gave Lemonwheel vibes, but the classic combo of “Mike’s > I Am Hydrogen > Weekapaug Groove” was the fuel and fans needed to get down. A lofty “Theme From the Bottom” followed, along with a Mondegreen of a song, “Blaze On” (Nice Shades/Night Shades) to follow. Perhaps compelled by a sign featuring Paulie Walnuts saying “Gaba Jibbool,” “Gotta Jibboo” ended up being a top jam of the set, stretching for more than 12 minutes. All that followed was setting the table for the second set – the funk rock of “46 Days,” the title track off Phish’s latest album, “Evolve,” Phish fest classic “Meatstick” and “David Bowie” to round it out.

    photo by Filip Zalewski

    By the time second set rolled around, fans were dialed in and preparing themselves mentally and physically for the unexpected news of Sunday’s show being held earlier in the day, with the field opening at 11am for a 1pm set. While the weather never was a factor on Sunday, the preparation by fans was not just on the day of the show, but also the night before.

    An errant beat preceded the opening notes of “2001” which beckoned the crowd for a heavy night to come. And while “Oblivion” has been a road tested song since 2023, the lack of segue here stood out, and could have easily been “Tweezer” or “Life Saving Gun,” but the jam still delivered, working towards “Down with Disease,” which, like the “Tweezer” that did follow, clocked in at over 19 minutes each. “Scents and Subtle Sounds” appeared in full form (not the shortened Magnaball version) for more than 16 minutes, a mid-set-ridge that was an abject success on the collective dance floor. When “Boogie On Reggae Woman” began (one of the limited covers of the weekend by this point) the timing couldn’t have been more perfect, nor could it have been for the “Carini” that followed. With an exclamation point, Day 3 of Mondegreen featured the top set of the weekend, by a wide margin of conventional wisdom.

    A trio in the encore began with “Backwards Down the Number Line” and then an always huge “You Enjoy Myself” that closed with “Tweezer Reprise,” putting a bow on Saturday and leaving fans wondering what was in store for Sunday’s weather-rescheduled set(s).

    Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/17/24

    Set 1: Mike’s Song > I Am Hydrogen > Weekapaug Groove, Theme From the Bottom > Blaze On, Gotta Jibboo, 46 Days, Evolve, Meatstick > David Bowie

    Set 2: Also Sprach Zarathustra > Oblivion, Down with Disease[1] > Tweezer > Scents and Subtle Sounds > Boogie On Reggae Woman, Carini

    Encore: Backwards Down the Number Line, You Enjoy Myself, Tweezer Reprise

    [1] Unfinished.

    This was the third show of the Mondegreen festival. Mike teased Passing Through in David Bowie. DWD was unfinished. Trey teased La Grange and Eleanor Rigby in DWD and Eleanor Rigby in Tweezer.

    photo by Filip Zalewski

    Phish closed out the final night, or rather day, of Mondegreen with some more explosive jamming that took place a little earlier due to a change in schedule. An announcement was released on Saturday night that music would be starting at 1:00 pm instead of the usual 6:30 pm due to inclement weather that was expected in the local area. Although it never really opened up or downpoured on Sunday, Phish clearly erred on the side of caution instead of letting festival attendees, vendors and workers potentially get stuck in a storm that had the potential for strong winds and lightning. 

    Both the band and crowd made the most of the situation, and the near two-hour single set started off in joyous fashion with “Party Time” and the sun still shining bright. “Axilla” followed and kept the energy levels high, even after plodding through a “Part 2” ending, before “Maze” kicked things back into high gear with its typical ferocious solos from Page McConnell on organ and Trey Anastasio on guitar. A mid-set “AC/DC Bag” didn’t quite reach the heights of the one featured at Bethel Woods last weekend, but still featured some significant improvisation on its back end. “Sigma Oasis,” another new number from the band’s recent Evolve album followed very much in suit before segueing into the classic Phish tune “Rift.”

    photo by Filip Zalewski

    “Stash” found the Mondegreen crowd still very much engaged and elicited another probing and expansive jam and the “Ya Mar” that followed served as a perfect daytime set selection. As some cloud coverage slowly began to make an appearance, Phish closed out the jumbo-sized set with one last progression of songs that flowed seamlessly into one another, starting with a “Bathtub GIn” that, like its brethren from this summer tour, produced yet another deep and exploratory jam. At its conclusion, Anastasio started frantically vamping for the intro to the still-rare cover of Jimi Hendrix’s “Isabella.” The set could have ended here and few would take issue with that, but instead Phish launched into “Simple” before a rousing cover of TV On The Radio’s “Golden Age” properly closed out the set, as the band definitely seems to be in the midst of one of these. 

    One last high octane jam that had the whole festival grounds moving  took place in “Fuego,” another proper song in both placement and name due to the quality and intensity of music displayed all week long. A brief DJ set afterwards gave those sticking around one last chance to dance and enjoy the venue grounds before skies darkened even further and announcement was made for everyone to return to their campsites, a dour ending to an otherwise memorable and festive Mondegreen.

    Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/18/24

    Set: Party Time, Axilla->Maze, Steam. Martian Monster, AC/DC Bag, Sigma Oasis->Rift, Stash, Ya Mar, Timber (Jerry the Mule), Bathtub GIn > Izabella > Simple > Golden Age

    Encore: Fuego

    photos by Filip Zalewski

  • Phish Return to Bethel Woods on “Tweezer Jets” Bound for Mondegreen

    For the third time in their career, Phish performed at Bethel Woods Center for the Arts, opening up a three-night run on Friday, August 9. With the remnants of Tropical Storm Debbie making its way through the Mid-Atlantic region and drenching much of New York State over Thursday and Friday, Phish fans planned for the worst and were rewarded for their efforts, with only lingering sprinkles during the show.

    phish bethel

    Nearing the end of their Summer Tour with only Bethel, their Mondegreen festival and four nights in Colorado left on their schedule, Phish has been rolling from the Northeast to the Midwest, dropping lengthy jams in unexpected spots, bringing new material to fans off Evolve, and inviting Billy Strings to the stage in Grand Rapids, MI. Now in Bethel, the band has their sites set on building towards their 11th festival, an event always ripe with surprises and leveled up improvisation.

    With a pair of ASL interpreters just off stage right, Set 1 began with instrumental (and GRAMMY-nominated) “First Tube,” a rare opener normally found in a late-second set slot, but nevertheless an energetic way to start the show. A lengthy “No Man in No Man’s Land” followed, always a great sign that the band is dialed in and wants to get down to business right away.

    https://www.youtube.com/watch?v=2QnFL5wdFFg

    A spacey and wandering “My Friend, My Friend” was a first set highlight, clocking in at more than 18 minutes and another example of Phish taking more of their catalog down the improv route than in past years. A late first set “2001” was a treat, dipping into an always welcome “Taste” before closing the set with “Character Zero.”

    Opening the second set with “The Wedge” could have launched the Rift track to new heights, but it served as a buffer song before the big jam of the night, “Tweezer.” A vehicle for jams in the second set since the 90s, “Tweezer” found a few separate jams (including “There is a Mountain” by Donovan) over the course of 24 minutes, coming full circle before dipping into the Evolve track “Pillow Jets,” which took a dark psychedelic turn mid-way through before returning to “Tweezer,” as one does mid-second set.

    Finding its way into “Piper,” this brief “Tweezer” return birthed a top notch “Piper,” found itself turning back into “Tweezer” briefly before the Rolling Stones’ “Shine a Light” provided an exultant breather with the set wrapping up with a thorough “Chalk Dust Torture.” A triple encore featuring songs from across the band’s history was a delightful surprise to the evening, starting with Junta track “Big Black Furry Creature From Mars,” Farmhouse’s “Gotta Jibboo” and Big Boat’s “More.” With two more nights to go, the bar is set for Phish to exceed over this weekend and next. 

    https://www.youtube.com/watch?v=_ORBkMm_9lY

    Phish – Bethel Woods Center for the Arts, Bethel, NY – Friday, August 9, 2024

    Setlist via Phish.net

    Soundcheck: My Soul, Dinner and a Movie, Waves, Tequila x2, Jam
    Set 1: First Tube, No Men In No Man’s Land, Cavern, My Friend, My Friend[1], Bug, Julius, Also Sprach Zarathustra > Taste, Character Zero
    Set 2: The Wedge, Tweezer, Pillow Jets -> Tweezer -> Piper -> Tweezer > Shine a Light, Chalk Dust Torture
    Encore: Big Black Furry Creature from Mars, Gotta Jibboo > More
    [1] No “Myfe” ending.

    Saturday, August 10, 2024

    Set 1: Back on the Train, Sample in a Jar, Hey Stranger, Dinner and a Movie, Halley’s Comet > Sand, Gumbo > Maze, Weigh, Cities > Run Like an Antelope

    Set 2: Wilson > Down with Disease[1] -> Waves > Twist > Kill Devil Falls > Beneath a Sea of Stars Part 1 -> Backwards Down the Number Line > Ghost > Tweezer Reprise

    Encore: Wading in the Velvet Sea > Runaway Jim

    [1] Unfinished.

    Trey teased Call to the Post at the end of Weigh and The Line during Antelope. DWD was unfinished.

    Sunday, August 11, 2024

    Set 1: I Never Needed You Like This Before, 46 Days, Bathtub Gin, Fikus, Theme From the Bottom > Timber (Jerry the Mule), Human Nature, Limb By Limb, Axilla > Sigma Oasis

    Set 2: Buried Alive > AC/DC Bag > Fuego > Golden Age -> Simple, Life Saving Gun, Harry Hood

    Encore: A Life Beyond The Dream, Say It To Me S.A.N.T.O.S.

    Fikus was performed for the first time since November 7, 1998 (801 show gap). Mike teased Fikus in AC/DC Bag.

    photos by Zak Radick

  • JAM: A Documentary Chronicling the Iconic Phish Traffic Jam, Released for 20th Anniversary

    JAM, a documentary about the well-known 2004 traffic jam that happened due to masses of phans driving through Vermont to catch the at-the-time last Phish show ever, was released to the public on August 5, nearly 20 years after the legendary event.

    Phish Traffic Jam

    Releasing almost exactly 20 years after Phish’s farewell show in Vermont, JAM is a 30-minute documentary short film chronicling the epic 2004 traffic jam in Vermont, where tens of thousands of Phish fans struggled through days of gridlock, resulting in one of the most profound traffic jams in history.

    When Phish announced that their August 2004 shows in Coventry, Vermont, would be their last ever, it was a no-brainer to expect record levels of fan turnout. What wasn’t expected, though, was the severe rain that ravaged Vermont throughout the weeks leading up to the shows. Even with the rain, thousands and thousands of fans still made the trip to Coventry, but another issue arose: those making the trip directly caused one of the most iconic traffic jams ever. The overwhelming number of cars backing up Interstate 91 eventually reached a dead halt, which led to many fans simply leaving their cars on the side of the road and trekking to the venue.

    For those who were able to get there, the grounds were so covered in deep and thick mud, making everyday tasks like eating and cleaning oneself a massive challenge. But despite all of the adversities Phishheads faced, thousands still showed out, making one of the most iconic weekends not only in rock history, but in all of music history.

    Photo © John Crouch

    JAM features on-camera interviews with attending fans, including Aron Ralston (renowned outdoorsman and motivational speaker), retired Vermont State Police Seargent Bruce Melendy (key figure in managing the crisis), concert promoter Dave Werlin, spokesman Adam Lewis and Matt Maxwell of Maxwell’s Neighborhood Farm (concert venue).

    The film is based on extensive footage recorded by Alex Daltas, a longtime Phish fan since age 16. His
    video footage is believed to be the most comprehensive account of the traffic jam, enhanced by
    retrospective interviews and archival footage collected over two decades. Witness history’s most powerful traffic story, taking you back to a time before smartphones when the love of music burned brightest.

    JAM debuted with advance screenings at the Coventry Community Center on August 2nd and 3rd and released fully to the public on August 5. JAM is available to buy and rent here.

  • The Empire State of Phish

    While the origin of Phish is firmly rooted in Vermont, the band’s history in neighboring New York runs almost as deep. The band made the slow and natural progression from private parties and gigs at frat houses, to small clubs and theaters, later graduating to full scale amphitheaters, to now selling out Madison Square Garden on a regular basis. Phish may have been born and raised in the Green Mountain State, but its more recent history is firmly entrenched in the Empire State.

    photo by Dave Decrescente

    It took a few years after the band’s inception, but Phish finally waded into New York waters in 1987 with a now-legendary show at Ian McLean’s Farm in Hebron, NY on August 21, 1987 with three sets of music that included the first known performance of their cover of “Hold Your Head Up.” Phish would continue to make New York a regular part of their touring schedule in the early ’90s, with 1992 featuring more NY shows than any other year to date.

    Phish New York

    Lower show totals would follow in the late ’90s and early aughts as the band started to tour globally and play shows all throughout the country. But the “3.0” era of Phish has seen an influx of NY shows, primarily due to the renovations done to Madison Square Garden which has made The World’s Most Famous Arena the band’s preferred choice for multiple night New Year’s Eve runs. And the modern day pinnacle was set in 2017 with Phish’s legendary Baker’s Dozen Run of thirteen shows over three weeks which served as the foundation for “17 (shows) in ’17” at MSG which also included a 4-night New Year’s run.

    In 2023, Phish came fairly close to matching this number with 14 shows spread throughout New York State which included another 11 at MSG. To date, Phish has played 288 total shows in The Empire State, so NY show #300 is certainly on the horizon.

    Phish NYC license plate Empire state
    Photo via Marshall Chasan, frame via phrames.com

    To showcase this long-standing and still evolving relationship between Phish and New York, NYS Music presents our own reference guide, a map of every show the band has played in the Empire State. In the same vein as our Grateful Dead Map, this will link to each and every article published here with our own take on the show or appearance.

    Big thanks to Alex Grosby of the Phishsonian Institute for helping us map out all of the New York venues and locations you see below.

  • Bethel Woods Camping Options Expand on 1969 Origins with Glamping, RVs and more

    Getting a chance to have seen the original Woodstock festival in person, camp on Yasgur’s Farm and brave the elements is a thing of legend. To be camping on those same grounds while enjoying a concert earlier that evening is a legendary experience, one that began this year at Bethel Woods Center for the Arts.

    Camping configuration at Bethel Woods Center for the Arts – glamping in the foreground

    A one of a kind venue in the Catskills, Bethel Woods is a non-profit performance venue that is the first of its kind to bring camping facilities to music lovers in this nature. Going to great lengths, Bethel Woods offers a Woodstock-esque experience, where one can see music and later rest in the same fields that made the August 1969 concert a cultural event.

    This also addresses one major aspect of the region – the need for more hotel rooms and camping options in the area. What better place than right AT the rural venue?

    Campground

    With a range of options in camping, ranging from basic campsite (car or tent), glamping experiences and RVs, the venue also presents programming at the Center, as well as in the campgrounds each day prior to showtime. A tram/shuttle will bring campers to the venue ahead of showtime, a nice perk on these expansive Bethel Woods grounds.

    Stunning views of the Bethel Woods campus and surrounding landscape of the 1969 Woodstock festival site is included with any camping experience. Campers will be less than half a mile from the award-winning Museum at Bethel Woods, whether in Pavilion Camping or Best Road Camping.

    bethel woods camping

    While on the grounds, explore Bethel Woods’ informative museum to learn about music history and the Woodstock Music Festival, as well as various events, including educational programs, classes and more.

    bethel woods camping

    Camping has been available starting in May 2024, with big shows coming in up August, including Phish and Pretty Lights, as well as Tedeschi Trucks and Megadeth later this summer.

    Campground bethel woods camping

    There will be food trucks for Phish and Pretty Lights concerts in August, as well as breakfast available at the museum, or bring your own food to nosh on.

    You’ll find plenty of things to do in the campground before the shows, including yoga, drum circles, sound baths, plus a range of programming including campfire hootenannies.

    Campground phish bethel

    The limited local hotels and distance needed to drive to affordable overnight digs in the area has a solution found in Bethel Woods’ onsite camping, and a big improvement for the renowned amphitheatre.

    Remember, you still need to buy a ticket to each show, as camping is only reserved for those with tickets to a show at Bethel Woods.

    Campground bethel woods camping

    Visit here for more info and book campsites (Glamping is sold out for Phish). Rates: Car Camping starts at $107.46; RV prices range from $172-258; Tent only camping begins at $172; Glamping starts at $335. Prices for camping are for four people, per vehicle.

    Pretty Lights has detailed additional details for his shows August 23-24. More info here.

  • Pink Talking Fish Announce 2024 Tour With Five Shows in New York

    Pink Talking Fish – the Pink Floyd, Talking Heads and Phish tribute fusion act – has announced a huge fall tour running all the way into December, with five stops in New York State. Along with last month’s New Year’s Run announcement, the rest of 2024 is mapped out for the hybrid phenomenon.

    Known for their mind-blowing live performances, the three-act tribute band Pink Talking Fish has announced a two-leg tour, with stops in Lafayette, Lake George, Tarrytown, Buffalo and Brooklyn.

    Pink Talking Fish is a must-see for any fan of the three bands they cover: Pink Floyd, Talking Heads and Phish. The band features Eric Gould on bass, Richard James on keyboards, Zack Burwick on drums and Cal Kehoe on guitar. 

    The Pink Talking Fish fall tour kicks off in late September and brings the band coast-to-coast through 12 states around the country. Shows start on the East Coast in Tarrytown, NY, and Harrisburg, PA, with the band then heading to the Midwest through Ohio, Illinois and Kentucky.

    For Halloween, the band will be in Portsmouth, NH, at The Music Hall, directly following the annual Portsmouth Halloween Parade. In November, Pink Talking Fish will head to California for the Golden Road Festival in Sanger, along with other shows in San Luis Obispo, Menlo Park, and Auburn.

    Later in November marks a return to the Brooklyn Bowl in NYC with special guest Trukken, a band that performs heavy metal versions of Grateful Dead songs. 

    After the fall tour, Pink Talking Fish will close out the year with a New Year’s Eve run, which includes two-night runs in Mill Valley, CA, and Seattle, WA. 

    For those eager to catch a show as soon as possible, Pink Talking Fish will be performing this weekend in Atlanta, GA, at Buckhead Theatre and Charleston, SC, at The Refinery, joining Allman Brothers Band tribute band Trouble No More for a double bill. 

    Visit here for tickets to any of the shows. See below for the tour graphic and a full written list of dates.

    Pink Talking Fish Tour Dates

    Summer Tour:

    7/19: Atlanta GA at Buckhead Theatre – double bill with Trouble No More

    7/20: Charleston SC at The Refinery – double bill with Trouble No More

    7/25: Jackson WY at Snow King Mountain – King Concerts Series with Moe. & Melvin Seals JGB

    7/26: Steamboat CO at Steamboat Square – Stranahan’s FREE Concert Series

    7/27: Denver CO at Cervantes Other Side

    8/02: Atlantic City NJ at The Tropicana Showroom

    8/03: Westport CT at Levitt Pavilion

    8/04: Lafayette NY at Wonderland Forest – Grateful Getaway: The Eleven

    8/10: Dover NH at Revel In The Meadow

    8/30: Salisbury MA at Blue Ocean Music Hall

    8/31: Lake George NY at Adirondack Independence Music Festival

    9/01: Murphysboro IL at The Shawnee Cave Amphitheater – Weekend At The Cave

    Fall Tour:

    9/27: Tarrytown NY at Tarrytown Music Hall

    9/28: Harrisburg PA at XL Live

    10/09: Cleveland OH at Beachland Ballroom

    10/10: Columbus OH at Woodlands Tavern

    10/11: Chicago IL at Park West

    10/12: Covington KY at Madison Theater

    10/13: Buffalo NY at Buffalo Iron Works

    10/17: Chattanooga TN at Barrelhouse Ballroom

    10/18: Nashville TN at Eastside Bowl

    10/19: Louisville KY at Brown Forman Amphitheater

    10/20: Asheville NC at Asheville Music Hall

    10/31: Portsmouth NH at The Music Hall

    11/01: Hartford CT at Infinity Music Hall

    11/07: San Luis Obispo at SLO Brewing Co

    11/08: Sanger CA at Golden Road Festival

    11/09: Menlo Park CA at The Guild Theater

    11/10: Auburn CA at Odd Fellows Hall

    11/22: Brooklyn NY at Brooklyn Bowl w/s/g Trukken

    11/23: Keene NH at The Colonial Theatre

    12/06: Plymouth NH at The Flying Monkey

    12/07: Burlington VT at Higher Ground

    12/21: Portland ME at State Theatre

    New Years Eve Run:

    12/28-29: Mill Valley CA at Sweetwater Music Hall

    12/30-31: Seattle WA at Nectar Lounge

  • Phish Return with New Album Evolve

    Legendary Vermont jam band Phish released their new album, Evolve, on July 12. This new album – the band’s 16th studio release – is the centerpiece of a busy year for Phish. It comes following a boundary-breaking four-night run at Las Vegas’ Sphere, a tour across the US, their first music festival since 2015, and appearances on The Tonight Show with Jimmy Fallon. The ambitious new album finds Phish bringing audiences tons of new material to experience. 

    Phish's Trey Anastasio

    In 2020, Phish announced a performance hiatus prompted by the COVID-19 pandemic. Following this announcement, fans waited four years for a studio follow up to 2020’s Sigma Oasis. That follow-up arrived on July 12, 2024, with Phish’s 16th studio album Evolve. The band, alongside producers Vance Powell and Bryce Goggin recorded the album throughout 2023 in their Vermont studio “the Barn.”

    Evolve is truly a testament to Phish’s staying power, showing that even 30 years into their career, the group still retains a mastery of genre-experimentation and fun jams. The album mostly consists of softer-rock tracks that still contain enough instrumental flourishes and lyrical complexities to keep listeners invested. Whether it is the lush strings of “Mercy” or the vocal harmonies of “Ether Edge” these tracks illustrate a musical prowess and maturity like few other bands. 

    Although much of the album is more subdued, Phish still knows how to turn up the volume. “Wave of Hope” kicks off with an overdriven guitar riff that sounds straight from Deep Purple before evolving into a rock jam. With energetic guitar solos and a bluesy piano part, the song takes staples of classic rock and imbues them with Phish’s loose playfulness. “Life Saving Gun” really illustrated Phish’s genre-bending prowess. It begins as a funk-rock number, but as the song progresses it morphs into a psychedelic passage, featuring affected guitars and space-age sound effects, with spacey instrumentation before returning to its groovy base. 

    One highlight of the album is the title track “Evolve.” The song builds off catchy instrumental lines with jangly funk-inspired guitars, upbeat percussion and melodic pianos. On top of all this is Trey Anastasio’s lyricism touching on finding peace with the growing complexity of the world around us. “Then came the people with their problems and hope that don’t mean a thing if they just knew the scope.” Like the lyrical themes suggest, this song was born out of the Covid-19 Pandemic, with Anastasio penning it in the early days of the Covid lockdown.

    This original version of the song was much more minimalistic than the final release, but still retained its beautiful ambience with whirling guitar lines and chimes. The album-version of “Evolve” is much more musically complex, evolving throughout its run. As the song progresses, it adds additional layers of strings, guitar lines, and energetic solos.

    An early version of “Evolve” recorded by Anastasio during the 2020 Covid Lockdown

    Overall, Evolve shows that Phish is still at the top of their game. The band takes their signature psychedelic jams, and imbues them with a toned-down maturity. Whereas for other groups, this could spell disaster, Phish pull it off especially well. As this album shows, “toned-down” is by no means boring, with each track containing complex instrumentation that keeps listeners going back to discover more. The album additionally retains Phish’s iconic genre-blending, knowing exactly when to splice in a harder track and add new flavor to its sonic palate. Evolve is a great testament to Phish’s experience and a sign of things to come in their future.

    Phish's Evolve

    To celebrate the release of this new album, Phish made a special guest appearance on The Tonight Show with Jimmy Fallon. On top of a performance of “Evolve,” the group took part in the show’s cold open. The skit features Phish, Fallon, and the Roots together in the Elevator of 30 Rock. The group then bursts into a parody of Aerosmith’s “Love In an Elevator,” comedically stopping whenever someone hops on the elevator. 

    This album release comes as part of a busy year for Phish. They have already sold out four-nights at the Sphere in Las Vegas back in April in the leadup to Evolve’s release. Following inaugural shows by U2, Phish made history as only the second band to play the state-of-the-art venue. The band played extended jams of songs both old and new, all while psychedelic imagery played on a 160,000 square foot screen above the stage. Among the songs performed was “Life Saving Gun” off of Evolve, brought to life by the venues immersive sound equipment.

    Now, the band has announced a cross-country tour for the remainder of 2024. Beginning at the Xfinity Center in Mansfield, MA, Phish will snake westward to Colorado. This tour includes many shows in and around New York, including two sold-out nights at Connecticut’s Mohegan Sun Arena. Additionally, Phish will play three shows at the Bethel Woods Center for the Arts, at the sight of the historic Woodstock Festival.

    Phish Live 2024/2025 Dates

    JULY

    19 – Mansfield, MA – Xfinity Center

    20 – Mansfield, MA – Xfinity Center

    21 – Mansfield, MA – Xfinity Center

    23 – Uncasville, CT – Mohegan Sun Arena (SOLD OUT)

    24 – Uncasville, CT – Mohegan Sun Arena (SOLD OUT)

    26 – East Troy, WI – Alpine Music Valley Music Theatre

    27 – East Troy, WI – Alpine Music Valley Music Theatre

    28 – East Troy, WI – Alpine Music Valley Music Theatre

    30 – St. Louis, MO – Chaifetz Arena

    31 – St. Louis, MO – Chaifetz Arena

    AUGUST

    2 – Noblesville, IN – Ruoff Music Center

    3 – Noblesville, IN – Ruoff Music Center

    4 – Noblesville, IN – Ruoff Music Center

    6 – Grand Rapids, MI – Van Andel Arena

    7 – Grand Rapids, MI – Van Andel Arena

    9 – Bethel, NY – Bethel Woods Center for the Arts

    10 – Bethel, NY – Bethel Woods Center for the Arts

    11 – Bethel, NY – Bethel Woods Center for the Arts

    15 – The Woodlands, Dover, DE – Mondegreen

    16 – The Woodlands, Dover, DE – Mondegreen

    17 – The Woodlands, Dover, DE – Mondegreen

    18 – The Woodlands, Dover, DE – Mondegreen

    29 – Commerce City, CO – Dick’s Sporting Goods Park

    30 – Commerce City, CO – Dick’s Sporting Goods Park

    31 – Commerce City, CO – Dick’s Sporting Goods Park

    SEPTEMBER

    1 – Commerce City, CO – Dick’s Sporting Goods Park

    2025

    29 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    30 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    31 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    1 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    For more information on Evolve and Phish’s upcoming tour, visit their website here. 

    https://www.youtube.com/watch?v=NyNpEcNbZM4

  • 30 Years Later: Phish at Big Birch Concert Pavilion, July 13, 1994

    On July 13, 1994, while the Grateful Dead drew a reported 60,000 fans to northern Vermont, Phish performed five hours south at Big Birch Ski Area in Patterson, NY to a much smaller crowd who were treated to the musical risk-taking and on stage antics that Phish was slowly becoming known for, barely into their second decade of existence.

    Big Birch Ski Area – now known as Thunder Ridge Ski Area – is located in the rural town of Patterson, NY, close to Connecticut border in the northern reaches of Putnam County. Big Birch would host concerts each summer at the base of the mountain hill, with parking at the top of the unimposing slope. Tickets would be purchased at the Lift Ticket window, only $18.50 for tickets at this time.

    Phish Big Birch

    With a capacity of 6,000 and chill biker security, Phish had played Big Birch previously in 1992, opening up for Santana, but this day would be a vibe check on the growth of Phish in the greater Northeast, especially when the Grateful Dead are playing 45 minutes north of the band’s home.

    Phish had started summer tour out west, similar to the Dead that year. Stretching from Utah to Virginia over the course of June, July was an all-Northeast affair, with shows in Philadelphia, New Jersey, Maine, a pair of shows in Ottawa and Montréal, Great Woods, SPAC, FLPAC in Canandaigua, Jones Beach and finally, Sugarbush in North Fayston, VT.

    Phish Big Birch

    With such a big show and crowd expected at Highgate, some looked at the show in Patterson as the better option with fewer in attendance and the band rewarding those who made this decision. This small out of the way hill could have easily been overlooked in 1994 for the glitz and glory of all that Dead tour had in store, let alone in such a remote part of Vermont in the middle of the summer. While one band’s star was setting, the other’s was rising, but you might not know this looking subjectively at attendance (despite a capacity of 6,000, there are unconfirmed reports of only 1,000 at this show.) And for Phish, when you snooze on a mid-week show, history shows, you lose.

    But for those who attended, they knew to never miss a Wednesday show. A venue that had no permanent seating under the tent did have folding chairs lined up in the front of the venue, zip-tied together. What happened next – well there are two takes on this. First, from Phish.com:

    “Fans in the front dissembled the rows of zip-tied folding chairs and stacked them to maximize dancing space.”

    or you can take the first hand account of user SoundBoy1 on Phish.net:

    “Inside the venue had set up probably 1000 or so folding chairs in the front of the stage. They may have been ziptied together but in no way permanent. As soon as the show started the chairs went flying in every direction including the stage. There were piles of chairs in random spots through out the crowd. They were also being thrown on stage and the band was dodging them. I remember Brad Sands standing a bit offstage and corralling what he could… It took awhile for all that to settle down. During It’s Ice you can hear some feedback and Page sounds like he’s fidgeting around a bit. I think that was due to chair chucking. So first set was totally solid but no real hint of what was to go down.”

    Either way, Phish fans weren’t going to be seated for this show or have dance space impeded by meager folding chairs. The first set was playful, with a “Buried Alive” right out of the gate and a burst of energy from the “Poor Heart” that followed. Hoist, having been just released in April that year, found “Sample in a Jar” early in the set, followed by two live show staples, “Foam” and “The Mango Song.”

    A light jam emerged from the still new “Down with Disease,” Trey sang on megaphone during “Fee” and a pair of Rift songs – “It’s Ice” and “Fast Enough For You” – added to the consistent flow of the show. “I Didn’t Know” would feature Jon Fishman (Greasy Fizeek) on trombone for a change, shifting smoothly into a “Split Open and Melt” that ended the set.

    This first set is truly smooth flowing with a big cap ending in the “Melt,” but Set 2 was the treat the fans who followed the lines going south, instead of north. Opening with an unrefined “Possum,” the jam gets weird and stays that way, as the loose jam almost falls apart but is salvaged nicely. “Cavern” started with the typical drum intro, but when the lyrics arose, “Wilson” was sung instead by Trey, leaving the fan (and band?) confused for a moment. A rare mashup for Phish, they weave in and out organically of the two songs, never perfectly but just enough to make this mashup a must listen.

    The still new “NICU” bridged the gap to a “Tweezer” that seemed to open up with that part of a “Tweezer” jam right after the lyrics, but moved into the natural progression of the song after that, dialing in after following what could be considered a clumsy entry. Jazzy noodling at the end led into into a slow jam that found its way into an unsuspecting “Julius.” The “Tweezer” jam just seems to keep going if you aren’t watching the time tick from track to track. This isn’t a Bomb Factory “Tweezer” but the slow return would feature a few teases, including “I Know a Little” (Lynyrd Skynyrd) and make way for a country/western version of “Big Black Furry Creature From Mars” that took its time finding the ending of “Tweezer,” eventually.

    An ample “Mound” seemed to fit the venue nicely, with “Slave to the Traffic Light” starting very airy with a patient build towards the peak, the “Suzy Greenberg” that followed featuring “Slave” teases from Anastasio. The encore of “My Sweet One” and “Tweezer Reprise” capped the night, maintaining the energy of the first set and the cacophony of the second, a treat for the fans who made the call to see this show in southern New York.

    The band would pack up and head west for Finger Lakes Performing Arts Center in Canadaigua (now CMAC), then Jones Beach the night after. Traversing the state for these shows, plus the finale at Sugarbush was prime 1994 Phish, was a treat if you were able to see it in person.

    Listen to the show on PhishTracks or download from Etree.

    Phish Big Birch
    shirt via Brendan McKenna/PhanArt.net

    Setlist via Phish.net

    Phish – Big Birch Concert Pavilion, Patterson, NY – July 13, 1994

    Set 1: Buried Alive > Poor Heart > Sample in a Jar, Foam, The Mango Song, Down with Disease > Fee[1] -> It’s Ice > Fast Enough for You, I Didn’t Know[2], Split Open and Melt

    Set 2: Possum, Cavern -> Wilson[3] -> Cavern > NICU -> Tweezer -> Julius -> Tweezer -> Big Black Furry Creature from Mars[4] -> Tweezer -> Mound > Slave to the Traffic Light > Suzy Greenberg

    Encore: My Sweet One > Tweezer Reprise

    [1] Trey sang verses through megaphone.
    [2] Fish on trombone.
    [3] Played to the tune of Cavern.
    [4] Unfinished; Played bluegrass style to the tune of Scent of a Mule.

  • 20 Years Later: Phish’s 2004 SPAC Run

    In June 2004, the “end” was nigh for Phish as a band. The thought-to-be career-ending Coventry festival was slated for mid-August and all indications at this time was that there was no turning back and to savor every last performance. Before Phish would hang it up though, they graced SPAC with a two-day run over Father’s Day Weekend that featured moments of sheer brilliance, musical flubs that were all too common to this era and a surprise dad of their own that evoked memories of a happier time in the band’s history.

    Phish SPAC 2004

    This particular SPAC run, only the fourth and fifth times that the band has ever played here, starts off with a bit of a surprise in the form of a “Reba” opener. Phish breezes through the composed sections of this intricate arrangement with ease before a relatively brief but euphoric improvised jam that follows. Alas, there would be no whistle-led ending to this one. Instead the band immediately pivots to a much more traditional show opener in “Runaway Jim.” Trey Anastasio leads the way on this one with some driving guitar fills which continually increase the tempo and depth of the ensuing jam until it comes to a head.

    Tonight’s show maintains a relatively old school feel to it early on with the “NICU” that comes next with the “looked back on those days when my life was a haze” and the “Play it, Leo” lines both getting a hearty round of applause from the SPAC faithful. Phish then finally dives into their newer material with “Scents and Subtle Sounds” from their Undermind album which was just officially released last week. There would be no slow introduction for this one though as heard on the album. Instead Phish immediately jumps into the lyrical portion of the song, the first time they would ever do this. “Scents” yields another brief but truly uplifting outro jam with keyboardist Page McConnell pounding away on the piano while he and bassist Mike Gordon bookend it with harmonized lyrics.

    Phish SPAC 2004
    Phish 2004 SPAC poster by Louis Arzonico

    There’s a noticeable break between songs afterwards, perhaps with Phish trying decide how to end this first set at SPAC. It begins with a very slow, almost plodding “Wolfman’s Brother” that the band really takes their time with and certainly doesn’t suffer from a lack of funk. The “Walls of the Cave” that follows provides some of the best moments of the first set. After its typical thunderous outro jam, Phish takes it around the block and then some, going into a full Type II ambient/melodic jam that includes guitar riffs from Anastasio that would reappear in tomorrow night’s second set. As the jam slowly peters out, drummer Jon Fishman starts up the signature high-hat intro to “David Bowie” which closes out the first set in grand fashion.

    Phish jumps right back into the deep end to begin the second set with the second ever performance of “A Song I Heard The Ocean Sing,” another new selection from Undermind which debuted days earlier in Brooklyn. It showcases the band’s true colors with a rollicking early jam that stays true to the song’s original structure before veering off into another exploratory Type II vehicle that elicits authentic aquatic vibes in its early stages before a slow and gradual reshape back to form.

    Phish SPAC 2004
    poster by Jason Lees

    This sets for the stage for “Piper,” a legendary version that phish.net properly describes as “a multi-section improvisational super heavyweight.” There’s no slow build in this 30-minute plus rendition that some argue is the best one of all time. Phish gets right down to business immediately, ripping through the brief lyrical section before leaping into a ferocious jam that starts off at an incredible pace and doesn’t let up for a while. At one point, the jam starts to ascend in a true “Tweezer Reprise”-like fashion without the song ever actually being played, with Anastasio going full rock god mode and vamping maniacally. It’s all adds up to a “Piper” that rivals the one played at Camp Oswego in 1999 and one that certainly belongs in any “Best Of” discussion.

    The groove that develops on the back end of “Piper” eventually rounds cleanly into the beginning of “Gotta Jibboo.” Anastasio has the digital delay loop ready to go and this yields another joyous albeit brief jam that never rounds back into the end of “Jibboo.” Phish instead pivots to “Limb By Limb” with a standout version that features a series of patiently crafted, blissful peaks. “Cavern” then brings the second set to a close, marred a little bit by Anastasio completely spacing on some of the lyrics. Phish ends the first show at SPAC this weekend with a tame and relatively nondescript “Wading In the Velvet Sea.” Unfortunately, the same couldn’t be said about their “last” one of these at Coventry later this summer.

    June 19 review by Tim O’Shea

    Phish – Saratoga Performing Arts Center (SPAC) – Saratoga Springs, NY – Saturday, June 19, 2004

    Set 1: Reba, Runaway Jim>NICU>Scents and Subtle Sounds, Wolfman’s Brother, Walls of the Cave->David Bowie

    Set 2: A Song I Heard The Ocean Sing>Piper->Gotta Jibboo>Limb by Limb, Cavern

    E: Wading in the Velvet Sea

    https://www.youtube.com/watch?v=_UIBFR2eVVs

    In 2009, fans returned to SPAC for what would be a five-years and two month gap between Phish shows in Saratoga Springs, but no one at the time knew this, let alone the band. Having only played SPAC five times between 1994 and 2004, the band found new affinity for the (originally) summer home of the New York City Ballet and Philadelphia Orchestra. With Anastasio spending time from 2007-08 living in Saratoga Springs while serving probation, return trips to SPAC have been frequent, almost annual events, marking 19 shows since 2009 alone.

    But this 2.0 era show stands out (as does the night before) with jam highlights throughout, erasing even if briefly the specter of the band’s ‘final’ shows coming up less than two months later. Never has the phrase “never miss a Sunday show” been more ominous, as for some, this would be the last time they would see the band perform live for many years.

    Phish SPAC 2004
    Phish SPAC 2004 poster by Ryan Kerrigan

    Opening up the first set with an energetic “Rift” that lit the audience up, segueing into “Julius” during which Trey broke a guitar string. Following the repair, the band was joined by Dr. Jack McConnell, the father of Page “Chairman of the Boards” McConnell, who performed “Bill Bailey, Won’t You Please Come Home” for the first time since 1999, even donning his tap shoes to soft shoe on this Father’s Day. This sit-in followed Jay-Z joining Phish just two days later in Coney Island on “99 Problems” and “Big Pimpin’.’

    Shirt design by Tripp

    The “Waves” that followed had a heavier flow to it, pushing past the composed section and keeping the song upbeat and lively until the end. A funky ‘Gumbo” gave way to a trio of shorter songs – “Water in the Sky,” “Horn” and “Poor Heart,” which offered a break in the action, before delivering a 22+ minute version of The Who’s “Drowned.” You could lump “Drowned” in with the second set jamming that followed, and rightly so – this version of “Drowned” is often overlooked because of the lore that has followed the second set of 6/20/2004, but should not be. Anastasio is in the zone throughout, shredding and leading the way, even working in a tease of Deep Purple’s “Lazy.”

    Set two began with Round Room track “Seven Below” that showed early promise on December 31, 2002, and delivered in each appearance until that point. Starting out dark and working the tempo up, “-7” found its way into a rocking version of “Ghost.” This pairing would be found that November in Albany as another substantial “Seven Below” > “Ghost.’

    An all-time great jam followed, with the rocking funk of “Twist” getting the balcony bouncing. At 21 minutes long, this deserves a few listens. By 7:00, the first Type II jam has lifted off, and as you listen, every two minutes, there is a fresh section of improv dissimilar from the previous two minutes. The jam from 7:00-17:00 just keeps evolving and developing, with Anastasio once again leading the way, while Fishman and Gordon lay down the rhythm to keep the pace. Locked in, after 17:00, “Twist” shreds until Anastasio pulls out the ‘hose’ and winds the song towards conclusion.

    shirt design by Dylan Levene

    “You Enjoy Myself” would follow and close the set, offering thunderous approval from fans and giving SPAC the ever rare, and coveted, four song set. An encore of “Good Times Bad Times” was bittersweet and is served as a mantra for that summer’s fateful tour, one that would put the band on hold for four and a half years, but bring them back stronger than ever in 2009.

    June 20 review by Pete Mason

    Phish SPAC 2004
    Phish SPAC 2004 poster by AJ Masthay

    Setlist via Phish.net

    Phish – Saratoga Performing Arts Center (SPAC), Saratoga Springs, NY – Sunday, June 20, 2004

    Set 1: Rift > Julius, Bill Bailey, Won’t You Please Come Home?[1], Waves, Gumbo, Water in the Sky, Horn, Poor Heart > Drowned
    Set 2: Seven Below > Ghost -> Twist, You Enjoy Myself
    Encore: Good Times Bad Times
    [1] Dr. Jack McConnell on vocals and tap shoes

    Listen to both shows on Relisten.

  • NYC Native Noah Lehrman Announces U.S. Tour with FlowPoetry

    Following a landmark performance at the Hard Rock Singapore, NYC’s own Noah Lehrman announces a tour with FlowPoetry coming this summer. With FlowPoetry, Noah Lehrman brings immersive, exciting performances to numerous festivals and concert series, including three shows in New York.

    Noah Lehrman – official website

    Noah Lehrman is a multi-instrumentalist and multilinguist born and raised in New York City. For the last decade, Lehrman has brought creative storytelling and poetry through a mix of genres such as funk, jazz, country, and psychedelic rock. Throughout the years, Lehrman has performed all over the world, both as a solo and group artist.

    When he first emerged onto the music scene, he served as the drummer of the jam band The Grove. Since then, he has performed in national and international festivals and concerts. Lehrman’s latest tour as a solo artist brought him across several continents, jumping back and forth between North America, Europe, and Asia. Before his return for the US leg of the tour, Lehrman lit up the Hard Rock Singapore, where he stunned crowds with a spontaneously debuted new upcoming single, “Marx & Spenser.”

    For the rest of the tour, Noah Lehrman is joined by special guest FlowPoetry, a performative spoken word group based in Wisconsin. Lehrman will be accompanying the group as a drummer and percussionist. In addition to the FlowPoetry tour on drums, Noah will also be performing solo acoustic at Weekends at Bertha’s and at the 10th Year Anniversary Froggy Daze in Narrowsburg, NY.

    Tour dates are listed below. For more information, fans can visit here.

    7/24, Gamma Ray, Madison, WI

    7/25, The Golden Road, Toledo, OH

    7/26-28, Weekend at Bertha’s, Townsend, DE

    7/28, Dharma Bums, New Hope, PA

    7/29, Stella Blues, New Haven, CT

    7/30, Electric Haze, Worchester, MA

    7/31, Rockwood Music Hall, NYC, NY

    8/1, Bullfrog Brewery, Williamsport, PA

    8/4, Silvana, NYC, NY

    TBA, Froggy Daze Festival, Narrowsburg, NY

    Noah Lehrman – Official YouTube