Blog

  • Electric Forest 2024: A Magical Recap

    Electric Forest 2024 friends and family all gathered from thousands of miles away to experience the magic that resides in the middle of the woods in Rothbury Michigan. The festival ran from June 20 to June 23 but people gathered days before this to set up camp and embrace the full forest experience. 

    Electric Forest 2024
    DRAMA, Photo Credit: Maddie McCafferty

    Early arrivers got treated to pre-party sets at the Evolve Afters stage where performances by Super Future and Tripp St. wooed the crowd. Their experimental bass music gave people the perfect hype to kick off this festival weekend. 

    Day 1 – Welcome to the Forest

    First time Forest attendees and vets quickly entered the grounds the first day in a heavy anticipation of what the festival had in store for them this year. Art installations encompassed the scene including beautiful murals, interactive games, light installments, huge statues, and more. So many people are seen embracing their creative spirit from checking out vendor shops, to watching live painting, and exploring the art spread across the trees.

    The heat was booming which made The Observatory stage set in the middle of the trees the place to be. It also helped that international electronic producer CloZee’s Odyzey label was doing a stage takeover. This featured performances from Dixon’s Violin, Redrum, Zen Selekta, Super Future, Tripp St., Zingara, and Marsh. 

    Zen Selekta’s energy at the Observatory was insane. She knows exactly how to handle a crowd and leave them wanting more. Her music intertwines dark vibes with ethereal melodies and ethnic influences. 

    Electric Forest 2024
    Zen Selekta, Photo Credit: Maddie McCafferty

    Over on the Ranch main stage though DRAMA had a soulful performance. This multicultural collaboration is between producer Na’el Shehade’s chic house-infused production style and vocalist Via Rosa’s inspirational delivery. Their dynamic is so complementary it plays on patterns of hip-hop and bossa nova. 

    Back at the Observatory Zingara made her return to Electric Forest, but this time with a night time set. Fresh off of her Code of Dreamz tour, she gave the crowd tons of new music and remixes to listen to. She performed her tracks, “Unlock Your Keys,” and “Up is Down.” Seeing a Zingara set transports music through the mind and body in a unique way. 

    Zingara, Photo Credit: Maddie McCafferty

    The Observatory stage had a round of insane performances from some of the most talented producers. After countless artists played, the electronic rhythmic figure CloZee came on stage for a secret set. She shared she always wanted to play at this specific stage but with her status now it became difficult with the available capacity around that area. This made her secret performance even that much more special and intimate for the lucky fans who got to experience it. 

    Electric Forest 2024
    CloZee, Photo Credit: Maddie McCafferty

    Day 2 – Bass Rush 

    It’s a Forest tradition that on the second day bass-heads camp out at the Tripolee stage for the numerous dubstep artists that throw-down hard one after the other. People brought out their chill-bos and flow toys for the hard-hitting tunes. 

    Up and coming artist Canabliss kicked off this day with her pink visuals. She plays on funky beats and is constantly remixing booming tracks. Canabliss even remixed the latest Irish hit “The Spark” making people go crazy. She did mix in some of her own tunes including “Saudade.”

    Electric Forest 2024
    Canabliss, Photo Credit: Maddie McCafferty

    More talented women steam-rolled the crowd with their high energy. The bass that day was flourishing to say the least. Dubstep producers Level Up and ALLEYCVT each had a set that was unbelievable. Level Up brought Subtronics out for their latest collab they’ve been working on together. 

    ALLEYCVT’s visuals and pyro took her performance to the next level. This was her debut at Electric Forest and it did not disappoint. Headbangers were going wild during her set and moshing at any chance they got. Many people left her performance immediately wanting to see more.

    Electric Forest 2024
    ALLEYCVT, Photo Credit: Maddie McCafferty

    Later into the night Pretty Lights had their comeback performance at Ranch Arena. After 10 years Pretty Lights came back to the fields in Michigan and they left zero crumbs. They brought their own fusion of electronic beats, poetic samples, and modular synthesizers. This musical project is transformative and definitely leaned into more of a jam experience in the Forest. 

    Back at the Tripolee stage though the late-night dubstep DJs were still giving hard-hitting performances. Boogie T, ATLiens, Wooli, and BTSM finished the round up. BTSM closed out the stage with their mesh of heavy bass and techno. Lately they have been performing with their new anime visuals from Attack on Titan and watching that from the crowd is insane to see. 

    Electric Forest 2024
    Boogie T, Photo Credit: Maddie McCafferty

    Day 3 – Rain Rain Go Away 

    Okay maybe it’s not the rain so much as the storms that Forest goers had to undergo this day that needed to go. Many started off their day at the Brainery getting in their daily dose of positive affirmations and good vibes. All week different classes were held there including meditation, yoga sessions, and shuffling courses. 

    Others who entered the festival grounds early attended a party at the Chapel where people got to celebrate their freaky unique selves. And if some attendees got there at the right time special wedding ceremonies would take place.

    Electric Forest 2024
    Super Future, Photo Credit: Maddie McCafferty

    Unfortunately though this day ended quite early as everyone inside the festival grounds was told to evacuate to their campsites due to severe storms coming in. The intense thunder storms lasted for hours flooding campsites with heavy rain and creating so many mud pits. Many artists didn’t get to perform their set due to this.

    They didn’t open the festival back up until after midnight pushing so many artists to now overlap with one another. When the gates opened back up fans ran to the stages to get a good spot for the few late night producers who didn’t lose their set. Subtronics got to throw down at Ranch. His tesseract visuals are stunning and his mixing is top of the EDM game by a landslide. He got to play his flip of Hozier’s song “Too Sweet” and his latest single “Sploinky Dub.”

    Tripp St., Photo Credit: Maddie McCafferty

    LSZEE, also known as the project by LSDREAM and CloZee, made their first ever debut as a duo this night. They performed so many unreleased songs and fun remixes. The euphoric energy these two artists brought is unmatched. The two know how valuable certain sound wave frequencies play on mood and they utilize this to take their audience on a journey. These renowned producers got to perform their songs “FRENCH DREAM” and “CHRYSALIS” for the first time as well. A night that people thought might not happen throughout the day was finished with an absolute breathtaking experience. 

    Day 4 – The Forest Family 

    Despite the third day having quite the unexpected journey, so many people were ready to fully embrace what the final day of Forest had to offer. Many who missed out on the scavenger hunt the days before went to the “Time Travel Agency” to receive their quest and start their excursion. Others went inside the Dream Emporium to watch a wrestling match, roller-skate, and even go kayaking. 

    An absolute highlight of the final day, if not the entire weekend, was the return of Lightcode by LSDREAM. In the afternoon at Sherwood Court, LSDREAM presented his sound healing and ambient bliss-inspired project. This meditative experience is one that no words can do justice. It truly is so transformative that it left so many people in tears. The exercise is unlike no other that sets to reopen peoples’ hearts and minds to what not only the festival, but the human experience should consist of.

    Level Up, Photo Credit: Maddie McCafferty

    Later in the day, the up and coming trio Levity performed a set at the Observatory. This group first started taking off last year at Electric Forest when the festival needed someone to cover a slot at the Honeycomb stage and one member just so happened to bring his USB. Their 2023 last minute set ended up popping off online and caused this group to get so much commotion behind their name. It truly is a full circle moment watching Levity grow from a last minute fill-in to a night time set at forest. This group encompasses what Electric Forest is all about and their performance was nothing short of eccentric. 

    Levity, Photo Credit: Maddie McCafferty

    Experimental bass artist INZO also had a performance that was exceptionally moving. He played on Sherwood Court and of course utilized his signature Alan Watts verbiage. Some tracks fans got to hear were “Overthinker” and “Drift Like a Cloud, Float Like Water.” 

    Into the night, fans gathered at Ranch Arena for GIGANTIC NGHTMRE. This is a project by Big Gigantic and NGHTMRE that has such heavy hitting beats. The layered sound from the drums, saxophone, and mixing on stage blends effortlessly. The trio definitely know how to pump up a crowd and provide that much needed energy boost. The pyro matched with the fun visuals and fireworks were captivating. The group also performed a good amount of riddim which is exactly what the Forest family needed. 

    GIGANTIC NGHTMRE, Photo Credit: Maddie McCafferty

    After GIGANTIC NGHTMRE ended many gathered up for a performance from the dubstep king himself, Excision. However, this was shortly met with an evacuation announcement due to another wave of severe storms that were coming in. Unfortunately there was no re-entry after the evacuation notice and this sudden goodbye left many upset. 

    As much as the storms were such an inconvenience to people it didn’t ruin the Forest family’s time. You can’t control the weather, but you can control how you respond to the weather. And how people responded to it was by dancing in the rain, creating parties at campsites, and enjoying this time everyone got to spend together in the middle of the woods in Michigan. 

    ALLEYCVT, Photo Credit: Maddie McCafferty

    That is exactly what Electric Forest is all about. As much as you can play out how your weekend is going to go and schedule what artists you’re going to see, you truly can’t plan for everything. Surrendering to those moments of disarray and wonder can lead you to some of the best times. “While timing is everything, the present is where true discovery lies.” Electric Forest has always provided those moments of discovering what is really important and serves as a reminder of why we’re all here on this Earth: to let go and enjoy our time together. Maybe we didn’t get to see an Excision Electric Forest set, but at least we got to dance in the rain with our friends.

  • The Waterhole Presents 2024 Parties on the Patio and More in July

    Saranac Lake’s Waterhole Music Lounge has an exciting slate of Thursday “Parties on the Patio” and other events spanning from July 4 to 25. The lineup of free, outside events also includes 2 Saturday Nights on the Patios on July 13 and 20 and the Howl Story Slam on July 9.

    Kicking off July’s events at the Waterhole on July 4 is Party on the Patio with Joslyn & The Sweet Compression. The R&B band is making their return to Saranac Lake after an electrifying performance at the venue’s Winter Carnival. Led by Joslyn Hampton, the six-piece ensemble’s funky, yet soulful and psychedelic musical productions never fail to generate a fun environment.

    On Tuesday, July 9, the Waterhole presents a different form of entertainment with a storytelling slam. The Adirondack Center for Writing and North Country Public Radio (NCPR) will co-host the event. Anyone interested in signing up for the Howl Story Slam with a story to tell may do so. The night’s story theme is “Risky Business,” ensuring that audience members and storytellers simultaneously have an amusing time.

    The third type of event presented by the Waterhole this month is a thrilling Saturday night edition of Party on the Patio. Saturday Night on the Patio will take place twice throughout the month. Firstly, The Seapods, a band from North Country labeled “Psychedelic Americana” will play on the patio on July 13 from 6-10 PM. On the following Saturday, July 20, genre-bending group Annie in the Water from Saratoga Springs, will play an incredible free show on the patio.

    Full July 2024 Schedule

    Thursday, July 4- Joslyn & The Sweet Compression (Party on the Patio, 6-10 PM)

    Tuesday, July 9th- Howl Story Slam (7 PM)

    Thursday, July 11- New Planets (Party on the Patio, 6-10 PM)

    Saturday, July 13- The Seapods (Saturday Night on the Patio, 6-10 PM)

    Thursday, July 18- The Mallett Brothers Band (Party on the Patio, 6-10 PM)

    Saturday, July 20- Annie in the Water (Saturday Night on the Patio, 6-10 PM)

    Thursday, July 25- Bywater Call (Party on the Patio, 6-10 PM)

    All July shows at the Waterhole Music Lounge are free admission and 21+. For the full Waterhole schedule visit www.saranaclakewaterhole.com

  • Orville Peck Stampede into Artpark

    A night of country music at Artpark amphitheater, Orville Peck, accompanied by the Goldie Boutilier and The War And Treaty, graced the stage on July 1. Where everyone felt like an outlaw cowboy for the night.

    Orville Peck
    Orville Peck

    Goldie Boutilier, a Canadian singer-songwriter, started the evening as one of the two opening acts for the night. Goldie has a unique sound blends country and a hint of Americana with alternative music. Although this may not seem like a good combination, Goldie can pull it off and stand out from the rest of the genre. She sang all her hits on her set, from Body Heat and The Actress to her most famous song, Cowboy Gangster Politician. From the moment she took the stage, She had the crowd on her side.

    Goldie Boutilier

    The second opener of the night was The War And Treaty, a husband-and-wife duo of Michael Trotter Jr. and Tanya Blount. Michael and Tanya were so much fun to watch perform. Seeing them be silly with each other while performing was refreshing and cute. The duo brought so much soul into their set that you felt every lyric they sang. They performed Hey Driver, a Zach Bryan song that they are featured on. After these amazing openers, the crowd was ready for the main act.

    Orville Peck took the stage as the sun set, bringing a contagious energy from when he appeared. He had a fantastic stage presence and kept the crowd entertained from start to finish. One thing that stood out was his gesture of giving roses to people in the crowd who caught his attention, whether it was for their outfits or for singing and dancing during the set. It was a friendly reminder that he was genuinely engaged with the crowd and noticed everything.

    Orville Peck
    The War And Treaty, Michael Trotter Jr. and Tanya Blount

    Peck performed songs from his previous albums, Pony and Bronco, as well as his latest album Stampede. A highlight of his performance was covering “Cowboys Are Frequently, Secretly Fond of Each Other,” a song he had previously recorded with Willie Nelson.

    By the end of the night, I truly felt like an outlaw cowboy with the amount of country music I’d listened to. I’m not a huge country fan, but truthfully, by the end of the night, all three of these artists may have turned a new leaf for me. I’m starting to like country music just a little bit more than before.

    Orville Peck setlist: Big Sky, Turn to Hate, Roses Are Falling, The Hurtin’ Kind, C’mon Baby, Cry, No Glory in the West, Hexie Mountains, How Far Will We Take It?, Conquer the Heart, Drive Me, Crazy, Blush, The Curse of the Blackened Eye, Lafayette, Any Turn, Cowboys Are Frequently Secretly Fond of Each Other (Willie Nelson cover), Outta Time, Kalahari Down, Dead of Night, Daytona Sand
    Encore: Bronco

    Orville Peck
    Orville Peck
  • Songs At Mirror Lake Summer Concert Series Returns to Lake Placid

    The Songs at Mirror Lake summer series is returning to Lake Placid once again this year. All shows will be free to the public and take place Tuesdays from 7-9 p.m. at the scenic Mid’s Park in downtown Lake Placid.

    Initially beginning in 2006, Songs at Mirror Lake has consistently strived to host free, communal and family-friendly musical concerts during the summer months. This year’s shows are no different.

    Located in Mid’s Park, directly next to the gorgeous Mirror Lake in Lake Placid, all Songs at Mirror Lake performances have a picturesque backdrop to add to the already vibrant atmosphere.

    In each year’s series, every night is themed around a different genre of music. Some of this year’s themes include Philly funk, reggae and roots rock.

    All shows will run between 7-9 p.m., but the grassy field overlooking the stage fills up quickly, so guests are advised to arrive early for good spots. Seating is not offered, so make sure to bring some blankets and lawn chairs. If you have a boat with no motor, you are more than welcome to paddle up to the shore and watch any of the shows from there.

    Meter parking is available on Main Street and is free after 6:00 p.m. A public bathroom is also available in the Main Street Parking Lot.

    Guests are welcome to bring food and drink from home as long as it is properly disposed of. T-shirts, hats, reusable cups and stadium seats are all available for purchase at the venue.

    Songs at Mirror Lake (SAML) is an all-volunteer, nonprofit community organization whose mission is to introduce residents and visitors to a diverse range of musical offerings and to provide regional artists with a platform for exposure and experience.

    Visit here for more information and updates about Songs at Mirror Lake.

    2024 Full Lineup

    July 9 – Philly Funk Night with G. Love & Special Sauce

    July 16 – Americana Night with the Sam Grisman Project

    July 23 – British Blues Night with Joanne Shaw Taylor

    July 30 – Reggae Night with SunDub

    August 6 – Local Indie Night with Sven Curth

    August 13 – Roots Rock Night with the Chad Hollister Band

  • 2024 Caramoor American Roots Festival 

    The 2024 Caramoor American Roots Festival was held on Saturday, June 29, 2024. The festival featured blues, Americana, folk, and bluegrass music with a stellar lineup featuring Lizzie No, Solomon Hicks, Fantastic Cat, Poor Monroe, Hopalong Andrew, and headliner Madison Cunningham.  Attendees were treated to a day of entertainment in a distinctive setting.

    Milton opening the festival
    Milton opening the festival

    Nestled in a secluded part of northern Westchester County, the Caramoor Center for Music and the Arts welcomes its visitors as they pass through a gate which reveals the sprawling 90-acre property. This  welcoming gesture sets the tone for the immersive Caramoor experience.

    Hopalong Andrew entertaining children in the Sunken Garden

    The festival was divided into two sessions: daytime and nighttime.  During the day, performances were spread across multiple locations within the center, while the evening session culminated with Madison Cunningham’s performance in the Venetian Theater.

    Friends Field

    Daytime performers had the chance to showcase their talents twice by performing in two of the four distinct show spaces throughout the day.  This two-set format allowed attendees to catch every act without having to choose who to listen to.  A map is provided to guide you through the vast expanse of the Caramoor Center.  Each show location is sufficiently distant from the other and offers a unique listening experience.

    Lizzie No with a young fan enjoying her performance

    The Sunken Garden presented the most intimate setting, as it is nestled in a clearing among the trees.  This charming location allowed the music to resonate in its purest form.  Many at the festival brought their children.  The garden proved to be an ideal spot for Hopalong Andrew’s family-oriented set, which encouraged interaction with the children in a tranquil setting.  Poor Monroe, a bluegrass band that followed Andrew, equated the location to the origins of their musical genre and the natural materials of their instruments.

    Fantastic Cat performing in the Spanish Courtyard
    Fantastic Cat performing in the Spanish Courtyard

    The Spanish Courtyard is situated inside the Rosen House, a Mediterranean-style stucco villa built in the 1930s.  Originally the summer home of the Rosen family, the property was donated and converted into a center for the arts and music after the death of their son in World War II.

    The Spanish Courtyard is described by Caramoor as “Spanish under the influence of the Italian Renaissance.”  The picturesque courtyard with its arched walkways and central fountain, provided an unusual yet enchanting setting for a rock show.  Fantastic Cat embraced this unique space with, as they dubbed it, a “spayed and neutered” acoustic set, before delivering a full-on electric performance later in the day at the Venetian Theater.

    John  Platt WFUV introducing performers
    WFUV’s John Platt introducing performers

    The third location, Friends Field, offered a spacious environment.  Visitors could relax on blankets or chairs and enjoy great sightlines to the large stage.  The grassy field also served as a soft dance floor for those so inclined.  Singer-songwriter Milton opened this stage, and was followed by Lizzie No and Poor Monroe, with Harlem blues aficionado Solomon Hicks closing out the daytime session.

    After the conclusion of the day session, Grammy Award winner Madison Cunningham and her band closed out the evening with a heartfelt performance in the open-air Venetian Theater, leaving the audience thoroughly appreciative. 

    Bluesman Solomon Hicks closing the day session

    Festivals bring to mind crowds, long lines, and tight spaces.  Caramoor Center for Music and the Arts started presenting music in 1945. They have learned the best use of the 90 acres offering space for the attendees, performances that do not compete against each other, as well as providing a special place for everyone to enjoy the arts.

    Headliner Madison Cunningham / Photo : Gabe Palacio

    The American Roots Music Festival is just one of the many curated musical events that take place at Caramoor.  Caramoor has a full lineup of musical happenings throughout the year.  Check their website for more details.

    Milton

    Hopalong Andrew

    Lizzie No

    Fantastic Cat

    Poor Monroe

    Solomon Hicks

    Madison Cunningham

  • BAM Announces New Artistic Director and Fall Season Events

    The Brooklyn Academy of Music (BAM) has announced the program for the Fall 2024 season, along with their new musical director, Amy Cassello. Since 2013, Cassello has filled several roles for BAM, including programming, artistic director, and producer. During her decade-long run, Cassello produced and oversaw numerous concerts, plays, festivals, and series at BAM.

    This fall, BAM will host a multidisciplinary variety of programs, including plays, poetry readings, multimedia demonstrations, dance shows, holiday concert series, and a new set of in-house resident musicians. Among the events is this year’s rendition of Next Wave, an arts showcase contextualizing the artistic visions projected for the near future. Also featured this year is the return of BAMboo!, The Best of BAMkids Film Festival, and a film program featuring repertory screenings alongside new releases.

    brooklyn academy of music
    Amy Cassello, Artistic Director, BAM Brooklyn Academy of Music, Brooklyn, New York, June 7, 2024. Photograph © Beowulf Sheehan

    Each year, the Next Wave 2024 & Emerging Visions events represent dynamic elements integral to BAM’s path into the future. With a renewed focus on works-in-process, increased presentations from the Global South, and greater investment in presenting partnerships, Next Wave and Emerging Visions support musicians and artists from all over the country. These events provide artists with the space and resources necessary to showcase their hard work and serve as a reminder to all that BAM will always welcome creative visionaries, no matter where they are from or where they trained.

    This is an exciting moment for BAM as we bridge our past with our future. Amy is a deep thinker who considers the needs of artists and arts workers at every turn. As a longstanding BAM programmer and creative producer, she intimately understands our role in the arts ecosystem. I could not have a better partner in leading BAM’s artistic programming at this pivotal moment.

    Gina Duncan, BAM President

    This year’s Next Wave presents well-known creators who bring their groundbreaking theater, music, poetry, multi-media, and dance to the BAM stage. Works being presented at Next Wave include Bill T. Jones’s Still/Here, Hanif Abdurraqib’s election week poetry program honoring the legacy of June Jordan, Dana Gingras’ Frontera, Guillermo Cacace’s Gaviota, Tiago Rodrigues’ Catarina and the Beauty of Killing Fascists, Silkroad Ensemble with Rhiannon Giddens’ American Railroad, Liquid Music’s Sun Dogs, Modesto Flako Jimenez’s Mercedes, Part 1, Journey LIVE with American Composers Orchestra, and ONX Studio’s TECHNE

    Among the new works being presented at BAM, the theatre has also announced its resident artists for the 2024 season. This year’s BAM residents include Baba Oludaré, Hope Boykin, Mayfield Brooks, Delano Burrowes, Kayla Hamilton, Soomi Kim, and Yaa Samar! Dance Theatre. 

    brooklyn academy of music

    Below are the dates for Emerging Visions and Next Wave. For more information and tickets, visit BAM’s website here.

    Emerging Visions

    Sep 17—Oct 20: Safety Not Guaranteed, directed by Lee Sunday Evans, with music by Guster’s Ryan Miller 

    Oct 24—27: Preview performances of a new play, Reconstructing (Still Working but the Devil Might Be Inside), directed by Rachel Chavkin and Zhailon Levingston 

    Next Wave 2024 – BAM Howard Gilman Opera House, 30 Lafayette Ave Brooklyn

    Oct 25—27 Music engagement (to be announced June 26)
    Oct 30—Nov 2 Bill T. Jones’s Still/Here
    Nov 5—9 Hanif Abdurraqib’s I Guess It Was My Destiny To Live So Long poetry series
    Nov 8 & 9 Dana Gingras’ Frontera
    Nov 13—23 Guillermo Cacace’s Gaviota
    Nov 13—17 Tiago Rodrigues’ Catarina and the Beauty of Killing Fascists
    Nov 18 & 19 Liquid Music’s Sun Dogs with Alarm Will Sound
    Nov 23 Silkroad Ensemble with Rhiannon Giddens’ American Railroad
    Dec 3—8 Modesto Jimenez’s Mercedes, Part 1
    Dec 6 & 7 Journey LIVE with American Composers Orchestra
    Jan 4—19 ONX Studio’s TECHNE

    Holiday Offerings 

    Dec 12—22: Mark Morris Dance Group’s The Hard Nut 
    TBD: Music engagement 

  • American Symphony Orchestra Shares 2024-25 Season Lineup

    The American Symphony Orchestra is presenting four full orchestra concerts as a part of their upcoming 63rd season. The lineup consists of free shows at Bryant Park and Kupferberg Center for the Arts on September 6 and 7 as well as ticketed shows at St. Bartholomew’s Church on January 24, Lincoln Center’s David Geffen Hall on March 23, and Carnegie Hall on June 6, 2025.

    American Symphony Orchestra

    The exciting upcoming season of the American Symphony Orchestra will have rich offerings for fans of a vast variety of music styles. The series of shows will start with a free concert as a part of the Bryant Park Picnic Series and will bring more exposure to the artists, classical music fans, and curious listeners.

    Highlights that concert attendees have to look forward to include the U.S. premiere of C.P.E. Bach’s oratorio Auferstehung und Himmelfahrt Jesu, the ASO’s David Geffen Hall of Lincoln Center debut, and the first New York City performance this century of Richard Strauss’ first opera Guntram.

    In 1962 Leopold Stokowski created the American Symphony Orchestra with the intention of playing music fit to everyone’s liking. The ASO consistently upholds that sentiment and will continue to do so throughout their upcoming 63rd season. Audiences are sure to get a unique experience at any of the four shows.

    I’m delighted that ASO’s two previous outdoor season-opening concerts with free performances in Bryant Park have attracted so many new concertgoers, and I am looking forward to repeating this success again in September. It’s a wonderful start to our exciting 2024-25 programs and a perfect introduction for these ever-widening audiences to ASO’s mission of presenting surprising premieres and music rarely heard onstage today in a way that’s accessible and affordable for everyone

    Leon Botstein, Music Director and Principal Conductor

    ASO 2024-25 Program

    Friday, September 6 (Bryant Park at 7 PM) and 7 (Kupferberg Center for the Arts at 3 PM)Beyond the Hall: Free Opening Concerts

    Featuring: American Symphony Orchestra, Leon Botstein, conductor, Scott Joplin: Treemonisha: Overture (1911), Florence Price: Suite of Dances (1933), Bernard Herrmann: Psycho: A Narrative for String Orchestra in Three Parts (1960), Kurt Weill: Kleine Dreigroschenmusik (Little Threepenny Music) (1928), Leonard Bernstein: Three Dance Episodes from On the Town (1945)

    The pieces being played in Beyond the Hall come from different backgrounds and forms of musical entertainment. Ranging from opera and theatre to movies and dance halls, the music played will provide audiences with an authentic and diverse preview of the upcoming season.

    For Bryant Park on Sept. 6, no tickets or RSVP required; For Sept. 7 at Kupferberg Center for the Arts, attendance is free with online RSVP at americansymphony.org (starting on Aug. 7)

    Friday, January 24, 2025 (St. Bartholomew’s Church at 7 PM)- Bach at St. Bart’s

    Featuring: American Symphony Orchestra, Leon Botstein, conductor, Bard Festival Chorale, James Bagwell, music director of the Bard Festival Chorale, C.P.E. Bach: Heilig ist Gott, H.778 (1776), C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H.777 (1787) (U.S. premiere)

    Dipping into the Baroque and Classical periods with vocal compositions from Carl Phillipp Emanuel Bach. The ASO in collaboration with the Bard Festival Chorale will explore changes in mood, harmonic writing, and Romanticism. This performance marks the U.S. premiere of Bach’s Die Auferstehung und Himmelfahrt Jesu (The Resurrection and Ascension of Jesus).

    Tickets, priced at $25–$45, are available on Sept. 9 at americansymphony.org.

    Sunday, March 23, 2025 (David Geffen Hall at Lincoln Center at 2 PM)- Tapping into the Twenties

    Featuring: American Symphony Orchestra, Leon Botstein, conductor, Orion Weiss, piano, John Alden Carpenter: Skyscrapers (1924), Erwin Schulhoff: Concerto for Piano and Small Orchestra, Op. 43 (1923), William Grant Still: Symphony No. 1, Afro-American Symphony (1929-30), Edgard Varèse: Amériques (1922)

    Signifying the ASO’s David Geffen Hall debut, Tapping into the Twenties will honor composers whose careers flourished in the 1920s. This list of composers includes Edgar Varèse whose work portrays imagery, and Erwin Schulhoff who brings jazz and piano pieces to the mix. In the March 23 show, Orion Weiss will perform as the piano soloist.

    Tickets, priced at $25–$65, are available on Jan. 3 at lincolncenter.org, by calling CarnegieCharge at 212.721.6500, or by visiting the box office at 10 Lincoln Center Plaza.

    Friday, June 6, 2025 (Carnegie Hall, Stern Auditorium / Perelman Stage at 7 PM)- Strauss’ Guntram

    Featuring: American Symphony Orchestra, Leon Botstein, conductor, Bard Festival Chorale, James Bagwell, music director of the Bard Festival Chorale (Soloists to be announced at a later date), Richard Strauss: Guntram (1887-93, rev.1939)

    ASO will perform Richard Strauss’ rarely performed first opera, Guntram, in New York City, for the first time this century. Themes of love, guilt, and renunciation tell the story of Strauss in his youth. With exemplary orchestral work and vocal techniques, this execution of Guntram is not to be missed.

    Tickets, priced at $25–$65, are available on Sept. 9 at carnegiehall.org, by calling CarnegieCharge at 212.247.7800, or by visiting the box office at 57th St. & 7th Ave.

    More information about the ASO’s 2024-25 season is available at americansymphony.org

  • Watch Trey Anastasio and the Boston Pops Unite at Tanglewood

    On a long anticipated day for musicians and fans alike, Trey Anastasio performed for the first time at Tanglewood Music Center, joined by the Boston Pops, conducted by Edwin Outwater.

    photo by Hilary Scott

    Initially scheduled to perform in June 2020, Anastasio beamed with joy as he took the stage following the orchestra for this long-awaited evening of music.

    For the June 29 crowd, the day was full of gray skies and rain that was tolerable, but not terrible, as fans were well prepared for the misty weather of the Berkshires that accompanies any passing storm system. Newcomers to Tanglewood were amazed by the sprawling grounds, the ability to bring in everything from food and drink to portable chairs and tables, all making for a relaxing pre-show that led into an evening of unforgettable music.

    photo by Hilary Scott

    Opening up the night with “First Tube”, this more staid by comparison, yet intricate, version of the classic Phish arena rocker elicited early erupts of cheers from fans, especially the uninitiated to Anastasio’s body of orchestral work. Following Thank You’s to the crowd, Anastasio shifted into the appropriate “Water in Sky” donning his acoustic guitar for the relaxing string-led number that evoked the orchestration of Disney’s early Silly Symphony cartoon series.

    Following was “Evolve,” which saw its orchestral debut a few nights earlier in Vienna, VA. The pandemic-era song, turned Phish single, now sits prominently in Anastasio’s arsenal of compositions for orchestras.

    photo by Hilary Scott

    A 17-minute “Divided Sky” was the closest to a Phish performance this evening, as the composition itself has been ideally suited for orchestra performance since it was written, and allows Anastasio to shine on guitar more than any other song this evening. The ‘open space’ was divinely orchestrated in the lead up to the ‘moment’, with cheers welcomed by the Bad Lieutenant, and the second half textbook early Phish orchestration, with a tremendous ending lead to roars of cheers from the crowd spread across the lawn and inside the Koussevitzky Music Shed.

    After introductions of conductor Edwin Outwater and the Boston Pops, “Mercy,” also a Vienna debut, followed for a soft breather that paired well with “Divided Sky.”

    photo by Hilary Scott

    Closing the set was “Stash,” a more complicated song for the orchestra, but offered a samba beat thanks to the horn section, the percussion and clave driving the mellow tempo forward with a ‘cha cha cha’ beat.

    Following a short setbreak (and an appreciated heads up given to the audience five minutes prior to showtime), “Harry Hood” saw its second ever performance (following Vienna), with the orchestra joining in to say “Thank You, Mister Minor” and featuring a unique ending compared to the Phish standard.

    “Petrichor” was a perfect fit following the excitement prompted by “Hood,” as well as with light sprinkles coming down as the song started.

    A short acoustic version of “More” followed, with “What’s The Use?” surprising the audience as it is wont to do at many a Phish show.

    Harpist Jessica Zhou was the MVP in the ‘quiet spot’ of “WTU?,” building the strings in gentle, rising to the occasion and giving this meditative song deeper resonance with the audience.

    In September 2009, “You Enjoy Myself” saw its debut at Carnegie Hall, and the moment saw the audience sitting in silent awe, with occasional laughs during the ‘vocals.’ On this evening at Tanglewood, for the unenlightened, “You Enjoy Myself” would draw out more than laughs and silence, but also dancers in the aisles of the lawn (yes, there are aisles on the lawn, sort of) and back of the shed.

    Trombonists Toby Oft and Stephen Lange, along with the percussion section combined for a memorable ‘vocal jam’ that led into the boisterous ending that Trey Anastasio and Phish have been performing since 1986.

    After a performance like this, Anastasio kept the new orchestrations flowing with acoustic guitar in hand for “The Inlaw Josie Wales.” Now a Phish rarity (last played in 2000), “Inlaw” is welcome at any performance from Anastasio and an orchestra moving forward.

    And to cap off an incredible day at Tanglewood and evening of music, fan favorite “The Lizards” closed the show, the tale of Rutherford the Brave as seen through the eyes of Colonel Forbin bringing fans to their feet once again.

    Trey Anastasio and the Boston Pops – Koussevitzky Music Shed at Tanglewood – Saturday, June 29, 2024 – setlist via Phish.net

    Set 1: First Tube, Water in the Sky*, Evolve, Divided Sky, Mercy, Stash
    Set 2: Harry Hood, Petrichor, More*, What’s the Use, You Enjoy Myself
    Encore: The Inlaw Josie Wales*, The Lizards
    * Trey on acoustic guitar

    Trey Anastasio at Tanglewood photos by Hilary Scott

  • Biscoland Returns to Wonderland this Weekend

    Over July 4-6, Biscoland will return to Wonderland Forest in Central New York, for three nights of electronic music and jam bands, hosted by trance-fusion pioneers Disco Biscuits.

    Biscoland Wonderland
    Official Biscoland poster by Vinny Naro

    Wonderland Forest is situated roughly 25 minutes south of Syracuse in the rolling hills of Lafayette, NY. Plot your trip with the map below.

    This will be the second Biscoland at Wonderland, the first being held this past October. The return to a summer music festival hosted by Disco Biscuits brings back Camp Bisco memories, albeit much smaller, and as bassist and DJ Marc Brownstein put it in October, “We really hope you will consider a spontaneous last minute trip to support the thing that you always wanted, a return to the festival of the old days.”

    The Wonderland Forest Grounds

    Bisconauts can expect five sets of Disco Biscuits, including one set on Thursday night of Tractorbeam. Playing each day prior to the hosts are Lettuce, Nora en Pure, Kitchen Dwellers, Lespecial, Break Science, Maniac Focus, Saxsquatch, Ben Silver, DJ Minx, Jimkata, Out of the Beardspace, RAQ, Squeaky Feet, The Breakfast, Space Bacon, Mark Farina, Cofresi, Dizgo, Cloudchord, Souleye and Horizon Wireless.

    Biscoland Wonderland

    Weekend Passes & Single-Day Tickets are still available at bisco.land.

    Biscoland Wonderland

    Check out the daily schedules below and stay tuned for updates during the festival!

    Disco Biscuits 2024 Tour Dates

    7/4-6 – Lafayette, NY – BISCOLAND
    7/11 – Selbyville, DE – Freeman Arts Pavilion
    7/12 – Atlantic City, NJ – Bourbon Ballroom
    7/13 – Richmond, VA – The National
    7/14 – Wilmington, NC – Greenfield Lake Amphitheater
    7/15 – Isle of Palms, SC – The Windjammer
    7/18-19 Thornville, OH – Secret Dreams Festival
    7/20 – Patchogue, NY – Great South Bay Music Festival
    8/9-11 – Long Pond, PA – Elements Festival
    8/29-30 – TBA
    8/31-9/1 – Murphysboro, IL – Weekend at the Cave
    9/6 – Dillon, CO – Dillon Amphitheater
    9/7 – Bellvue, CO – Mishawaka Amphitheatre (SOLD OUT)
    9/8 – Bellvue, CO – Mishawaka Amphitheatre (SOLD OUT – VIP available)
    9/11 – Salt Lake City, UT – The Depot
    9/13 – Livingston, MT – Pine Creek Lodge (TRACTORBEAM)
    9/14-15 – Livingston, MT – Pine Creek Lodge

  • Schola Cantorum Brings European Classical to Syracuse

    Schola Cantorum, an early music vocal ensemble, has been performing European classical music since 1975. Catering to a unique niche of classical music, the cantorum performs compositions from the Medieval, Renaissance, and early Baroque eras.

    Schola brings traditional technique and style straight from the Middle Ages to the Syracuse area. Barry Torres, Schola’s founding and present Music Director, formed the cantorum as the community based successor to an early music collegium at Syracuse University.

    Schola

    Barry Torres pursued his love of traditional music at Syracuse University, where he studied composition and music theory. Torres served 25 years as Director of Music Ensembles at St. Lawrence University in Canton, New York. At St. Lawrence, he taught singing and 16th Century performance practice in addition to directing the Laurentian Singers (St. Lawrence’s 28-member select choir), the University Chorus, and the Gospel Choir and Band. Torres has showcased his passion for music in the Orchestra of Northern New York, with NYS Baroque, and Sonare.

    Every season, Schola presents three or more vocal ensemble concerts, as well as smaller early music ensembles.

    Schola performing in 2009

    Since 1983, Schola Cantorum has hosted their Summer Workshop for Singers, where singers have the opportunity to expand their repertoire and develop skills specific to early music ensemble singing. In 2024, Dr. Kristina Boerger will be the director of the singers workshop. From July 25 to the 28, participants will practice the mutual attentiveness that allows singing without a conductor. Dr. Boerger specializes in elements of quality vocal production: loose and relaxed onset of sound, well-defined, resonant vowel formation, crisp consonants, and precise, speech-oriented declamation.

    The workshop is held primarily for amateurs aged 16 and up. Participants must be able to learn music and to sing in time, and in tune, from a score to attend the workshop. More information is available at the following link. For more information on classical events in your area, a link to the NYS Music classical section is available here.

    A video of a previous year’s workshop performance is available below.