NYS Music 2024

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  • The Sembrich Announces Centennial Season Events “A Century of Sembrich”

    The Sembrich has announced its 2024 summer festival “A Century of Sembrich,” celebrating 100 years of Marcella Sembrich’s musical legacy on Lake George. The festival features a spectacular line-up of today’s acclaimed concert artists and works by composers in Sembrich’s artistic circle.

    sembrich

    Experience music, history, and nature at The Sembrich in Bolton Landing, featuring museum exhibitions and an annual summer festival with an exciting mix of world-class musicians, noted musical scholars, and a free film series. Listed on the National Historic Register, The Sembrich was once the teaching studio of Polish soprano Marcella Sembrich, one of the most famous musicians at the turn of the 20th century. Visitors can discover her storied legacy, including over 400 performances at the Metropolitan Opera and faculty positions at the Juilliard Graduate School and the Curtis Institute of Music.

    “When Marcella Sembrich had a boathouse on her summer estate rebuilt as a teaching studio, she brought music to the shores of Lake George. We’re proud to continue that tradition of music on the lake and to celebrate our centennial with an exciting lineup of concerts, films, and special events,” says Richard Wargo, The Sembrich’s Artistic Director and Composer-in-Residence. “As ever, Marcella Sembrich remains our guiding star – a spirit of excellence that we strive to uphold.”

    sembrich
    Marcella Sembrich (I.C. Mackeown. Date Unknown). From The Sembrich Collection.

    The 2024 festival begins on June 5 and runs through August 31.

    On opening night at 7 p.m., Opera Saratoga brings festival artists to the Sembrich. Includes an evening of standards from Cosi fan tutte and Guys and Dolls – provided by one of the nation’s oldest and most prestigious opera training programs. Opera Saratoga serves the communities of Saratoga Springs, the Lower Adirondack, and New York State Capital areas by providing access to world-class opera through the production of an annual Summer Festival, year-round activities, extensive educational programs, mentorship of emerging operatic artists, and unique opportunities for the public to experience opera.

    Saturday, June 9 at 2 p.m. features the Young Writers Showcase, celebrating the region’s most promising young artists with an afternoon of vocal and instrumental music, in both classical and popular styles. June 15 at 2 p.m. brings a member appreciation event to the Sembrich; a conversation with the host of Sirius XM’s Symphony Hall Vincent Caruso, discussing his journey through classical music and radio. Also features a guest performance by Joel Brown and the Finger Lakes Guitar Quartet.

    “A Century at Sembrich” continues with a Juneteenth celebration featuring Pulitzer prize-winning composer Anthony Davis. Soprano Christine Jobson, bass-baritone Carl DuPont, and pianist Alan Johnson perform excerpts from Davis’s acclaimed operas, X – The Life and Times of Malcolm X, Amistad, Tania, and The Central Park Five, all portraying momentous actions and engagements crucial to black Americans. Davis will also treat the audience to a piano improvisation and discuss his works.

    sembrich
    Composer Anthony Davis. Photo Courtesy of the Artist.

    The 2024 festival features the acclaimed Sembrich film series, with The Magic Flute on June 24, The Opera House on July 8, Fitzcarraldo on July 28, the US premiere of Lost Voice on Aug. 12, and Falling for Figaro on Aug. 26. All films start at 7:30 p.m.

    On Wednesday, June 26 at 2 p.m. The Seagle Festival presents a sampling of the festival’s exciting 2024 lineup: Brigadoon, Don Giovanni, Cold Mountain, and Sweeney Todd. Now in its 109th anniversary season, it is the premier opera and music theater-producing organization in the Adirondack region and the oldest summer vocal training program in the United States. 

    Featuring some of the finest concert artists on the classical music scene, the Alfred Z. Solomon Masterwork Series celebrates monumental figures in Marcella Sembrich’s artistic circle. On July 6 at 7 p.m., “Classical Splendor” features violinist Ruben Rengel and pianist Ahmed Alom performing Brahms, Lizst, Stravinsky, and more.

    Violinist Ruben Rengel. Photo Courtesy of the Artist.

    The Mastwork Series continues on Aug. 4 at 7 p.m. with “Composers Sembrich Knew” – an evening of chamber music by members of The Philadelphia Orchestra, including works by Puccini, Brahms, and Kreisler. The final performance on Aug. 17 at 7 p.m., “Violinist Kinga Augustyn,” brings the acclaimed violinist back to Bolton Landing for an evening of masterworks, including the de Beriot concerto performed by Marcella Sembrich at the Metropolitan Opera in 1884.

    For one night only on July 11, literary dramatist Betty Spinelli and members of The Sembrich Board and Staff will offer an exclusive glimpse into the Gilded Age life of Marcella Sembrich by showcasing a selection of her treasured and rarely displayed possessions, including a diamond bracelet from the Czar of Russia, a silver tribute from Enrico Caruso, and the famous Queen of the Night costume from the Metropolitan Opera premiere of Mozart’s The Magic Flute. 

    Sembrich’s 2024 festival features the Promenade Series, perfect for a casual evening or date night on the lakeshore. This year’s series features the Zeger – Pesaturo accordion/violin duo (July 13 – 7:00 p.m.), the cutting-edge woodwind quintet WindSync (July 27 – 7:00 p.m.), and acclaimed guitar/violin duo ArcoStrum (August 21 – 7:00 p.m.).

    WindSync Woodwind Quintet. Photo by Carlin Ma.

    The Sembrich’s popular lakeside matinee series celebrating music from around the globe – World Music Wednesdays – returns this summer. This year’s events include “Harmonia Ensemble” (July 17 – 2:00 p.m.) highlighting music from Marcella Sembrich’s homeland in Eastern Europe, “Jomion and The Uklos” (August 7 – 2:00 p.m.) exploring unique traditions from West Africa, and “Cantrip” (August 28 – 2:00 p.m.) closing the series with beloved Celtic tunes.  

    The Sembrich doesn’t forget the family, with two family fun-packed events. “Interstellar Cinderella” performed by WindSync (July 25 at Rogers Park) is a delightful performance for the entire family, introducing five wind instruments of the orchestra, complete with costumes and choreography. “Dragon’s Breath” performed by emerging artists from Seagle Festival (August 1 at The Sembrich) is a charming original children’s opera by Evan Mack, with a libretto by Joshua McGuire, exploring themes of coping with anger and other difficulties. Follow young Alan as he gains wisdom in dealing with his own emotions.

    Violinist Kinga Augustyn, performing at the Masterworks Series. Photo by Dale Jabagat.

    On Aug. 24 at 7 p.m. is the World Premiere of At That Hour, a James Joyce-inspired chamber opera written expressly for The Sembrich studio. Also on the program, works by Haydn and Beethoven. Commissioned for The Sembrich’s 2024 centennial celebration in partnership with The American Center for New Works Development at Seagle Festival, this new work by Composer-in-Residence Richard Wargo will be performed by artists from Seagle Festival and the Hyperion String Quartet.

    The Sembrich brings down the curtain on its centennial summer with an elegant candlelit evening featuring music by one of the world’s most beloved composers, Frédéric Chopin on Aug. 31. Piano virtuoso Christopher Johnson performs some of the most enduring works by this “Poet of the Piano,” exploring the master’s full range of expression. Johnson will pay tribute to Marcella Sembrich with a delightful paraphrase by Franz Liszt of the soprano’s signature song, Chopin’s “The Maiden’s Wish.” The performance will be followed by a Parisian-style lakeside reception, accompanied by the string duo of Amanda and Jonathan Brin.

    Tickets and the full-season schedule are available here.

    The Sembrich’s 2024 Summer Festival Schedule

    June 5, 7:00 PM – Festival Artists from Opera Saratoga
    June 9, 2:00 PM – 2024 Young Performers Showcase
    June 15, 2:00 PM – An Afternoon with Vincent Caruso
    June 19, 7:00 PM – A Juneteenth Celebration with Anthony Davis
    June 24, 7:30 PM – FILM: The Magic Flute (1975)
    June 26, 2:00 PM – Seagle Festival Season Preview

    July 6, 7:00 PM – Classical Splendor
    July 8, 7:30 PM – FILM: The Opera House (2017)
    July 11, 7:00 PM – A Night at the Museum
    July 13, 7:00 PM – Leah Seger – Cory Pesaturo Duo
    July 17, 2:00 PM – Harmonia Ensemble
    July 25, 11:00 AM – Interstellar Cinderella by WindSync
    July 27, 7:00 PM – WindSync Woodwind Quintet
    July 28, 7:30 PM – FILM: Fitzcarraldo (1983)

    August 1, 10:00 AM – Seagle Festival: Dragon’s Breath (Children’s Opera)
    August 4, 7:00 PM – Composers Sembrich Knew
    August 7, 2:00 PM – Jomion and The Uklos
    August 12, 7:30 PM – FILM: Lost Voice, The Story of Marcella Sembrich (2024)
    August 17, 7:00 PM – Violinist Kinga Augustyn
    August 21, 7:00 PM – ArcoStrum
    August 24, 7:00 PM – At That Hour: A Chamber Opera After James Joyce (World Premiere)
    August 25, 2:00 PM – At That Hour: A Chamber Opera After James Joyce (Encore Matinee)
    August 26, 7:30 PM – FILM: Falling for Figaro (2021)
    August 28, 2:00 PM – Cantrip
    August 31, 6:00 PM – Chopin by Candlelight

  • In Focus: Ricky Montgomery’s Return to NYC

    Ricky Montgomery‘s electrifying performance at Terminal 5 in Manhattan on February 24th was a testament to his magnetic stage presence and undeniable talent. Returning to New York after his stint accompanying Cavetown on the “Bittersweet Daze” Tour, Ricky shared intimate moments with his adoring fans, weaving together a setlist of old favorites and new tracks from his latest album, Rick.

    As the crowd erupted in anticipation, Ricky took the stage with a burst of energy, kicking off the night with his signature anthem “Line Without a Hook.” The surprise appearance of mxmtoon for the alternate version of the song elevated the performance to new heights, with both artists radiating infectious energy as they interacted with fans at the barricade.

    Throughout the evening, Ricky’s charm and wit shone through, as he shared anecdotes about his time living in New York and reminisced about his early days as a musician. Songs like “Last Night” and “Ethan’s Song” took on new meaning as Ricky poured his heart out on stage, drawing fans closer with each heartfelt lyric.

    The atmosphere crackled with excitement during the debut of “Unknown Phantom,” with Ricky playfully urging the crowd to “go crazy” at the behest of his label. Moments of pure euphoria ensued as fans echoed Ricky’s every word, shouting declarations of love and support into the air.

    During the encore, Ricky’s energy remained undiminished as he returned to the stage with opener Noah Floersch for a rousing rendition of “This December,” igniting the crowd with an electrifying finale. From the soul-stirring melodies of “My Heart Is Buried in Venice” to the anthemic chorus of “Don’t Say That,” Ricky Montgomery’s performance was a masterclass in emotion and authenticity, leaving an indelible impression on all who were lucky enough to witness it.

    Setlist: Line Without a Hook (featuring mxmtoon), In Your Pocket, Cabo, One Way Mirror, Talk to You, Black Fins, I Don’t Love You Anymore, Type A, Last Night, Truth or Dare, Unknown Phantom (Unreleased), Snow, Ethan’s Song, My Heart Is Buried in Venice (Acoustic), Boy Toy, It’s Ok to Cry, Don’t Say That, Out Like a Light

    Encore: Sometimes I Need to Be Alone, This December, Mr Loverman

  • Jason Isbell Brings Rustic Sounds to Rochester

    On February 27, Jason Isbell rolled into Rochester to play an intimate show at Kodak Center. Named after the photo giant that was founded there many moons ago, the Kodak Center offers a beautiful stage that Isbell and his band, 400 Unit, partied on for the crowd of roughly 1900 fans.

    Opening the show for Isbell, was Palehound, fronted by El Kempner. They took the stage for roughly an hour and hit some amazing sounds, very reminiscent of Hole, Mazzy Star, or Eve’s Plumb. Kempner, along with Zoe Brecher (drums), Larz Brogan (bass) and Beth (guitar) filled the theatre with subtle lyrics as fans shuffled to their seats.

    Playing through original songs such as “Fadin,” “Bullshit,” and “Good Sex,’ Kempner recalled her last visit to Rochester as they played Bug Jar. Talking about how they are fiscally responsible when they travel, she tells of a friend who set them up with accommodations for their visit. A friend of a friend of a friend scenario. Upon arriving at apartment, they were set up with, the band found an empty apartment with 10 air mattresses. Perfect for those who might want to sleep on the floor but aren’t quite committed yet.

    Shortly before 9, Jason Isbell and 400 Unit hit the stage to a very welcoming crowd. Starting off with “Save the World”, a song that the sends a very poignant message about the world we live in. While not a very uplifting song, Isbell brought some energy and positive vibes throughout the nearly 2 hour show.

    The 400 Unit consists of Sadler Vaden (guitar, vocals), Anna Butterss (bass), Derry deBorja (Keys, accordion, vocals), Chad Gamble (drums, vocals), and Will Johnson (drums, guitar, vocals, gong)

    Using his own personal experiences, Isbell has had pretty good success with songwriting, as he has won six of the seven Grammys he has been nominated for. Most recently, the 2023 Weathervanes album won the band a grammy for Best American Roots Song (“Cast Iron Skillet”) and album.

    Reflecting on events in the news has also been an inspiration for music. “24 Frames” was one of the more mellow songs played in Rochester. While there is catchy beat to the song, the lyrics are what make you stop and think. Think about life and how it can change in the blink of an eye.

    And this is how you make yourself call your mother
    And this is how you make yourself closer to your brother
    Remember him back when he was small enough to help you sing

    24 Frames – Jason Isbell

    The song was written back in 2015 after Jason had heard of a young girl being killed by stray bullet while playing in own yard. These are things you don’t think of, but artists like Jason Isbell will write a song about.

    https://youtu.be/_lV-BSYnWPU?si=f8wIZKz_j8sUUQ4P

    Adding commentary between songs, Isbell talks about how he has enjoyed his visit to Rochester, saying that he had some stuffed mussels and a patty melt for lunch. It’s odd combination, but to each their own. He went on to talk about the music stores he checked out and found a nice old amplifier.

    Coming out for a much-deserved encore, Isbell took center stage for an acoustic version of “Cover Me Up”. This bone chilling song was the opening track to his 2013, Southeastern album and originally written for his now ex wife, Amanda Shires, and his confessing his love for her. In a 2013 NPR interview, he said “…it was hard one to get through, even after not breaking down the first time…”

    So girl, leave your boots by the bed, we ain’t leavin’ this room
    ‘Til someone needs medical help or the magnolias bloom
    It’s cold in this house and I ain’t goin’ out to chop wood
    So cover me up and know you’re enough to use me for good

    Following the acoustic rendition, the band joined Isbell on stage and finished the encore with “Miles” and “This Ain’t It”. A perfect set to end an amazing evening of Americana Roots.

    Setlist: Save the World, King of Oklahoma, Strawberry Woman, Last of My Kind, Super 8, Something More Than Free, Overseas, Speed Trap Town, Alabama Pines, Stockholm, When We Were Close, White Beretta, Honeysuckle Blue, Cast Iron Skillet, 24 Frames, If We Were Vampires, Cover Me Up, Miles, This Ain’t It

  • From Ashes To New Announce Nationwide Tour, 4 Stops in New York

    Alt-metal vanguards From Ashes To New today, announce a headlining US tour this spring titled, “The Blackout Tour Pt. 2.” The tour will see support from California-based rockers Point North in addition to special guests including heart-hop rapper Ekoh, emo rapper Phix, and hip-hop/rock artist elijah.

    The tour sees four dates in New York State. Albany, Huntington, NYC, and Rochester will expect a stop from the acts. From Ashes To New has a diverse sound compiled of hard rock, hip hop, electronic and alternative. The band draws massive influence from the soundscape of the 90s and 2000s.

    “We are beyond excited to unveil our highly anticipated Blackout Tour Part 2. The response to Part 1 was so overwhelmingly positive that we knew we had to bring our most exciting show yet to new cities that missed out on the first round. Once again, we are pulling all the stops and bringing along our brothers in Point North, Ekoh, Phix, and Elijah to make each show a night to remember. Lastly, this tour is not just about music; it’s about creating unforgettable experiences and connecting with fans old and new. Get ready to join us on this incredible journey!”

    Vocalist Danny Case

    The tour sees From Ashes to New perform their classic hits as well as new music, including potent new track “Barely Breathing.” The tour kicks off in late May and extends to late July, with one final show well into September.

    FROM ASHES TO NEW – “THE BLACKOUT TOUR PT. 2”

    with Point North, Ekoh, Phix and elijah

    4/30     Albany, NY – Empire Live 

    5/1       Huntington, NY – The Paramount

    5/2       Baltimore, MD – Baltimore Soundstage 

    5/4       New Haven, CT – Toad’s Place

    5/5       Philadelphia, PA – TLA 

    5/6       New York, NY – The Gramercy Theatre 

    5/8       Myrtle Beach, SC – House of Blues

    5/9       Orlando, FL – House of Blues *

    5/10     Mobile, AL – Soul Kitchen ~

    5/12     Atlanta, GA – Buckhead Theatre 

    5/13     Chattanooga, TN – The Signal

    5/15     Jacksonville, NC – Hooligans ~

    5/16     Greensboro, NC – Hangar 1819 ~

    5/18     Rochester, NY – Water St. Music Hall ~

    5/19     Bethlehem, PA – Wind Creek Event Center

    5/20     Cleveland, OH – House of Blues

    5/21     Madison, WI – The Sylvee 

    5/23     Kansas City, MO – Uptown Theatre ~

    5/24     Des Moines, IA – Val Air Ballroom 

    5/25     Davenport, IA – Capitol Theatre 

    5/27     Houston, TX – House of Blues 

    5/28     Austin, TX – Emo’s 

    5/29     Dallas, TX – The Echo Lounge & Music Hall *

    5/30     San Antonio, TX – The Aztec Theater

    6/2       Wichita, KS – Cotillion Ballroom ~

    6/3       Springfield, MO – Gillioz ~

    6/5       Phoenix, AZ – The Van Buren 

    6/6       San Diego, CA – House of Blues 

    6/7       Las Vegas, NV – House of Blues 

    6/8       Santa Ana, CA – Observatory OC 

    6/11     Salt Lake City, UT – The Depot 

    6/12     Denver, CO – Summit 

    6/13     Lincoln, NE – Bourbon Theatre ~

    7/19     Caddott, WI – Rock Fest ^ ~

    7/20     Grand Rapids, MI – Upheaval Fest ^ ~

    7/21     Mansfield, OH – Inkcarceration ^ ~

    9/27     Louisville, KY – Louder Than Life ^ ~

    ^ festival appearance (FATN only)

    * no Point North

    ~ non-Live Nation date

    Tickets and From Ashes To New VIP packages will be available starting with an artist presale beginning today at 12 P.M. Additional presales will run throughout the week ahead of the general on sale starting on Friday, March 1 at 10 A.M. via From Ashes To New’s website HERE. 

  • Larry Campbell & Teresa Williams Announce Inaugural “July Jam”

    Larry Campbell and Teresa Williams have announced they are joining forces with musical friends old and new to present Larry & Teresa’s July Jam at Arrowood Farms in Accord, NY on July 20, 2024.

    July Jam

    The one-day festival is a not-to-be-missed celebration of some of the best performers in Americana music in a picture-perfect Hudson Valley setting. July Jam follows the release of the duo’s newest album All This Time, out April 5.

    In addition to Larry Campbell and Teresa Williams and bandmates Brandon Morrison (bass/vocals) and Justin Guip (drums), July Jam will feature Hot Tuna Acoustic, Jackie Greene, The Secret Sisters, Connor Kennedy & Onestar, plus special guests Cindy Cashdollar (dobro) who’s played with everyone from Asleep At The Wheel to Bob Dylan, Jim Weider (guitar) and Brian Mitchell (keyboards) from The Weight Band. This impressive cast promises to keep the ‘jam’ in July Jam and remind everyone of the joy that happens when good friends come together to create music. 

    Photo credit Gregg Roth.

    Their relationships with the artists sharing the bill span decades. They have worked with Hot Tuna’s Jorma Kaukonen and Jack Casady on stage and in the studio since 2011, with Larry producing their most recent album Steady as She Goes, plus Jorma’s solo albums River of Time and Ain’t in No Hurry. Campbell & Williams met West Coast-based guitarist singer Jackie Greene courtesy of Phil Lesh in 2012 when the three toured with Phil and Friends including the historic fourteen-day stand at New York’s Nokia Theater. Greene toured with the Black Crowes, Bob Weir, and Gov’t Mule, and his songs have been featured in films like Brokeback Mountain.

    From Muscle Shoals, Alabama’s The Secret Sisters burst onto the Americana scene in 2010 working with luminaries like Dave Cobb, Brandi Carlile, and T Bone Burnett. Their soon-to-be-released album, Mind, Man, Medicine features Larry on guitar, fiddle, mandolin, and pedal steel. Connor Kennedy first connected with Larry & Teresa at Levon Helm Studios. He has toured with Donald Fagan and Rachael Yamagata, and will open the festival with his band Onestar whose members include Brandon Morrison, Lee Falco, and Will Bryant. 

    Tickets are on sale Friday, March 1.

  • Outlaw Fest 2024 Tours at Four Major Venues this Summer

    Some of outlaw country’s greatest names have announced a nationwide tour, Outlaw Fest 2024. The tour sees several dates across the country, with four across New York State. Willie Nelson, Bob Dylan, Robert Plant, and Alison Krauss are some of the names slated to perform this summer.

    The inaugural Outlaw Music Festival made its debut in 2016 in Scranton, PA. The event was so well received that Blackbird, Rothbaum, and Nelson have developed it into one of North America’s biggest annual touring franchises. Musicians such as Neil Young, Van Morrison, ZZ Top, Eric Church, Bonnie Raitt, Luke Combs have been involved in years past.

    “This year’s Outlaw Music Festival Tour promises to be the biggest and best yet with this lineup of legendary artists. I am thrilled to get back on the road again with my family and friends playing the music we love for the fans we love.” 

    Willie Nelson

    Chris Stapleton, Sheryl Crow, Sturgill Simpson, The Avett Brothers and many more have been a part of the Outlaw Tour as well. Artist and audience come together to share unforgettable music memories. Unique vendor villages with local food, drinks, and shopping are hosted in Live Nation amphitheaters across the country.

    Outlaw Fest 2024.

    The tour sees legendary talent throughout. Each date in New York will see a stellar lineup of outlaw, country, and rock icons. The tour is set to stop in Syracuse at Empower Amphitheater and in Long Island at Jones Beach Theater. The tour also stops at Bethel Woods Center for the Arts in Bethel and Darien Lake Amphitheater in Buffalo.

    Outlaw Fest 2024.

    2024 OUTLAW MUSIC FESTIVAL TOUR DATES:

    Friday, June 21, 2024 – Ameris Bank Amphitheatre, Alpharetta, GA

    Saturday, June 22, 2024 -PNC Music Pavilion, Charlotte, NC

    Sunday, June 23, 2024 – Coastal Credit Union Music Park, Raleigh, NC

    Wednesday, June 26, 2024 – Veterans United Home Loans Amphitheater at Virginia Beach, Virginia Beach, VA

    Friday, June 28, 2024 – Empower Federal Credit Union Amphitheater at Lakeview, Syracuse, NY

    Saturday, June 29, 2024 – Northwell Health at Jones Beach Theater, Wantagh, NY

    Sunday, June 30, 2024 – PNC Bank Arts Center, Holmdel, NJ

    Tuesday, July 2, 2024 – Xfinity Center, Mansfield, MA

    Saturday, July 6, 2024 – Bethel Woods Center for the Arts, Bethel, NY

    Sunday, July 7, 2024 – Hersheypark Stadium, Hershey, PA

    Monday, July 29, 2024 – North Island Credit Union Amphitheatre, Chula Vista, CA

    Wednesday, July 31, 2024 – Hollywood Bowl, Los Angeles, CA

    Saturday, August 3, 2024 – Shoreline Amphitheatre, Mountain View, CA

    Sunday, August 4, 2024 – Toyota Amphitheatre, Wheatland, CA

    Wednesday, August 7, 2024 – Ford Idaho Center Amphitheater, Boise, ID

    Friday, August 9, 2024 – ONE Spokane Stadium, Spokane, WA

    Saturday, August 10, 2024 – Gorge Amphitheatre, George, WA

    Friday, September 6, 2024 – Somerset Amphitheater, Somerset, WI

    Saturday, September 7, 2024 – Credit Union 1 Amphitheatre, Tinley Park, IL

    Sunday, September 8, 2024 – Hollywood Casino Amphitheatre, St. Louis, MO

    Wednesday, September 11, 2024 – Riverbend Music Center, Cincinnati, OH

    Thursday, September 12, 2024 – Blossom Music Center, Cuyahoga Falls, OH

    Saturday, September 14, 2024 – The Pavilion at Star Lake, Burgettstown, PA

    Sunday, September 15, 2024 – Pine Knob Music Theatre, Clarkston, MI

    Tuesday, September 17, 2024 – Darien Lake Amphitheater, Buffalo, NY

    Tickets go on sale to the general public this Friday, March 1 at 10 a.m. via OutlawMusicFestival.com. VIP packages will be available, including great seats and exclusive festival merchandise.

  • Phish Summer Tour Will Include a Return to Bethel Woods

    Phish has finally announced their summer tour dates and the band will return to Bethel Woods for a third time after previous visits in 2011 and 2022.

    The band’s return to the home of Woodstock will see shows played on August 9, 10 and 11 – the last ones of the tour before their Mondegreen Festival in Delaware the following weekend.

    The summer tour kicks off with three nights at Great Woods in Mansfield, MA from July 19-21. It also sees the band returning to Mohegan Sun in Uncasville, CT a few days later. The Midwest gets a lot of attention this summer with weekend gigs planned for both Alpine Valley in Wisconsin and Deer Creek in Indiana with shows in St. Louis and Grand Rapids, MI also on the docket. Phish then returns to the Bethel Woods Center for the Arts for a third time after a monumental three-day run in 2011 that helped sparked the band’s return from hiatus and a pair of weekend shows in 2022.

    phish bethel woods
    Official Phish at Bethel Woods 2011 poster

    Phish Summer Tour 2024 ticket lottery registration is currently underway via tickets.phish.com. Entries must be received by Monday, March 11 at 12 p.m. ET. Tickets then go on sale to the general public starting on Friday, March 15 at 10 a.m. ET. Each multi-night run has a corresponding multi-night ticket available. Buy Phish tickets through Ticketmaster.com.

    Phish 2024 Tour Dates

    APRIL

    18 – Las Vegas, NV – The Sphere

    19 – Las Vegas, NV – The Sphere

    20 – Las Vegas, NV – The Sphere

    21 – Las Vegas, NV – The Sphere

    JULY

    19 – Mansfield, MA – Xfinity Center

    20 – Mansfield, MA – Xfinity Center

    21 – Mansfield, MA – Xfinity Center

    23 – Uncasville, CT – Mohegan Sun Arena

    24 – Uncasville, CT – Mohegan Sun Arena

    26 – East Troy, WI – Alpine Music Valley Music Theatre

    27 – East Troy, WI – Alpine Music Valley Music Theatre

    28 – East Troy, WI – Alpine Music Valley Music Theatre

    30 – St. Louis, MO – Chaifetz Arena

    31 – St. Louis, MO – Chaifetz Arena

    AUGUST

    2 – Noblesville, IN – Ruoff Music Center

    3 – Noblesville, IN – Ruoff Music Center

    4 – Noblesville, IN – Ruoff Music Center

    6 – Grand Rapids, MI – Van Andel Arena

    7 – Grand Rapids, MI – Van Andel Arena

    9 – Bethel, NY – Bethel Woods Center for the Arts

    10 – Bethel, NY – Bethel Woods Center for the Arts

    11 – Bethel, NY – Bethel Woods Center for the Arts

    15 – The Woodlands, Dover, DE – Mondegreen

    16 – The Woodlands, Dover, DE – Mondegreen

    17 – The Woodlands, Dover, DE – Mondegreen

    18 – The Woodlands, Dover, DE – Mondegreen

    29 – Dick’s Sporting Goods Park – Commerce City, CO

    30 – Dick’s Sporting Goods Park – Commerce City, CO

    31 – Dick’s Sporting Goods Park – Commerce City, CO

    SEPTEMBER

    1 – Dick’s Sporting Goods Park – Commerce City, CO

  • The Elusive Sly Stone Pens A Sly Autobiography

    Music critics love to belatedly elevate the contributions of the brilliant burnouts.  Syd Barrett, Roky Erikson and their ilk continue to be swaddled in accolades far exceeding the breadth of their slim catalogs and performance on the charts.  And as great as the prematurely faded innovators above may have been, none can hold a candle to the impact and influence made – in his time and through to today – by Sylvester Stewart, aka, Sly Stone.

    sly stone autobiography
    Cover art for Sly Stone’s Autobiography

    As the songwriter and front man of Sly and the Family Stone, Stewart created many of the most memorable anthems of the ‘60s and ‘70s. They included Billboard chart-toppers like “Everyday People,” “Hot Fun in the Summertime,” “Dance to the Music,” “Stand!,” “Higher,” “Family Affair,” “If You Want Me to Stay” and “Thank You (Falettinme Be Mice Elf Agin).” Sly was also one of the era’s most electrifying and engaging performers.  He and his band literally stole the show at Woodstock ‘69 and he is still the only musician to be married onstage during a concert at Madison Square Garden!  Importantly, he was also leader of the first fully integrated pop group – one that included black, white, male and female members. And his unique melding of pop, soul and rock inspired legions of his contemporaries and their descendants – from Miles Davis and Herbie Hancock’s forays into rock-jazz fusion to Prince, P-Funk, The Roots, Macy Gray and so many more psychedelic soulsters. But after a rapid rise and few short years atop the charts, Sly spent decades in the grips of an addiction that bankrupted him and his once limitless musical wellspring.

    Now, Sly is relating the ups and downs of his star-crossed life in a memoir, Thank You (Falettinme Be Mice Elf Again) (Macmilliam/Auwa Books).  Written with Ben Greenman, the New Yorker Magazine writer who worked on the memoirs of George Clinton and Brian Wilson, the book provides an always vivid, sometimes humorous/sometimes truly terrifying trek through his remarkable career and the dark decades that followed.

    One of the most interesting parts of the book is his rise to stardom, from his childhood days performing in church with his siblings as The Stewart Four to his first brush with local fame with his teenage doo-wop group, The Viscaynes.  Stewart’s artistry definitely benefited from his study of Piston’s bible on harmony, counterpoint and orchestration while at Vallejo Jr. College. He would then go off to a 12-week radio course and become a popular DJ at KSOL and later KYA-Radio in the Bay Area.  Interestingly, he credits his on-air chatter style to Lord Buckley and his bebop-inspired comic oratory on the life of Jesus, “The Nazz.”  While at KYA, he meets Tom Donahue and joins his Autumn Records as a producer.  Here he will hone his musical chops and pop sensibility producing records like The Beau Brummel’s smash hit “Laugh Laugh,” Billy Preston’s “The Wildest Organ in Town” and Grace Slick and The Great Society’s early versions of “Someone to Love” and “White Rabbit.”

    While working as a late-night DJ, Sly will put together and hone his Family Stone during long standing residencies at clubs in Redwood City and later Las Vegas. After disappointing sales for their 1967 debut album, “A Whole New Thing,” Sly and the Family Stone will begin to hit with 1968’s Dance to the Music.  With their 1969 album Stand!, the band would score a #1 single with “Everyday People,” followed by the #2 single, “Hot Fun in the Summertime,” the latter released in anticipation of their performance at Woodstock ‘69.  At Woodstock, Sly and band hit the stage at 3:30 a.m. to wake up the crowd and the film crew which wasn’t quite ready and missed some of the early part of their sizzling set.

    Sly’s vicious descent begins when drugs enter the picture, an affliction he will not kick until the COVID-19 era.  He says he is introduced to cocaine while recording their debut album in NYC, while also playing a residency at the Electric Circus. But his life truly begins to go off the rails with his move from the Bay Area to Los Angeles. His motto is “Gun in the House, Gun in the Car,” and he also always travels with a violin case full of coke and other illicit substances. He will begin to miss shows (less than as reported by other sources according to Sly) and the band’s live rep and financial fortunes will suffer.  His life will really begin to unravel further when PCP (angel dust) enters the picture.  With his move to the former mansion of another legendary musician/druggie, John Phillips of the Mamas and the Papas, Sly spends days coked-out in its recording studio, tracking and overdubbing to the point where the tape is in danger of losings its magnetism and music.  Here, even in his drugged-out degeneracy, Sly will continue to innovate, including pioneering the use of rhythm machines on tracks like “Family Affair.”

    Sly’s life in LA is bedlam, with a litany of dangerous hangers-on wired to the gills. His pitbull will attack his young son but is not put down until after he literally rapes and kills Sly’s pet baboon (Sly does the job tearfully, with one of his many guns).  The breakup of his band is also filled with threats of assassinations and car bombings.

    After the hits stop coming, Stewart will endure decades of darkness and loss. The IRS will take his Bel-Air mansion and he will sell his song catalog to Michael Jackson to make ends meet.  There will be many tries at rehab and he will periodically be brought back into music, with middling success, by George Clinton and longtime friend Bobby Womack.  There will be arrests for missed child support payments, drug busts, more repossessed homes and frank discussion of his bizarre re-appearances at Coachella and The Grammy Honors.  Sly will try valiantly to hold on to one thing through it all – his beloved mobile home where he continues to work on songs that few will hear.

    There is so much here, stuff that is frankly very tough to bear.  Sly lays out his truth as best he can remember but it may not be the complete story, as it is only his viewpoint.  Much more can be found in Joel Selvin’s Sly and The Family Stone: An Oral History.  An expanded edition of the book was released in 2023 and which I reviewed here.  In it, more than 40 of Sly’s band members, friends and family tell the story in all its early glory and latter-day gory, offering a complement to Sly’s own recollections and opinions.

    My one regret is that Sly didn’t spend more time dissecting his music.  Stewart was one of the truly great innovators of the halcyon days of ‘60s and ‘70s music, someone whose spirit and sonic DNA is, much like The Beatles, a huge influence on all that came after.  He was a pioneer in the fusing of once disparate musical genres, a man who crafted chart-ready hooks and lyrics with life affirming messages, a producer who made smart use of the latest music technologies and his bandmate’s talents.  He was also a m*therf*cker of a singer, keyboardist and guitarist, as well as a fashion icon who got no less than Miles Davis out of his uber conservative Brooks Brothers suits and into leather pants, fringed vest and oversized sunglasses. 

    While it is good to hear from the elusive Sly after decades away from the spotlight, his most resonate contributions remain the many fine albums he created in the prime of his career, masterworks you should spend hours marinating in as you read his life story.

  • “Hidden in The Honey” Could Seek Out Some Big Things For Albany’s Atelo Songs

    Hidden in The Honey is the latest release from Albany’s Atelo Songs.  After performing across New York State for 15 years as Sam Gleason, Atelo Songs was “born” in 2020. According to the artist’s bio, embracing this new moniker was “marking a transformative phase in his artistic journey”. 

    Surviving an apartment fire, and an accident that would leave him with permanent injuries and brain damage requiring eighteen months of rehabilitation, Atelo Songs emerged as a “means of self-betterment and creative expression.” Atelo joined Albany Barn, an artist housing program, and has spent the last several years focusing solely on music. 

    Atelo Songs Hidden in The Honey

    Hidden in The Honey is interesting and artistic. There’s lots of substance to his lyrics and they are delivered with interesting melodies and smooth harmonies.  

    We all have those certain songs, albums and artists who have helped us get through trying times. Hidden in The Honey is an album about trying times and their aftermath. It sounds heavily influenced by Panic! At The Disco, almost as if it was their music that helped Atelo through his struggles. “Panic!” fans will hear lots of familiarities but it’s never copy-cat or cookie cutter.  Atelo delivers his songs in his own style with a demeanor more Elvis Costello than Panic! At The Disco’s Brendan Urie. 

    Atelo Songs

    Hidden in The Honey kicks off with the rocker “Not in The Mood”. Slide-Guitar and rollicking piano compliment the fast paced lyrics of the verses. The chorus is catchy and very relatable with Atelo singing that He’s “always trying to improve but today I’m just not in the mood.”

    “Death Dead in The Eyes” has a Latin, jazzy sound. If Carlos Santana had invited Elvis Costello to perform a track on one of his collaboration albums, this may be the result. 

    “Go Meet The Trees” is a campy, sing a long song that sounds as if someone made a left turn leaving a Panic! At The Disco concert and ended up at a GratefulDead show. The melody sounds like it could belong in a modern day pharmaceutical commercial. Warning – You may find yourself singing along by the end.  

    The album’s final track, the trans-like “Final Door” closes with the line “There’s Nothing in Store” but there may be lots more in store for Atelo Songs. Don’t be surprised if You hear some of his music on modern rock radio or appearing on a movie soundtrack or in a Netflix series. Hidden in The Honey is a good listen and a musical journey, creative and striving for originality throughout, and may just take Atelo Songs from Albany to the national spotlight. 

  • Marley Magic: Junior Marvin Shines at Patchogue, Intimate Session at Looney Tunes on Long Island Weekend

    On February 24, Patchogue Theatre was alive with the iconic reggae sound of The Legendary Wailers, featuring the legendary Junior Marvin. The band’s lineup included Mary-eL on guitar, known for her collaborations with Roger Waters, Tom Morello, and Billy Corgan, Grammy-nominated singer Desi Hyson on lead vocals and keyboard, and Isaac Kouao on drums.

    Born in Kingston, Surrey County, Jamaica, Marvin’s journey traces back to his childhood in London, where he developed a passion for both acting and music. He made a mark in the entertainment world with a role in the Beatles’ film Help! and subsequent television appearances. Meanwhile, his musical apprenticeship unfolded in the United States, sharing stages with legends like T-Bone Walker and Ike & Tina Turner.

    Patchogue Theatre, a historic venue with a rich cultural legacy, served as the perfect backdrop for this unforgettable performance. The theater has been a hub for the arts since its opening in 1923, hosting a variety of shows ranging from vaudeville to modern performances.

    The crowd was treated to a soothing setlist, featuring timeless BobMarley classics. Hits like “Get Up, Stand Up,” “Stir It Up,” “Buffalo Soldier,” “Jammin,” and “One Love” reverberated through the venue, bringing the spirit of reggae to life.

    The grand finale of the night was the performance of “Exodus,” leaving the audience in awe and concluding the show on a high note.

    The following day, Junior Marvin made a special appearance at Looney Tunes Record Store in West Babylon. In an intimate setting, he captivated the audience with solo renditions of “Redemption Song” and “Stir It Up,” showcasing his masterful guitar playing and soulful vocals. Fans had the opportunity to get up close and personal as Junior signed copies of his latest album, “Happy Family,” and posed for pictures.

    The event was a testament to the enduring legacy of reggae music and the incredible talent of Junior Marvin and The Legendary Wailers. The Patchogue Theatre and Looney Tunes Record Store provided the perfect venues for fans to experience the magic of this iconic musician, ensuring an unforgettable weekend of music and memories.

    Adding to the excitement of the weekend, the new Bob Marley biographical film, “One Love,” has become a box office sensation. Portrayed in the film by his son, David Marvin Kerr Jr., Junior Marvin’s character adds a personal touch to the cinematic journey, providing audiences with a deeper understanding of the man behind the music. With a worldwide gross of $120.6 million, the film stands as a testament to the enduring influence of Bob Marley’s timeless message of love and unity.

    Setlist: Get up, Stand Up, Stir It Up, I Shot the Sheriff, Buffalo Soldier, Roots, Rock, Reggae, Three Little Birds, Natural Mystic, Positive Vibration, No Woman, No Cry, My Friends, Jamming, One Love, Blackbird Fly, The Heathen, Exodus