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  • “Pride in Times Square” Returns This June

    Playbill and the Times Square Alliance have announced they will partner for the third annual Pride in Times Square celebration of free events on June 28 and 29, 2024. 

    Pride in Times Square

    Last year’s Pride in Times Square included top stage and screen celebrities, talent from Broadway/Off-Broadway productions, local Times Square business promotions, Pride Piano Bar sessions, live DJ sets, the return of The Big Broadway Disco, and more. 

    Founded in 1992, the Times Square Alliance works to improve and promote Times Square, cultivating the creativity, energy, and edge that have made the area an icon of entertainment, culture, and urban life for over a century. It keeps the neighborhood safe and clean, promotes local businesses, manages area improvements, and produces major annual events, like Pride in Times Square. Founded in 1884, Playbill is an internationally known trademark synonymous with theatre and is a symbol of the arts. Playbill Magazine is distributed to every Broadway theatre, most Off-Broadway theaters, regional theaters, and fine arts institutions in over 24 cities across the country.

    Pride in Times Square 2024 promises to be another exciting event and a great addition to New York City’s celebration of Pride at the Crossroads of the World. On Sunday, June 30, the Playbill Pride Float returns to the NYC Pride March, supporting their partner Heritage of Pride (Pride NYC).  Customized double-decker buses from some of the event’s sponsors will also join the Pride March, rounding out an amazing weekend of diversity, equity, education, and celebration.

    Past Pride in Times Square events have attracted nearly 800,000 attendees and social media coverage garnering over 1.05 million social impressions. The third day, centered on one of the world’s largest Pride marches, had an attendance at 2023 Pride March of 2.4 million people.

    “Playbill is extremely proud to take part in our third annual Pride celebration in the heart of New York City with our fantastic partner, the Times Square Alliance,” said Alex Birsh, Vice President and Chief Operating Officer of Playbill. “For ten years, we have been honored to change our iconic yellow design to recognize the Pride Flag colors, celebrating this expansive and important community. And this year, we are even prouder to celebrate with another activation that celebrates the LGBTQIA+ community and its allies in Times Square. Playbill aims to be a leader in our community, and we look to this event to continue our tradition of standing with and behind our LGBTQIA+ friends, family, and allies. Here’s to an amazing celebration with our partners, sponsors, and the entire Broadway community.”

    For more information about the Times Square Alliance, and to find more Pride events happening around the city this June, visit here.

  • Cage the Elephant Announces Upcoming Tour with Stops at SPAC, MSG, Artpark

    Cage the Elephant has announced their upcoming North American tour with 45 dates this summer. The 3-month long tour includes a stop at SPAC, Madison Square Garden, and Artpark Mainstage Theater in Lewiston. The tour promotes the band’s latest album, Neon Pill.

    Cage the Elephant

    Cage the Elephant’s 2024 summer tour will kick off on June 20, and extend all the way to September 18. Young the Giant & Bakar will join as special guests for select tour dates. The band came from humble beginnings in Bowling Green, Kentucky and have gone on to become one of the generation’s most loved rock bands.

    They are maybe most celebrated for their live show. The stage is their home turf, where they are most comfortable, with their performances being ecstatic, unchained, and above all else, brilliant.

    Cage The Elephant Tour Dates

    June 20 – West Valley City, UT at Utah First Credit Union Amphitheatre^ 

    June 22 – Seattle, WA at Climate Pledge Arena^

    June 23 – Ridgefield, WA at RV Inn Style Resorts Amphitheater^

    June 24 – Bend, OR at Hayden Homes Amphitheater^

    June 26 – Vancouver, BC at Rogers Arena^

    June 28 – Edmonton, AB at Rogers Place^

    June 30 – Spokane, WA at BECU Live at Northern Quest^

    July 2 – San Francisco, CA at Bill Graham Civic Auditorium*

    July 3 – Santa Barbara, CA at Santa Barbara Bowl^

    July 5 – Phoenix, AZ at Talking Stick Resort Amphitheatre^

    July 6 – San Diego, CA at Viejas Arena^

    July 7 – Los Angeles, CA at Kia Forum^

    July 9 – Albuquerque, NM at Isleta Amphitheater^

    July 11 – Austin, TX at Moody Center^

    July 12 – Houston, TX at  The Cynthia Woods Mitchell Pavilion presented by Huntsman^

    July 13 – Fort Worth, TX at Dickies Arena^

    July 15 – Rogers, AR at Walmart AMP^

    Aug 2 – Alpharetta, GA at Ameris Bank Amphitheatre*

    Aug 3 – Raleigh, NC at Coastal Credit Union Music Park^

    Aug 4 – Charlotte, NC at PNC Music Pavilion*

    Aug 7 – Noblesville, IN at Ruoff Music Center^

    Aug 8 – Madison, WI at Breese Stevens Field^

    Aug 10 – Winnipeg, MB at Canada Life Centre^

    Aug 12 – Minneapolis, MN at Target Center^

    Aug 14 – Chicago, IL at Credit Union 1 Arena at UIC^

    Aug 16 – Grand Rapids, MI at Van Andel Arena^

    Aug 18 – Saratoga Springs, NY at Broadview Stage at SPAC^

    Aug 19 – Bridgeport, CT at Hartford HealthCare Amphitheater^

    Aug 21 – Gilford, NH at BankNH Pavilion^

    Aug 22 – Mansfield, MA at Xfinity Center*

    Aug 24 – Holmdel, NJ at PNC Bank Arts Center^

    Aug 26 – Montreal, QC at Centre Bell^

    Aug 27 – Toronto, ON at Budweiser Stage^

    Aug 29 – Burgettstown, PA at The Pavilion at Star Lake^

    Aug 30 – Cincinnati, OH at Riverbend Music Center^

    Sept 5 – New York, NY at Madison Square Garden^

    Sept 6 – Philadelphia, PA at TD Pavilion at the Mann^

    Sept 7 – Lewiston, NY at Artpark Mainstage Theater^

    Sept 9 – Cleveland, OH at Blossom Music Center^

    Sept 10 – Detroit, MI at Pine Knob Music Theatre^

    Sept 12 – St. Louis, MO at Hollywood Casino Amphitheatre^

    Sept 13 – Des Moines, IA at Wells Fargo Arena^

    Sept 14 – Kansas City, MO at Starlight Theatre^

    Sept 16 – Omaha, NE at CHI Health Center Omaha^

    Sept 18 – Denver, CO at Red Rocks Amphitheatre*

    ^with Young The Giant and Bakar

    * with Bakar

    Tickets and VIP available for all Cage the Elephant tour dates will go on sale to the general public on Friday, March 8 at 10 am here. Numerous presales, including for the band’s Fan Club, Discord, and Spotify followers will begin on Tuesday, March 5 at 10 am. 

    https://www.youtube.com/watch?v=kPGoyjBgKXc
  • Larry Campbell & Teresa Williams Announce Album “All This Time”, 5 Shows in New York on Upcoming Tour

    Larry Campbell and Teresa Williams have announced their new album, All This Time, will be released on April 5. The pair will hit the road in 2024, bringing their music to Saratoga Springs, NYC, Amagansett, and Marlboro.

    All This Time

    After releasing the upbeat and twangy song “The Way You Make Me Feel,” the pair shared a glimpse of their enviable love. Campbell reflects on the song’s history, saying, “The lyric was inspired by recalling when I first got together with Teresa. The song, about 40 years old, is as inspiring as ever.”

    “The Way You Make Me Feel” pays respect to the legendary gospel quartet guitarist Lyndon Baines with a catchy guitar lick that Campbell wrote after working on a Dixie Hummingbirds record in the early 2000s. The end product echoes the spirit of Johnny and June Cash with a heartfelt and nostalgic ode to courtship.

    all this time  larry campbell teresa williams

    Teresa shares in Larry’s enthusiasm, emphasizing the humor, groove, and lightheartedness of the album. “I got a brand new couch, and we can watch TV. Put an arm around you — we’ll see whatever you wanna see… Now that’s good flirting!” All This Time is a musical scrapbook of their journey, featuring heavy hitters including Grammy-winner Justin Guip, Bill Payne from Little Feat, and even a cameo by Levon Helm himself.

    Larry and Teresa aren’t just dropping The Way You Make Me Feel; they’re hitting the road. These two are set to hop on a North American tour throughout 2024, with stops at Caffe Lena in Saratoga Springs, City Winery in Manhattan, The Stephen Talkhouse in Amagansett, and The Falcon in Marlboro. Moreover, fans will be able to witness the magic of their long-lasting musical partnership as the tour brings an intimate live experience. Find all upcoming tour dates below and on their website here.

    Larry Campbell and Teresa Williams 2024 Tour Dates

    3/17 – Northampton, MA – Academy of Music Theatre

    4/11 – Marlboro, NY – The Falcon

    4/16 – Boston, MA – City Winery

    4/17 – Fairfield, CT – Stage One

    4/18 – Ardmore, PA – Ardmore Music Hall

    4/20 – Vienna, VA – Jammin’ Java

    4/21 – Pittsburgh, PA – Thunderbird Music Hall

    4/23 – Columbus, OH – Natalie’s

    4/24 – Detroit, MI – Magic Bag

    4/26 – Chicago, IL – Old Town School of Folk Music

    4/27 – Minneapolis, MN – Parkway Theater

    4/30 – Kansas City, MO – Knuckleheads

    5/01 – St Louis, MO – Off Broadway

    5/03 – Nashville, TN – 3rd & Lindsley

    5/04 – Atlanta, GA – Eddie’s Attic

    5/05 – Atlanta, GA – Eddie’s Attic

    5/11 – Lexington, TN – Main & Monroe

    6/07 – Saratoga Springs, NY – Caffe Lena

    6/08 – Saratoga Springs, NY – Caffe Lena

    6/11 – New York, NY – City Winery

    6/13 – Red Bank, NJ – The Vogel

    6/14 – Blairstown, NJ – Roy’s Hall

    6/16 – Amagansett, NY – The Stephen Talkhouse

  • Jam Master Jay Killers Convicted After 22 Years

    After 22 years two men have been convicted in the murder of hip hop legend Jason Mizell, aka Jam Master Jay. An anonymous Brooklyn federal jury delivered the verdict in the trial of Karl Jordan Jr. and Ronald Washington on Tuesday, February 27.

    The Run-DMC star, DJ and pioneer was shot outside of his recording studio in Jamaica, Queens on October 30, 2022 in what has been deemed retaliation for a drug deal gone wrong.

    Jam Master Jay

    A 10-count indictment unsealed in October 2020, revealed the motive behind the murder to be 10 Kilograms of cocaine purchased by Jam Master Jay. With the plan to distribute the drugs between Washington, Jordan Jr. and other co-conspirators having gone awry. In light, Washington and Jordan Jr. sought revenge, slaying the hip hop legend in front of witnesses, according to prosecutors.

    “He was a man who got involved in the drug game to take care of the people who depended on him,” assistant U.S. attorney Artie McConnell said in his summation.

    The men’s names have long floated in connection to the case. After all, Jordan Jr. and Jam Master Jay were neighbors in the Hollis neighborhood of Queens. Meanwhile Washington — known as “Lil D”– is his godson and son to former Run-DMC road manager “Big D.” Neither Jordan Jr. nor Washington testified.

    Jam Master Jay’s Legacy

    Jam Master Jay remains an integral figure in hip hop history. Moreover, along with Joseph Simmons and Daryl McDaniels, the trio broke barriers for hip hop. In fact, Mizell had been part of Run-DMC’s anti-drug message. In light of hip hop’s increasingly provocative agenda the trio spread positive messages including lyrics such as “we are not thugs / we don’t use drugs.” However, according to prosecutors and trial testimony, he racked up debts after the group’s heyday. Thus, the celebrated DJ moonlighted as a cocaine middleman to cover his bills and habitual generosity to friends.

    All in all, this brings and end to a case that’s been open for nearly 22 years. When the case ran dry rap royalty put together reward money in hopes of finding closure. 

    “Twenty years is a long time to wait for justice,” Assistant U.S. Attorney Artie McConnell had told jurors in a closing argument, urging them: “Don’t let this go on for another minute.”

  • Geneva Music Festival Celebrates International Women’s Day With Spring Benefit Concert 

    Women have made many contributions to classical music as both composers and performers, yet their work often receives far less attention compared to their male counterparts. This spring, the Geneva Music Festival will host its annual Spring Benefit Concert and silent action on International Women’s Day, with a program that spotlights these oft-forgotten contributors to classical music.

    The Geneva Music Festival was founded in 2011 by Geneva, New York violinist Geoffrey Herd as a weekend of chamber music in his hometown. Now in its 14th season, the festival has grown to a nearly month-long event that draws thousands of attendees from across the Finger Lakes region. Each year, the Festival continues its mission of inspiring people with world-class chamber music and engaging diverse audiences in its outreach programs.

    On March 8, the Carr-Petrova Duo will perform a concert featuring works for viola and piano by female composers in Froelich Hall on the Hobart and William Smith Campuses.

    The concert program, entitled “HERS” is a collaboration of pianist Anna Petrova and violist Molly Carr. Playing together since their student days, they subsequently formed a duo and have traveled the world. Petrova said, “When one creates this kind of partnership, the most important and compelling thing is the musical partnership and the personal partnership. We’d played with many other people before, but she and I just clicked on a musical and personal level very well; it was a natural fit.” 

    Pianist Anna Petrova and violist Molly Carr

    Synthesis and serendipity are the themes behind many of the pieces on the program. Composer Vivian Fung created a piece based on the music of Hildegard Von Bingen, which had its debut during the pandemic, with musicians recording their individual parts remotely and then sending the recordings to be compiled together. Carr and Petrova reached out nearly simultaneously to ask Fung about crafting a piece based on Von Bingen’s work, and Fung rearranged her orchestral piece for viola and piano. “It was serendipitous, meant to be,” said Petrova. 

    “Andrea Casarrubios’s piece was commissioned in 2021 and we approached Vivian Fung during the pandemic as we started brainstorming composers we wanted to play. Molly was the one who started to forge the idea of all female composers, and it all started to come together into a program.” “HERS” came out of this organic synthesis between friends.” 

    The last piece on the program is a “staple of the viola repertoire and a very beautiful piece of chamber music. It forged the path of the viola becoming a solo instrument; with pieces like the Clark sonata, the viola was seen as an instrument that can take the spotlight.” While it’s more common to find duos written for piano and violin, Petrova and Carr believe the viola has much to offer. “In terms of playing with the instrument, I really love the viola, its color and voice. It has an almost human voice, very heartfelt and visceral. I’ve never felt like I’m giving up something.” 

    “’HERS’ is something that we’ve pieced together for a few years now. During the pandemic we actually lived together for about nine months; during those nine months we took a road trip and in the car we were enjoying singing together all our favorite songs. Beyonce’s ‘Halo’ was one of the songs we really loved and the idea of commissioning a piece inspired by that song came up. We really wanted to play something from the pop genre that was different from the usual classical repertoire, but that could still stand its ground on the classical stage. That is how ‘Halo’ was created – with the incredible imagination and compositional skills of Brazilian jazz pianist and composer Henrique Eisenman who weaved a beautiful fantasy on a theme by Beyonce. 

    The Geneva Music Festival’s biggest fundraising event of the year, the Spring Benefit Concert and Auction, is now live and runs through March 9 at 12pm. Browse through an array of items, from captivating paintings to exclusive Finger Lakes experiences, guaranteed to delight all. Help Geneva Music Festival reach their fundraising goal and continue bringing exceptional music to the greater Finger Lakes community. Start bidding here.

    The auction goes live during the Spring Benefit Concert intermission with auctioneers Don Wertman and Susan Henking leading the proceedings, offering a chance to bid on your favorite items.

    The Geneva Music Spring Benefit Concert will be held March 8, 2024 in Froelich Hall on the Hobart and William Smith Campuses. Tickets are $75 per person, and the ticket price includes a reception with light fare and biodynamic wines from the celebrated Hermann J. Weimer Winery.  To find out more, and to purchase tickets, visit here.

  • Ilya Popenko Releases Music Video For “The Horse is Not Mine”

    Ilya Popenko, lead singer of NYC-based Mad Meg has released a solo track and music video for his new single “The Horse is Not Mine.”

    The Horse is Not Mine Ilya Popenko

    Ilya Popenko is a multi-disciplinary artist, filmmaker, photographer and songwriter, born in the former Soviet Union. In 2011, he formed Mad Meg, a psychedelic progressive rock band plays in an eclectic style they themselves identify as “Punk-Chanson-Noir”. The band has toured extensively in Russia and the former Soviet Bloc, including tours that covered close to 30 cities throughout the vast, frozen expanse of Eastern Europe, and in the course of which they shared the stage with such luminaries as Nogu Svelo!, Brooklyn-based rock band Rasputina, and Emir Kusturica.

    While Mad Meg is on hiatus, Ilya has continued to work on his solo songs. In his new music video for “The Horse is Not Mine,” Ilya performs the song dressed in horse costumes amidst surrealist animation that interacts with live action footage. The lyrics of the chorus may seem like nonsense, but when describing the song, the artist shares that the lyrics are a verbatim translation of the Russian saying, “I’m not me, and the horse is not mine,” which is used to say, “I have nothing to do with that.” Ilya likes to incorporate direct translations of Russian proverbs in his songs, as lost in translation and taken out of context, they lose their original meaning and become an abstract and beautiful combination of words. The music video is directed by Nikolai Metin and incorporates animation by Katya Mezentseva.

    Ilya Popenko’s new single “Horse is Not Mine” is available to stream everywhere and to learn more about the artist and the band fans can visit here

  • Sarah Craig: Caffe Lena’s Executive Director Leads the Folk Haven towards Long-term Viability and Success

    Caffé Lena has a storied history in Saratoga Springs starting in 1960, launching the careers of many folk greats including Bob Dylan, Joan BaezPete Seeger, and Don McLean. Now, the venue is providing that same feel-good listening experience and great talent, set in their iconic intimate setting. In honor of Women’s History Month, it is important to highlight the women helping make the industry happen. Executive Director at Caffé Lena, Sarah Craig, is one of these women leading in the industry.

    caffe lena sarah craig

    Lena and Bill Spencer opened Caffé Lena with a deeply entrenched European influence. Upon the passing of Lena in 1989, the venue was converted to a nonprofit institution, supported by concert revenue, grants, private and corporate donors, and a team of volunteers. Lena started the venue as a way to present deserving talent regardless of fame, emphasizing community over business. Over the years, this theme still sticks with Caffé Lena’s diverse range of programming. Whether in-person or on a live stream, those can enjoy the intimate setting and vibe while garnering the sense of community so prevalent in everything they do.

    Sarah Craig has been the Executive Director of Caffé Lena since 1995, a role she earned by applying to an anonymous job posting in the classified section of the newspaper. All it said was, “Nonprofit arts organization seeks full or part-time executive director.” She was the only applicant, and the rest is history.

    Photo by Derek Java.

    Craig earned her BA in Psychology and Women’s Studies from the University of Vermont, where she developed organizing skills as an activist. “[I was] inspired by two things: my sister’s participation in the Peace Corps in rural Paraguay, which was a huge eye-opener for me, and my own exposure to Liberation Theology in the Catholic Church, which was an important part of my life at the time,” she said. She became interested in gay rights, ecology, and economic justice, working in the sphere of some very effective senior activists, including Bernie Sanders and Roddy Cleary.

    After college, she moved to Boston and began canvassing for Massachusetts Peace Action, serving as the Executive Director before eventually going to Caffé Lena. When she first started at Lena, her duties included grant writing, house management, and developing the volunteer and membership base. Now that there are a dozen people on staff, the budget has grown more than 2,000%. She says she spends “about 1/2 of my time booking shows, 1/4 fundraising, and 1/4 developing new ideas and managing the team.”

    Caffé Lena takes up most of her time – waking and sleeping. “It’s an outlet for my creative energy, my social energy, and my dreams of saving the world. But, ever since the start of the pandemic, I’ve made a concerted effort to not be all Caffe all the time,” she explained. She is working on a sequel to a novel she finished and started playing the French horn again. She likes to spin yarn and felt, run or X-C ski, and when it’s the season – grow vegetables. She also likes to play online Scrabble with her daughter in NC a few times a week, and explains that was one of Lena’s great passions, “she was a 400 player.”

    sarah craig
    Sarah Craig speaking at a press conference. Lauren Halligan – MediaNews Group file.

    In 2016, the venue underwent $2 million in renovations creating a home for Lena’s celebrated program for decades to come. New additions also included a 100% handicap-accessible space on their second-floor performance space.

    Caffé Lena has a wide variety of programming available besides their eclectic mix of performers. In 2020, they launched the School of Music to carry on the folk tradition of music as a social pastime. Children and adults learn in small, friendly groups, mastering a repertoire of folk classics, and write some too. Some more experienced kids have now formed their own band, The Rolling Pebbles.

    Folk gets passed along by venues, festivals, camps, places of worship, community groups and families. The School is our investment in this process. We offer activities for toddlers to seniors that are social and musical. It’s the most wonderful thing to sit at my desk and hear 30 senior citizens in the next room jamming away on three-chord songs and just having the best time. Or seeing our youth students developing into righteous little fiddlers and guitarists…There are powerful forces in the world pulling us deeper and deeper into a world of technology, where people are rarely face to face with their community. People are not experiencing social life in the way we’ve evolved to experience it. The School of Music feels like a win for basic, old-school humanity. 

    Sarah Craig.

    Other programs that have been seen at Caffé Lena are The Bright Series – monthly shows featuring artists playing the venue for the first time; Caffé Lena on the Road, where headline artists travel into the community to deliver live music at places such as elderly care centers, recovery groups, soup kitchens, and more; Pride Night; Little Folk Shows – kid-friendly matinees; and so much more.

    Since Craig’s time at the venue, she has seen a variety of musicians, with some of her favorites including those that have not risen to widespread fame besides small clubs like Lena. “In that category, I’d cite Jeremy Wallace, Gina Forsyth, and Chandler Travis. Some were real jaw-droppers and indeed they did go far: Anais Mitchell, Billy Strings, 14-year-old Sawyer Fredericks, and Allison Russell, who just won two GRAMMYs.” She went on to say “Our staff gets asked a lot, ‘Who’s your favorite?’ and we all agree: it’s the one we saw last night.”

    Bob Dylan with Lena Spencer. Photo by Caffé Lena.

    Caffé Lena has a long history in the folk scene but as Sarah Craig pointed out in our conversation, the emergence of Americana music in 2007 replaced some of the singer-songwriters from the ’80s and ’90s. The popularity of folk-rock string bands has stayed strong for nearly 20 years. Since taking the reigns in 1995, she noticed that the Internet has drastically changed many things.

    “It completely changed the culture of everything everywhere, but that definitely includes live music,” she explained. “On the positive side, it has greatly facilitated our success in building an audience with eclectic tastes that is willing to explore new music. On the downside, it has radically amped up the way of life at Caffe Lena. Lena used to book her musicians for a full weekend. These days, it’s a different show every night, and bands rush in 2 hours before showtime and hit the road immediately afterward to get to the next gig.”

    With events happening almost every day, the venue is busy and booming. Sarah Craig loves the atmosphere of the venue. She loves when the volunteers arrive and start baking cookies and making coffee, and when the “legendary Joe Deuel, Lena’s sound tech for the past one thousand years, starts setting up the mics.” The little moments that she experiences every day are her favorite; turning off the lights at the end of the show and saying goodnight to the iconic venue.

    https://youtu.be/ht2zdYvs_wc?si=1krBF-BOObg_R9AH

    The music industry is largely dominated by men, but some very decent people love music and enjoy spending their lives with musicians and are not in it for the money. Asking Craig about her experience as a woman in the industry, she said that her experience has overall been good. Despite the fact she isn’t a man, who can get more bookings, she has made it work. Something notable she highlighted was that the nonprofit world, like Caffé Lena, is largely dominated by women, however, the majority of executive directors are men.

    Why does she think this is? Sarah explained “Because boards of directors have more confidence in men. The world continues to misread women because women tend not to be swaggering and self-advocating. They just do a rock-solid job, and expect that to be enough. This is something people in supervisory positions need to be conscious of: valuable male workers and valuable female workers don’t necessarily look the same.”

    Despite this, working in the music industry is a rewarding experience for her, and many women across the board.

    Goodnight Moonshine at Caffe Lena. Photo by Derek Java.

    Caffé Lena has an eclectic lineup month after month, full of vibrant musicians and welcoming people. For more information about the venue, visit here.

  • Hipsy Gap releases adrenaline-fueled ‘Shellshocked’

    Introducing Hipsy Gap, a lively five-piece alternative rock group from the busy streets of Brooklyn. The group today, March 1, releases “Shellshocked”, their new single, taking listeners on a rollercoaster of emotions.

    As we enter a new season, Hipsy Gap invites listeners to jump into an adventure that captures the excitement of turning a new leaf. With edgy guitars, ambitious vocals, and a mid-song switch-up leading to dreamy shoegaze bliss.

    Besides, “Shellshocked” has just released in the perfect moment. With this single, listeners can feel ready to let go of the weight of winter blues. Fans might want to start a new chapter as we say goodbye to the coldest, least appealing months each year. Further, the song is a metaphor for letting go of the past and welcoming something new and inspiring. It makes sense that the band would end their live performances with this five-minute epic, and leaves the audience wanting more. “Shellshocked” should be felt as much as it should be heard.

    The vivid imagery of escaping from a burning building and discovering an unknown ocean gave the song a very powerful narrative. With an unexpected melody change, the song takes you through an uplifting-adrenaline rush type of feeling. Additionally, the melody change complements the emotional shift. The song takes you on a rollercoaster of emotions, moving from urgency to reflection to an empowering ending.

    Hipsy Gap’s sound is a combination of pop catchiness and raw energy similar to DIY 90s rock. “Fantasize” and “Uno,” two of their most recent songs make you feel like you might have heard them before, but you can’t quite put your finger on where (or when). Drawn from artists such as Paramore, Slowdive, and The Cranberries, their philosophy of fusing genres is shown by the group’s diversity.

    “[Hipsy Gap] captures a lush melancholic spirit full of passionate vocals and a blend of shoegazey production and instrumentals, with a whip-smart chorus that has fragments of 90s power pop songwriting, with a magic feeling of its own”

    -Will Oliver, We All Want Someone to Shout For

    Hipsy Gap is definitely on the verge of big things with “Shellshocked”. Keep an eye on them as they continue on this path, leaving audiences hungry for more.

  • Tedeschi Trucks Band Triumphs at Beacon Theatre, Kickstarting the Deuces Wild Tour with a Bang

    On the night of February 29, the Tedeschi Trucks Band brought their electrifying performance to the Beacon Theatre in New York City, initiating the first of three remarkable shows at this iconic venue. This marked a pivotal moment as the band transitioned to the Beacon after rocking the stage for the initial two nights of the Deuces Wild Tour at the Hard Rock Live at Etess Arena in New Jersey.

    Led by the incomparable duo of Susan Tedeschi and Derek Trucks, the band continued to captivate audiences, showcasing their musical artistry throughout this third show of the tour.

    tedeschi trucks beacon

    The Deuces Wild Tour is happening from February to October 2024, and it’s all about the Tedeschi Trucks Band playing a bunch of different songs, some they wrote, some they didn’t. If you’re a fan in New York City, you’re lucky because they’re doing more shows at the Beacon Theatre, Kings Theatre in Brooklyn, and the Capitol Theatre in Port Chester.

    The February 29 show opened with the soulful and atmospheric “Hear My Dear,” a track from the band’s 2022 album, I Am the Moon. The light and dreamy music set the stage just right, surrounding the audience in the band’s special mix of blues, rock, and soul.

    The first set reached its climax with a powerful rendition of Blind Faith’s “Had to Cry” and the mesmerizing “Pasaquan.” Trucks’ virtuosic guitar playing took center stage, leaving the audience in awe of his unmatched skill and emotional depth.

    tedeschi trucks beacon

    As the second set unfolded, Susan Tedeschi showcased her singing skill with a soul-stirring cover of Mike Reid’s “I Can’t Make You Love Me,” famously performed by Bonnie Raitt. The emotional depth of Tedeschi’s performance resonated throughout the Beacon Theatre, capturing the hearts of everyone in attendance.

    A memorable part of the night was when Alecia Chakour, a strong member of the Tedeschi Trucks Band, stepped up and sang Aretha Franklin’s “It Ain’t Fair.” Chakour’s amazing singing and stage presence really impressed the audience, showing how important she is to the band’s overall performance.

    Gabe Dixon, another gifted member of the group, showcased his exceptional singing skills in a soulful performance of “Gravity,” highlighting the band’s diverse musical abilities and collective talent.

    tedeschi trucks beacon

    The second set also featured a memorable cover of Derek and The Dominos‘ “Anyday,” where Susan Tedeschi and Mike Mattison engaged in a vocal duet, exchanging verses and harmonizing seamlessly. The band members worked really well together, making the music feel extra special and going beyond just the stage.

    The night culminated in a soulful tribute to the late Bill Withers with a cover of “I Wish You Well.” The band’s emotional delivery of Withers’ timeless classic served as a fitting conclusion to an evening filled with musical brilliance and camaraderie.

    Tedeschi Trucks Band – Beacon Theatre, NYC – Thursday, February 29, 2024

    Setlist: Hear My Dear, Ain’t That Something, Laugh About It, I Am the Moon, Everybody’s Got to Change Sometime, Circles Round the Sun, Had to Cry Today, Pasaquan, I Can’t Make You Love Me, Soul Sweet Song, It Ain’t Fair, Gravity, Do I Look Worried, Last Night In the Rain, Anyday, Part of Me, How Blue Can You Get, I Wish I Knew (How It Would Feel To Be Free), I Wish You Well

  • Josh Lumsden Releases Hypnotic Single “Serotonin”

    Pop artist Josh Lumsden has released a soothing new single “Look at What I Found” that explores euphoric experiences in romance. 

    Independent DIY pop artist and acclaimed NYC-based producer Josh Lumsden new single marks as the second single of  their sophomore EP, VYYPER slated for a 2024 release. The hypnotic and dragonfly-infested self-produced single “Serotonin” features a dance-funk sound blended well with powerhouse belts. When describing the song, the artist shared how the single “is about feeling the euphoric high experienced when entering a new romantic situation.” 

    Mexican-American Josh Lumsden is known for being the sole producer of their entire discography and director and editor of their music videos. Known for their musical collaborations with LGBTQIA+ Icons Yvie Oddly and Brendan Maclean, the classically trained musician and self-taught producer has been praised by PopBuzz for “constructing supernatural earworms”, with World Of Wonder asserting that “everything you hear comes straight from Josh”. 

    The single is also accompanied by a self-directed music video and features a completely different vibe. The video shows him completely depicting himself and a hybrid-ethereal entity in their  image, showcasing an emotional entrapment. Dragonflies consistently reappear in different parts of the video, serving as a recurring visual motif that ties the scenes together. As a producer of the track, Lumsden shared how they were very inspired by downcast-pop/funk & unconventional chords, “I really wanted to pair that with vocals that kind of touch all the different ranges of my voice. I tried to mix chest voice, falsetto, and belting all in one track.”

    With the single release and a new EP date announcement, Lumsden also shared that there will be a few more singles off the EP, which fans can expect to be released this year. Their new self-produced single “Serotonin” is available to stream everywhere, and for more information about the artist, fans can visit here.