The Brewster Summer Music Series has returned to Brewster, New York, for its fourth annual year, with an exciting lineup of musical artists performing through the end of July. All shows will take place at the Gazebo at Southeast Veterans Park on Wednesdays between 6:30-8:30 p.m.
Located in Putnam County, Brewster is an intimate village about an hour north of New York City. For a town with a population of only about 2,500, the Brewster Summer Music Series is a significant yearly musical gathering for the community.
Coming into its fourth year, the annual series is returning to its regular spot at the Gazebo at Southeast Veterans Park for shows every Wednesday until July 31.
The event is fully organized by the Town of Southeast Cultural Arts Coalition (CAC), a non-profit group that aims to create and preserve the cultural arts of the Town of Southeast and nearby communities.
All artists still performing for the rest of the month are M80s New York, Genevieve Faivre Jazz and Jay Prince and Friends.
Please note that everyone attending the concert is required to carry out everything they brought in, including their own trash. Lawn chairs and blankets are encouraged.
Visit here for more information about the series. See below for the full lineup with descriptions of the artists. In the event of weather concerns, please check here.
Full Event Lineup
7/17 – M80s New York
Bringing New York’s premier rock experience with a big sound that harkens back to your favorite rock and roll songs from the ‘80s, is M80s New York. Recently seen at Putnam Golf Summer Series to a sell-out crowd, they are sure to get you on your feet and dancing.
7/24 – Genevieve Faivre Jazz
Genevieve Faivre, a homegrown singer-songwriter and Brewster High School alum will bring her signature voice and style to Brewster. She has played all throughout the area and NYC, including 54 Below in Manhattan, The Red Lion in NYC Village and The Red Pavilion (Taboo Jazz) in Brooklyn, as well as branching out for recordings for AMC, EI Ride Entertainment and Astarte. Attendees will be treated to jazz standards, bosa nova as well as specialty songs, with a collection of the finest jazz musicians from the NYC area who appear regularly at clubs and Broadway shows. Special guest Tony DePaolo will also be leading off the night at 6:30 with his talents on the guitar.
7/31 – Jay Prince and Friends
For the final show in the series, Jay Prince and Friends, an outstanding and professional entertainment group that boasts, “Rock, Funk, Groove, Repeat,” will gather the best local professional musicians to the gazebo once again. Remember to bring your lawn chairs and picnics!
Two-time Grammy Award winner, Jason Mraz, hit the stage at CMAC on Wednesday, July 10. Bringing a night of positive and inspirational messages, Mraz rocked the Northeast shore of Canandaigua Lake, along with Ripe and The Molly Miller Trio in support of his 2023 release, Mystical Magical Rhythmical Radical Ride.
Jason Mraz
With the threat of tornados from Buffalo to Canandaigua throughout the day, Mraz and fans were keeping a close on the weather. As Mraz hit stage around 830, it was clear that many fans decided to stay home. Thanks to venue staff for doing the right thing, as many lawn patrons were offered seats under the cover of the shell.
Getting the night started was Ripe. Fronted by Robbie Wulfsohn, Ripe is a highly energetic pop-funk band from the Boston area. Formed while studying at Berklee College of Music and working through the pandemic, Ripe has developed a mini cult-like following of music fans of all ages that keeps on growing. Pairing with the powerful voice of Wulfsohn were Christian Yogi Saint-Louis on guitar, Sampson Hellerman on drums, Jon Becker on Bass, Calvin Barthel on Trombone.
Opening for an act like Jason Mraz might be intimidating for some, but for these guys, not even the weather was intimidating as they dominated their set. Both Wulfsohn and Becker were all over the stage, never skipping a beat.
Ripe Setlist: Flipside, Stanky, Passerby, Say It To Me, Sussudio (P Collins cover), First Time Feeling, Noise in The Forest, Downward, Settling, (Goon Squad)
As Mraz took the stage donning a retro looking fit, the crowd is energized and ready to dance the night away, a common theme at Jason’s shows. Joining him on the stage that was backlit by large display screen was his Superband, a collection of nine other artists who were all ready for a workout, including Molly Miller, Billy Galewood, and other members of Bushwalla.
“Getting Started” and “Feel Good Too” was the ideal pair of songs to get the set started. Both songs carry poppy, trippy, and happy vibes which set the tone for the next 90 minutes.
Before song three began, insight was offered up on the meaning of “The Remedy.” He went on to talk about a conversation with a high school friend who had a deep conversation with him around age 20 and told Mraz of his recent cancer diagnosis. Definitely, not something anyone wishes to deal with but sadly becomes part of life. In an ode to his friend and the most positive outlook one could have in his situation, “The Remedy” was born. Mraz continued on saying that this friend is alive and well today, and recently celebrated his birthday.
Admittedly, I could not name more than one song from Jason Mraz before the show. As the night progressed, I recognized several, not realizing who the artist was. Not realizing the level of talent I was listening to. Guitarist, lyricist, dancer, and story teller, Jason Mraz offers it all and delivery is second to none.
As he continues his set, he adds in wit and banter related to each song, or the weather as he cracked a couple tornado jokes. He even ‘Rick Rolled’ the Canandaigua crowd. Introducing a song, he began to talk about a special guest who join in him on stage, as he called out Colbie Caillat, an artist who he has collaborated with previously. After a brief pause, he added “…Could not make it tonight” and immediately went into Rick Astley’s “Never Gonna Give You Up.”
Keeping the jokes going, he offered alternate lyrics to “Pancakes & Butter,” his song about waiting for someone special because they pair well together. Trying to keep straight face, Mraz started singing about Rochester and garbage plates instead of “Pancakes & Butter.” Apparently, the former didn’t flow, and he had to scrap the idea.
As the night concluded with “I Feel Like Dancing,” Mraz was joined on stage with Ripe and they danced the night away. Artists pairing up with each other and creating an amazing scene on stage as the entire crowd is up screaming for more. A very fitting conclusion to a very uplifting show.
Jason Mraz setlist: Getting Started, Feel Good Too, The Remedy (I Won’t Worry), 3 Things, Living in the Moment, Good Old Daze, Be Where Your Feet Are, Look For The Good, Make it Mine, Butterfly, Pancakes & Butter, Disco Sun, 93 Million Miles, I Won’t Give Up, Have It All, You Might Like It, I’m Yours, I Feel Like Dancing
Jon and Alonzo – RipeCalvin & Yogi -RipeCalvin Barthel – RipeAlonzi Demetrius – RipeSampson Hellerman – RipeJon Becker, Robbie Wulfsohn – RipeRobbie Wulfsohn – RipeJon Becker – RipeJason MrazJason MrazJason MrazMolly Miller Jason MrazJason MrazJason MrazJason MrazJason Mraz
Playhouse Stage Company is extending its 36th season with a production of Legally Blonde: The Musical at Cohoes Music Hall. Previews will take place on July 17 and 19, and the production will last through August 11.
Playhouse Stage Co. has been presenting musical theatre productions year-round at the Cohoes Music Hall since 2016. They are continuing that tradition with Legally Blonde: The Musical this summer. The musical comedy based on the beloved movie will feature Playhouse Stage Academy students as well as professional performers. The talented actors will tell the story of sorority girl, Elle Woods, who attends Harvard Law School to follow her ex-boyfriend and finds herself in the process.
Legally Blonde will have two previews taking place on July 17 at 7:30 PM and 19 at 2 PM for press coverage. For the rest of the run there will be 7:30 PM evening performances on Wednesdays, Fridays, and Saturdays. 2:00 PM matinee performances on Fridays, Saturdays, and Sundays.
The show is directed and choreographed by Ashley-Simone Kirchner, assistant choreographed by Gabi Bazinet Douglas and Alexis Papaleo, and musically directed by Brandon Jones. Additionally, Scenery is designed by Marc Christopher, costumes are by Minah Tucker, lighting is by PJ Davis, and sound is designed by Tommy Rosati.
Tickets are on sale at the Cohoes Music Hall and Playhouse Stage Co. box office. Adult tickets are $35.00, with $25.00 available for Seniors (65 and older). Tickets are $18 for children and students with identification. To purchase tickets online, visit www.playhousestage.org.
The Albany Institute of History and Art presents their latest free concert series, Summer Music at the Museum. The series will take place on select Wednesdays throughout the months of July and August and feature a number of local musicians, artists, and restaurants.
In partnership with the Albany Musicians Association and Motion Picture and Television Fund (MPTF), Summer Music at the Museum returns to the Albany Institute as the 2024-2025 season begins. The series consists of three separate performances, each on a select Wednesday of each month. The concert series began with its first performance on Wednesday, June 26. The next scheduled concert is Wednesday, July 17, from 5:00-7:00 pm, featuring The Art D’echo Trio.
The Art D’echo Trio is a jazz trio hailing from New York’s capital region. Its members are pianist Dave Gleason, bassist Mike Lawrence, and drummer Pete Sweeney. Formed in 2012, The Art D’echo Trio have performed together in multiple jazz combos since they were teenagers. Eventually, the three musicians formed an official jazz trio, bringing their skills to performances all over New York. Over the years, the trio have played everything, from Latin jazz tunes to their own renditions of classic jazz standards, enthralling audiences everywhere they go. Their one-of-a-kind musicianship is inspiring to both lifelong jazz fans and newcomers to the genre. Now, they head to Albany for a stellar performance at Summer Music at the Museum.
The Art D’echo Trio – official Facebook page
The next concert for Summer Music at the Museum is scheduled for Wednesday, August 14.
All concerts for Summer Music at the Museum are free and open to the public. The Albany Institute encourages attendees to bring picnic blankets or camp out on the lawn of the museum. The venue is located at 125 Washington Ave, Albany. For any updates or additional information, visit AIHA’s website, linked here.
Darryl “DMC” McDaniels of Run-DMC returns to where it all began. Next Saturday (July 20) the 2016 Grammy Lifetime Achievement Award recipient will make an appearance at the Queens Night Market to debut his new cookie brand, Darryl Makes Cookies.
DMC will headline Summerstage on July 21. Photo by John Shore.
Late last year, DMC unveiled Darryl Makes Cookies during an appearance at Comic Con. According to McDaniels, the line of cookies and many of his artistic endeavors are intended to bridge generational gaps. As a result the cookies have made a few pop-up appearances, but DMC is officially bringing them home on July 20 at the Queens Night Market. Furthermore, fans and visitors will get a chance to meet DMC and have their cookie bags signed by the rock & roll hall of famer.
I’m so excited to be performing in my hometown borough of Queens! I’m bringing things that make people smile… music and the koolest cookies in the universe. This is going to be like the neighborhood block parties we would have that are one of the foundations of Hip Hop. It will be the culture at its finest!
– Darryl “DMC” McDaniels
About Queens Night Market
The Queens Night Market aspires to be NYC’s most affordable, most diverse, and most welcoming community space. The event features over 100 independent, local vendors on Saturday evenings in Flushing Meadows Corona Park from April through October. It maintains a unique $5-$6 price cap on all food items available for sale at the event for inclusivity and accessibility to everyone.
Since it’s launch in 2015, the Queens Night Market has welcomed approximately three million visitors, helped launch over 400 brand new businesses in New York, and represented over 95 countries through its vendors and their food. In 2023, the event averaged approximately 20,000 attendees each Saturday night. Presently, DMC and the Queens Night Market combine in their common cause towards inclusivity and accessibility for all.
DMC brought all eyes on the borough with the pioneering music of RUN DMC. We’re beyond ecstatic that DMC is hosting an official launch of Darryl Makes Cookies at Queens Night Market and can’t wait to catch his SummerStage show the day after!
Jim Jones’ rapping and delivery have aged like wine. Thus it comes as no surprise that as Brady Watt sifted through beats at — Dipset affiliates — Heatmakers’ studio, he could not help but think of Capo. “With Dipset already on my mind, we reached out to Jim Jones, and he miraculously came to the studio a few days later,” Watt recalls.
Brady Watt adds his touch to The Heatmakers’ beat, creating “Godspeed.”
Hence, the end result –“Godspeed”– is classic Heatmakers beat. Backed by a high pitch and soul sample, the record sees Jim Jones introspectively shares his life and times and Brady Watt delivers a passionate chorus. Yet during the recording process, Watt was mourning the loss of a close friend’s father. Thus channeling his emotions into the song, turning his sadness into a passionate message about gratitude, alignment with destiny and God’s timing.
“Jim did the verse on the spot and brought everything to the next level. Thankfully, my cameraman was there to document everything,” Watt reveals. Indeed, the music video for “Godspeed” consists of the intimate studio session, showcasing Watt’s diversity as he provides vocals, production and instrumentation on the record.
“I’m a lifelong Dipset fan,” Watt shares. “Over the years, I’ve developed a friendship with Jim and Heatmakerz. I’m always making beats, but I wanted to see what would happen if I used someone else’s production while still adding my instrumentation and bass.”
More From Brady Watt
Ultimately, “Godspeed” is the latest feather in the cap of the the multi-instrumentalist/producer. After all Watt has been a hip hop mainstay thanks to his musical chops. Aside from being a well-renowned live musician and session bass player, he continues to push musical boundaries with his groundbreaking “Bass & Bars” series, which has now garnered over 100 million views.
On July 13, 1994, while the Grateful Dead drew a reported 60,000 fans to northern Vermont, Phish performed five hours south at Big Birch Ski Area in Patterson, NY to a much smaller crowd who were treated to the musical risk-taking and on stage antics that Phish was slowly becoming known for, barely into their second decade of existence.
Big Birch Ski Area – now known as Thunder Ridge Ski Area – is located in the rural town of Patterson, NY, close to Connecticut border in the northern reaches of Putnam County. Big Birch would host concerts each summer at the base of the mountain hill, with parking at the top of the unimposing slope. Tickets would be purchased at the Lift Ticket window, only $18.50 for tickets at this time.
With a capacity of 6,000 and chill biker security, Phish had played Big Birch previously in 1992, opening up for Santana, but this day would be a vibe check on the growth of Phish in the greater Northeast, especially when the Grateful Dead are playing 45 minutes north of the band’s home.
With such a big show and crowd expected at Highgate, some looked at the show in Patterson as the better option with fewer in attendance and the band rewarding those who made this decision. This small out of the way hill could have easily been overlooked in 1994 for the glitz and glory of all that Dead tour had in store, let alone in such a remote part of Vermont in the middle of the summer. While one band’s star was setting, the other’s was rising, but you might not know this looking subjectively at attendance (despite a capacity of 6,000, there are unconfirmed reports of only 1,000 at this show.) And for Phish, when you snooze on a mid-week show, history shows, you lose.
But for those who attended, they knew to never miss a Wednesday show. A venue that had no permanent seating under the tent did have folding chairs lined up in the front of the venue, zip-tied together. What happened next – well there are two takes on this. First, from Phish.com:
“Fans in the front dissembled the rows of zip-tied folding chairs and stacked them to maximize dancing space.”
or you can take the first hand account of user SoundBoy1 on Phish.net:
“Inside the venue had set up probably 1000 or so folding chairs in the front of the stage. They may have been ziptied together but in no way permanent. As soon as the show started the chairs went flying in every direction including the stage. There were piles of chairs in random spots through out the crowd. They were also being thrown on stage and the band was dodging them. I remember Brad Sands standing a bit offstage and corralling what he could⦠It took awhile for all that to settle down. During It’s Ice you can hear some feedback and Page sounds like he’s fidgeting around a bit. I think that was due to chair chucking. So first set was totally solid but no real hint of what was to go down.”
Either way, Phish fans weren’t going to be seated for this show or have dance space impeded by meager folding chairs. The first set was playful, with a “Buried Alive” right out of the gate and a burst of energy from the “Poor Heart” that followed. Hoist, having been just released in April that year, found “Sample in a Jar” early in the set, followed by two live show staples, “Foam” and “The Mango Song.”
A light jam emerged from the still new “Down with Disease,” Trey sang on megaphone during “Fee” and a pair of Rift songs – “It’s Ice” and “Fast Enough For You” – added to the consistent flow of the show. “I Didn’t Know” would feature Jon Fishman (Greasy Fizeek) on trombone for a change, shifting smoothly into a “Split Open and Melt” that ended the set.
This first set is truly smooth flowing with a big cap ending in the “Melt,” but Set 2 was the treat the fans who followed the lines going south, instead of north. Opening with an unrefined “Possum,” the jam gets weird and stays that way, as the loose jam almost falls apart but is salvaged nicely. “Cavern” started with the typical drum intro, but when the lyrics arose, “Wilson” was sung instead by Trey, leaving the fan (and band?) confused for a moment. A rare mashup for Phish, they weave in and out organically of the two songs, never perfectly but just enough to make this mashup a must listen.
The still new “NICU” bridged the gap to a “Tweezer” that seemed to open up with that part of a “Tweezer” jam right after the lyrics, but moved into the natural progression of the song after that, dialing in after following what could be considered a clumsy entry. Jazzy noodling at the end led into into a slow jam that found its way into an unsuspecting “Julius.” The “Tweezer” jam just seems to keep going if you aren’t watching the time tick from track to track. This isn’t a Bomb Factory “Tweezer” but the slow return would feature a few teases, including “I Know a Little” (Lynyrd Skynyrd) and make way for a country/western version of “Big Black Furry Creature From Mars” that took its time finding the ending of “Tweezer,” eventually.
An ample “Mound” seemed to fit the venue nicely, with “Slave to the Traffic Light” starting very airy with a patient build towards the peak, the “Suzy Greenberg” that followed featuring “Slave” teases from Anastasio. The encore of “My Sweet One” and “Tweezer Reprise” capped the night, maintaining the energy of the first set and the cacophony of the second, a treat for the fans who made the call to see this show in southern New York.
The band would pack up and head west for Finger Lakes Performing Arts Center in Canadaigua (now CMAC), then Jones Beach the night after. Traversing the state for these shows, plus the finale at Sugarbush was prime 1994 Phish, was a treat if you were able to see it in person.
Phish – Big Birch Concert Pavilion, Patterson, NY – July 13, 1994
Set 1: Buried Alive > Poor Heart > Sample in a Jar, Foam, The Mango Song, Down with Disease > Fee[1] -> It’s Ice > Fast Enough for You, I Didn’t Know[2], Split Open and Melt
Set 2: Possum, Cavern -> Wilson[3] -> Cavern > NICU -> Tweezer -> Julius -> Tweezer -> Big Black Furry Creature from Mars[4] -> Tweezer -> Mound > Slave to the Traffic Light > Suzy Greenberg
Encore: My Sweet One > Tweezer Reprise
[1] Trey sang verses through megaphone. [2] Fish on trombone. [3] Played to the tune of Cavern. [4] Unfinished; Played bluegrass style to the tune of Scent of a Mule.
On Thursday, July 11, Hip Hop legend KRS-One electrified the crowd at Jennings Landing in Albany, part of the Alive at Five summer concert series. The show, packed with classic hits and vibrant energy, showcased KRS-One’s enduring influence in the Hip Hop world, creating an unforgettable experience for fans.
KRS-One hails from The Bronx and co-founded the iconic group Boogie Down Productions in the mid-1980s, solidifying his place in Hip Hop history. Regularly performing in New York, KRS-One’s connection to the state is undeniable, his current tour a celebration of his legacy and the ongoing influence in Hip Hop.
Opening for KRS was fellow Bronx native DJ Show, who got the crowd hyped by spinning some Hip Hop classics and getting the crowd dancing. He made it clear that if a track was made after 2010, he wasn’t playing it tonight.
Albany-based artist Ohzhe took the stage next. The 2024 Eddies Award nominee continued to excite the audience with his charismatic and energetic stage presence.
Ohzhe’s set ended with him hollering backstage to KRS-One, who was talking with fans behind the stage, asking if he wanted him to keep performing. This prompted KRS to join him on stage for an impromptu freestyle collaboration, illustrating why The Source called KRS “the greatest live emcee ever.”
The crowd roared as KRS-One delivered powerful performances of his classics, interspersed with insightful commentary, reinforcing his status as “Hip Hop’s first Master Teacher.” Near the end of the show, KRS and his crew brought out autographed tennis balls to throw into the audience. Giving some lucky fans a memento that will solidify this performance as unforgettable.
KRS-One’s show ended on a high note, with the crowd buzzing about the evening’s performances and some admiring their tennis balls as they left Jennings Landing. His tour continues, promising more incredible shows and affirming why he is regarded as Hip Hop royalty. Keep an eye out for his next New York stops for another chance to witness greatness.
Remaining Alive at 5 2024 Concert Schedule
July 18 – Third World
July 25 – The Record Company
August 1 – Galactic (presented by WEQX and NYS Music)
The legendary British blues band Ten Years After will release their Woodstock performance on streaming and physical media. This release is the first time their Woodstock set has been released as a standalone recording. The album will release on Friday, August 16.
Singer/guitarist Alvin Lee and bassist Leo Lyons rose to local fame in Nottingham, England as the Jaybirds in the early 1960s. Following the addition of drummer Ric Lee and keyboardist Chick Churchill in 1966, the band rebranded themselves as Ten Years After. Throughout the 1960s, the band released four studio albums, including the live LP Undead. This album contained the first rendition of their anthemic hit “I’m Going Home.”
As the band made a name for themselves, they quickly began playing shows across the United States. In July 1969, they broke barriers being one of the first rock groups to perform at the Newport Jazz Festival. Following a summer of cross country touring, the band arrived in Bethel, NY for the Woodstock Music and Art Fair.
Alvin Lee on stage at Woodstock
Ten Years After were slated to perform on Sunday, August 17th: the festival’s third day. Following acts like Joan Baez, Santana, and Long Island’s Mountain, they certainly had a high bar to meet. By the time their 8:15 set began, conditions were gloomy. The sun had begun to set, and rain poured down covering the stage and turning the fields into mud pits. These conditions in tandem with a jet-lagged band seemed to spell disaster for their performance.
However, their set was anything but a disaster. Looking out to the audience, Alvin Lee calmly said “This is a thing called ‘I’m Going Home’… by helicopter!” In no time, Lee’s guitar erupted into a fiery breakneck solo, before the rest of the band joined. The 12 minute long jam seamlessly switched between funky numbers and psychedelic guitar passages enthralling the audience of 500,000. Throughout the live recording, the audience can be heard whistling, hooting, and clapping along illustrating just how captivating their performance was.
Their Woodstock performance and the ensuing 1970 Woodstock film propelled Ten Years After to newfound levels of fame. The concert footage made the then up-and-comers seem like rock gods. Throughout the performance Alvin Lee’s long hair waved in the wind, as Lyon’s headbanged in the background.
Following the release of the Woodstock film, the band’s shows began to grow larger and larger. Soon audiences of all ages were attending their shows, propelling their releases even further up the charts. 1970 also saw the band’s highest chart success with the release of “Love Like a Man,” which reached no. 10 on the UK Singles Chart. This success however worked to destroy the band. Growing arguments and disillusionment with touring slowly ate away at the group. Lee remembered ““You’d walk on stage and people would be shouting for I’m Going Home, which was the last song. I often wonder what the rest of our career would have been like if the Woodstock movie had used another song. As it was, everything became focused on the last song, the high-energy number.”
Following the release of their 1974 record Positive Vibrations, the band broke up. Throughout the 1980s, the band occasionally reunited to play shows like the 1983 Reading Festival. In 1988, the band permanently reunited, releasing four albums and touring – albeit with varying lineups.
Now for the first time in history, the original recording of Ten Years After’s Woodstock set will release to the public. This release features a new remaster of the original 2” multitrack tapes. In addition to streaming platforms, the album will also release on physical media. The album releases as a 2LP, 180gm black vinyl, and single-disc CD. There will also be an independent record store exclusive release on pink tie-dye vinyl. All releases come with liner notes from legendary music journalist Chris Welch.
For more information on the August 16th release of Woodstock 1969, visit the link here.
On a perfect summer night for a rock concert, the Red Hot Chili Peppers delivered a sensational sold-out show at Darien Lake Performing Arts Center on Friday, July 12, marking a standout stop on their 2022-2024 Global Stadium Tour.
The concert kicked off with bassist Flea handstand walking over to his bass and immediately jumping into an electrifying and psychedelic jam with guitarist John Frusciante and drummer Chad Smith. This set an upbeat tone that seamlessly transitioned into “Around the World” as vocalist Anthony Kiedis took the stage to a massive roar.
From the very start, the band’s energy was at full blast, capturing the crowd’s enthusiasm. Fan-favorite “Dani California” followed, turning the amphitheater into a sea of singing and dancing.
The setlist showcased the Chili Peppers’ versatility, balancing timeless hits with fresh material. “The Zephyr Song” offered mellow vibes, while “Aquatic Mouth Dance” introduced a new, experimental flavor. The crowd was treated to a heartfelt cover of “I Remember You” by The Ramones, a nod to the band’s punk influences.
The performance continued to build momentum with “Hey” and the band followed up with another Ramones cover, “Havana Affair,” keeping the energy high. The raw power of “Suck My Kiss” and the emotive “Soul to Squeeze” provided a mix of intensity and introspection. The anthem-like “Carry Me Home” led into fan favorite “Californication,” which had the entire amphitheater singing along.
The night’s encore began with a stirring rendition of “Under the Bridge” and concluding on a high note with “Give It Away”, capping off a night of high-energy rock and funk.
The Red Hot Chili Peppers’ performance at Darien Lake was a testament to their long career and legacy. Their setlist combined classic hits with newer tracks, ensuring a memorable experience for fans. The band’s dynamic stage presence and ability to create an engaging atmosphere reinforced their status as one of rock’s most enduring and exciting acts.
Red Hot Chili Peppers – Darien Lake Performing Arts Center, Darien Center, NY – Friday, July 12, 2024
Setlist: Intro Jam, Around the World, Dani California, The Zephyr Song, Aquatic Mouth Dance, Universally Speaking, I Remember You (Ramones cover), Eddie, Hey, Right on Time, Havana Affair (Ramones cover), Suck My Kiss, Soul to Squeeze, Carry Me Home, Californication, Black Summer, By the Way Encore: Under the Bridge, Give It Away
