Category: Regions

  • Broadalbin-Perth High School Choir to Join Foreigner at SPAC

    As part of their historic farewell tour, Foreigner will play at the Saratoga Performing Arts Center (SPAC) on July 30th. The local Broadalbin-Perth High School Choir (BPHS) will join the group for a performance of the legendary hit “I Want to Know What Love Is.”

    Broadalbin-Perth High School Choir

    In the lead-up to their tour, Foreigner began a contest to involve local schools in their performances. Among the many schools that submitted audition tapes was BPHS, who Foreigner ultimately chose to perform alongside at their Saratoga Springs show. Choir director Alex Hitrick recalled the immense work the students put into this audition. “I had the students figure out the harmonies sung by the New Jersey Mass Choir in the original song, arrange it, then sing it as a group.” To Hitrick, the student’s “ability to put their passions on display while having fun” made their tape stand out. 

    The BPHS Choir has grown immensely since director Alex Hitrick began five years ago. When he began, the choir only consisted of 12 students, but has since grown to 68. This upcoming year, they will have enough students to field two choirs. These students’ hard work has allowed them to return to the NYSSMA major festival for the first time in years. In light of all of this progress, Hitrick views their upcoming show with Foreigner as “absolutely a natural progression. The students not only put in the work that it takes to be stronger musicians, but have put their hearts into everything they do.”

    Since winning the contest, the students have continued to work hard at their musical craft. BPHS will send 25 students to perform alongside Foreigner. These students have worked to fine tune all details of the song during rehearsals leading up to the show. As Hitrick admits, “While they may be a little nervous to be singing in front of thousands, I know being in the moment with each other surrounded by music will calm any nerves they may have.”

    The Broadalbin-Perth Senior High School Choir, Source: Broadalbin-Perth Central School District

    The main feeling surrounding the choir is excitement. Hitrick noticed that most students “have only heard snippets of music created from the 60s to 80s.” While many were aware of Foreigner’s hits, they did not know much about the band. After explaining Foreigner’s status as Rock and Roll Hall of Fame inductees, the students recognized how important they really were. Now, Hitrick says “They cannot contain their excitement.” He specifically wanted to shout out one of his students “who will be singing every word to every song that they play.”

    This performance has already had major impacts on the Broadalbin-Perth music program. Hitrick believes that the publicity from this performance will increase numbers for the choir. He expects that all music ensembles and extracurricular activities in the district will also receive a boost. This new interest can help students explore the “many different avenues of music that students can pursue.” In addition to increased interest, there are more immediate benefits to the performance. As part of the contest, Foreigner will donate $500 to the choir program to aid in its operations. 

    Hitrick believes that music is a fundamental part of education, “it is the time of day when we get to engage our brains in a different way. It’s the time when students don’t have to think about the pile of standardized tests they have to take or the insurmountable stress that is weighing them down.” In the end, music and creativity is what makes us human, so “When shaping well-rounded individuals to be the best that they can be, we mustn’t neglect the creative side to humans, and in our case, the future of music education.” Based on what Hitrick sees in his students, he says “the future of music looks bright.”

    The performance at SPAC comes as part of Foreigner’s historic farewell tour with Styx. This tour comes after a near 50-year career that propelled Foreigner into rock stardom. Across their nine studio albums, Foreigner has racked up 14 top 20 hits. Audiences are sure to know tunes like “Cold As Ice” and “Juke Box Hero.” 2024 marks a big year for the band beyond just this tour. Foreigner’s Rock and Roll Hall of Fame induction is also scheduled for October 19th. 

    For more information on Foreigner’s July 30th show at SPAC with Broadalbin-Perth High School Choir, visit their website here

  • Saturday Night Live Season 50 Premieres September 28

    This fall, Live from New York, Saturday Night Live’s 50th anniversary will be celebrated, with season 50 of SNL airing on September 28.

    snl50 SNL

    With an election year on tap, SNL50 will bring out plenty of sketches lampooning the presidential race, likely calling back former cast members for cameos, if not outright regular roles (we’re looking at you Maya Rudolph as VP Kamala Harris).

    An Election Special is slated for November, along with other specials around the holidays, plus a documentary series, a multi-part music specials series, and a comedy special at Radio City Music Hall. All this is part of a “seven-month long party” that celebrates the NBC institution.

    Saturday Night Live premiered on October 11, 1975, with George Carlin hosting, and musical guests Billy Preston and Janis Ian. The upcoming film, SNL 1975, directed by Jason Reitman, takes a look at what was unfolding behind-the-scenes in the moments leading up to SNL’s first broadcast.

    The actual anniversary episode will air in on Sunday, February 16, 2025 from 8-11pm, when the red carpet will be rolled out for current and former Saturday Night Live cast members as they arrive at Studio 8H to take part in the SNL50 Primetime Special.

  • Christmas Spectacular Starring the Rockettes Returns to Radio City Music Hall This November

    In celebration of “Christmas in July,” Madison Square Garden Entertainment Corp. has announced that America’s most beloved holiday show, the Christmas Spectacular Starring the Radio City Rockettes, will be returning to the Great Stage at Radio City Music Hall from November 8, 2024, through January 5, 2025.

    November 3, 2021: Dress rehearsal for the Radio City Christmas Spectacular starring the Radio City Rockettes.

    A staple of the holidays in New York City, the awe-inspiring Christmas Spectacular features intricate choreography performed by the incomparable Radio City Rockettes throughout nine show-stopping numbers. The production, which can only be seen at Radio City Music Hall, blends classic numbers that audiences know and love, such as “Parade of the Wooden Soldiers,” with innovative technology that extends the show beyond the stage, including immersive digital projections.

    In “Dance of the Frost Fairies,” the production’s newest number, which was introduced in 2022, the Rockettes perform alongside Frost Fairy drones that magically fly above the audience, turning Radio City into a winter wonderland. Since it opened at Radio City in 1933, the Christmas Spectacular has brought holiday joy to more than 71 million people from around the world.

    The Radio City Rockettes, the longest-running precision dance company in America, are renowned for their unity, athleticism and iconic precision style that combines elements of ballet, jazz, and tap, as well as techniques of modern and contemporary dance. In addition to the Christmas Spectacular, the Rockettes perform annually in the Macy’s Thanksgiving Day Parade and the Christmas in Rockefeller Center tree lighting and have appeared as part of some of the biggest events in entertainment, including the Tony Awards, the MTV VMAs, the NYC Pride Parade, and “Saturday Night Live.”

    To ensure that the Rockettes line showcases greater diversity and that dancers from all backgrounds see themselves represented, the dance company actively works to open education and training opportunities to more dancers through a robust dancer development program, including the no-fee Rockettes Conservatory, and by establishing strong partnerships with diverse dance organizations like The Ailey School, Dance Theatre of Harlem, Harlem School of the Arts, and the International Association of Blacks in Dance.

    Radio City Music Hall and the Christmas Spectacular provide a variety of accessibility offerings so more guests have an opportunity to enjoy the magic of Christmas. Through an ongoing partnership with KultureCity, a sensory room and sensory bags that contain special KultureCity VIP badges, fidget tools, noise-canceling headphones, and other resources are available at all performances of the Christmas Spectacular. Audiences at every performance can also access closed captioning on their personal devices via VITAC, and additional accessibility programming is offered at designated shows each season, including open-captioned, audio-described, and American Sign Language-interpreted performances, as well as a sensory-friendly performance in partnership with the Theatre Development Fund. For more information on these and other accommodations, including accessible and companion seats, please visit here.

    Tickets for the 2024 production start at $45 when purchased in person at the Ticketmaster Box Office at Radio City Music Hall and for $56 when purchased online here. Visit here for more information.

  • In Focus: Secret Dreams Festival Delights the Senses

    The third annual Secret Dreams Music and Arts Festival brought together many of the top acts in the EDM and jam scene, including Tipper, the Disco Biscuits, Daily Bread, Detox Unit, Papadosio, Lotus and many more.

    lotus at secret dreams festival

    Secret Dreams went down in Legend Valley in Thornville, OH from July 18-20 and while the acts on the three main stages drew most of the attention there were workshops and art installations to delight the crowd as they explored to expansive grounds.

  • Hot Freaks Forever: An Ode to Hot Freaks’ Inevitable Reunion

    From the moment I hit play on Hot Freaks’ new album Hot Freaks Forever, I was instantly transported into a nostalgic time warp, addictingly reliving the raw angst and bittersweet memories of my high school days. With 10 funky synth-pop and disco tracks, Minneapolis indie pop-rock band Hot Freaks resurrected from an almost decade long hiatus and infectiously captured all of our hearts at the Mercury Lounge on July 19. 

    Hot Freaks
    Photo by Alisha Goel

    “We had already been talking about reuniting,” said frontman Leo Vondracek. “I could tell that our Spotify streams had been creeping up, which was weird because we weren’t doing anything about it at all.”

    After years of inactivity from the band, the song “Puppy Princess” from their debut album Hot Freaks went viral and became an overnight hit. “I didn’t really think it was that big of a deal, but then later that week we were getting emails from record labels. It was very surreal,” Vondracek recounted. 

    Hot Freaks
    Photo by Alisha Goel

    Opening their set with “Let’s Start a Country” from their new album, the night started with everyone chanting unisonally “One, two, three, let’s start a country,” perfectly encapsulating the feeling of wanting to move away from modern civilization and disappear into a vacuum.

    They then transitioned to some of their more personal and intimate songs like “Write Me Letters” and “Heartache” from their previous album. When asked if their songs are generally autobiographical, Vondracek replied, “The songs that have worked are the ones that have this vulnerability and intrigue. They’re mostly, I guess, autobiographical, and even if it’s not like the whole story, they have a nugget of truth in them.”

    Hot Freaks
    Photo by Alisha Goel

    Comparing their latest album to their debut album, Vondracek commented, “I feel like maybe compared to the first record, the second one is a little less vulnerable or more hiding behind metaphors.” Keyboardist Celeste Heule seemed to agree with this, and shared her thoughts on it: “I do feel like the second album has a lot of secret vulnerabilities in every song, but that could also because I read into lyrics and have my own vivid imagination. I don’t even know what they’re about or what Leo is thinking, but I feel like I’m reading into his soul. It’s stuff he doesn’t want me to know.” 

    One of my favorites of the night was “Stuart Little Vibes,” a quirky song with a soothing bridge that made me feel sublimely elevated from the venue. While Vondracek described this song as “a bit cartoonish,” he also felt the song was very postmodern. “It was like an idea of a thing, it wasn’t an actual thing. We wanted to try making something funky and weird in a fun way,” explained Vondracek.

    Hot Freaks
    Photo by Alisha Goel

    Diving into their songwriting process, Vondracek commented, “It’s like writing a diary entry and making yourself find a balance. If you’re feeling low, vent it, and if you can put it into a fun pop song that has a self-contained arc to it – that’s like really fun.” Vondracek also talked about finding courage in the process: “It’s kind of like skydiving. You have to get ready to bolster yourself up to jump out of that plane. It’s really similar – the courage to get up there and be vulnerable.”

    The band also performed “What Can I Do?” from their latest album. While a lot of their music is about love and yearning for unrequited crushes, this song thematically stood out to me from their other music – painting an introspective picture on the struggles of moving on with melancholically upbeat instrumentals in the background. “It felt like a very first thing that popped into my mind. I thought that it was really fun because it was kind of a straight shooting, simple lyric and a sad vulnerable thing,” said Vondracek. Bassist Sarah Darnall added, “It’s like you did a really hard yoga class and you get to do your Savasana at the end.”

    Hot Freaks
    Photo by Alisha Goel

    When asked about finality and completion of a song, Vondracek interestingly remarked: “A lot of time it feels like archaeology, like thrusting the dirt off and uncovering. Sometimes there is this intrinsic feeling, but more and more, I barely have that magic feeling. I think we all seek that feeling of completion, but if you don’t feel that, it doesn’t mean it’s bad. Sometimes you just have to take that leap of faith and believe that’s good.”

    The night ended with their two most popular songs “Puppy Princess” and “I Wanna be your Boyfriend.” The crowd went absolutely crazy, and people were jumping, screaming their guts out and hugging their friends. The atmosphere was intoxicatingly electric, and the intensity made it feel like a massive block party where people were busting out their best dance moves. It was chaotic, unhinged and just the right amount of freaky.

    Photo by Alisha Goel

    Hot Freaks – Mercury Lounge, NYC – July 19, 2024

    Setlist: Let’s Start a Country, Together Above, Write Me Letters, Heartache, End of the Night, Stuart Little Vibes, Boyfriend, Outset, Not Concerned with Everything, Girlfriend, I Want You To Be My Daddy, Baby Boy, What Can I Do, Puppy Princess, I Wanna Be Your Boyfriend

    Listen to Hot Freaks Forever below.

  • Beck Brings ‘Sea Change’, ‘Morning Phase’ and More to Tanglewood

    Beck’s deep decades-long catalog was on full display to a packed Koussevitzky Music Shed at Tanglewood on Tuesday, July 23.

    beck tanglewood

    With Edwin Outwater conducting another installment of Tanglewood’s Popular Artist Series, the Rock and Roll Hall of Famer performed songs from albums Sea Change and Morning Phase, two albums designed for performance with a full orchestra, having kicked off with shows in Washington state and California earlier in July.

    The show featured not just songs from the two GRAMMY nominated albums – with Morning Phase winning Album of the Year in 2015 – but also deeper cuts from Mutations, Odelay, and more, with fan favorites mixed in, as Beck presented a well-rounded view of his three-decade spanning catalog.

    beck tanglewood

    Beginning at 7:21pm with Outwater walking out to join the Boston Pops, Beck followed behind as “Cycle” was played, moving into “Golden Age,” with Beck introducing his ‘new’ band to the crowd. Presenting his rock star cool – shades, an open-button white shirt with french cuffs, black blazer and pants, all despite having his luggage lost by an airline and even borrowing a pair of shoes – Beck strode about the stage, leading the show alongside Outwater’s conducting.

    Beck recalled how he had visited Tanglewood once prior, just to see the place, and cited that he was jealous of the picknickers on the lawn. Cheers followed as he introduced “Wave,” off Morning Phase. Showing a versatility of songwriting influences, Beck shifted south to Brazil, playing “Tropicali,” suggesting that one day he might make a full album of Brazilian music.

    With an upgraded sound thanks to the 80 or so members of the Boston Pops (making for quite the tour bus, Beck later quipped), a fresh orchestra intro to “New Pollution” stood out in the first radio-friendly song of the night, with Beck’s band taking the lead on guitar and bass for the first time this evening.

    Giving a shout out to his mom who was in attendance this evening, the mellow vibe of the show (save “New Pollution”) was discussed as he moved into “Missing” off Guero, with strings arranged by his father, David Chapman. This Mortal Coil’s “Tarantula” was dedicated to the goths in attendance this evening, with Beck saying “I know you’re out there, beyond the trees.”

    Beck noted that he sought to perform music that inspired him, including that of Frank Sinatra and Scott Walker, the latter of whom two songs were performed this evening – “It’s Raining Today” and “Montague Terrace (in Blue)” – songs that Beck himself wanted to hear played by an orchestra.

    beck tanglewood

    “We Live Again” was dedicated to French singer Françoise Hardy, who passed away earlier this summer. “Phase,” “Morning” and “Waking Light,” rounded out the orchestral performances this evening, with one more surprise in store – Beck’s 1996 hit “Where It’s At” – played with depth and panache from all musicians on stage.

    Beck took time to thank the Boston Pops, specifically thanking each individual section of the orchestra – strings, woodwinds, brass and the rest – before they slowly departed the stage.

    beck tanglewood

    With a core band remaining, each of whom had been on the recording of Sea Change and Morning Phase – Justin Meldal-Johnsen (bass), Roger Joseph Manning Jr. (keys), Jason Faulkner (guitar), and Joey Waronker (drums) – Beck playfully asked ‘Where’s my orchestra?,’ before wandering the stage to get a perspective from the musicians view, sitting in the harpist’s seat, playing the vibraphone and gong, and finally breaking out a harmonica for a solo number, “One Foot in the Grave,” off Stereopathetic Soulmanure (as well as the title of another Beck album).

    The feedback friendly “Devil’s Haircut” followed as energetic as ever, with breakout single “Loser” – a song Beck has now been playing for more than 30 years – closing the night.

    While you could look at the setlist and see that some hits (including all of 2017’s Colors) were left unplayed, there were no complaints to be heard as Beck’s catalog runs deep. Given his excitement over the show and praise for Tanglewood and the Boston Pops, it feels we might see him back soon in the future.

    Beck with the Boston Pops – Tanglewood, Lenox, MA – Tuesday, July 23, 2024

    Setlist: Cycle, The Golden Age, Everybody’s Got to Learn Sometime, Lonesome Tears, It’s Raining Today, Wave, Tropicalia, Blue Moon, Lost Cause, The New Pollution, Missing, Tarantula, Round the Bend, Paper Tiger, We Live Again, Montague Terrace (in Blue), Phase, Morning, Waking Light, Where It’s At

    Encore (Beck and his band): One Foot in the Grave, Devils Haircut, Mixed Bizness, Loser

    Beck 2024 Tour Dates:
    7/25 – Philadelphia, PA – Mann Center (w/ The Philadelphia Orchestra)
    7/27 – Vienna, VA – Wolftrap (w/ The National Symphony Orchestra)
    7/29-30 – New York, NY – Perelman Stage at Carnegie Hall (w/ The Orchestra Of St. Luke’s)
    9/19-22 – Louisville, KY – Bourbon & Beyond
    9/28 – St. Louis, MO – Evolution Festival
    9/29 – Huntsville, AL – South Star Music Festival

  • In Focus: The Crane Wives Flock to Albany

    The Crane Wives, a four-piece indie band hailing from Grand Rapids, Michigan, took the stage at Lark Hall in Albany, for a sold-out show that resonated with energy, uniqueness and charm.

    Opening for The Crane wives was American performer, composer and guitarist, Yasmin Williams from northern Virginia who landed on the Billboard Heatseekers chart with her debut album, 2018’s Unwind and released her second album, Urban Driftwood, to widespread critical acclaim in 2021.

    Yasmin Williams

    Founded in 2010, The Crane Wives,composed of Emilee Petersmark (guitar/vocals), Kate Pillsbury (guitar/vocals), Dan Rickabus (drums/vocals), and Ben Zito (bass), has been weaving their unique sound through the fabric of the indie music scene, which makes their ever-growing popularity compelling to witness live.

    From the moment the lights dimmed and the opening notes of “Queen of Nothing” filled the room, it was clear that the audience was in for a night to remember. The Crane Wives’ upbeat sound is infectious; they expertly blend folk influences with catchy melodies, creating an atmosphere that had even the most reserved attendees mesmerized and dancing to the rhythm. The use of three-part harmonies is particularly noteworthy, allowing them to create a textured sound that sets them apart from the myriad of other indie rock outfits. Songs like “Queen of Nothing” set the tone for the evening, transitioning seamlessly into the rest of their impressive 17-song setlist which was finished up with an encore of “Scars” and “The Hand That Feeds.”

    The lyrics penned by the band are often deeply introspective, tackling themes that many of their dedicated listeners can relate to, yet they are always delivered with an upbeat musicality that defies the weight of the words. This juxtaposition between lyrical depth and energetic rhythm is what makes The Crane Wives so captivating; it’s a celebration of life, even in the face of hardships that connects their music to their ever growing fan base.

    Throughout the concert, it was evident that The Crane Wives prioritize creating a sense of community within their fans. Their engagement with the audience was sincere and heartfelt. Between songs, the brief banter flowed effortlessly, allowing for moments of connection. This warm approach made the sold-out venue feel intimate and welcoming, as if you were sharing the experience with friends rather than watching a performance from a distance.

    As the night unfolded, the crowd danced, sang along, and echoed the band’s harmonies, creating an exhilarating sense of unity. With the anticipation of their upcoming album, Beyond Beyond Beyond, set to release on September 6.

    The Crane Wives at Lark Hall was not just a concert; it was an immersive experience that combined exceptional musicianship with a passionate connection with their fans. If their performance is any indication, the band’s trajectory is set to rise even higher.

    With their ability to captivate audiences and create a vibrant community around them, The Crane Wives are poised for an even brighter future, and one can only hope there will be more opportunities to enjoy their lively and poignant music in concert.








  • The Flaming Lips Dazzle at Artpark

    The Flaming Lips performed their blend of psychedelic musical theatrics at Artpark for their ‘Yoshimi Battles the Pink Robots 2024 Tour’ on a breezy Monday evening, July 22.

    The mixture of long-time fans and new fans with different ages buzzed with excitement to share the moment with Flaming Lips, anticipating a jubilant celebration of their 2002 album: Yoshimi Battles the Pink Robots.

    Before the show started, “Okie from Muskogee” was playing in the background, carrying the fans slowly driven into an energizing mood. The Flaming Lips opened the stage with “Fight Test,” while the band shared the stage with four Pink Robots growing and dancing before their eyes.

    The first set was the album Yoshimi Battles the Pink Robots. The band took a break after the song “Approaching Pavonis Mons by Balloon,” leaving the audience eager for more.

    The second set starts with their nonsensical hit “She Don’t Use Jelly” as fans of all ages sing along with the band. Wayne Coyne (lead singer) performed in his trademark giant plastic bubble, throwing balloons to the crowd, setting the tone, color, and phenomenal props for the extraordinary performance.

    The whole night felt like a fun night at psychedelic karaoke as all the lyrics lit up the back of the stage so the audience could sing in unison for their two hour set. Although the audience really didn’t need too much help.  The band finished their set with “Race for the Prize” and a oversized “Fuck Yeah Artpark” inflatable balloon and celebrated this beautiful moment with the crowd.

    This moment of experiencing Flaming Lips performance would be remembered as one of the best and most colorful summer concerts at Artpark or even in Western New York. If you missed them or you hope to see them again, the Flaming Lips will be taking their Pink Robots tour to Toronto, September 8th.

    The Flaming Lips – Artpark, Lewiston, NY – Monday, July 22, 2024

    Set 1: Fight Test, One More Robot/Sympathy 300-21, Yoshimi Battles the Pink Robots, Pt. 1, Yoshimi Battles The Pink Robots, Pt. 2, In the Morning of the Magicians, Ego Tripping at the Gates of Hell, Are You a Hypnotist??, It’s Summertime, Do You Realize??, All We Have Is Now, Approaching Pavonis Mons by Balloon (Utopia Planitia)

    Set 2: She Don’t Use Jelly, Flowers of Neptune 6, The Gold in the Mountain of Our Madness, What Is the Light?, The Observer, The Yeah Yeah Yeah Song, Suddenly Everything Has Changed, Pompeii Am Götterdämmerung, A Spoonful Weighs a Ton, Race for the Prize

  • Brooklyn’s D.I.Y. Rock Scene of 1980s to be the Subject of Forthcoming Documentary

    When it comes to NYC’s D.I.Y. rock scenes and their club catalysts, CBGB wasn’t the only game in town. In the late 1980s, when the now uber-glitzy and fully gentrified borough of Brooklyn was still mostly grit, grime and crime, there was one incredibly unassuming dive bar on the fringes of Park Slope where a handful of bands built a scene that captured the attention of the indie rock world. 

    Now this bar and the many bands it birthed are set to be the subject of an in-the-works documentary, Before It Was Cool: The Brooklyn Beat from Lauterbach’s, with an online crowdfunding campaign and reunion concert set for September 14.

    Several years in the making, the nearly completed film is the passion project of three people who knew the scene best. Executive producer and director Michael West was there from the beginning, as a member of The Original Rays.  Today a DJ and music director at Radio Free Brooklyn, Rachel Cleary stumbled into this seedy venue when she went to see her boyfriend’s band play and was floored by what she heard but saw in the way of the unforgettable characters who were habitues of the bar. A Brooklyn native, Cleary is a producer and the on-screen interviewer who relates the tale through interviews with several dozen musicians and fans who religiously frequented the venue. Another Brooklyn musician who emerged a decade later, Jeannie Fry of the band My Little Eye, also serves as a Producer and Technical Advisor for the project.

    Lauterbach’s had a direct connection to CBGB’s. It all began in 1988 when Bob Racioppo, a former member of one of the original CBGB bands, The Shirts, walked into his neighborhood bar after a shift as a cab driver. In a 2023 interview with the Red Hook Star, Racioppo said: “It had a small stage and looked just like a mini-CBGB’s. It also had a pool table, just like the original CBGB’s. And in those days, the neighborhood was white and Puerto Rican working class, not yet upscale and gentrified.”  Housed on the ground floor of a two-story building on an otherwise residential block, Lauterbach’s was a true curiosity in the early days of Park Slope’s gentrification.

    With the blessing of the owners who lived upstairs, George and Alice Lauterbach, Racioppo began to bring in bands. “I brought in money and knew how to treat bands, so it took off right away.” The club soon began to attract aspiring bands from the borough and beyond.

    These D.I.Y-minded bands weren’t content to just play; they began issuing a series of self-financed compilation CDs, starting with 1988’s Today Brooklyn, Tomorrow The World.  Bearing the works of up to 20 bands in each CD, these compilations garnered national buzz, including radio airplay from popular stations like K-Rock and WNEW-FM and feature stories in outlets including The New York Times.

    This down-and-dirty but big-hearted scene is coming to life via in-person interviews with well over two dozen musicians and the locals who made this downscale tavern a must-stop every weekend. All totaled, there is 60 hours of footage being culled for the project including many archival performances taped at Lauterbach’s and at Brooklyn Beat events at other venues including CBGB.

    While artists including Joan Osborne and They Might Be Giants graced the stage in their early days, this film focuses on the bands who were the heart of the scene, with some musicians who have continued to perform professionally and others for whom their glory days in music are a cherished memory.  Interviewees include members of Racioppo’s band, Chemical Wedding, The Fields, Frank’s Museum, Formaldehyde Blues Train, Al Lee Wyer, The Moe, Squirrels from Hell and more.

    While much of the film is in the can, the producers are launching a campaign to secure completion funds for the film. They will use the monies to finalize its editing and to promote the documentary at leading film festivals in 2025. 

    The crowdfunding effort, housed at gofund.me/38eb3334, will be kicked off with an event on Saturday, September 14 at 8 pm at Young Ethel’s at 506 5th Avenue, South Slope, Brooklyn.  The event will feature performances by reunited Brooklyn Beat bands including Kenny Young and the Eggplants, Squirrels from Hell, Chemical Wedding, Medicine Sunday, Frank’s Museum and Hari Karaoke Trio of Doom.  Info at youngethels.com  (Ed. note: This writer was a member of the latter two bands in the lineup).

    “This film has come together much like the Brooklyn Beat scene itself,” begins West, “with a group of artists collaborating to create something more beautiful than any could’ve imagined or created on their own. This team, the interviewees and the subject matter have put us well on the road to producing a high-quality documentary about a fondly remembered corner of New York City’s rock history.”

    Rachel Cleary adds: “Trying something new can redirect the trajectory of a person’s life. In our interviews, people spoke about breaking their routine to go into Lauterbach’s and that it led to their lives taking a completely different course, for the better. I hope people will leave this film with an appreciation for the power and importance of community, shared experience, and especially music made for the love of it. The Brooklyn Beat crew is a family that lived and continues to thrive well beyond the walls of a bar.”

  • West Falls Center For The Arts Hosts “Music Mends”

    The West Falls Center for the Arts will host a special fundraiser known as “Music Mends.” The fundraiser is held at the Admiral Room in Buffalo, on October 3, from 6-9 pm.

    west falls center for the arts

    West Falls Center for the Arts is a nonprofit arts and cultural destination hub, offering programs designed to bring arts and culture enjoyment to all. Music Mends is yet another of the inspiring events hosted by the center.

    Music Mends offers a wide variety of activities, including free music lessons for Veterans and their families, lessons from the accredited PBS program Kids Jam, and music mentoring for young artists. The nationally recognized Musical Memories Cafe hosts a special program for individuals with Alzheimer’s/Dementia and their caregivers. Performances from special musical guests and Buffalo natives The Kensingtons will take place all night, celebrating the classic artists of the 1960s and 70s like Roy Orbison. Music Mends will end with a Community Concert Series.

    Guests can enjoy complimentary wine, beer, and soda all night long. Throught the night, there are basket raffles, wine pulls, a gift card wall, and more fundraising activities. All proceeds go directly to the West Falls Center for the Arts, and help fund a wide variety of programs to bring music and art to the citizens of West Falls.

    Tickets for Music Mends start at $75 each, or $130 for two – tickets and more information are available on the West Falls Center website, linked here.

    The Admiral Room is located in the Marin apartment buildings, located at 237 Main Street, 14203, in Buffalo.