Latin rapper Residente announced his official tour “Las Letras Ya No Importan” (Lyrics Are Not Important) after the release of his second album.
Residente’s tour will make its only U.S. East Coast stop at Radio City Music Hall in NYC, on September 18, 2024. The Radio City Music Hall show is one of only two U.S. dates. The other is in Los Angeles on September 20.
The tour name coincides with the album of the same name, which features 23 tracks. The album includes artists such as Penélope Cruz, Ricky Martin, Busta Rhymes, Big Daddy Kane, Christian Nodal, Arcangel, and many more.
General on sale for tickets began March 15. Get them now at stubhub.com. Make sure to see Residente at his show at Radio City Music Hall before he leaves the states.
Greensky Bluegrass will make stops in New York this summer, for an evening with at Pier 17, as well as at SPAC, in support of Tedeschi Trucks Band on their “Deuces Wild” summer tour.
Known for their dynamic live performances, profound songwriting, and accessible storytelling, Greensky Bluegrass will kick off their summer tour in Kansas City on June 6.
The news comes just days after the band wrapped their energetic 24-date winter run with two nights at the iconic Ryman Auditorium in Nashville, TN with surprise guests Billy Strings, Sam Bush, Daniel Donato, Jennifer Hartswick, and Jarrod Walker.
Greensky Bluegrass is Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin]. The five are connected through a deep bond, just as they are seasoned road warriors, theyâre a band of brothers who have seen each other through decades of ups and downs, personal and collective highlights, and the moments when life turns it all upside down.Â
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
Tickets for Greensky Bluegrass at Pier 17 and other dates are on sale now at greenskybluegrass.com/tour.
GREENSKY BLUEGRASS ON TOUR
May 11-12 @ Mill Valley Music Festival | Mill Valley, CA
May 23-26 @ DelFest | Cumberland, MD
May 24-26 @ Dark Star Jubilee | Thornville, OH
June 6 @ Grinders | Kansas City, MO
June 8 @ Rock The Ruins | Indianapolis, IN
June 13 @ Shelburne Museum | Burlington, VT
June 14 @ Pier 17 | New York, NY
June 15 @ Northlands Music & Arts Festival | Swanzey, NH
June 16 @ Bonnaroo | Manchester, TN
July 5 @ High Sierra Music Festival | Quincy, CA
July 7 @ Waterfront Blues Festival | Portland, OR
July 18-20 @ 4848 Festival | Snowshoe, WV
August 2-4 @ Grassfire Festival | Garrettsville, OH
August 10 @ Jam Packed Craft Beer & Music Festival | Richmond, VA
August 30 @ Saratoga Performing Arts Center | Saratoga Springs, NY*
September 13 @ Red Rocks Amphitheatre | Morrison, CO^
September 14 @ Red Rocks Amphitheatre | Morrison, CO#
Béla Fleck reflects highly on his years-long collaboration with late pianist Chick Corea, sounding like a bashful student musician, still in awe of the jazz legend whose impact transformed him as a teenager in the ’70s. The duo’s album, Remembrance – out May 10 via Thirty Tigers – serves as a moving final document of the profound creative and personal rapport Fleck and Corea have showcased previously on 2007’s Latin Grammy-winning The Enchantment.
Released just over three years after Corea’s passing, Remembrance serves as an addendum to Corea’s legacy, highlighted by three previously unreleased Corea compositions as well as five short free improvisations, or impromptus, that Fleck has infused with written music.
Recorded both live in concert, over the duo’s final tour dates in 2019, Remembrance was crafted by trading sound files amid the Covid pandemic. Running a stylistic gamut, the album features Corea’s unreleased tunes “Enut Nital” (“Latin Tune,” spelled backwards), and “Continuance,” an older work that resurfaced in the duo’s setlist, as well as new Fleck compositions, including “The Otter Creek Incident” and “Juno,” a winsome tribute to his son, the channeling Thelonious Monk and Scarlatti, and challenging exercises such as “Small Potatoes,” which evokes Corea’s work in the jazz avant-garde.
When the 18-time Grammy Award-winning banjoist reflected on his time collaborating with Corea, Fleck said, “I just feel so lucky to have played with him in such an intimate way, and to have gotten to know him so well.”
The title track, a Corea composition “Remembrance,” is one of the last pieces of music Chick ever recorded. “It’s just one of those perfect Chick Corea tunes,” Fleck says. “It sounds to me like a New Orleans funeral march, even though it has a Latin component, like everything he did tended to.”
Corea’s death in 2021 devastated the jazz community, who saw the pianist as a constant international presence, a vibrant musician who never ceased touring and recording. “It was a deep shock,” says Fleck, who also released an inspired live project with Corea, Two, in 2015. “It was one of the special relationships in my life. He was just so kind to me, and so helpful, and I learned so much from him.”
“We pushed this duo to a new place before we ran out of time,” says Fleck, who produced Remembrance. “We have here another cool look at Chick Corea, at the different ways that he can play that we wouldn’t have had. There’s a lot of great Chick Corea out there, and this is different.”
“I know it sounds unlikely. But it really happened. Once upon a time, I played banjo in a duo with Chick Corea.”
“He found the good in everything. I’m just so glad to be a part of this — glad I could be with him, and glad there’s more to share.”
Chick Corea & Béla Fleck Remembrance track listing
1. The Otter Creek Incident (Béla Fleck)
2. impromptu III: march hare
3. Enut Nital (Chick Corea)
4. impromptu II: mock turtle
5. Bemsha Swing (Thelonious Monk, Denzil Best)
6. Lucky Bounce
7. impromptu I: cheshire
8. Remembrance (Chick Corea)
9. Juno (Béla Fleck)
10. Scarlatti Sonatas (Domenico Scarlatti, arr.. By Corea, Fleck)
11. impromptu V: jabberwocky
12. Small Potatoes
13. Continuance (Chick Corea)
14. impromptu IV: gentleman fish
“With Béla, our duet has become so simpatico, and comfortable–comfortable spiritually. And not meaning that we’re not adventuring musically, but I know that whatever we’re going to do is going to be musical.”
Chick Corea, speaking about Bela Fleck, in 2015
Béla Fleck Tour Dates
April 3 Buffalo, NY Kleinhans Music Hall ^
April 4 Oakville, Ontario Oakville Centre for the Performing Arts ^
April 5 Kingston, Ontario Kingston Grand Theatre ^
April 6 Stowe, VT Spruce Peak PAC ^
April 9 Ottawa, Ontario Centrepointe ^
April 10 St. Catharines, Ontario Partridge Hall ^
April 12 State College, PA The State Theatre ^
April 13 Goshen, IN Goshen College ^
April 14 Lexington, KY Lexington Opera House ^
April 24 Skokie, IL North Shore PAC *
April 25 Kohler, WI Kohler Memorial Theatre *
April 26 Royal Oak, MI Royal Oak Music Theatre *
April 27 Wilkesboro, NC MerleFest *
April 28 New Orleans, LA New Orleans Jazz Festival *
May 4 New York, NY Carnegie Hall (Béla Fleck: Rhythm, Raga & Rhapsody)
June 13 Groton, MA Groton Hill Music Center #
June 14 Kingston, NY Ulster PAC #
June 15 Hartford, CT The Bushnell #
June 16 Kennett Square, PA Longwood Gardens #
June 18 Boulder, CO Chautauqua Amphitheater #
June 20 Telluride, CO Telluride Bluegrass Festival (house band)
June 21 Telluride, CO Telluride Bluegrass Festival #
On the New York City night of February 23, Chelsea Cutler sold out her first ever Radio City Music Hall headline show. Nearly 6,000 New Yorkers wrapped around the Midtown blocks, adorned in Cutler-inspired sneakers, jerseys, and “vintage” Cutler merch. The energy circulating from city to city on “The Beauty Is Everywhere Tour” finally arrived in Manhattan, and it was well-received.
Photograph by Shauna Hilferty
The evening began with an opening performance from the New York City native group, Yoke Lore. Lead singer Adrian Galvin exclaimed how gracious he was to be on stage at “the most beautiful venue.” Galvin and drummer, Rafe Bouchard, warmed up the rapidly filling auditorium with their folk-pop discography. He sang crowd favorites like “Beige,” and “Shake,” and thrashed his limbs in a feral yet simultaneously elegant dance. Yoke Lore also performed one his favorite childhood songs, “Truly Madly Deeply,” which felt like an unveiled sentiment to playing at Radio City.
After Yoke Lore departed, Radio City’s iconic velvet curtains lowered to the stage floor. Behind them, stage crew shadows danced in a fit of productive motion, bringing Chelsea’s stage to life. It wasn’t long before the lights dimmed, hushing everyone’s conversations into a silence of excitement, and the curtains lifted to reveal the massive stage.
Photograph by Shauna Hilferty
White scalloped arches framed a platform with a miniature catwalk where a microphone waited at the end. A drum set, guitar setup, and Chelsea’s signature sound board accessorized the stage. Retro strobe lights at the base of the stage, casting long shadows over the audience while synth swallowed the space, and an intro-audio oding to the beauty in everything carried up to the mezzanine.
At the close of the audio, Chelsea appeared on stage. Her song “Something More” was the perfect opening song, and a great introduction to the yearn and desperation behind her record “Stellaria.”
Stellaria’s production grade is too large to be put in the confines of a single “type” of music. Chelsea really tapped into her personal writing style, and introduced her fans to the story-telling air of folk music. Instrumentally, the record is versatile – it relies on Cutler’s usual mastery of percussion and riffs, while also introducing more twang carrying sounds, and displays a phenomenal usage of synth. Radio City was the perfect venue to hold room for the performance of “Stellaria.”
After her first few songs “I Don’t Feel Alive” and one of her crowd-favorites, “Cold Showers,” Chelsea couldn’t contain her excitement. She stopped to acknowledge how “pretty fucking cool” it was to be playing Radio City. “It’s a Friday night in the city I call home! New York City, how are you doing?” The crowd erupted, charging Cutler’s amped energy.
Cutler spoke casually with the audience, like they were all just chilling together at a party she was hosting. “There are a few important things to talk about. One, I’m a bit of a sneakers girl, but tonight… I’m wearing loafers! Two, my mom just got a hip replacement and she is here tonight!” The crowd applauded Mama Cutler.
Photograph by Shauna Hilferty
On tour in celebration of “Stellaria,” Chelsea Cutler is fortifying her already established fanbase. Having been in the music industry since her college days, Chelsea is ever-evolving as a musician, bridging an experimental gap between genres. The community at the foot of her sound has only grown, as she’s planted her voice in the genres of folk-americana, pop, and continues to water her roots in electronic exploration. Her willingness to try something new grows her listener count album by album.
Cutler’s fanbase is composed of a large listener demographic. Fans of multiple genres, fans of all ages, and fans from the LGBTQ+ community. A Chelsea Cutler show has always been the friendliest and most welcoming environment, and it was heart-warming to see that energy occupying a notorious space like Radio City.
Photograph by Shauna Hilferty
The show rolled into some of Chelsea’s archives from albums “When I Close My Eyes” and “Sleeping With Roses II.” Songs like “Easy” and “AF1s” elicited a surefire singalong from the audience.
Sewn around two of her newer songs dealing with the weight of self-reflection “Hunting Season” and “Growing Up Is Hard,” were two of her older songs “NJ” and “Crazier Things,” two songs written with romantic grief. The parallel lines running beside each other added an intensity to the performance.
Halfway through the setlist, stage crew rolled out a rickety wooden piano and Cutler’s incredibly talented bandmates, drummer Michael Mason and keys player J.T. Becker stepped back to make room for an acoustic set that wrapped with her song “Hotel June.” Acoustic sets deeply favor Cutler’s flutey tonal ability, allowing her range to take up more sonic space.
The lights dimmed and the piano was pulled from the stage to make the transition into a different sector of her sound. When the lights flashed back into motion Cutler reappeared to sing two of her hits “Sad Tonight” and “The Reason.” “The Reason,” from “Sleeping With Roses” is a staple at a Chelsea Cutler concert, with one of the most electrifying instrumental choruses to ever drop.
After a few more tracks, the show closed with one of Chelsea’s most received single releases, “The Lifeboat’s Empty.” The seated structure of Radio City couldn’t contain the fans, as they jumped and pushed into the aisles. It was the perfect send off song, before Chelsea ran backstage.
Overhead, the lights turned on but Chelsea Cutler fans knew better than to assume the show’s over. It wasn’t long before reappeared on stage for an encore. She acoustically performed her most recent song of transcendence, “Your Bones.” The audience took matters into their own hands, singing the chorus as Chelsea sat back in awe.
Photograph by Shauna Hilferty
The evening closed with another track from “Brent,” “This Is How You Fall In Love.” The lyrics felt like an ode to her fans, her tour, and the earned chance to perform at Radio City. As the slow and melodic sound came to an abrupt close, Chelsea’s outro song “Paper Planes” took over the speaker and she exited the stage with the widest smile. The audience collectively sang along as they filed out of the auditorium.
Photograph by Shauna Hilferty
“The Beauty is Everywhere Tour” has been a true display of enjoyment, passionate songwriting, vocal maturity, and Cutler’s self-acceptance as a human being. This record has done great things for listeners and for Chelsea herself, and a sold out Radio City Music Hall is a symbol of that achievement.
The project behind this tour is a display of the cleanse that comes with the discomfort of acceptance. Acceptance of one’s self, acceptance of the mundane, acceptance of the past/present/and future. Acceptance sometimes feels otherworldly, like a transformance. This is what “The Beauty is Everywhere Tour” has been for Cutler – an artistic exploration of the space between one’s existence and their sound.
On Thursday March 14, Offset took his “SET IT OFF” tour to the Palladium in Times Square for its third stop. The rapper enlisted a strong group of up and coming artists to warm up the crowd before his performance.
Offset at Palladium Times Square. Photo by Lucas Kurzweil
The first rising talent of the night was YRN Mango Foo, followed by SleazyWorld Go and then Skilla Baby. Skilla took it upon himself to enter the mosh pit and perform most of his set from the crowd. In between songs, Skilla would have the fans chant four simple words: “I will have fun,” until late in his set where he sang a cover of FUN.’s “We Are Young” while in the mosh pit. After the openers, Hot 97’s own Funk Flex took the stage to perform a DJ set. Flex’s song choices and comedic adlibs ensured the crowd was ready for Offset to take the stage.
Skilla Baby at Palladium Times Square. Photo by Lucas Kurzweil
Offset opened with a plethora of songs from his new album, specifically: “Say My Grace,” “Fan,” “Broads Day,” “Big Dawg,” and “On the River.” With a live band behind and a set of stairs streaming down the center of the stage, there was never a dull moment. Offset had backup dancers and high energy throughout the entire show.
Offset at Palladium Times Square. Photo by Lucas Kurzweil
Offset decided to give New York a taste of their own music. He brought out Brooklyn rap group 41 as well as Bronx artist Cash Cobain. 41 and Cash Cobain both brought a great representation of New York rap to the stage.
But Offset had one more special guest to round off the night. Near the end of the show, Offset and his DJ were talking back and forth saying, “we still gotta do it for New York,” before, abruptly, the beat to A Boogie Wit Da Hoodie’s “My Shit” started playing, and a few seconds later, A Boogie himself joined Offset on stage. The Bronx rapper performed “My Shit” and “Drowning” for his hometown crowd, sporting a Yankees cap and a Highbridge chain.
A Boogie Wit da Hoodie at Palladium Times Square. Photo by Lucas Kurzweil
Offset ended the night with some of his older classics, “Motorsport,” “Narcos,” “Clout,” “Ric Flair Drip,” and “Bad and Boujee.” Tickets for the rest of the “SET IT OFF” tour are available here.
Offset at Palladium Times Square. Photo by Lucas Kurzweil
Offset setlist: Say My Grace, Fan, Broad Day, Big Dawg, On the River, Danger, Ghostface Killers, Rap Saved Me, Legacy, No Complaints, Patek Water, 100 Racks, Monday, Hop Out, Skyami, Don’t You Lie, Zeze, Worth It, Fight Night, Call Casting, Last Memory, Motorsport, Narcos, Clout, Ric Flair Drop, Bad n Boujee
Offset (left) and A Boogie Wit da Hoodie (right) at Palladium Times Square. Photo by Lucas Kurzweil
Offset Upcoming Tour Dates Fri Mar 15; Boston, MA; Citizens House of Blues Boston Sun Mar 17; Toronto, ON; HISTORY Tue Mar 19; Detroit, MI; The Fillmore Detroit Wed Mar 20; Grand Rapids, MI; GLC Live at 20 Monroe Fri Mar 22; Cincinnati, OH; Bogart’s Sat Mar 23; Chicago, IL; Byline Bank Aragon Ballroom Wed Mar 27; Denver, CO; Fillmore Auditorium Fri Mar 29; Los Angeles, CA; Hollywood Palladium Sat Mar 30; San Francisco, CA; The Masonic Mon Apr 1; Anaheim, CA; House of Blues Anaheim Wed Apr 3; Phoenix, AZ; The Van Buren Fri Apr 5; Dallas, TX; South Side Ballroom Sun Apr 7; Houston, TX; Bayou Music Center
Skilla Baby at Palladium Times Square. Photo by Lucas KurzweilOffset at Palladium Times Square. Photo by Lucas KurzweilOffset at Palladium Times Square. Photo by Lucas KurzweilA Boogie Wit da Hoodie at Palladium Times Square. Photo by Lucas KurzweilYRN Mango Foo Go at Palladium Times Square. Photo by Lucas KurzweilYRN Mango Foo Go at Palladium Times Square. Photo by Lucas KurzweilSleazyworld Go at Palladium Times Square. Photo by Lucas KurzweilOffset at Palladium Times Square. Photo by Lucas Kurzweil41 at Palladium Times Square. Photo by Lucas KurzweilSleazyworld Go at Palladium Times Square. Photo by Lucas KurzweilOffset at Palladium Times Square. Photo by Lucas Kurzweil
There are dozens of Irish pubs offering the best in Irish music throughout New York City. But what’s really the best of the best? Let this list of the top Irish Pubs in NYC act as your tour guide for this upcoming St. Patrick’s Day – or any day you want to enjoy some jigs and reels!
https://youtu.be/AGkDTFjHNVU?si=NKmcIqJKf2rVRp_Q
Hozier celebrates his birthday at Paddy Reilly’s on St. Patrick’s Day in 2023.
Located in the heart of Kips Bay, Paddy Reilly’s has grown into a staple for live Irish music. Just last St. Patrick’s Day, Hozier celebrated his birthday at the pub and performed there live. Except to hear music every day at Paddy Reilly’s, not just on St. Patrick’s Day! For the past 27 years, the pub has been the home to local Irish band The Prodigals. When The Prodigals aren’t playing, expect to hear a blend of Irish classics with rock, folk, and alternative songs. Pub goers can take their own hand at singing too every Tuesday night at Paddy Reilly’s Open Mic Night. The following night is Irish Traditional Night hosted by Niall O’Leary. Every Wednesday night starting at 9pm, Paddy Reilly’s provides a space to enjoy traditional Irish music and stepdance. If you’re in Kips Bay, go to Paddy Reilly’s, sit on a barstool, order a Guinness, and enjoy the music for some good craic.
Cillian Vallely of the band Lúnasa plays at The Dead Rabbit’s Sunday seisiún.
2) The Dead Rabbit – 30 Water Street, Manhattan
Since its opening in 2013, The Dead Rabbit has won numerous awards, and rightfully so! The Dead Rabbit was awarded “World’s Best Bar” in 2016 at the 9th annual Tales of the Cocktail’s Spirited Awards. One could see why when they step into The Dead Rabbit, which seems to be three separate bars seamlessly blended into one. The bar is split into the Taproom, the Parlor, and the Occasional Room. The Parlor hosts various cocktails and comfortable seating; while, the Occasional Room is available for private events. But if it’s live music and good craic you’re looking for, head no further than the Taproom. The Taproom hosts numerous artworks from various contemporary Irish creatives. The Dead Rabbit’s commitment to the arts is also heard every Sunday night from 6-10pm. The seisiúns (sessions) host different musicians every week. You’ll hear everything from the fiddle and guitar to the Irish whistle and bodhrán. Pair it with a Sunday roast and Irish coffee for the perfect way to end your weekend.
James Margolis Trio performs at An Béal Bocht Cafe.
3) An Béal Bocht Cafe – 445 W 238th Street, Bronx
Translating to “the poor mouth” in Irish Gaelic, An Béal Bocht Cafe is named after Irish novelist and playwright Flann O’Brien’s 1941 novel. Living up to its literary name, An Béal Bocht Cafe is covered in portraits of Irish literary legends, such as James Joyce. The pub has been home to the Arts in Riverdale for over 30 years. Every second Wednesday of the month is Writers / Poetry Night hosted by Melinda Wilson and Erin Lynn. Not only does the pub highlight literature but also music. An Béal Bocht Cafe is home to the Bronx’s longest running Irish traditional session. Spanning over 25 years, the session is hosted every Sunday from 4-7pm by Lindsey Ceitinn and Michelle Bergin. So head up to the Bronx, right next to Manhattan College, to join in on the live music every Sunday evening.
The perfect pint of Guinness poured at Grace’s in Manhattan.
4) Grace’s Pub – 252 West 14th Street, Manhattan
Opening just six years ago in 2018, Grace’s has already cemented itself into the weekly lineup of can’t miss Irish music sessions. Every Wednesday night starting at 8pm, Matt Stapleton and guests host an Irish music session where any musician can join in, such as Come From Away musician Pat Mangan, who has joined in on many a session at Grace’s. The traditional Irish music coupled with the pub’s classic Manhattan bar decor offers a comfy and chic atmosphere that is the perfect oasis from the hustle and bustle of the city. If you can’t get enough of Grace’s, head to its sister bar Hartley’s located at 14 Putnam Avenue, Brooklyn for an even homier atmosphere and for live music every Monday night starting at 8pm.
Musicians perform at Mary O’s weekly Thursday night session.
5) Mary O’s – 32 Avenue A, Manhattan
Located in the East Village, Mary O’s has been committed to keeping the tradition of Irish music alive since 2009. Even when Mary O’s was closed during the pandemic, musicians longed for the pub’s sessions so much that session regulars Catilin Warbelow and Chris Ranney started virtual Mary O’s sessions via Tune Supply on YouTube. The virtual sessions kept Mary O’s Irish music community alive, and now, the sessions can be enjoyed in-person every Thursday from 8-11pm with different guest leaders every week. Visit to join Mary O’s musical community while enjoying their staple Irish soda bread scones.
Afrobeats artists Shallipopi and Odumodublvck have announce a co-headline ‘Nigeria’s Most Wanted Tour 2024’, the first-ever joint tour in Afrobeats history. The nine-city tour includes a stop at Irving Plaza on Thursday, May 2.
Shallipopi (Crown Uzama), also known as Pluto Presido, stands as a testament to the boundless potential of creativity and the rapid influence of social media in the music world. Hailing from Benin in Nigeria, Shallipopi has crafted a unique niche for himself as an exceptionally talented singer and trendsetter.
It was 2023 that witnessed his meteoric ascent, as he unleashed his hit single “Elon Musk.” The song became an instant sensation, catapulting him into the spotlight and setting the stage for a series of subsequent triumphs. Hits like “Sharpiru” and the electrifying remix of “Elon Musk” further solidified his status as a musical force to be reckoned with.
Marking another milestone in his extraordinary journey, he launched his record label -“Plutomania Records” in October of 2023 with two signees – Zerrydl & Tega Boi Dc who have both featured on previous projects with him. Shallipopi’s fusion of raw talent, unrelenting determination, and unwavering dedication positions him as a true trendsetter.
Odumodublvck, born Tochukwu Gbubemi Ojogwu, has emerged as a prominent voice in Nigerian Hip-Hop, seamlessly blending drill, grime, and Afrobeat influences. His viral 2023 single, “Declan Rice,” showcased his shapeshifting flows, paving the way for his critically acclaimed mixtape “EZIOKWU” on NATIVE Records/Def Jam.
Despite his diverse musical aesthetics, Odumodublvck emphasizes the universality of his songs, aiming to connect with a broad audience. Originally a soccer enthusiast from Abuja, Odumodublvck absorbed Ghanaian music from his father’s collection and later drew inspiration from artists such as Sisqó, Sean Paul, Lil Wayne, 50 Cent, and JAY-Z. Stylistically influenced by 50 Cent and inspired by JAY-Z’s journey to superstardom, Odumodublvck navigates the music scene with determination.
Their joint single, “Cast” was released in November 2023 and peaked at #1 on TurnTable Top 100 and at Top 10 on Billboard US Afrobeats.
Shallipopi & Odumodublvck’s individual projects “Presido La Pluto” and “EZIOKWU” also peaked at #1 on the TurnTable Top 100 Albums lists with #1 hits “Elon Musk” and “Ex-Convict” from Shallipopi and “Blood On the Dance Floor” feat. Wale & Bloody Civilian + “Declan Rice” from Odumodublvck.
Music icons Daryl Hall and Elvis Costello & The Imposters have announced that they will be co-headlining a North American summer tour. The tour will make stops at legendary locations including Radio City Music Hall and Bethel Woods Center for the Arts.
Daryl Hall
Daryl Hall is a modern-day Renaissance man who continues to add achievements to his forty-year career. Beyond the stage, with a varied range of artists, “Live from Daryl’s House” sets the caliber for artist-initiated projects. This TV show, along with accomplishments like the Rock and Roll Hall of Fame induction showcases Hall’s lasting influence.
From London to Liverpool, Elvis Costello is a seasoned performer with more than 45 years in the business. His partnerships with musicians like Burt Bacharach and other artists show his wide-ranging musical impact. Taking on stage adaptations and memoirs, Costello definitely leaves a lasting impression on the industry.
Elvis Costello
The fun kicks off on June 2 and stops at Radio City Music Hall in the heart of Manhattan on July 16, and Bethel Woods Center for the Arts on July 20. The tour stops in 22 cities as it travels from the West Coast to the East Coast. Hall said, “It’s fantastic to be able to rekindle a musical relationship.” Costello agrees, making sure every performance has a spectacular start and finish.
Fans are in awe of their skill and legacy as shown by the tour lineup. The artists are ready to take on the summer journey.
For those eager to participate, the general on-sale starts at 10am local time on March 15. Tickets are available at ElvisCostello.com and DarylHall.com.
Daryl Hall And Elvis Costello & The Imposters With Charlie Sexton Tour Dates
Sun Jun 02 – Troutdale, OR – McMenamins Edgefield
Tue Jun 04 – Airway Heights, WA – BECU Live at Northern Quest
Thu Jun 06 – Seattle, WA – Remlinger Farms
Sat Jun 08 – Bend, OR – Hayden Homes Amphitheater
Mon Jun 10 – Saratoga, CA – Mountain Winery
Wed Jun 12 – Lincoln, CA – Thunder Valley Casino
Fri Jun 14 – Santa Barbara, CA – Santa Barbara Bowl
Sun Jun 16 – San Diego, CA – Cal Coast Credit Union Open Air Theatre at SDSU
Tue Jun 18 – Los Angeles, CA – The Greek Theatre
Fri Jun 21 – Rancho Mirage, CA – Agua Caliente Casino
Sun Jun 23 – Las Vegas, NV – Fontainebleau Las Vegas
Thu Jul 04 – Toronto, ON – Budweiser Stage
Sat Jul 06 – Highland Park, IL – Ravinia Festival
Mon Jul 08 – Detroit, MI – Masonic Temple Theatre
Wed Jul 10 – Philadelphia, PA – TD Pavilion at the Mann
Fri Jul 12 – Uncasville, CT – Mohegan Sun Arena
Sun Jul 14 – Boston, MA – MGM Music Hall at Fenway
Tue Jul 16 – New York, NY – Radio City Music Hall
Thu Jul 18 – Holmdel, NJ – PNC Bank Arts Center
Sat Jul 20 – Bethel, NY – Bethel Woods Center for the Arts
After 60 years of Irish ballads and rebel songs, The Wolfe Tones will conclude their career in America this St. Patrick’s Day weekend. Their last American shows will be Friday, March 15 and Saturday, March 16 at 7:30 pm at the Town Hall in New York City.
The Wolfe Tones pictured on stage. From left to right: Brian Warfield, Tommy Byrne, and Noel Nagel.
The group formed six decades ago, back in August of 1963. The group consisted of frontman Brian Warfield, Noel Nagel, and Liam Courtney. The following year, Brian’s brother Derek Warfield joined the group along with Tommy Byrne, who replaced Courtney. That lineup remained consistent for almost 37 years until “creative differences” caused Derek Warfield to leave the band in 2001. Derek formed The Young Wolfe Tones and has barely spoken to his brother Brian since.
The band now consists of Brian Warfield, Noel Nagel, and Tommy Byrne. Despite the change in lineup, the band continues to chant their rebel songs. Their hit “Celtic Symphony” remains a fan favorite, standing the test of time. Just two years ago in October of 2022, the song rose again to No. 1 on the Irish iTunes charts and No. 2 on the UK iTunes chart 35 years after its initial release. This rebel song truly embodies The Wolfe Tones essence, especially as the band is named after Theobald Wolfe Tone, a prominent leader of the Irish Rebellion of 1798.
The band’s success hasn’t stayed in Ireland and the UK but has traveled overseas to the Tri-state area. Their song “The Streets of New York,” which was released in 1981, continues to be a staple in the New York Irish community. The song can be heard every week on New York’s WFUV 90.7 FM’s Irish music program, Ceol na nGael.
A crowd of 10,000 eagerly sing along to The Wolfe Tones when they performed at Belfast’s Féile an Phobail in August of 2022.
The Wolfe Tones will celebrate their long-term success with their Farewell Tour. But why not continue this success? Brian Warfield said member Tommy Byrne always said, “I’m not going to go past 80.” As Byrne and Nagel are 80 this year, the band has decided to retire. But they’re not going quietly. They’ll be ending their Farewell Tour with two lively shows in 3Arena, Dublin in mid-October.
To catch The Wolfe Tones live one last time in New York at the Town Hall this upcoming St. Patrick’s Day weekend on March 15 and 16, click here for tickets.
May 10, 2024 marks the 30th anniversary of Weezer’s self-titled debut album, better known as the Blue Album. To celebrate the milestone, Weezer announced their Voyage to the Blue Planet Tour on March 11. The tour will consist of opening acts The Flaming Lips and Dinosaur Jr. along with a setlist comprising the entirety of the Blue Album.
While Weezer has gone on recent back-to-back tours (The Hella Mega Tour in 2021-2022 followed by The Indie Rock Road Trip in 2023), the setlists focused on Weezer’s more recent albums. Since the pandemic, Weezer released two albums, OK Human (2021) and Van Weezer (2021), along with four EPs in 2022. With this added material, Weezer has a vast array of source material to choose from, spanning 15 studio albums and 37 singles. So while Weezer has made sure to almost always play their Blue Album’s singles along with their hit “Surf Wax America ” during their concerts, it has been near impossible to play the entirety of the Blue Album at one concert. But now, fans have the chance to listen live to the entirety of perhaps Weezer’s most iconic and influential album.
Weezer released their critically-acclaimed self-debut album back in 1994. With three hit singles – “Undone – The Sweater Song,” “Buddy Holly,” and “Say It Ain’t So” – it’s no surprise the album peaked at No. 16 on the Billboard 200 and was certified platinum under eight months later on January 13, 1995. Not only have the songs developed into pop culture staples but so has the album cover, which is now a global meme. The album’s humor, geekiness, and musicality cemented Weezer as the band for outcasts and alternative rock enthusiasts alike.
Weezer will be kicking off the tour with a special performance at The Lodge Room in Los Angeles on March 15. The performance harkens back to Weezer’s very first performance on March 19, 1992 when they closed for Keanue Reeves’ band Dogstar. Now almost exactly 30 years later, Dogstar will be opening for Weezer! There are rumors of other surprise guests as well.
The tour will then begin on September 4 in St. Paul, Minnesota. Weezer will be in New York at Madison Square Garden on September 11. Weezer will be in the surrounding tristate area on September 13 at the Wells Fargo Center in Philadelphia. As the band stated, “Get ready, because you’re about to be feeling Blue all year round.”
Presale for Weezer’s fan club members and their mailing list starts Wednesday, March 13. General on sale tickets will be available on Friday, March 15. For more information and to get tickets, click here.
